"I reassured her on that score, you can fancy, and left her standing in

the deep-embrasured window, a great stag-hound at her feet, and the

setting sun, all the brighter for its past eclipse, bathing her in

light. I can always see her in memory as I saw her then, poor

child!----Faugh! How hot the night is! Can't we get more air anyhow?

"'If you come again up here, m'sieu, you will be the first visitor the

Nid de l'Aigle has seen for four years,' said old Cazot, as she showed

me out through the dusky-vaulted passage. She was a cheerful, garrulous

old woman, strong in her devotion to the De l'Heris of the bygone past;

stronger even yet in her love for their single orphan representative of

the beggared present. 'Visitors! Is it likely we should have any,

m'sieu? Those that would suit me would be bad company for Ma'amselle

Florelle, and those that should seek her never do. I recollect the time,

m'sieu, when the highest in all the departments were glad to come to the

bidding of a De l'Heris; but generations have gone since then, and lands

and gold gone too, and, if you cannot feast them, what care people for

you? That is true in the Pyrenees, m'sieu, as well as in the rest of the

world. I have not lived eighty years without finding out that. If my

child yonder were the heiress of the De l'Heris, there would be plenty

to court and seek her; but she lives in these poor broken-down ruins

with me, an old peasant woman, to care for her as best I can, and not a

soul takes heed of her save the holy women at the convent, where, maybe,

she will seek refuge at last!'

"She let me out at the gate where I had thundered for admittance two

hours before, and, giving her my thanks for her hospitality--money she

would not take--I wished her good day, and rode down the bridle-path to

St. Sauveur, and onwards to Luz, thinking at intervals of that fair

young life that had just sprung up, and was already destined to wither

away its bloom in a convent. Any destiny would be better to proffer to

her than that. She interested me already by her childlike loveliness and

her strange solitude of position, and I thought she would while away

some of the long summer hours during my stay in the Midi when I was

tired of chamois and palette, and my lazy dolce under the beech-wood

shades. At any rate, she was newer and more charming than the belles of

Eaux Bonnes.

"The next morning I remembered her permission and my promise, and I rode

out through the town again, up the mountain-road, to the Nid de l'Aigle;

glad of anything that gave me an amusement and a pursuit. I never wholly

appreciate the far niente, I think; perhaps I have lived too entirely in

the world--and a world ultra-cold and courtly, too--to retain much

patience for the meditative life, the life of trees and woods, sermons

in stones, and monologues in mountains. I am a restless, ambitious man;

I must have a _pursuit_, be it of a great aim or a small, or I grow

weary, and my time hangs heavily on hand. Already having found Florelle

de l'Heris among these hills reconciled me more to my _pro tempo_

banishment from society, excitement, and pleasure, and I thanked my good

fortune for having lighted upon her. She was very lovely, and I always

care more for the physical than the intellectual charms of any woman. I

do not share some men's visionary requirements on their mental score; I

ask but material beauty, and am content with it.

"I rode up to the Nid de l'Aigle: by a clearer light it stood on a spot

of great picturesqueness, and before the fury of the revolutionary

peasantry had destroyed what was the then habitable and stately chateau,

must have been a place of considerable extent and beauty, and in the

feudal times, fenced in by the natural ramparts of its shelving rocks,

no doubt all but impregnable. There were but a few ruins now that held

together and had a roof over them--the part where Madame Cazot and the

last of the De l'Heris lived; it was perfectly solitary; there was

nothing to be heard round it but the foaming of the river, the music of

the sheep-bells from the flocks that fed in the clefts and on the slopes

of grass-land, and the shout of some shepherd-boy from the path below;

