CHAPTER X.

THE VOYAGE, CONTINUED.

Continuant nostre routte, navigasmes par trois jours _sans rien

descouvrir_.—RABELAIS.

“THERE is a beautiful structure,” said Mr. Chainmail, as they glided by

Lechlade church; “a subject for the pencil, Captain. It is a question

worth asking, Mr. Mac Quedy, whether the religious spirit which reared

these edifices, and connected with them everywhere an asylum for

misfortune, and a provision for poverty, was not better than the

commercial spirit, which has turned all the business of modern life into

schemes of profit and processes of fraud and extortion. I do not see, in

all your boasted improvements, any compensation for the religious charity

of the twelfth century. I do not see any compensation for that kindly

feeling which, within their own little communities, bound the several

classes of society together, while full scope was left for the

development of natural character, wherein individuals differed as

conspicuously as in costume. Now, we all wear one conventional dress,

one conventional face; we have no bond of union but pecuniary interest;

we talk anything that comes uppermost for talking’s sake, and without

expecting to be believed; we have no nature, no simplicity, no

picturesqueness: everything about us is as artificial and as complicated

as our steam-machinery: our poetry is a kaleidoscope of false imagery,

expressing no real feeling, portraying no real existence. I do not see

any compensation for the poetry of the twelfth century.”

_Mr. Mac Quedy_.—I wonder to hear you, Mr. Chainmail, talking of the

religious charity of a set of lazy monks and beggarly friars, who were

much more occupied with taking than giving; of whom those who were in

earnest did nothing but make themselves and everybody about them

miserable with fastings and penances, and other such trash; and those who

were not, did nothing but guzzle and royster, and, having no wives of

their own, took very unbecoming liberties with those of honester men.

And as to your poetry of the twelfth century, it is not good for much.

_Mr. Chainmail_.—It has, at any rate, what ours wants, truth to nature

and simplicity of diction.

The poetry, which was addressed to the people of the dark ages, pleased

in proportion to the truth with which it depicted familiar images, and to

their natural connection with the time and place to which they were

assigned. In the poetry of our enlightened times, the characteristics of

all seasons, soils, and climates may be blended together with much

benefit to the author’s fame as an original genius. The cowslip of a

civic poet is always in blossom, his fern is always in full feather; he

gathers the celandine, the primrose, the heath-flower, the jasmine, and

the chrysanthemum all on the same day and from the same spot; his

nightingale sings all the year round, his moon is always full, his cygnet

is as white as his swan, his cedar is as tremulous as his aspen, and his

poplar as embowering as his beech. Thus all nature marches with the

march of mind; but among barbarians, instead of mead and wine, and the

best seat by the fire, the reward of such a genius would have been to be

summarily turned out of doors in the snow, to meditate on the difference

between day and night and between December and July. It is an age of

liberality, indeed, when not to know an oak from a burdock is no

disqualification for sylvan minstrelsy. I am for truth and simplicity.

_The Rev. Dr. Folliott_.—Let him who loves them read Greek: Greek, Greek,

Greek.

_Mr. Mac Quedy_.—If he can, sir.

_The Rev. Dr. Folliott_.—Very true, sir; if he can. Here is the Captain

who can. But I think he must have finished his education at some very

rigid college, where a quotation or any other overt act showing

acquaintance with classical literature was visited with a severe penalty.

For my part, I make it my boast that I was not to be so subdued. I could

not be abated of a single quotation by all the bumpers in which I was

fined.

In this manner they glided over the face of the waters, discussing

everything and settling nothing. Mr. Mac Quedy and the Reverend Doctor

Folliott had many digladiations on political economy: wherein, each in

his own view, Doctor Folliott demolished Mr. Mac Quedy’s science, and Mr.

Mac Quedy demolished Dr. Folliott’s objections.

We would print these dialogues if we thought anyone would read them; but

the world is not yet ripe for this _haute sagesse Pantagrueline_. We

must therefore content ourselves with an _échantillon_ of one of the

Reverend Doctor’s perorations.

“You have given the name of a science to what is yet an imperfect

inquiry, and the upshot of your so-called science is this: that you

increase the wealth of a nation by increasing in it the quantity of

things which are produced by labour: no matter what they are, no matter

how produced, no matter how distributed. The greater the quantity of

labour that has gone to the production of the quantity of things in a

community, the richer is the community. That is your doctrine. Now, I

say, if this be so, riches are not the object for a community to aim at.

I say the nation is best off, in relation to other nations, which has the

greatest quantity of the common necessaries of life distributed among the

greatest number of persons; which has the greatest number of honest

hearts and stout arms united in a common interest, willing to offend no

one, but ready to fight in defence of their own community against all the

rest of the world, because they have something in it worth fighting for.

The moment you admit that one class of things, without any reference to

what they respectively cost, is better worth having than another; that a

smaller commercial value, with one mode of distribution, is better than a

greater commercial value, with another mode of distribution; the whole of

that curious fabric of postulates and dogmas, which you call the science

of political economy, and which I call _politicæ æconomiæ inscientia_,

tumbles to pieces.”

