CHAPTER XVII.

THE WEDDING-DAY.

The marriage took place on the first day of June--or rather that was the

beginning of the repeated and laborious processes which made Sophy

Norton into the Contessa Pandolfini. What a delight it was to take out

the first handkerchief embroidered with a coronet, one of those which

Diana had got her from Paris. Sophy took it out, and shook that

delightful sign of new-born nobility into the air on the day of the

legal ceremony, which was the day before her two ecclesiastical

marriages. She would not lose a moment that she could help. And the

melancholy bridegroom, and the occupations which took him away from her,

faded into nothing before this privilege. Diana might be richer, and had

been always more splendid than she--but Diana had no coronet. As for

Diana, she was engaged in preparing for her journey, and was present

only at the English or Protestant marriage, when she managed to keep as

much as possible out of sight, and avoided the bridegroom entirely,

notwithstanding the researches after her of Mrs. Norton, and of the

bride herself, whose efforts to produce Diana to say good-bye to dear

Pandolfo were repeated and unwearying. “Where is Diana? what does her

packing matter? besides, she does not pack--why should she, with a maid

to do everything for her?” This was said with a slight tone of

grievance, for it had not occurred to Pandolfini, though he furnished

that poor little faded coronet, to provide a maid. Sophy, when she had

put off her bridal dress after the strictest English rule, forgot her

dignity so far as to run downstairs in her own dignified person to “hunt

up” Diana. “Mr. Pandolfini does not want good-byes,” said Diana; “and

see, I have taken off my pretty dress. You would not like me to present

myself in this grey garment, all ready for travelling. God bless you,

Sophy!--and you can explain to Mr. Pandolfini if you like: but be sure

he is not thinking of any one but you.”

“I hope not,” said Sophy, demurely; “but you need not call him Mr.

Pandolfini now, Diana. We did so in the old times when we knew no

better. But I shall not permit him to give up his title any longer. You

might say Count, I think.”

“I will say his Lordship, if you like,” said Diana, kissing the

unconscious little creature. She smiled, but there was a meaning in her

eyes which heedless little Sophy, on the heights of glory and her

coronet, understood as little as any child.

“You need not laugh,” said the Countess Pandolfini, gravely; “of course

it is not the custom here. But I am sure a Count ought to be My Lord in

England. It is just the same as an Earl--at least, my title is just the

same as Lady Loamshire’s, and far, far older nobility. English lords are

nothing in comparison with Italian.” Sophy’s handkerchief, as has been

said, was embroidered with a coronet, and so was everything else she had

upon which she could have it worked or stamped. It was worth being

married for that alone.

“I think they are calling for you,” said Diana. “Thank you, little

Countess, for coming to me on this great day. All the servants shall be

taught to say My Lady when you come to see me at home. Good-bye now: and

I hope you will be very happy--and make your husband happy,” Diana

added, with an involuntary change of her voice.

“Oh, of course we shall be happy! and it will not be long before I

shall make Pandolfo bring me to England. Good-bye, good-bye, Diana. Oh,

how I wish you were only as happy as I am! I wish there was another

Pandolfo for you. Yes, I am coming, aunt; good-bye, good-bye. I shall

take your love to him, shall I? Oh yes, I will let you send him your

love; and very soon I shall make him bring me to England: and I shall

write to you in a few days, and--good-bye, dear Diana, good-bye.”

Diana went out upon her balcony to see them go away. The flowers and

plants had grown high, and she stood unseen under the shade of the

_loggia_. She felt that some one stood beside her as she looked down and

watched the grave Italian leading out his gay little bride. What a

butterfly Sophy looked, as she fluttered into the carriage which was to

convey them to the villa! “Poor little Sophy, too,” said Diana,

involuntarily, with a sigh.

“Are you sorry for _her_?” said the curate, who had come in unbidden at

the door which Sophy had left open. He had not presumed, poor fellow,

but he had come and gone with greater confidence, and taken a humble but

secure place, half friend, half devoted follower, the last of Diana’s

court, since the evening when he made that appeal to her. The rector

thought his dear Bill was making way, and that perhaps, after all, the

heart might be caught in the rebound. “Are you sorry for _her_?” he said

with surprise; “she is not sorry for herself.”