but it was as beautiful a spot as any in the Pyrenees, with its

overhanging beech-woods, its wilderness of wild-flowers, its rocks

covered with that soft gray moss whose tint defies one to repeat it in

oil or water colors, and its larches and beeches drooping over into the

waters of the Gave. In such a home, with no companions save her father,

old Cazot, and her great stag-hound, and, occasionally, the quiet

recluses of St. Marie Purificatrice, with everything to feed her native

poetry and susceptibility, and nothing to teach her anything of the

actual and ordinary world, it were inevitable that the character of

Florelle should take its coloring from the scenes around her, and that

she should grow up singularly childlike, imaginative, and innocent of

all that in any other life she would unavoidably have known. Well

educated she was, through her father and the nuns, but it was a

semi-religious and peculiar education, of which the chief literature had

been the legendary and sacred poetry of France and Spain, the chief

amusement copying the illuminated missals lent her by the nuns, or

joining in the choral services of the convent; an education that taught

her nothing of the world from which she was shut out, and encouraged all

that was self-devoted, visionary, and fervid in her nature, leaving her

at seventeen as unconscious of evil as the youngest child. I despair of

making you imagine what Florelle then was. Had I never met her, I should

have believed in her as little as yourself, and would have discredited

the existence of so poetic a creation out of the world of fiction; her

ethereal delicacy, her sunny gayety when anything amused her, her

intense sensitiveness, pained in a moment by a harsh word, pleased as

soon by a kind one, her innocence of all the blots and cruelties,

artifices and evils, of that world beyond her Nid de l'Aigle, made a

character strangely new to me, and strangely winning, but which to you I

despair of portraying: I could not have _imagined_ it. Had I never seen

her, and had I met with it in the pages of a novel, I should have put it

aside as a graceful but impossible conception of romance.

"I went up that day to the Nid de l'Aigle, and Florelle received me with

pleasure; perhaps Madame Cazot had instilled into her some scepticism

that 'a grand seigneur,' as the woman was pleased to term me, would

trouble himself to ride up the mountains from Luz merely to repeat his

thanks for an hour's shelter and a supper of roasted chestnuts. She was

a simple-minded, good-hearted old woman, who had lived all her life

among the rocks and rivers of the Hautes-Pyrenees, her longest excursion

a market-day to Luz or Bagneres. She looked on her young mistress and

charge as a child--in truth, Florelle was but little more--and thought

my visit paid simply from gratitude and courtesy, never dreaming of

attributing it to 'cette beaute hereditaire des L'Heris,' which she was

proud of boasting was an inalienable heirloom to the family.

"I often repeated my visits; so often, that in a week or so the old

ruined chateau grew a natural resort in the long summer days, and

Florelle watched for my coming from the deep-arched window where I had

seen her first, or from under the boughs of the great copper beech that

grew before the gate, and looked for me as regularly as though I were to

spend my lifetime in the valley of Luz. Poor child! I never told her my

title, but I taught her to call me by my christian name. It used to

sound very pretty when she said it, with her long Southern

pronunciation--prettier than it ever sounds now from the lips of

Beatrice Acqua d'Oro yonder, in her softest moments, when she plays at

sentiment. She had great natural talent for art, hitherto uncultivated,

of course, save by such instructions as one of the women at the convent,

skilful at illuminating, had occasionally given her. I amused myself

with teaching her to transfer to paper and canvas the scenery she loved

so passionately. I spent many hours training this talent of hers that

was of very unusual calibre, and, with due culture, might have ranked

her with Elisabetta Sirani or Rosa Bonheur. Sitting with her in the old

room, or under the beech-trees, or by the side of the torrents that tore

down the rocks into the Gave, it pleased me to draw out her unsullied

thoughts, to spread her mind out before me like a book--a pure book

enough, God knows, with not even a stain of the world upon it--to make

her eyes glisten and glow and dilate, to fill them with tears or

laughter at my will, to wake up her young life from its unconscious,

untroubled, childish repose to a new happiness, a new pain, which she

felt but could not translate, which dawned in her face for me, but never

spoke in its true language to her, ignorant then of its very name--it

amused me. Bah! our amusements are cruel sometimes, and costly too!

"It was at that time I took the head in pastels which you have seen, and

she asked me, in innocent admiration of its loveliness, if she was

_indeed_ like that?--This night is awfully oppressive. Is there water in

that carafe? Is it iced? Push it to me. Thank you.

