PARIS, _July, 1865._

DEAR M.,--You must forgive me if I have not written lately; but we have

been on a visit to the Duke and Duchess de Persigny for the past week. I

did not have time to do more than dress for driving and drive, dress for

afternoon tea, dress for dinner, and dine.

The estates of Chamarande are beautiful, the château itself is very

magnificent and arranged with the Duchess's taste, which is perfect though

ultra-English.

The château has a moat around it, over which is a stone bridge which leads

to the entrance on the side opposite the broad terraces bordered by cut

trees, as in Versailles. The park is very large, filled with beautiful old

trees, and most artistically laid out.

The Duke de Persigny is perfectly delightful, genial, kind, and certainly

the cleverest man of the day, with a temper which is temper-proof. I never

saw him out of it, and, well as I know him, I have never seen him ruffled

in any way, and sometimes there were occasions, goodness knows!

The Duchess is still handsome and attractive; her pronounced originality

lends her a peculiar charm. She has many admiring friends who are true to

her, and I must say that when she is a friend she is a true one, and never

fails you. Her originality frequently leads her beyond conventionality;

for instance, the other day she took it into her head to dine out of

doors. If she wanted to picnic _al fresco_, why did she not choose some

pretty place in the park or in the woods? But no, she had the usual

elaborate dinner served directly outside the château, and on the gravel

walk. The servants, powdered and in short breeches as usual, served us in

their customary solemnity; but they must have wondered why we preferred to

sit on the gravel, with a draught of cold air on our backs, when we might

have been comfortably seated in a big and airy room with a carpet under

our feet. However, such was the wish of the châtelaine, and no one dared

say a word, not even the Duke, though he protested meekly.

Later on the Duke had his revenge, for in the midst of our breezy repast

there came a downpour of rain, accompanied by lightning and peals of

thunder, which necessitated a hasty retreat.

The Duchess, who is very timid in thunder-storms, was the first to rush

into the house, the guests following pell-mell, and our dinner was

finished indoors.

After our return to Petit Val we had the visit of Auber's protégé, a young

man called Massenet. One day, in Paris, two months ago, Auber said to me:

"I am very much interested in a former pupil of the Conservatoire who took

the Grand-Prix de Rome, and has just come back from his four years'

musical studies in Rome. As he is more or less a stranger in Paris, I

should be very thankful if you would interest yourself for him. He really

is a genius; but, as so often happens, geniuses don't have pocket-money."

I answered: "Please tell him to come and see me. I have some music I wish

to have transposed. Do you think that he would be willing to do it?"

"Certainly; he would be glad to do anything," was the answer.

The next day a pale young man presented himself. "You are Monsieur

Massenet?" I inquired.

"Yes, Madame," came the gentle answer.

Thereupon I gave him the music, and I showed him to a quiet little room in

the upper part of the house, which contained a piano, writing-table, pen

and ink, etc., and left him to his fate. He came two or three times before

I heard him play, and then it was only by chance that I passed through the

corridor, and imagine my astonishment at hearing the most divine music

issuing from the room where the young man was working. I rushed in,

saying:

"What is that?"

"Nothing," he answered.

"Nothing!" I exclaimed. "I never heard anything so exquisite, Do play it

again."

"It was simply something that passed through my head," he answered.

"Then let something else pass through your head. I must hear more." I

said. Then he played, and I sat and listened to the most bewildering and

beautiful music that I ever heard. From that moment there was no more

copying. What a genius he is! I wish you could hear him improvise!

We have invited him frequently, and when we are at Petit Val he comes

often out to see us, and luxuriates in the repose and comfort of our life

here. He has already written some lovely songs under its influence. He

composed one called "l'Esclave," and dedicated it to me for my birthday.

He accompanies me as no one has ever done before.

Auber, who drives out occasionally, is delighted to see that "Our

Massenet," as he generally calls him, is getting color in his pale cheeks

and his bright and eager eyes are brighter than ever, and he is actually

getting fat.

In the Courts of Memory, 1858-1875; from Contemporary Letters · 第 29 / 153 题