“Yes, poor little Sophy,” said Diana, “she deserved some pretty young

man like herself, who would have run about with her, and understood all

her little vanities. I hope she will never be sorry for herself: but it

will not be a very cheerful life.”

“I think of him,” the curate said, in a low voice.

Diana did not answer for a time. Something came into her throat and

stopped her. Then she went on after a pause, “Sophy will be more of a

woman than you think. She would have made you a good little wife, Mr.

Snodgrass.”

“Me!” He made a step away from her in the shock of surprise and

indignation. He was not vain, he thought; but he who cherished so lofty,

so noble a love--he to have Sophy suggested to him, or such as she!

This, from Diana, went to poor Snodgrass’s heart.

“Yes,” she said, looking at him with a smile in her clear eyes. “You are

angry, but it is true. A girl like Sophy, young and fresh and sweet, who

would think there was no one in the world like you, and would be good

to your poor people, would make you more happy than anything

else--though perhaps you do not think so now.”

Poor curate! this sudden dash of cold water upon him, in the very midst

of the subdued exhilaration with which he found himself by Diana’s side,

talking to her more freely than he had ever ventured to talk before, was

very hard to bear. He thought, if it was possible for Diana to be cruel,

that she was cruel now. That she could smile even, and jest--for it must

be intended for a jest--at such a moment, when he, for his part, had

come ready, as it were, to follow with her the funeral of poor

Pandolfini! Was it not, if one might dare to permit such a thought,

heartless of Diana? But she gave him no time to think. She had her

packing to attend to, and all the last arrangements to make for leaving

Pisa next day. Diana had resisted various proposals to “join a party” of

tourists going northward. She was starting straight for home, from which

she declared she had been only too long away. The Snodgrasses and Mrs.

Norton were to dine with her in the evening--to drink the health of the

newly married, and conclude this little episode of their life--and she

had no more leisure now. She came in lightly from among the oleanders

and aloes, in the soft grey dress which she had put on in such haste,

as her excuse for not showing herself. It was too simple a garment--too

like her governess days to suit Diana--and she had some reason of her

own, perhaps, for putting it on; not any reason, one would think,

however, for sad thoughts. She came in with a light in her eyes which

had been somewhat veiled of late. “Now I must be busy,” she said,

smiling upon her visitor as she dismissed him. The last week or two of

warm Italian weather, and of these distracting melancholy

contemplations, had stopped many things, or retarded them. Life itself

had grown languid in sympathy: but now that was all over; the deed was

done for which heaven and earth had seemed to be waiting, and there

could be no more lingering, musing, over it now.

The little party, which was so shrunken out of its old dimensions,

showed as curious a mixture of feelings as could well be seen, when it

met that evening round Diana’s table. Mrs. Norton was subdued by the

reality of the event to which she had been looking forward so long.

Never till now had she thought of it as affecting herself. The little

lady might be selfish for her Sophy, but she was not selfish in her own

person; nor did she think of her own comfort as opposed to that of her

niece. So that now, when Sophy was gone--she and her boxes and

preparations, and her voice and her footstep, all gone--a sudden

collapse ensued for poor Mrs. Norton. The sense of her loneliness came

upon her all in a moment. She was happy now, she had said fervently; she

had placed her child in the care of a good man, who would love and

cherish her; and now, whatever happened to herself, Sophy would be safe.

But even as she said the words the sense of her loneliness had seized

upon the poor little woman, and brought up a sob into her throat. Sophy

was provided for. Sophy had a husband and a coronet--the last an

unhoped-for glory--but she, had she lost Sophy? She was brave, and

choked back the sob, and upbraided herself for her selfishness, but

still this constriction of the throat would come back. “I am rather worn

out, that is the fact,” she said to Diana, unable to conceal the break

in her voice, but laughing brokenly too; “we are so subject to our

bodies. I never would allow I was tired, though S-Sophy warned me. If I

b-break down, you know what it means, Diana--only t-tiredness and

nerves--that is all.” And then she cried, and sat down to table,

faltering and trembling, but trying to laugh, with the conviction that

the sound, though far from mirthful, would make it apparent that she

cried for joy.

As for the rector, he was full of the correctest sentiments, and kept

his eye upon Diana and upon dear Bill to see what progress they were

making. He made them little speeches as to the advantages of matrimony.