"I was always welcome at the Nid de l'Aigle. Old Cazot, with the

instinct of servants who have lived with people of birth till they are

as proud of their master's heraldry as though it were their own,

discerned that I was of the same rank as her adored House of De

l'Heris--if indeed she admitted any equal to them--and with all the

cheery familiarity of a Frenchwoman treated me with punctilious

deference, being as thoroughly imbued with respect and adoration for the

aristocracy as any of those who died for the white lilies in the Place

de la Revolution. And Florelle--Florelle watched for me, and counted her

hours by those I spent with her. You are sure I had not read and played

with women's hearts so long--women, too, with a thousand veils and

evasions and artifices, of which she was in pure ignorance even of the

existence--without having this heart, young, unworn, and unoccupied,

under my power at once, plastic to mould as wax, ready to receive any

impressions at my hands, and moulded easily to my will. Florelle had

read no love stories to help her to translate this new life to which I

awoke her, or to put her on her guard against it. I went there often,

every day at last, teaching my pupil the art which she was only too glad

and too eager to learn, stirring her vivid imagination with descriptions

of that brilliant outside world, of whose pleasures, gayeties and

pursuits she was as ignorant as any little gentian flower on the rocks;

keeping her spell-bound with glimpses of its life, which looked to her

like fairyland, bizarre bal masque though it be to us; and pleasing

myself with awakening new thoughts, new impressions, new emotions, which

swept over her tell-tale face like the lights and shades over

meadow-land as the sun fades on and off it. She was a new study, a new

amusement to me, after the women of our world, and I beguiled my time

with her, not thoughtlessly, as I might have done, not too hastily, as I

_should_ have done ten years before, but pleased with my new amusement,

and more charmed with Florelle than I at first knew, though I confess I

soon wished to make her love me, and soon tried my best to make her do

so--an easy task when one has had some practice in the rose-hued

atmosphere of the boudoir, among the most difficile and the most

brilliant coquettes of Europe! Florelle, with a nature singularly

loving, and a mind singularly imaginative, with no rival for me even in

her fancy, soon lavished on me all the love of which her impassioned and

poetic character was capable. She did not know it, but I did. She loved

me, poor child!--love more pure, unselfish, and fond than I ever won

before, than I shall ever win again.

"Basta! why need you have lighted on that crayon-head, and make me rake

up this story? I loathe looking at the past. What good ever comes of it?

A wise man lives only in his present. 'La vita e appunto una memoria,

una speranza, un punto,' writes the fool of a poet, as though the bygone

memories and the unrealized hopes were worth a straw! It is that very

present 'instant' that he despises which is available, and in which,

when we are in our senses, we absorb ourselves, knowing that that alone

will yield a fruit worth having. What are the fruits of the others? only

Dead Sea apples that crumble into ash.

"I knew that Florelle loved me; that I, and I alone, filled both her

imagination and her heart. I would not precipitately startle her into

any avowal of it. I liked to see it dawn in her face and gleam in her

eyes, guilelessly and unconsciously. It was a new pleasure to me, a new

charm in that book of Woman of which I had thought I knew every phase,

and had exhausted every reading. I taught Florelle to love me, but I

would not give her a name to my teaching till she found it herself. I

returned it? O yes, I loved her, selfishly, as most people, men or

women, do love, let them say what they will; _very_ selfishly,

perhaps--a love that was beneath her--a love for which, had she seen

into my heart, she might have disdained and hated me, if her soft nature

could have been moved to so fierce a thing as hate--a love that sought

its own gratification, and thought nothing of her welfare--a love _not_

worthy of her, as I sometimes felt then, as I believe now.

"I had been about six weeks in the Pyrenees since the day I lost myself

en route from Gavarnie; most of the days I had spent three or four

hours, often more, at the Nid de l'Aigle, giving my painting lessons to

Florelle, or being guided by her among the beech-wooded and mountain

passes near her home. The dreariest fens and flats might have gathered

interest from such a guide, and the glorious beauties of the Midi, well

suited to her, gained additional poetry from her impassioned love for

them, and her fond knowledge of all their legends, superstitions,

histories, and associated memories, gathered from the oral lore of the

peasantry, the cradle songs of Madame Cazot, and the stories of the old

chronicles of the South. Heavens! what a wealth of imagination, talent,

genius, lay in her if _I_ had not destroyed it!

"At length the time drew near when my so-called sojourn at the Baths

must end. One day Florelle and I were out sketching, as usual; she sat

under one of the great beeches, within a few feet of one of the cascades

that fell into the Gave du Pau, and I lay on the grass by her, looking

into those clear gazelle eyes that met mine so brightly and trustfully,

watching the progress of her brush, and throwing twigs and stones into

the spray of the torrent. I can remember the place as though it were

yesterday, the splash of the foam over the rocks, the tinkle of the

sheep-bells from the hills, the scent of the wild flowers growing round,

the glowing golden light that spread over the woodlands, touching even

the distant crest of Mount Aigu and the Pic du Midi. Strange how some

scenes will stamp themselves on the camera of the brain never to be

effaced, let one try all that one may.

