PARIS, _1867._

DEAR M.,--You will have heard so much about the Exposition, that I cannot

tell you anything new. It is now in full swing, and I think it is

magnificent. Of course I cannot compare it to any other, as it is the only

one that I have ever seen.

I have a season ticket (costing one hundred francs) containing my

photograph and my autograph; therefore no one but myself can use it. The

Exposition building is round, and the section of one thing goes through

all the countries; for instance, art, which seems to be the smallest

thing, is in the inner circle. If you only want to study one particular

industry you go round the circle; but if you want to study a country you

go down a section. The outer circle is for machinery, and outside in the

grounds, in front of the different countries, are the cafés belonging to

them. Here you can listen to the different national musics, and see the

different national types and costumes, and eat the different national

foods. We go almost every day, and it is always a delight. You can see the

whole art of cutting diamonds, from the gravel in which they are found to

their final polish. The villa of the Bey of Tunis, a Buddhist temple, a

Viennese bakery, where people flock to taste the delicious rolls hot from

the oven, and where Hungarian bands of highly colored handsome zitherists

play from morning till night, and a hundred other attractions, make the

Exposition a complete success. You pass from one lovely thing to the

other. The gardens are laid through avenues of trees and shrubs, where

fountains play, and beds of flowers and bouquets of plants are arranged

with the most artistic taste. All these wonders will in six months' time

be reduced to the level and monotony of the Champ de Mars. One can't

believe that these large horse-chestnut trees in full bloom are only

temporary visitors, like the people.

The Prince Oscar of Sweden (he will one day be the King) came often to the

Exposition, and went about with us. He was very much interested in

everything he saw, especially in the American Steinway pianos. He sent me

several times some of the famous punch they make in Sweden, also some

silver brooches which the Swedish peasants wear. He has a _bateau mouche_,

in which he takes his friends up and down the Seine. The Princess Mathilde

and Madame de Gallifet were of the party last Monday. We _mouched_ as far

as Boulogne, where Baron James Rothschild has a charming place called

Bagatelle, which the Prince wanted very much to see.

We got out of the boat and walked up to the entrance of the park; but the

porter refused, in spite of all pleadings, to let us in, and was almost

rude until Monsieur Dué mentioned the name of the illustrious visitor;

then the gates were thrown wide open, and we walked in and all over the

place. The porter, becoming most humble and servile, offered to escort us

over the house, and even asked us to take tea; but we did not succumb to

either of these temptations.

There are so many kings and sovereigns here: the Emperor of Russia, who is

very handsome and stately; the King of Prussia, who is accompanied by the

colossal Count Bismarck, very noticeable in his dazzling white uniform,

and wearing a shining helmet with an enormous spread eagle on top of it,

which made him tower still more above ordinary mortals, and reminded me of

all the mythological heroes I knew of. He clanked his sword on the

pavement, quite indifferent to the stare of wondering Frenchmen, and was

followed by several other tall Germans, who regarded everything _de haut

en bas_ with Teutonic phlegm. The Prince of Italy (Umberto) looks rather

small by the side of these German giants. The Khedive of Egypt, the Shah

of Persia, the ex-Queen of Spain, and other sovereigns are flitting

about.

The Baron James Rothschild invited us to go to Ferrière's with Prince

Oscar of Sweden. That was very amusing! We had a special train from Paris

and Rothschild's special car; when we arrived at Ferrière's we first had

refreshments, then we walked in the grounds till it was time to dress for

dinner. We met before dining in the enormous salon in the center of the

château. This salon is two stories high, with a gallery around it, and was

so large that a billiard-table in one corner seemed too small to be

noticed, and the concert-grand piano standing at the other end looked

insignificant. The dining-table was beautifully decorated with garlands of

roses and a whole collection of antique goblets, worth a fortune. There

were huge bouquets of roses for the ladies, almost too big to carry.

Prince Oscar's brother had once written a very pretty song, called "I

Rosens duft," which some one had arranged as a duet, and the Prince wanted

me to sing it with him (he had thoughtfully brought the music). All

through dinner he was teaching me the Swedish words, so that we could sing

it afterward. He was so intent (and so was I) that every one, I am sure,

thought we were having a tremendous flirtation, as they saw our heads

almost touching when he was writing the words on the menu. He also wrote a

poem to me (which I inclose), which he said he composed on the spot. How

can he be so clever?

In the Courts of Memory, 1858-1875; from Contemporary Letters · 第 52 / 153 题