Mr. INGERSOLL floated his powerful mind in air-line railroads. He wanted

"that air" line from Washington to New York. This 'ere line didn't suit

him. He appealed to the House to protect its members from the untold

horrors of passing through Philadelphia. He had no doubt that much of

the imbecility which he remarked in his colleagues, and possibly some of

the imbecility they had remarked in him, were due to this dreadful

ordeal. He admitted that good juleps were to be had at he Mint. But

juleps had beguiled even SAMSON, and cut his hair off. His colleague,

LOGAN, might not be as strong as SAMSON, but he would be as entirely

useless and unimpressive an object with his hair off.

Then there was a debate upon the proposition to abolish the mission to

Rome.

Mr. BROOKS said most of his constituents were Roman Catholics. Therefore

there should be a mission to Rome.

Mr. DAWES said that BROOKS used to be a Know-Nothing. Therefore there

should not be a mission to Rome.

Mr. COX said that they used to burn witches in Massachusetts. Therefore

there should be a mission to Rome.

Mr. HOAR said they didn't. Therefore there should not be a mission to

Rome.

Mr. VOORHEES said they burnt a Roman Catholic Asylum in Boston.

Therefore there should be a mission to Rome.

Mr. DAWES said they burnt a Negro Asylum in New York. Therefore there

should not be a mission to Rome.

Mr. VOORHEES said DAWES was another. Therefore there should be a mission

to Rome.

Mr. BINGHAM said POWELL was a much better painter than TITIAN, and

VINNIE REAM a much better sculptor than MICHAEL ANGELO. Therefore there

should not be a mission to Rome.

_Republican Chorus._ You are.

_Democratic Chorus._ We ain't.

_Republican Chorus._ You did.

_Democratic Chorus._ We didn't.

_Solo by the Speaker._ Order.

_Democratic Chorus._ There should be (_da capo_ with gavel

accompaniment.)

_Republican Chorus._ There should not be (ditto, ditto.) After weighing

these arguments, the House adjourned without doing anything about it.

* * * * *

~A BAD "ODOR" IN THE WEST.~

"The Coroner's Jury investigating the Missouri Pacific Railroad

slaughter have found that it was all caused by the disobedience and

negligence of WILLIAM ODOR, conductor of the extra freight

train!"--Daily Paper.

This "conductor" is as dangerous as some (of the "lightning" species)

which we have seen dangling disjointed from the roofs and walls of

dwelling-houses in the country. At the first shock, good-bye to you! if

you are anywhere around. Or, rather, he may be compared to the miasma

from ditches and stagnant ponds, inhaled at all times by our rustic

fellow citizens, with the trustfulness (if not relish) of the most

extreme simplicity. And yet, it kills them, all the same. No one out

West would have cared a pin about WILLIAM'S "disobedience" and

"negligence," if these trifling eccentricities hadn't occasioned the

killing or maiming of several car-loads of passengers. It is hard to

shock these Western folks' sense of honor and fidelity; but kill a few

of them, and the rest begin to feel it. We suppose that just now this

BILL can't pass there. But, our word for it, he'll soon be in

circulation again. Perhaps he may yet have the pleasure of Conducting

some of _us_ to that Station from which, etc., etc. Before we take our

contemplated trip to the West, therefore, we fervently desire to have

this ODOR neutralised, even though one should do it with strychnine.

* * * * *

~INFORMATION WANTED.~

The correspondent of a Boston paper writes as follows, after having

visited the _Reichstag_:

"You may be sure that that man is BISMARCK; if from time to time he

irons out his face wearily with his hands, as he studies a long

document, or if by chance some unlucky member, attracting his disdain,

calls his mind to the fact that he is in Parliament, then he starts to

his feet like a war-horse, and talks with great grace and ease, always

rapidly, always briefly."

Why is it that BISMARCK irons out his face? Is it because he has just

washed it--or is it to conceal his identity, as the features of the Man

in the Mask were ironed out?

And why does the great Minister start to his feet like a war-horse?

