SUNDAY, _November 28th._

The mass is at ten o'clock on Sunday, and one meets in the grand salon

before going to the chapel.

Madame de Gallifet and I, being Protestants, were not expected; but, as we

wanted to go, we decided to don a black lace veil and follow the others.

The chapel is not large, but it is very richly decorated.

The Empress sat in a tribune facing the altar with a chosen few and her

_dames d'honneur_.

The Emperor was not present.

It seemed to me that the mass was very hurried and curtailed. The chorus

boys swung their censers nonchalantly, as though they were fanning

themselves; probably they were impatient for their breakfast.

The curé did not preach any sermon; he only made an exhortation against

the pomps and vanities of this wicked world, and told us that we had

better be prepared for death, as it might come at any moment. This was

nothing new; any one could have said it. He advised us to have our lamps

trimmed, for, when our time came we would be cut down like grass and

gathered in the garners. Perhaps he meant we ought to make our hay while

the sun was shining. I wondered to myself, if some of those old gentlemen

sinners who had sown so liberally would not be gathered in as oats. The

curé was going on to say that we should not indulge too freely in the good

things of this world; but pulled himself up in time, remembering, no

doubt, that he was going to breakfast, as he did every Sunday, at the

Imperial board and partake of its luxuries.

And before we knew it the mass was finished.

When we returned to the salon it was eleven o'clock, and every one was

assembled for _déjeuner_.

The Marquis d'Aoust happened to sit next to me at table (I say happened,

but I believe he manoeuvered so as to do so), and, taking me unawares

between two mouthfuls of _truites saumonées_, decoyed me into accepting a

stupendous proposition of his, which was to help him to get up an operetta

which he had had the courage to compose. He said the idea had just come

into his head; but I thought, for an impromptu idea, it was rather a ripe

one, as he had brought the music with him, and had already picked out

those he thought could help, and checked them off on his lean fingers. He

said the operetta had one act only, which I thought was fortunate, and

that it needed only four actors, which I thought was still more fortunate.

The next thing to be done, he said, was to get the singers' consent. I

should have said it was the first thing to be done; but he was so bubbling

over with enthusiasm that he was sure every one would jump at the chance

of taking part.

He seized the first moment after their Majesties had retired to pounce

upon those he had selected, and having obtained their consent he proposed

a walk in the long, so-called Treille or Berceau. Napoleon I. built this

walk, which is one thousand meters in length and reaches to the edge of

the forest, for the Queen Marie Louise. I must say I pitied her toes if

she walked there often on as cold a day as to-day; I know mine ached as we

paced to and fro while the Marquis explained the operetta. It was really

too cold to stay out-of-doors, and we turned back to the little salon,

called the _Salon Japonais_, to finish the séance there.

"What part am I to take?" asked Prince Metternich.

As he could not be anything else, he accepted the role of prompter, and

promised all the help he could give. When I went to the Empress's tea this

afternoon I took those questions Aunt M* sent me from America. You know

them. You have to write what your favorite virtues are, and if you were

not yourself, who you would like to be, and so forth.

I was glad to have something new and original which might amuse people.

The Empress, seeing the papers in my hand, asked me what they were. I told

her that they were some questions: a new intellectual pastime just

invented in America.

"Do they invent intellectual pastimes in America?" she asked, looking at

me with a smile. "I thought they only invented money-making."

"They do that, too," I replied; "but they have also invented these

questions, which probe the mind to the marrow and unveil the soul."

She laughed and said, "Do you wish me to unveil my soul, _comme cela, à

l'improviste_?"

I answered, "Perhaps your Majesty will look at them at your leisure. I

hardly dare to ask the Emperor; but if he would also look at them I should

be so happy."

"Leave them with me, and to-morrow we will see; in any case my soul is not

prepared to-day."

So I left the papers with her.

It is the fashion this year for ladies to wear lockets on a black-velvet

ribbon around their necks. The more lockets you can collect and wear, the

finer you are. Each locket represents an event, such as a birthday, a bet,

an anniversary of any kind, and so forth. Any excuse is good for the

sending of a locket. The Empress had seventeen beautiful ones to-day (I

counted them). They have a rather cannibalish look, I think. Is it not in

Hayti (or in which country is it?) that the black citizens wear their

rivals' teeth as trophies on their black necks?

Who should offer me his arm for dinner to night but Prosper Mérimée, the

lion of lions, the pampered poet, who entrances all those who listen to

him whenever he opens his lips.

He looks more like an Englishman than a Frenchman; he is quite old, and I

fancy older than he looks (he may be fifty). He is tall and _dégagé_, with

a nice smile and pleasant eyes, though sometimes he gives you a sharp and

suspicious glance. He speaks English very well. I told him (stretching

a point) that I had never heard a foreigner speak such good English as he

did.

He replied, without a blush: "I ought to speak it well. I learned it when

I was a child." And he added, complacently, "I can even write better than

I speak."

In the Courts of Memory, 1858-1875; from Contemporary Letters · 第 70 / 153 题