Mr. Toogood agreed with Mr. Chainmail against Mr. Mac Quedy, that the

existing state of society was worse than that of the twelfth century; but

he agreed with Mr. Mac Quedy against Mr. Chainmail, that it was in

progress to something much better than either—to which “something much

better” Mr. Toogood and Mr. Mac Quedy attached two very different

meanings.

Mr. Chainmail fought with Doctor Folliott, the battle of the romantic

against the classical in poetry; and Mr. Skionar contended with Mr. Mac

Quedy for intuition and synthesis, against analysis and induction in

philosophy.

Mr. Philpot would lie along for hours, listening to the gurgling of the

water round the prow, and would occasionally edify the company with

speculations on the great changes that would be effected in the world by

the steam-navigation of rivers: sketching the course of a steamboat up

and down some mighty stream which civilisation had either never visited,

or long since deserted; the Missouri and the Columbia, the Oroonoko and

the Amazon, the Nile and the Niger, the Euphrates and the Tigris, the

Oxus and the Indus, the Ganges and the Hoangho; under the over canopying

forests of the new, or by the long-silent ruins of the ancient, world;

through the shapeless mounds of Babylon, or the gigantic temples of

Thebes.

Mr. Trillo went on with the composition of his opera, and took the

opinions of the young ladies on every step in its progress; occasionally

regaling the company with specimens; and wondering at the blindness of

Mr. Mac Quedy, who could not, or would not, see that an opera in

perfection, being the union of all the beautiful arts—music, painting,

dancing, poetry—exhibiting female beauty in its most attractive aspects,

and in its most becoming costume—was, according to the well-known

precept, _Ingenuas didicisse_, etc., the most efficient instrument of

civilisation, and ought to take precedence of all other pursuits in the

minds of true philanthropists. The Reverend Doctor Folliott, on these

occasions, never failed to say a word or two on Mr. Trillo’s side,

derived from the practice of the Athenians, and from the combination, in

their theatre, of all the beautiful arts, in a degree of perfection

unknown to the modern world.

Leaving Lechlade, they entered the canal that connects the Thames with

the Severn; ascended by many locks; passed by a tunnel, three miles long,

through the bowels of Sapperton Hill; agreed unanimously that the

greatest pleasure derivable from visiting a cavern of any sort was that

of getting out of it; descended by many locks again through the valley of

Stroud into the Severn; continued their navigation into the Ellesmere

canal; moored their pinnaces in the Vale of Llangollen by the aqueduct of

Pontycysyllty; and determined to pass some days in inspecting the

scenery, before commencing their homeward voyage.

The Captain omitted no opportunity of pressing his suit on Lady Clarinda,

but could never draw from her any reply but the same doctrines of worldly

wisdom, delivered in a tone of _badinage_, mixed with a certain kindness

of manner that induced him to hope she was not in earnest.

But the morning after they had anchored under the hills of the

Dee—whether the lady had reflected more seriously than usual, or was

somewhat less in good humour than usual, or the Captain was more pressing

than usual—she said to him: “It must not be, Captain Fitzchrome; ‘the

course of true love never did run smooth:’ my father must keep his

borough, and I must have a town house and a country house, and an opera

box, and a carriage. It is not well for either of us that we should

flirt any longer: ‘I must be cruel only to be kind.’ Be satisfied with

the assurance that you alone, of all men, have ever broken my rest. To

be sure, it was only for about three nights in all; but that is too

much.”

The Captain had _le cœur navré_. He took his portfolio under his arm,

made up the little _valise_ of a pedestrian, and, without saying a word

to anyone, wandered off at random among the mountains.

After the lapse of a day or two, the Captain was missed, and everyone

marvelled what was become of him. Mr. Philpot thought he must have been

exploring a river, and fallen in and got drowned in the process. Mr.

Firedamp had no doubt he had been crossing a mountain bog, and had been

suddenly deprived of life by the exhalations of marsh miasmata. Mr.

Henbane deemed it probable that he had been tempted in some wood by the

large black brilliant berries of the _Atropa Belladonna_, or Deadly

Nightshade; and lamented that he had not been by, to administer an

infallible antidote. Mr. Eavesdrop hoped the particulars of his fate

would be ascertained; and asked if anyone present could help him to any

authentic anecdotes of their departed friend. The Reverend Doctor

Folliott proposed that an inquiry should be instituted as to whether the

march of intellect had reached that neighbourhood, as, if so, the Captain

had probably been made a subject for science. Mr. Mac Quedy said it was

no such great matter to ascertain the precise mode in which the surplus

population was diminished by one. Mr. Toogood asseverated that there was

no such thing as surplus population, and that the land, properly managed,

would maintain twenty times its present inhabitants; and hereupon they

fell into a disputation.

Lady Clarinda did not doubt that the Captain had gone away designedly;

she missed him more than she could have anticipated, and wished she had

at least postponed her last piece of cruelty till the completion of their

homeward voyage.

Crotchet Castle · 第 10 / 18 章