PUNCHINELLO, not having been an Alderman or Member of Congress,

recently, is not very familiar with the getting up of war horses; but

the ordinary equine animal does not assume the upright posture with

great readiness or grace. If PUNCHINELLO were to become a member of the

_Reichstag,_ an event now highly probable, he would like to have every

adversary in debate "start to his feet like a war-horse."

* * * * *

[Illustration: ILLUSTRATED LITERATURE.

_Boy (with basket.)_ "WHAT'S THEM PICTERS, JIM?--ANOTHER MURDER, OR A

NEW DIVORCE?"

_Jim._ "NOT MUCH. ONLY AN OLD EXECUTION,--WARMED OVER!"]

~THE ROMAUNT OF THE OYSTER.~

In the moonlight at Cattawampus

We sat by the surging sea,

"And O how I long for an oyster,"

Said FELICIA FITZ-SNYDER to me.

Then I said, "Would were mine the power,

Deep, deep, to the deepmost sea

I would fly on the wings of an oyster

To gather a pearl for thee.

"Where the oysters are roystering together

In the caves and the grots where they lie,

And the clams with a musical clamor

Rejoice when the water is high,"

"O, there would my spirit conduct thee.

Till, as waves began to swell,

Thou shoulds't rise o'er the crest of the billows,

Like a VENUS upon the half-shell!"

'Twas enough: for I saw her eye stir,

And ope like an oyster wide,

As in accents hysteric she whispered,

"No, FELIX--I'd like 'em fried!"

Did she take me, alas! for a friar,

Or a man of a soul austere,

That pearl of my heart's Chincoteague?

Oh, no, she had nothing to fear.

Then we reached the hotel together

And partook of two plates of fry,

And I marvelled to think than an oyster

Had hoisted her spirits so high.

* * * * *

~FOREIGN CORRESPONDENCE.~

(By Atlantic Cable.)

Leaving Rome, I have called next on NAPOLEON, at Paris. He sent word,

through OLLIVIER, that be wanted to see me. He looks _old._ Some medical

man has put forth the idea that he has BRIGHT'S disease. An English

_attache_ just asked me whether that has any reference to JOHN BRIGHT.

As the latter is a Quaker, the first symptom of this disease must have

been shown long ago, when the Emperor said, "The Empire is Peace." I

satisfied my friend, however, that the case was not one of that Kidney.

Well, the Emperor asked me, "What do they say of me in America?"

"Sire, we think you are very wise, to accept the inevitable, and make a

virtue of it."

"Wise, of course. Disinterested, too!"

"_Pardonnez moi._ Not ever _wise, of course._ Mexico was a folly, you

know."

"I know; though if you were not PUNCHINELLO, you should not say it. Will

my son reign in France?"

"Sire, I am not an oracle. But they have a proverb in my country, that

it never rains but it pours."

"_Je n'entends pas._ The _plebiscite_ was rather a neat thing!"

"Worthy of its author. The old story; heads I win, tails you lose. But,

will your Majesty say what you think of the Pope?"

"That old Popinjay! He has been my folly, greater than Mexico. He would

have gone to Gaeta, or to perdition, long ago, but for _Madame!_"

"And the Council?"

"Ha, ha, ha, ha, ha!"

"What do you think of BISMARCK?"

"Monsieur, I detain you too long. You have, I am sure, an engagement.

_Bon jour!_"

_Apropos_ of the Emperor, it is said that, on the suggestion of

England's proposal to take charge of Greece, and clean out the brigands,

if the King and ministers there would resign,--Col. FISK telegraphed on

to NAPOLEON, offering to take charge of the government of France, as a

recreation, among his various engagements. He does not even require the

Emperor to withdraw; be can run the machine about as well with him as

without him.

As to the _Plebisculum,_ they say that EUGENIE asked for masses to be

said in all the churches for its success. NAPOLEON preferred to make his

appeal to the _masses outside_ of the churches.

ITALY.

