an antiquary, i. 153;
art-teaching by correspondence approved by, i. 32;
art-work, how first begun, i. 180;
Austrian friend of, at Venice, ii. 6;
at Bellinzona, ii. 117;
bewildered by modern politics, ii. 3;
and the "Bibliography of R.," ii. 190;
his books, ii. 164 (_see_ below, books of, quoted);
his books read for the sound of the words, i. 161;
botany, notes on, i. 69, 204, ii. 183;
castles, his love of, i. 147, 149, 151 (note);
changes residence, and why, i. 156;
charity of, i. 152, ii. 139, 186;
conscience hereditary to, ii. 69;
a conservative, i. 152, 153, ii. 31;
and Copley Fielding, i. 192;
criticism,--principles of his, i. 190;
rarely replies to, i. 3, 88, ii. 174;
--crossing-sweepers of, ii. 120 (note);
diagram of Alpine aiguilles, i. 186;
dispirited, ii. 188;
drawing of St. Mark's, Venice, i. 161;
excuses from correspondence, ii. 186;
his father,--business of, ii. 87, and note, 102, 103;
an Edinburgh boy, ii. 184;
--Forbes' gratitude to, i. 187 (note);
fortune of, ii. 102, 103;
gardener of, ii. 140;
geology, knowledge and early love of, i. 180, ii. 172;
geological work amongst the Alps, i. 173;
Griggs, Matilda, and, ii. 186;
Guthrie, Dr., and, ii. 184;
Harrison, Mr. W. H., and, ii. 192;
Hartz minerals purchased by, ii. 58;
Holyoake, Mr., and, ii. 73, 74;
illness in 1878, i. 160, and note;
"inconsistency" of, i. 25 (note), ii.;
influence of, on architecture, i. 154 _seqq._, 157;
insanity, a tender point with, ii. 131;
investment in house property, ii. 106;
investment in railways--"never held a rag of railroad scrip," ii.
82;
Irving, Mr., and, ii. 179 (note);
Italy, knowledge of, ii. 14,
and the Italian question, ii. 3 _seqq._;
lectures, refusal to give, ii. 15, and note, 124;
lectures at Westminster Architectural Museum, ii. 174 (note);
Lowe, Mr., and (letter), ii. 189;
at Naples, ii. 116;
natural history, love of, i. 204;
newspapers little read by, ii. 10;
at Oxford, ii. 172, 188;
resigns professorship, i. 163;
political economy of, i. 180, ii. 84, 99, 100 (see _s. v._);
publication of books, ii. 163 _seqq._;
as a railway traveller, ii. 82;
range of work, ii. 188;
religious tone of his writings, i. 60, and note;
restoration, horror of modern, i. 153, 157, 159, 160;
rich, moderately, ii. 67;
science, love of, i. 132, 180;
servants of, ii. 93;
strikes, proposal as to, ii. 65 (note);
a Tory, i. 152, 153;
Turner, R.'s insight for his work, i. 106;
called mad for praising Turner, i. 106;
arranges the Turner bequest, i. 81, 83, 84, and note, 86, 88, 98,
100;
executor of Turner's will, i. 81;
love of Turner's pictures, i. 10;
Thornbury's "Life of Turner" criticised by, i. 107;
St. Mark's, Venice, and, i. 162, 169;
Ruskin Society, i. 170 (note), ii. 191;
Utopian home, ii. 119;
residence in Venice, i. 87;
wish to buy "Verona" (_see_ Verona), i. 152.
Ruskin, Mr., books of, quoted or referred to:--
"Academy Notes," i. 67 (note), 76 (note), 117; ii. 23 (note).
"A Joy for Ever," i. 25 (note), 102 (note), 189 (note); ii. 156
(note), 158.
"Aratra Pentalici," ii. 125 (note).
"Ariadne Florentina," i. 105 (note), 114 (note).
"Bibliotheca Pastorum," vol. i., ii. 4 (note), 102 (note), 144
(note).
"Cestus of Aglaia," ii. 99 (note).
"Crown of Wild Olive," ii. 23, 60 (note), 157.