“It is the one mistake I have made in my life,” said the rector. “It is

true that my nephew, who is as good as a son to me, saves me, in some

degree, from the loneliness. But I never should advise any one to follow

my example. I hope my dear Bill will judge better,” Mr. Snodgrass added,

with some solemnity. Diana was the only one who laughed, and this fact

amused her still more than the primary cause of her merriment Mrs.

Norton put her handkerchief to her eyes, while the curate sat in dumb

worship with his eyes turned towards the object of his constant

thoughts.

“Ah, Mr. Snodgrass, perhaps you will feel as I do. One would make any

sacrifice for the happiness of one’s children, and then after, one

suffers--not that I mean to complain. To see Sophy happy will be

happiness enough for me, if her dear husband is spared to her. But I

know what that is,” said poor little Mrs. Norton, subsiding into her

handkerchief.

“We must not think of anything gloomy to-night,” said the rector. “I

trust, indeed, that our dear friends the Pandolfinis will be long spared

to each other, and that they will combine the good qualities of both

nations. It will be a lesson indeed in Italian society to see the beauty

of an English home. There is nothing like it, my dear Mrs. Norton. I

have travelled as much as most men. I may say I am acquainted more or

less with European circles: but an English home, and a marriage of true

affection, as we have every reason to believe this is----”

“So was mine, Mr. Snodgrass,” said Mrs. Norton; “and oh, Providence was

very kind to me. There are very, very few like my dear husband. The

bishop always said there was no one he trusted in so much. He was adored

in the parish. Rich and poor followed him to his grave. It was as if

every family had lost a member. And what is life to those who are left?

Forgive me, Diana. I know I am not so gay as I ought to be: but a

wedding always, more or less, b-brings back the recollection of one’s

d-desolation.”

“Quite true,” said the rector; “and to a solitary man like myself, the

consideration that I have made one great mistake in life----”

“Then why don’t you----?” cried Diana, in whom this mutual lamentation

roused the dormant sense of humour, delivering her from her own

thoughts, which were not too gay. She could not complete her sentence,

however, as she intended, feeling a real pity for the poor little lady

opposite. “You, at least, Mr. Snodgrass,” she said, “why don’t you mend

your mistake? There is time enough yet.” The rector smiled. He was

pleased by the suggestion, though he did not mean to follow it. “No,

no,” he said. “To be told by you, Miss Trelawny, that it is not too

late, is a compliment indeed; but I give up in favour of Bill here, who

is my representative. Dear Bill must mend my mistake, not an old man

like me.”

Dear Bill did not say anything. He had fallen back into his normal

condition, and only gazed at Diana with dull but faithful eyes. He had

forgiven her the sharp and unexpected blow she had given him, but it had

killed his little confidence, his sense that there was a secret

understanding between them. He to be made happy by marrying a Sophy! how

little she knew!

And yet how much better it would have been for him than for Pandolfini!

Diana could not but think, with impatient regret, as she looked at them

all, playing their little parts round the table, where they were never

to sit again. Sophy would have made the curate a very good little wife.