Bishop VERELLI last week declared, in a sermon, that railroads,

telegraphs, and the press, were all inventions of the devil. A

correspondent of the Tribune at once sent him word that this was a

mistake. HORACE GREELEY had already proved that railroads and telegraphs

were inventions of British Free Trade; and that the press had been

invented by his grandfather, for the promulgation of protection.

Since the telegram came through Florence, of a serious riot at

Filadelfia, in Italy, a tourist from Penn's city of brotherly love

understood it to be that Col. TOM FLORENCE was seriously hurt in a riot

at Philadelphia! I telegraphed for him, to my old friend the Colonel,

and learned, with satisfaction, that not a hair of TOM'S head had been

shortened.

ENGLAND.

In Parliament, an interesting debate occurred the other night. Mr.

DAWSON moved a resolution condemning the raising of large revenue in

India from opium. Mr. WINGFIELD opposed the resolution, arguing that

opium was less hurtful than alcohol. Mr. TITMOUSE, a young member, added

that arsenic is less hurtful than strychnine; also, that this is less

injurious than prussic acid. Mr. GLADSTONE did not see what that had to

do with the case. Neither did I.

Mr. DENNISON hoped that mere sentiment would not be suffered to

interfere with the prosperity of India. Mr. TITMOUSE then suggested the

sending of the volunteer Rifles to take immediate possession of China;

that would not be sentimental, but practical. Mr. HENLEY believed that

to be a more costly affair than he was prepared for; but, whenever the

interest of England required it, he was ready. What are the lives of a

hundred million Chinese to the financial prosperity of England? Mr.

GLADSTONE considered that opium was merely a drug, after all. It was not

worth while to consume the time of the House about it. And so the

resolution was lost.

PRIME.

* * * * *

~A Mathematical Problem.~

If one United States Marshal can capture a Fenian General surrounded by

his army, in five minutes, how long would it take him to capture the

army?

* * * * *

[Illustration: 'K']

THE PLAYS AND SHOWS.

Kant is admitted to be one of the greatest of the German philosophers.

(That fact has nothing whatever to do with the Plays and Shows, but the

artist insisting upon making K the initial letter of this column, the

writer was obliged to begin with Kant--Kelley being hopelessly

associated in the public mind with pig-iron, and all other metaphorical

quays from which he might have launched his weekly bark being

unreasonably spelled with a Q.)

German philosophy, however, resembles Italian Opera in one particular:

it consists more of sound than of sense. Both have a like effect upon

the undersigned, in that they lead him into the paths of innocence and

peace; in short, they put him to sleep. A few nights since he went to

hear Miss KELLOGG in _Poliuto_. He listened with attention through the

first act, drowsily through the second, and from the shades of dreamland

in the third. Between the acts he lounged in the lobbies and heard the

critics speak with sneering derision of the complimentary notices of the

American Nightingale which they were about to write, while they

expressed, with sardonic smiles, a longing for the day when they would

be "allowed"--such was their singular expression--to "speak the truth

about Miss KELLOGG as a prima donna." And while he sat with closed eyes

during the third act, wondering whether he should believe the critics in

the flesh, or their criticisms in the columns of their respective

journals, he saw rehearsed before him a new operatic perversion of

MACBETH, as unlike the original as even VERDI'S MACBETTO, and quite as

inexplicable to the unsophisticated mind. And this is what he saw:

_Scene, the Dark Cave in fourteenth street. In the middle a Cauldron

boiling. Thunder--and probably small beer--behind the scenes. Enter

three Witches._

_1st Witch_. Thrice the Thomas cat hath yowled.

_2d Witch_. Thrice; and once the hedge-hog howled.

_3d Witch_. All of which is wholly irrelevant to our present purpose,

which is to summon what my friend Sir BULWER LYTTON would call the

Scin-Laeca, or, apparition of each living critic from the nasty deep of

the cauldron, and to interview him in order to hear what he really

thinks of Miss KELLOGG.

_lst Witch_

"Round about the cauldron go,

In the poisoned whiskey throw

Lager, that on coldest stone,

Days and nights hast thirty one."