"Deucalion," i. 180 (note).
"Eagle's Nest," ii. 125 (note), 140.
"Education in Art," i. 25 (note).
"Elements of Drawing," i. 95; ii. 165 (note).
"Essays on Political Economy," see below, "Munera Pulveris."
Evidence before National Gallery Commission, 1857, i. 48 (note), 84
(note).
"Examples of Venetian Architecture," i. 157 (note).
"Fiction Fair and Foul," ii. 97 (note).
"Fors Clavigera," i. 151, and note, 160 (note), 168, 169, 170; ii.
60 (note), 70 (note), 72, 106 (note), 126 (note), 130, 164
(note), 187, 189.
"Giotto and his Works in Padua," i. 25 (note).
Holbein, article on, ii. 12 (note).
"Home and its Economies," ii. 144 (note).
Lectures on Architecture and Painting, i. 22 (note), 107 (note).
Lectures on Art, ii. 125, 156. (note).
Lecture, on Forms of Stratified Alps, i. 174 (note).
---- on Verona and its ruins, ii. 113 (note).
Letters on the Lord's Prayer, ii. 142.
"Modern Painters," i. 3, 4 (note), 4 (note), 5 (note), 7, 8 (note),
40, 60 (note), 62 (note), 67 (note), 101 (note), 107 (note),
108 (note), 155, 174, 186, 191 (note), 193 (note); ii. 127, 165.
"Munera Pulveris," ii. 44 (note), 71, 72, 84, and note, 89,
226, 262 (note).
"My First Editor," ii. 192 (note).
Notes on Criminal Classes, ii. 131 _seqq._
Notes on Prout and Hunt, ii. (note).
Oxford Lectures, ii. 125.
"Political Economy of Art;" see above, "A Joy for Ever."
Pre-Raphaelitism, i. 12, 65 (note).
"Queen of the Air," ii. 171, 201.
"Sesame and Lilies," i. 60 (note); ii. 168 (note), 171 (note).
"Seven Lamps of Architecture," i. 60 (note).
"Stones of Venice," i. 157 (note), 161; ii. 175 (note), 184 (note),
192 (note).
"Time and Tide," ii. 65, 185.
Turner pamphlets, Catalogues of Sketches and Drawings, i. 84, and
note, 88 (note), 101 (note).
" " Notes, 1857, 86 (note), 92, and note, 102 (note),
204.
" " Report, i. 52 (note), 54, and note, 88 (note).
"Two Paths," i. 88, 95.
"Unto this Last," ii. 72 (note).
"Val d'Arno," i, 114 (note); ii. 125.
Russia, England, and India, ii. 31.
"S," letter on capital from, ii. 83 (and note), 84.
Saint Bernard, dogs of, ii. 11.
St. Elmo, ii. 116.
St. George, i. 162;
Company or guild of, i. 169 (note), 190;
fund, ii. 120;
letters on, 187 (note);
museum of, i. 163, ii. 73, 126;
schools of, ii. 146;
Society of the Rose not to take name of, ii. 191.
St. James of the Rialto, i. 165, and note.
St. Jean d'Acre pillars, i. 166.
"St. Lawrence," emigration in the, ii. 87.
St. Michael, i. 162.
St. Mark's, Venice, circular relating to, i. 159;
letters on, i. 169 (note), 170;
antiquity of, i. 161, 162;
architecture of, i. 162;
bill-posters on, i. 168;
bit off it, at Brantwood, i. 167;
photographs of, i. 164;
restoration of south façade, i. 168, and note;
stability of, i. 166, 169;
subscriptions for, i. 163, 169 (note).
St. Paul and Justice, ii. 53.
St. Paul's, Charity children singing at, ii. 149.
Sainte Chapelle, the, i. 136, 153, 154.
Salamanca, battle of, ii. 30.
Salvation, the Light of the hope of, i. 69.
Salvator Rosa, i. 15;
his "Mercury and the Woodman," i. 4.
Sancho, ii. 97.
Sardinia, position of in 1859, ii. 3, 6.
Savoy, cession of, ii. 19, and note.
Scarlet, the purest color, ii. 155.