"There, that morning, I, for the first time since we had met, spoke of

leaving Luz, and of going back to that life which I had so often amused

her by describing. Happy in her present, ignorant of how soon the scenes

so familiar and dear to her would tire and pall on me, and infinitely

too much of a child to have looked beyond, or speculated upon anything

which I had not spoken of to her, it had not presented itself to her

that this sort of life could not go on for ever; that even she would not

reconcile me long to the banishment from my own world, and that in the

nature of things we must either become more to each other than we were

now, or part as strangers, whom chance had thrown together for a little

time. She loved me, but, as I say, so innocently and uncalculatingly,

that she never knew it till I spoke of leaving her; then she grew very

pale, her eyes filled with tears, and shunned mine for the first time,

and, as an anatomist watches the quiver of pain in his victim, so I

watched the suffering of mine. It was her first taste of the bitterness

of life, and while I inflicted the pain I smiled at it, pleased in my

egotism to see the power I had over her. It was cruel, I grant it, but

in confessing it I only confess to what nine out of ten men have felt,

though they may conceal or deny it.

"'You will miss me, Florelle?' I asked her. She looked at me

reproachfully, wistfully, piteously, the sort of look I have seen in the

eyes of a dying deer; too bewildered by this sudden mention of my

departure to answer in words. No answer was needed with eyes so eloquent

as hers, but I repeated it again. I knew I gave pain, but I knew, too, I

should soon console her. Her lips quivered, and the tears gathered in

her eyes; she had not known enough of sorrow to have learnt to dissemble

it. I asked her if she loved me so much that she was unwilling to bid me

farewell. For the first time her eyes sank beneath mine, and a hot

painful color flushed over her face. Poor child! if ever I have been

loved by any woman, I was loved by her. Then I woke her heart from its

innocent peaceful rest, with words that spoke a language utterly new to

her. I sketched to her a life with me that made her cheeks glow, and her

lips quiver, and her eyes grow dark. She was lovelier in those moments

than any art could ever attempt to picture! She loved me, and I made

her tell me so over and over again. She put her fate unhesitatingly into

my hands, and rejoiced in the passion I vowed her, little understanding

how selfishly I sought her, little thinking, in her ignorance of the

evil of the world, that while she rejoiced in the fondness I lavished on

her, and worshipped me as though I were some superior unerring godlike

being, she was to me only a new toy, only a pursuit of the hour, a

plaything, too, of which I foresaw I should tire! Isn't it Benjamin

Constant who says,'Malheureux l'homme qui, dans le commencement d'un

amour, prevoit avec une precision cruelle l'heure ou il en sera lasse'?

"As it happened, I had made that morning an appointment in Luz with some

men I knew, who happened to be passing through it, and had stopped there

that day to go up the Pic du Midi the next, so that I could spend only

an hour or two with Florelle. I took her to her home, parted with her

for a few hours, and went down the path. I remember how she stood

looking after me under the heavy gray stone-work of the gateway, the

tendrils of the ivy hanging down and touching her hair that glistened in

the sunshine as she smiled me her adieux. My words had translated, for

the first time, all the newly-dawned emotions that had lately stirred in

her heart, while she knew not their name.

"I soon lost sight of her through a sharp turn of the bridle-path round

the rocks, and went on my way thinking of my new love, of how completely

I held the threads of her fate in my hands, and how entirely it lay in

my power to touch the chords of her young heart into acute pain or into

as acute pleasure with one word of mine--of how utterly I could mould

her character, her life, her fate, whether for happiness or misery, at

my will. I loved her well enough, if only for her unusual beauty, to

feel triumph at my entire power, and to feel a tinge of her own poetry

and tenderness of feeling stirring in me as I went on under the green,

drooping, fanlike boughs of the pines, thinking of Florelle de l'Heris.

"'M'sieu! permettez-moi vous parle un p'tit mot?'