_Enter_ MACSTRAKOSCH. "How now, you secret black and midnight hags, what

is't you do?"

_All_ "A deed that under present circumstances it would be superfluous

to name."

_MacStrakosch_. "I conjure you by that which you profess, (how'er you

come to know it,) answer me to what I ask you."

_lst Witch_. "Speak."

_2d Witch_. "Proceed."

_3d Witch_. "Out with it, old boy."

_MacStrakosch_. "What do these fellows really think, whom we compel to

write so sweetly of our own Connecticut _prima donna_?"

_All_

"Come high or low, come jack or even game,

We'll answer all your questions just the same."

_Thunder. An apparition of a critic rises._

_MacStrakosch_.

"Tell me, thou unknown power, what thinkest thou Of our own native

nightingale?"

_Apparition_.

"Her voice is clear and bright, but far too thin

For a great singer.--Such in truth she's not.

Dismiss me!" (_Descends_.)

_MacStrakosch_.

"Dismissed thou shalt be if thy editor

Will listen to our singer's and MAECENAS' plaint.

But one word more."

_Thunder. Second apparition of a critic rises.

Apparition_.

"Her voice is good in quality, but then

There's not sufficient of it for a queen

Of the lyric stage. Yet such she claims to be,

But is not. Now dismiss me." (_Descends_.)

_MacStrakosch_.

"Yea; and I will unless thy master's ear

Be deaf to the demand of good society.

Let me hear more!"

_Thunder. Third apparition of a critic rises.

Apparition_.

"Her lower notes are bad, her upper notes

Forced, reedy, and most sadly often flat;

'Tis folly to compare her with the great

Full-voiced and plenteous Parepa. Now

Dismiss me if thou wilt."

_MacStrakosch_.

"Sacrilegious wretch! I have thy name

Upon my tablets. Thy official head

Comes off at once. Call up, ye midnight hags,

Another of these villains."

_Thunder. Fourth apparition of a critic rises.

Apparition_.

"Her acting, like her voice, is cold and hard;

Not thus did GRISI, GAZZANIGA or

CORTESI act when their warm Southern blood

Throbbed in the passionate pulse of VIOLETTA,

NORMA, or the Spanish LEONORE.

Dismiss me, quick."

_MacStralosch_.

"Thon diest ere to-morrow's sun shall set,

Or never more advertisement of mine

Shall grace the columns of thy journal. Next."

_Thunder. Fifth apparition of a critic rises.

Apparition_.

"She in the same in everything she sings;

Her 'Gilda,' her 'Amina,' or her 'Marguerite,'

Her 'Leonora,' or her 'Daughter of

The Regiment,' are one and all the same

Fair lady decked in different stage costumes.

Better dismiss me, now. I've told the truth,

And may continue that unseemly practice."

_MacStrakosch_.

"This is past bearing. Are there any more

Of these rude fellows waiting to be summoned?"

_Thunder. Eight apparitions of critics rise and pass over the stage,

reciting the following chorus:

Apparitions_.

"She has a pretty little voice, and uses it

In pretty little ways. If she would sing

In pretty little theatres she'd make a hit

In pretty little parts. That's everything

That can be said for her. Cease then to claim

That "KELLOGG" should be writ next GRISI'S name."

_The apparitions vanish. An alarm of drums is heard, and_ MATADOR

_awakes to find that he is still enduring Poliuto, and that a sporadic

drum in the orchestra, which has broken loose from the weak restraints

of the conductor's discipline, is making Verdi unnecessarily hideous._

And as he passed once more and finally through the lobby, he heard a

critic remark, "She is the same in everything she sings;" and another

reply, "Yes, she has a pretty little voice, and uses it nicely, but she

is by no means a great singer." Struck by the similarity of these

remarks to those made by the apparitions in his vision, he began to

doubt whether his dream did not, after all, contain a large alloy of

truth, and the more he thought on the subject the more he was led to

believe that for once he had really heard the critics of the New York

press indulging in an unrestrained expression of honest opinion.