Schaffhausen, letter from, ii. 13.
Scholarship, result of English, ii. 98.
Schools (see Education, St. George).
Science, list of letters on, i, 171;
connection of the different sciences, i. 132 (note);
what it includes, i. 30;
growth of, i. 32, 132, 134;
and religion, i. 133;
use of, i. 133.
Science of Life," "The, letters in, ii. 143, 149.
Scotch, ballads, i. 76 (note);
"craigs," i. 146;
people, religious tone of, ii. 3, 4, 7.
_Scotsman_, The, letters in--
(July 20, 1859) "The Italian Question," ii. 3.
( " 23, " ) " " " ii. 8.
(Aug. 6, " ) " " " ii. 13.
(Nov. 10, 1873) "Mr. Ruskin and Prof. Hodgson," ii. 44.
( " 18, " ) " " " ii. 46.
_Scotsman_, The, referred to, i. 74 (note).
Scott, Sir Gilbert, design for Foreign Office, i. 99.
----, Sir Walter, books of, referred to--
"The Abbot," chap. xvi. ("The monks of Melrose made good kail,"
also quoted in the introduction to "The Monastery"), i. 141.
"The Antiquary" (Fairservice), ii. 97.
"Lady of the Lake," canto v. st. x. quoted, i. 181.
"Lay of the Last Minstrel," canto ii. st. viii. quoted, i. 141.
"Redgauntlet," Letter xiii. (Peebles v. Plainstanes), i. 184.
"Rob Roy" (carefu' Mattie), ii. 97.
"Waverley" referred to, ii. 123 (note).
----, Mr. W. B., ii. 165;
reviews Mr. Tyrwhitt's "Sketching Club," _ib._
Sculpture, in architecture, i. 126, 137 _seqq._;
of hair, i. 143, ii. 12;
portrait statues, i. 140.
Sea, the, ii. 173;
color of, i. 196;
light and shadow on, i. 194 _seqq._;
southern and northern seas, ii. 178.
Sedan, battle of, ii. 31, 33.
Seine-series, Turner's, i. 82, 101.
Self-interest, ii. 7, 48, 55.
Sempach, ii. 4, and note;
battle of, i. 182, and note.
Serf-economy in America, ii. 21.
Servants and Houses, list of letters on, ii. 90;
education of, ii. 100;
facilities for leaving places, ii. 101;
good, how to secure, ii. 93;
kindness to means care, ii. 94;
rarity of good, ii. 93, and note;
and masters, ii. 97;
must be permanent to be good, ii. 95, 101;
Mr. Ruskin's experience of, ii. 95.
Service, value of self service, ii. 96.
Sexes, relation of the, ii. 147.
Shadow in distant effect, i. 194 _seqq._;
on water, i. 198;
impossible "on clear water, near the eye," i. 192 _seqq._
Shakespeare, his mission and work, i. 22 (note);
notes on a word in, ii. 176, 177;
Society, _ib._;
quoted or referred to--
"As You Like It," Act 2, sc. 3 (Old Adam), ii. 97.
" " Act 2, sc. 7 ("motley's the only wear"), ii.
157.
"Coriolanus," Act 3, sc. 1 ("mutable, rank-scented many"), i. 38.
"Hamlet," Act 5, sc. 1 ("The cat will mew," etc.), ii. 97.
"Julius Cæsar," Act 2, sc. 1 ("And yon grey lines," etc.), ii.
176.
"Measure for Measure" (Lord Angelo), ii. 144.
"Merchant of Venice," ii. 57, i. 165, ii. 179.
"Merry Wives of Windsor," i. 118.
"Midsummer Night's Dream," ii. 5, Act 1, sc. 1, i. 60, 61 (note).
"Romeo and Juliet," Act 2, sc. 4 ("My fan, Peter"), ii. 38.
"Taming of the Shrew" (Grumio), ii. 97, 178.
" " " Act 2, sc. 1 ("Katharine's frets").
"Two Gentlemen of Verona," Act 2, sc. 4 ("As rich in having,"
etc.), i. 64.
" " (Launce), ii. 97.
