CHAPTER II.

On the following morning we were all sitting in the palatial saloon of

the _Marlinspike_. We were all there, all the characters, that is to

say, necessary for the completion of a first class three-volume ocean

novel. On my right sat the cayenne-peppery Indian Colonel, a small

man with a fierce face and a tight collar, who roars like a bull and

says, "Zounds, Sir," on the slightest provocation. Opposite to him

was his wife, a Roman-nosed lady, with an imperious manner, and a

Colonel-subduing way of curling her lip. On my left was the funny man.

As usual he was of a sea-green colour, and might be expected at any

moment to stagger to a porthole and call faintly for the steward.

Further down the table sat two young nincompoops, brought on board

specially in order that they might fulfil their destiny, and fill

out my story, by falling in love with the fluffy-haired English girl

who was sitting between them, and pouting equally and simultaneously

at both. There was also the stout German who talks about "de sturm

und der vafes." And beside him was the statuesque English beauty,

whose eyes are of the rich blackness of the tropic sky, whose voice

has a large assortment of sudden notes of haughtiness, while the

studied insolence of her manner first freezes her victims and then

incontinently and inconsistently scorches them. Eventually her proud

spirit will be tamed, probably by a storm, or a ship-wreck, or by

ten days in an open boat. I shall then secure your love, my peerless

ARAMINTA, and you will marry me and turn out as soft and gentle as

the moss-rose which now nestles in your raven tresses. The Colonel was

speaking.

"Zounds, Sir!" he was saying. "I don't know what you mean by effects.

All mine are on board. What do you say, Mr. TUGLEY?" he went on,

looking at me with a look full of corkscrews and broken glass,

while his choleric face showed of a purple hue under the effort of

utterance.

"Well, Colonel," I replied, in an off-hand way, so as not to irritate

him, "I keep my best effects here;" and, so saying, I produced my

note-book, and tapped it significantly. "What, for instance, do you

say to this?"

But, what follows, needs another chapter.

Punch, or the London Charivari, Volume 100, January 24, 1891 · 第 2 / 4 章