MATADOR

* * * * *

~Bingham on Rome.~

"Talk to me at this time of day about Borne being the Mother of Arts!"

cries Mr. BUNCOMBE BINGHAM, M.C. PUNCHINELLO fervently hopes that at no

time of the day will anybody ever talk to BINGHAM about Borne being the

Mother of Arts. The reason therefor is obvious. "Why, sir," says

BINGHAM, "there is more of that genius which makes even the marble itself

wear the divine beauty of life, more of that power to-day in living

America, than was ever dreamed of in Rome, living or dead!" We think we

hear BINGHAM exclaim, with the gladiator-like championship of Art for

which he is renowned--"Bring on your MICHAEL ANGELOS; produce your

CHIAROSCUROS, your MASANIELLOS, your SAVONAROLAS and the rest of

'em--but show me a match for VINNIE REAM!"

* * * * *

[Illustration: ~PERSIFLAGE.~

Jenkins (_Chaffing glazier, who is mending basement window_.) "NOW, MY

FRIEND, TRY TO GET OUT THAT WAY. YOU KNOW YOU MUST HAVE BEEN PUT IN FOR

_something_, AND YOU'LL ONLY AGGRAVATE MATTERS IF YOU TRY TO BREAK

JAIL."]

* * * * *

~Chinopathy.~

Did the gentleman who threw a brick at a dog on a very hot day (when no

doubt that inoffensive animal was in a stew) imagine that he had hit

upon the whole of the common Chinese _materia medica?_ PUNCHINELLO is

gravely told that a Celestial doctor is about to come to New York, whose

favorite prescriptions, in accordance with Chinese practice, "will be

baked clay-dust, similar to brick-dust and dog-soup." In one of these

remedies the medical acumen of PUNCHINELLO recognizes a homoeopathic

principle. Man having been made out of the dust of the earth, nothing is

so well adapted to cure him as baked clay. Every man's house is now not

only his castle, but his apothecary shop. A brick may be considered a

panacea, and may be carried in the hat. Taken internally, it will go to

the building up of the system. Applied to the head it is good for

fractures. Dog-soup has an evident advantage over the usual

prescriptions of Bark.

* * * * *

~Greek Meeting Greek.~

We learn that "a naval architect named DUNKIN claims to have constructed

a new style of vessel, impervious to rams, shell, or shot." Now, then,

where is our friend, Captain ERICSSON? The Captain has a torpedo which

he is anxious to explode, near a strong vessel belonging to somebody

else. He says it will blow up anything. DUNIN says nothing can blow up

his vessel. A contest between these very positive inventors would be a

positive luxury--to those who had nothing to risk. We bet on the

torpedo.

* * * * *

~The "New Muscle".~

It was a mere joke, that stuff about the "new muscle in the human body,"

said to have been found by an English anatomist. It simply meant that,

the Oyster Months being past, the "human body" begins to be nourished

with soft-shell clams.

* * * * *

~GRAVESTONES FOR SALE.~

Bargains in Immortality

The undersigned offers for sale to the highest bidder, up to Doomsday

next, several choice lots of tombstones. Bidders will state price and

terms of payment, and accepted purchasers will remove the monuments from

their present localities, at their own risk. The lots are:

1st. A gravestone of white marble. It is about 65 feet square at the

base, and is the frustrum of a pyramid, truncated at about 140 feet. It

is filled with a square hole, upon the sides of which are inscriptions

let into various colored marbles, and in the languages of the peoples

who inhabited a great country ages ago. The stone was designed to be put

over the remains of PRO PATRIA, a personage once celebrated for loyalty

and wisdom, but whose teachings are now well nigh forgotten, and whose

name even is fast being obliterated from the memories of radical

improvers of governments and republican institutions. This lot may be

seen south of the mouth of Goose Creek, in a district called Columbia.

2d. A gravestone consisting of a square house of Illinois marble, with a

piece of a smoke-stack protruding from the roof. About one-third of the

estimated cost had been expended, when the persons who were to furnish

the means suddenly concluded that the Little Giant could sleep just as

well in a filthy unmarked hole in the ground, as under a pile of marble.