Shallow, Justice, his theology of death, i. 118.
Sheepshanks collection at Kensington, i. 98 (note).
Sheffield, art impossible in, ii. 126;
ironwork at, ii. 127;
Museum, ii. 73 (note), i. 163;
Western Park at, opened, ii. 126 (note);
strikes at, ii. 106.
_Sheffield Daily Telegraph_ (Sept. 7, 1875), St. George's Museum, ii.
126.
_Sheffield Independent_ (March 8, 1880), Mr. Holyoake on St. George's
Museum, ii. 73.
Shelley, quoted to illustrate Turner, i. 20;
his "Cloud," ii. 180.
Shenstone quoted, i. 72, and note.
Shepherd, Mr. R. H., two letters on the Bibliography of Ruskin, to,
ii. 190.
Shoeburyness, ii. 114.
Siena, Fount of Joy at, ii. 118.
Sienese, qualities of the race, ii. 117.
Simmons, W. H., engraver of "Light of the World," i. 67 (note).
Sinai, the desert of, ii. 5.
Singing for children, ii. 149.
Sire, meaning of, i. 145.
"Sixty years ago" (letter in _Pall Mall Gazette_, Jan. 30, 1868), ii.
123.
Slave markets in Mayfair, ii. 21.
Slavery and emancipation, ii. 21, 22;
and liberty, ii. 98, 99;
and sonship, ii. 93, 94, 96.
Smith, Mr. Collingwood, on water colors, i. 104 (note).
Smith, Sydney, memoirs quoted ("Bunch"), ii. 96 (note).
Smoke, no art in midst of, ii. 126.
_Socialist_, The (Nov., 1877), letter on the "Principles of Property"
in, ii. 71.
Society, of Arts, i. 52;
of Artists, Sheffield, ii. 181;
Ashmolean, i. 202;
New Shakespeare, ii. 176, 177;
for the Prevention of Cruelty to Animals, Mr. Ruskin at, ii. 128
(note);
Ruskin Society (of the Rose), ii. 191;
Science Association, Mr. Ruskin at, ii. 65 (note).
Solferino, ii. 3 (note), 31, 33.
Solomon, ii. 141, 173;
"seals of Solomon" (Suleyman), _see_ Arabian Nights.
Solomon, Mr. A., his "Waiting for the Verdict," i. 73 (note).
Son, relation of, to father, ii. 145.
Sonship and slavery, ii. 96-98.
Sorrento, i. 203.
Soult, Marshal, collection of, i. 87 (note).
Southey's Colloquies quoted, i. 21 (note).
Spain, oppressed by Spaniards, ii. 6.
Sparkes, i. 100 (note).
Spencer, Mr. Herbert, quoted, i. 194 (note), ii. 144 (note).
Sport, field, ii. 127.
Sprat, venture a, to catch a herring, ii. 41.
_Standard_, The, letter "Mr. Ruskin and Mr. Lowe" (Aug. 28,
1877), ii. 189;
article on St. Mark's, Venice, i. 168.
Stanfield, i. 23, 192;
illustrated by Campbell, i. 20;
water-painting by, i. 198.
Statues, commemorative, modern use of, i. 140.
Steam, to be employed after muscular power, ii. 87, 135.
Stones, pressure of, in water, i. 177, 186.
Stothard, engraving of design by, in "Rogers's Poems," i. 93.
Strasburg, ruin of, in Franco-Prussian war, ii. 25.
Street, Mr., influenced by Mr. Ruskin, i. 156;
his New Law Courts, i. 156;
and St. Mark's, i. 170.
Streets, state of London, ii. 119.
Strikes, ii. 42, 43;
letter "Strikes _v._ Arbitration," ii. 48;
at Cramlington, ii. 106, and note;
Mr. Ruskin's proposal as to, ii. 65 (note);
at Sheffield, ii. 106;
in Staffordshire, ii. 39.
Stucco, ii. 101.
Sunrise, rarely seen, ii. 177.
Supply and Demand, letters on, ii. 39 _seqq._, 43 _seqq._;
beneficial supply, ii. 43;
law of, ii. 81, 84, 93, 94, 105;
Mr. Ruskin and, ii. 99, 100.