"Madame Cazot's patois made me look up, almost startled for the moment,

though there was nothing astonishing in her appearance there, in her

accustomed spot under the shade of a mountain-ash and a great boulder of

rock, occupied at her usual task, washing linen in the Gave, as it

foamed and rushed over its stones. She raised herself from her work and

looked up at me, shading her eyes from the light--a sunburnt, wrinkled,

hardy old woman, with her scarlet capulet, her blue cloth jacket, and

her brown woollen petticoat, so strange a contrast to the figure I had

lately left under the gateway of the Nid de l'Aigle, that it was

difficult to believe them even of the same sex or country.

"She spoke with extreme deference, as she always did, but so earnestly,

that I looked at her in surprise, and stopped to hear what it might be

she had to say. She was but a peasant woman, but she had a certain

dignity of manner for all that, caught, no doubt, from her long service

with, and her pride in, the De l'Heris.

"'M'sieu, I have no right, perhaps, to address you; you are a grand

seigneur, and I but a poor peasant woman. Nevertheless, I must speak. I

have a charge to which I shall have to answer in the other world to God

and to my master. M'sieu, pardon me what I say, but you love Ma'amselle

Florelle?'

"I stared at the woman, astonished at her interference and annoyed at

her presumption, and motioned her aside with my stick. But she placed

herself in the path--a narrow path--on which two people could not have

stood without one or other going into the Gave, and stopped me

resolutely and respectfully, shading her eyes from the sun, and looking

steadily at my face.

"'M'sieu, a little while ago, in the gateway yonder, when you parted

with Ma'amselle Florelle, I was coming out behind you to bring my linen

to the river, and I saw you take her in your arms and kiss her many

times, and whisper to her that you would come again "ce soir!" Then,

m'sieu, I knew that you must love my little lady, or, at least, must

have made her love you. I have thought her--living always with her--but

a beautiful child still; but you have found her a beautiful woman, and

loved her, or taught her love, m'sieu. Pardon me if I wrong your honor,

but my master left her in my charge, and I am an ignorant old peasant,

ill fitted for such a trust; but is this love of yours such as the Sieur

de l'Heris, were he now on earth, would put his hand in your own and

thank you for, or is it such that he would wash out its insult in your

blood or his?'

"Her words amazed me for a moment, first at the presumption of an

interference of which I had never dreamt, next at the iron firmness with

which this old woman, nothing daunted, spoke as though the blood of a

race of kings ran in her veins. I laughed a little at the absurdity of

this cross-questioning from her to me, and not choosing to bandy words

with her, bade her move aside; but her eyes blazed like fire; she stood

firm as the earth itself.

"'M'sieu, answer me! You love Ma'amselle Florelle--you have asked her in

marriage?'

"I smiled involuntarily:

"'My good woman, men of my class don't marry every pretty face they

meet; we are not so fond of the institution. You mean well, I know; at

the same time, you are deucedly impertinent, and I am not accustomed to

interference. Have the goodness to let me pass, if you please.'

"But she would not move. She folded her arms across her chest, quivering

from head to foot with passion, her deep-set eyes flashing like coals

under her bushy eyebrows.

"'M'sieu, I understand you well enough. The house of the L'Heris is

fallen, ruined, and beggared, and you deem dishonor may approach it

unrebuked and unrevenged. Listen to me, m'sieu; I am but a woman, it is

true, and old, but I swore by Heaven and Our Lady to the Sieur de

l'Heris, when he lay dying yonder, years ago, that I would serve the

child he left, as my forefathers had served his in peace and war for

centuries, and keep and guard her as best I might dearer than my own

heart's blood. Listen to me. Before this love of yours shall breathe

another word into her ear to scorch and sully it; before your lips shall

ever meet hers again; before you say again to a De l'Heris poor and

powerless, what you would never have dared to say to a De l'Heris rich

and powerful, I will defend her as the eagles by the Nid de l'Aigle

defend their young. You shall only reach her across my dead body!'

"She spoke with the vehemence and passionate gesticulation of a

Southern; in her patois, it is true, and with rude eloquence, but there

was an odd _timbre_ of pathos in her voice, harsh though it was, and a

certain wild dignity about her through the very earnestness and passion

that inspired her. I told her she was mad, and would have put her out of

my path, but, planting herself before me, she laid hold of my arm so

firmly that I could not have pushed forwards without violence, which I

would not have used to a woman, and a woman, moreover, as old as she

was.

Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories · 第 23 / 28 段