Besides, being dead, he couldn't get any more offices for his

constituents, so they found out they didn't care a cuss for him. Further

information about this stone can be obtained by applying to any citizen

of Chicago.

3d. A monument which we haven't seen, and so can't describe. It is

supposed to be at Springfield, Illinois, and was intended for a person

once called a railsplitter--a man much homelier than the typical hedge

fence, but as good as homely. He was thought to be a second PRO PATRIA,

MOSES, or some such person, and was sworn by, by millions of people who

would now almost deny ever having heard of him. At the time he went out

everybody wanted to put up a gravestone immediately--almost before he

needed one. Now, everybody isn't altogether enough to provide one. For

further particulars about the Springfield stone, inquire of any red-hot

radical.

There are some other lots, but we will not offer them until we see how

the present ones go off.

GHOUL, _Undertaker._

* * * * *

~LATEST ABOUT "LO!"~

The Irrepressible Black having been repressed, here comes the

Irrepressible Red! HIAWATHA is cutting up a great variety of capers as

well as of unfortunate settlers. Should you ask us why this bloodshed,

Why this scalping and this burning, Why this conduct most disgraceful,

Why these crimes of the Piegans, Why this sending forth of soldiers, Why

the perils of the railway, known as and called the way Pacific, (which

it won't be if these actions are allowed to go unpunished,) We should

tell you--whiskey! to say nothing of the indomitable propensity which

rises in the Piegan bosom for scalps. The noble Son of the Forest is an

amateur in scalps; as some of us are all for old books and others for

old coins. But however much we may respect the enthusiasm of the wild

Rover of the Plains, in making these collections of cranial curiosities,

we feel that the red virtuoso is really going too far--at least we

should feel so, we have no doubt, if he were taking off our own private

scalp, which is a very handsome one, and which we hope to be buried in.

No; the Piegan passion for scalps must be suppressed. But how? Some say

by more whiskey. Some say by less. Some say by none at all. We are for

the more instead of the less. There is whiskey and whiskey. Now our idea

would be to send an unlimited supply of the more deadly variety of that

exhilarating fluid, (highly camphened,) to the convivial Piegans. After

an extensive debauch upon this potent tipple, very few Piegans would be

likely to take the field, either this summer or any other. They would be

Dead Reds, every rascal of them.

* * * * *

Extraordinary Bargains

In

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Paris and Domestic Made Silk Cloaks,

_Embroidered Breakfast Jackets, in

all Colors,_

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Ladies' Spring and Summer Suits in SILK,

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and Plain CAMBRICS.

Children's and Misses' White and

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Ladies', Children's and Infants' Underwear,

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A.T. Stewart & CO.,

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* * * * *

A. T. STEWART & CO.

Are offering

an IMMENSE VARIETY OF NOVELTIES in

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Every Variety of Goods Suitable for Mourning.

HOSIERY.

Alexandre's Celebrated Kid Gloves, In new

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BROADWAY,

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* * * * *

A. T. STEWART & CO.

Offer the balance of their stock of

Trimmed Bonnets and Hats,

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FLOWERS, FEATHERS,

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* * * * *

SPECIAL

PUNCHINELLO PREMIUMS.

By special arrangement with

L. PRANG & CO.,

we offer the following Elegant Premiums for new Subscribers to

PUNCHINELLO:

"Awakening." (A Litter of Puppies.) Half Chromo, size,

8 3-8 by 11 1-8, price $2.00, and a copy of PUNCHINELLO for

one year, for $4.00.

"Wild Roses." Chromo, 12 1-8 by 9, price $3.00, or any

other $3.00 Chromo, and a copy of the paper for one year for

$5.00.

"The Baby in Trouble." Chromo, 13 by 16 1-4,

price $6.00 or any other at $6.00, or any two Chromos at $3.00,

and a copy of the paper for one year, for $7.00.

Punchinello, Volume 1, No. 11, June 11, 1870 · 第 2 / 3 段