Swift, quoted, ii. 167.
Swiss, the people of Bellinzona, ii. 117;
the liberties of Europe and, i. 182;
Protestantism, ii. 3-5.
Sydenham, and railway complaints, ii. 84, and note.
Syro-Phœnicia, the woman of, ii. 174.
"Tain Caimbeul," letter in _Reader_, i. 175 (note).
Taylor, the trial, ii. 130, and note.
Telford, "Ruskin, T., and Domecq," ii. 60 (note).
Tell, William, ii. 3, and note;
opera of, ii. 194.
Tempera-painting, determined by Angelico, i. 118.
Temple, Rev. F. (Bishop of Exeter), i. 25 (note), 31.
Tennyson, quoted: "Mariana," i. 60 (note);
"In Memoriam," i. 179;
"Enid," ii. 100;
"Break, break," etc., ii. 178;
mentioned, ii. 183 (note).
Territory, extent of, ii. 24.
Thackeray, Miss, "The Chaplain's Daughter" referred to, i. 120, 121
(note);
"Jack the Giant Killer," _ib._
Thames, the, i. 183;
its commerce, i. 165 (note);
its mud, ii. 73.
Theatre, the, letter, "At the Play," ii. 185,
(See Drama.)
_Theatre_, The, letter in, "The Merchant of Venice," ii. 179.
Thorburn, i. 62.
Thornbury, Walter, "Life of Turner," i. 108.
Tiber, inundations, ii. 111, 116, 118.
Ticino, inundations, ii. 113, 117.
_Times_, The letters in:--
(January 7, 1847) Danger to the National Gallery, i. 37.
(May 13, 1851) The Pre-Raphaelite Brethren, i. 57.
(May 30, 1851) The Pre-Raphaelite Brethren, i. 63.
(December 29, 1852) The National Gallery, i. 45.
(May 5, 1854) "The Light of the World," i. 67.
(May 25, 1854) "The Awakening Conscience," i. 71.
(October 28, 1856) The Turner Bequest, i. 81.
(July 9, 1857) The Turner Bequest and the National Gallery, i. 86.
(March 29, 1859) The sale of Mr. Windus' pictures, ii. 185.
(October 21, 1859) The Turner Gallery at Kensington, i. 98.
(October 24, 1862) Oak Silkworms, ii. 158.
(October 8, 1863) The Depreciation of Gold, ii. 37.
(January 27, 1866) The British Museum, i. 52.
(January 24, 1871) Turners False and True, i. 106.
(June 6, 1874) The Value of Lectures, ii. 124.
(January 20, 1876) The Frederick Walter Exhibition, i. 116.
(April 25, 1878) Copies of Turner's Drawings, i. 105.
(February 12, 1876) Despair (extract), ii. 124 (note).
(February 2, 1880) The Purchase of Pictures, i. 55.
Articles, etc., referred to:--
Critique on early Pre-Raphaelite works, i. 59 (note).
"Difficulties of Neutrality," Letter, ii. 26 (note).
And see notes to above-named letters.
Tintoret, i. 49, 75, 96, 112;
"Susannah and the Elders," i. 50, and note.
Titian, i. 24, 28, 42, 43, 49, 51, 75, 96, 106, 112, 117, 142; ii.
214;
his "Bacchus and Ariadne," i. 40, 54, and note.
Toccia, inundation of the, ii. 113.
Tombs, pompous, i. 140.
Tour, La, ii. 11, 12.
Townshend, Lord, letter by, on the Circassian exodus, ii. 17, and
note.
Traceries, not to be copied, i. 159.
Trade, the true dignity of, ii. 70, and note.
Training, moral and athletic, ii. 145.
Translation, the, of words, ii. 175.
Trevelyan, Sir W. C., i. 133, and note.
Trial and fate, the laws of, i. 125-6.
Trollope, Anthony, on field sports, ii. 128 (note).
Tunbridge Wells, education meeting at, 123.
Turin, ii. 11, 12.
