IV

Of these things Fifth Avenue is innocent at five in the afternoon. The

diastole of travelers had spread all morning from Grand Central; the

systole is active at five. As the great muscle contracts in the

afternoon, atoms are pulled frantically to the suburbs, tearing their

way through the weaker streams that are drawn up by the neighboring

shops and clubs and bars and hotels. The Biltmore and Sherry's and

Delmonico's and the Manhattan and the Belmont are no longer columnar

monuments, holding secret vigil. They are secondary to the human floods

which they suck in and spray out. The street itself is lost to memory

and vision. A swollen stream, dammed at moments while chosen people are

permitted to walk dry-shod across, bears on its restless bosom the

freight of curiosity and pride and favor. One might fancy, to gaze on

this mad throng of motors, that a new religious sect had conquered the

universe, worshipers of a machine.

It is the hour of white gloves and delicate profiles, the feminine hour.

A little later there will be more leaves than blossoms, the men coming

from work giving a duller tone. But one is permitted to believe for this

period that Fifth Avenue has a personality, parti-colored, decorative,

flashing, frivolous, composed of many styles and many types. The working

world intersects it rudely at Forty-second Street, but scarcely

infiltrates it. A qualification distinguishes those who turn up and down

the Avenue. It is not leisure that distinguishes them, or money, but

their sense that there is romance in the appearance of money and

leisure. Many of the white gloves are cotton. Many of the gloves are not

white. But it is May-time, the afternoon, Fifth Avenue. One may pretend

the world is gay.

They seem chaotic and impulsive, these crowds on Fifth Avenue. They move

as by personal will. But dawn and sunset, morning and evening, common

attractions govern them. There is a rhythm in these human tides.

V

For eighty years Henri Fabre watched the insects. He stayed with his

friend the spider the round of the clock. Time, that reveals the spider,

is also eloquent of man in his city. Time is the scene-shifter and the

detective. Some day we should pitch a metropolitan observatory at the

corner of Fifth Avenue and Forty-second Street,--some day, if we can

find the time.

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