She would have led him insensibly down from those unattainable wishes

which held him suspended between earth and heaven, and brought him back

to the calm delights of the parish, which was his natural sphere and

hers. They would have harmonised by infallible instinct and power of

natural attraction, after perhaps a little interval of difficulty. But

Pandolfini! what link could there be between the little English

clergywoman who would have been so useful in a parish, and the grave

Italian whose habits were as alien to hers as his race? Poor Pandolfini

in these few weeks had ceased even to be an Anglomane. He had gone back

upon his native habitudes, upon his old relations; he had turned even

his English books, in temporary disgust, out of their places. Fortune

had dealt with him hardly, turning his preferences--the tastes which he

had cultivated with a certain pride--into weapons of his downfall. Diana

did not know all this, as she allowed herself to fall back into a review

of all that passed after her guests were gone on that last evening. She

was going away alone as she had come. All that had happened since her

arrival here had passed over her without touching her. As she had come,

so she was going away. The lamps were burning low, the soft night air

was blowing in gratefully at the windows. The great picture of the Count

dei Sogni, which had hung over her so long, seemed to look mildly,

regretfully, half reproachfully at her through the gloom. He, too, poor

Pandolfini, was of the Sogni: and she herself, and all the chances of

this strange mortal life, what were they but _Sogni_ too? “We are such

stuff as dreams are made of,” said Diana softly to herself, the tears

coming to her eyes as she stood there alone in the great dim room, the

curtains swaying softly behind her in the air of the night, and dim

reflections showing all about like ghosts, repeating her tall white

figure in the old dim mirrors. It had been nothing but a caprice on her

part to come here--a mere fancy, without any seriousness or purpose in

it. If she had but stayed at home--gone on upon her quiet round in her

own sphere, where her duty was! Why was it that this whim; of hers

should have brought a cloud upon the life of a good man? Life seemed to

melt away and resolve itself into shadows, through those tears of

visionary compunction that were in her eyes--a vain show, a

phantasmagoria, momentary and delusive, strong gleams of light and

rolling darknesses in which no meaning was. The vague whiteness that

moved in spectral distance in the mirror far away from her at the end,

of the room, far-off reflection of her own solitary figure, seemed to

Diana as real as herself. What had they to do, the woman or the

reflection, in this stately dwelling of the past?--brought here for a

moment to pass across the surface of the mirror which had reflected so

many things, to work unwitting and unwilling evil, and then to pass

away--yet never to pass away having once been here. Diana hid her face

in her hands, oppressed and bowed down by this visionary sense of

intrusion, of harm, yet unreality. Not three months, not more than a

moment in life: yet enough for so much to happen in, more important than

many quiet years. So the great and the little mix and perplex each

other, ever increasing the strange confusion of this world of shadow,

till the brain turns round, and the heart grows sick.

She rose up quickly, and threw out her hands, as if throwing something

away. “This must not be,” she said aloud to herself; “this must not be.”

And she gathered up from the table all those little tokens of personal

presence which change the aspect of a place of habitation, and make it

into the likeness of its tenants,--took up a shawl which had been thrown

upon a sofa, a book which lay on an old cabinet, a little basket of odds

and ends already collected. With a certain reverence, as we collect the

possessions of the lately dead, she carried them all away. The room was

left, when she closed the door, as it had been when she came in to

it--the faded old furniture all ranged in its place, the great portrait

looking down from the dimness of the old wall. Was it the same? A

sweetness breathed in upon the air that had not been there before, a

glimpse of flowers through the window, a greenness of leaves,--and on

the carpet one little sprig of myrtle with its feathery globe of

blossom, which had come from Sophy’s marriage-wreath, and had fallen as

she went out from Diana’s hand. No more--yet something still.

Pandolfini at this moment was standing out on the terrace of his villa,

looking across the Tuscan garden of rich cultivation about. The grey

olive-trees were dark in the monotony of the night, the soft hills all

shrouded, the distant Apennines lying like shadows against the shadowy

horizon. Here and there the gleam of a firefly gave a touch of light,

and the roses were all a-bloom upon the hedges, betraying themselves by

their sweetness. He stood alone and gazed out upon the dark, seeing

nothing, yet somehow receiving the shadowy monotones of the night into

his soul, as Diana was receiving the ghostly reflections and shadowed

calm of the lonely room. All shadows, without and within; but he was at

one of those points of existence when everything is too vivid and actual

to permit of dreaming. His whole life was changed; he was another man,

with new duties, new burdens, new companionship. How he was to make his

toilsome way among them he could not tell. There was a heavy dew in his

eyes, essence of pain and wonder at all that had happened to him,--at

this revolution which was, yet was not, his doing,--at the new claims,

all so terribly real, undeniable, true. How had it come about? What fate

had led him by strange paths to this transformation of existence? He

could not tell. It seemed a gratuitous interference as of some potent

spirit who wished him ill, and had led him astray. The world was as dark

to him as the fields, with impulses of pity, of generous devotion, of

honour and kindness, lighting it fitfully like the fireflies: but for

himself all dark--no comfort in it, nor any visible hope. Yet his mind

was hushed with the very greatness of the crisis. It was done, and the

agitations were so far calmed; his fate was decided. But when the moon

rose Pandolfini retreated before it, covering his eyes. The dark was

more congenial. He wanted no soft angelical face to shine upon him, no

light to follow him at that moment of his life.

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