Turner, J. W. M., list of letters on, i. 80 _seqq._;
his pictures ill seen in the Academy, i. 20, 21;
bequest to the nation, i. 50, and note, 81, 100;
his best work in gray, i. 96;
his best work his modern work (1843), i. 23 (note);
change in price and value of his pictures, ii. 41;
character of, i. 107;
Claude challenged by, i. 46, and note;
the Turner collection, i. 54, and note;
copies of, 105, and note;
difficulty of copying, i. 95;
lesson in art of copying, i. 23;
his delicacy of hand, i. 95;
engravings of, their value, i. 90;
exhibitions of Marlboro' House, i. 81, and note, 88-9, 92, 98, 101;
eyesight of (Dr. Liebreich on the), i. 154 and 155 (note);
"Turners" False and True, i. 106;
a Turner gallery, proposals for, i. 91;
Life of, i. 107-8;
light and gas, etc., effect of, on his pictures, i. 83, 90, 98, and
note, 100, 103, 105;
the Turner mania, i. 16;
mass of drawings left by, i. 101;
Norton's, Prof., lecture on, i. 86 (note), 97 (note), 105 (note);
pencil outlines of, i. 93;
poetry and philosophy of his pictures, i. 11, 15, 18, 21;
pre-Raphaelitism of, i. 65 (note), 74;
his "Public," i. 15;
scorned in life, i. 8, 11;
sea subjects, i. 199, 11, 12
(note);
the "Shakespeare" of painting, i. 22, and note;
Shelley compared with, i. 20;
sketch-book of, i. 86 (note);
subtlety of, i. 96;
requisites for enjoyment of his work, i. 21;
unusual vehicles of, i. 82;
Waagen's estimate of, i. 11, 12, and note;
water-painting by, i. 199;
will quoted, i. 46 (note).
Turner, J. W. M., Drawings and Sketches, condition of at death,
i. 90, 101 (note);
copies of, 105-6, and note;
distribution of among provincial schools proposed, i. 54, and note,
101;
exhibitions of, at Marlboro' House, see above, at Kensington,
i. 98, and note, 101;
a perfect example of a Turner sketch, 95, 96, and note;
Ruskin's, Mr., arrangement of, i. 84, 88, 89;
report on, i. 52 (note), 54, and note, 88;
"Turner Notes," etc. (see Ruskin, Mr.).
---- Pictures and drawings of, referred to: Alnwick Castle, i. 199;
"Dido building Carthage," i. 48;
Edinburgh, i. 101;
Egglestone Abbey, i. 102, and note;
"Fishermen endeavoring to put their fish on board" (Bridgewater
House), i. 11, and note;
Fluelen i. 105 (note);
Fort Bard, i. 101;
Harbors of England, i. 82, 101;
Hornby Castle, i. 117;
Ivy Bridge, i. 82, 101;
"Landscape with Cattle," i. 106, and note;
Langharne Castle, i. 102, and note;
Liber Studiorum, i. 82, 86;
sale of, ii. 70;
Plains of Troy, i. 102, and note;
Richmond series, i. 102, and note;
Rivers of England, i. 101;
Rivers of France, i. 82;
River Scenery, _ib._;
Rogers' Italy and Poems, i. 82, 101;
Seine series, i. 101;
study of a Cutter, i. 96, and note;
"Sun rising in a mist," i. 46;
Val d'Aosta, i. 82;
Pictures of Venice, i. 199;
Yorkshire series, i. 90.
Tuscan army (1859), ii. 6.
"Twenty Photographs," review of, ii. 172, and note.
Tyre, the citadel of, and St. Mark's, i. 162.
Tyrwhitt's "Sketching Club," ii. 165.
"Uncle Tom's Cabin" referred to, ii. 21.
_University Magazine_, The (April, 1878), Mr. Ruskin's articles in,
ii. 192 (note).
Utopia, the people of, and their streets, ii. 119;
Ruskin's home in, _ib._;
Sir T. More's, ii. 191.
Utopianism, Mr. Ruskin's, ii. 74, 106.
Uwins, Thomas, R.A., knowledge of oil pictures, i. 46, and note;
keeper of the National Gallery, _ib._
Vallombrosa, i. 184.
Value, intrinsic, a question outside political economy, ii. 39;
and price, ii. 37, 65.
"Vandalism at the National Gallery" (a pamphlet), i. 37, 38 (note).
Van de Velde, i. 12;
water painting, i. 199.
Van Eyck, i. 43, 45, 46, and note, 65.
Vasari quoted, i. 9 (note).
Vaudois, the character and religion of the, ii. 3, 11, 12.
Velasquez's "Philip IV. hunting the wild boar," i. 40.
Venice, the Cross of the merchants of, i. 165;
market of, _ib._ (note);
ruin of, ii, 145;
Ruskin, Mr., in, i. 87, 157, ii. 154;
St. James of the Rialto, i. 164;
_see_ St. Mark's.
Venus of Melos, ii. 25.
"Verax," letters on National Gallery, i. 37 (note).
Vernet, Raphael restored by, i. 38.
Vernon, Mr. Robert, gift of, to the National Gallery, i. 50, and note.
Verona, Campanile of, i. 169;
Mr. Ruskin's wish to buy (see "Political Economy of Art," Lect. ii.
pp. 70-74, reprinted in "A Joy for Ever," pp. 77, 82), i. 152,
and note.
Veronese, i. 75, 96;
in National Gallery, i. 46, and note;
"Marriage in Cana," i. 87;
"Family of Darius," _ib._ and note;
"Rape of Europa," i. 46 (note);
St. Nicholas, _ib._;
at Venice, pictures destroyed, i. 38.
Verrochio, no picture by, in National Gallery, i. 44 (note).
Vice and heroism, ii. 134, 135.
Villas, modern, ii. 104, 105, and notes; i. 156.
"Vindex," letter on Barry from, ii. 175 (note).
Virgil quoted, i. 176 (note); ii. 18, and note.
Votes for Parliament, ii. 141, 154.
Waagen, Dr., i. 11, and note, 12.
Wages and labor, ii. 56, 60;
how determined, ii. 63, and note;
and hardship of work, ii. 59;
a just rate of, ii. 48, 50, 51;
"Standard of" (letter), ii. 65, 66, and _see_ ii. 42.
Wakley, Thomas, M.P., i. 19, and note.
Wales, Princess of, "our future Queen," ii. 19.
Walker, Frederick, letter on, i. 116;
effect of public on, _ib._;
elaborateness of, i. 121;
moral of his life, i. 118, 119;
morbid tendency of, i. 117;
method of painting, i. 117;
study of art, i. 118;
special pictures by, i. 119 _seqq._, and note.
Walpole's "Anecdotes of Painting" referred to, i. 14 (note).
War, American, loss of property, ii. 33;
English feeling as to, ii. 15-17, 19;
"modern warfare," letter on, ii. 29, and _see_ ii. 23.
Ward, Mr. William, copies of Turner, i. 105, and note;
photographs obtainable of, i. 164.
Warwick Castle, burning of, letters on, i. 151 _seqq._, 152 _seqq._;
the kingmaker, i. 153.
Waste land, bringing in of, ii. 138.
Water, use of in labor, ii. 135, 136;
pressure of stones in, i. 177, 186;
reflections in, i. 191 (note), and _seqq._;
of rainbows in, i. 201;
surface polished, i. 195, 197 _seqq._
Water-colors, effect of light, etc., on, i. 90, 91, 103, and note,
104;
series of British, at Kensington, i. 98 (note);
Society of Painters in, i. 118, 166, 201 (note).
Waterloo, battle of, ii. 30.
"W. B.," letter in _Daily Telegraph_, ii. 99 (note).
"W. C. P.," letter in _Times_ on "Neutrality," ii. 26 (note).
Wealth, definition of, letter on the, ii. 71;
Mill challenged to define, _ib._
Weapons, ancient and modern, ii. 32.
"Weary-Faulds," ii. 123, and note.
Weblings, recitation of the, ii. 180.
_Weekly Chronicle_, letter "Modern Painters" in the (September 23,
1843), i. 3.
Weller, Sam, ii. 97;
_see_ Dickens.
West, Benjamin, i. 75.
Western Park, Sheffield, ii. 126 (note).
Westminster, the first Norman Abbey, i. 161;
Mill, J. S., M.P. for, ii. 20 (note).
"Whinny-hills," ii. 123 (note).
Whitaker's "History of Richmondshire," i. 117 (note).
White, Adam, letter on "the Study of Natural History" to, i. 204.
Whitmore, Dr., report of Crawford Place, ii. 105.
"W. H. W.," letter to _Daily Telegraph_ on houses, ii. 104, and note,
105.
Wicklow Hills, i. 181.
Wife, place of a, ii. 153.
Wilkie, Sir David, "The Blind Fiddler," i. 7 (note);
Burns and, compared, i. 20.
Wilkinson, Sir Gardner, ii. 200, and note.
Williams, Mr. (of Southampton), Lecture on "Art-teaching by
Correspondence," to, i. 32.
Wind-power, use of, ii. 135.
Windus, Mr. B. J., sale of his pictures, ii. 185;
W. L., "Burd Helen," i. 76, 77, and notes.
Winkelried, Arnold von, ii. 4, and note.
Winsor, Charlotte, ii. 100 (note).
_Witness_, The, letters in:
(September 16, 1857) "The Castle Rock," i. 145.
(September 30, 1857) "Edinburgh Castle," i. 147.
(March 27, 1858) Generalization and the Scotch Pre-Raphaelites, i.
74.
(August, 1859) Refusal by, of Letters on the Italian Question, ii.
13 (note).
Women, list of letters on their work and dress, ii. 152;
duty and employment of, ii. 153;
modern ideas as to, ii. 153;
place of, ii. 145;
work of, ii. 154 (note), 153 (note).
Woodward, Mr., and the Oxford Museum, i. 125 (note).
Woolner, Mr., and the Oxford Museum, i. 139.
Words, definition of, ii. 56.
Wordsworth, depth of, i. 24 (note);
his "public," i. 14;
quoted, i. 17, 18, 24, and note, 148, 149; ii. 6, 8 (note).
Work, the best unpaid, ii. 60, and note;
honest always obtainable, ii. 46, 135.
Work and Wages, letters on, in the _Pall Mall Gazette_, ii. 48-64.
Workmen, turned off, ii. 27;
training of for Gothic architecture, i. 136.
Works of art, manufacture of by poor, ii. 139.
_World, The_ (June 9, 1875), letter on the "Publication of
Books," ii. 163;
article, "Ruskin to the Rescue," _ib._ (note).
Wornum's, R.N., "Life of Holbein," ii. 12 (note);
at the National Gallery, i. 92, 86 (note);
Turner drawings arranged, _ib._ 88.
Worth, battle of, ii. 31.
"W. R. G.," letters of, to _Pall Mall Gazette_, ii. 66-70, and notes.
Xenophon's Economist, quoted, ii. 102, and note.
"Y. L. Y.," letter in, on the gentian, i. 204 (note).
_Y. M. A. Magazine_, letters in:
(September, 1879). "Blindness and Sight," ii. 139.
(October, 1879). "The Eagle's Nest," ii. 140.
(November, 1879). "Politics in York," ii. 141.
Young Men and Politics, ii. 141.
Zedekiah, ii. 177.
Zeus, i. 162.
Zorzi, Count, and St. Mark's, Venice, i. 160 (note).
Zosima, epitaph on, ii. 99.
Zuingli, ii. 4, and note.
Transcriber's Notes:
Simple spelling, grammar, and typographical errors were
silently corrected.
Anachronistic and non-standard spellings retained as printed.
Italics markup is enclosed in _underscores_.
Corrected "Irving's, Mr., "Shylock," ii. 262." to "Irving's,
Mr., "Shylock," ii. 180." in Index.
Corrected "letter to W. C. Bennett, ii. 267 (note)." to "letter
to W. C. Bennett, ii. 183 (note)." in Index.
End of Project Gutenberg's Arrows of the Chace, v. 2, by John Ruskin