The Dead and the Countess

(Republished from the _Smart Set_)

It was an old cemetery, and they had been long dead. Those who died

nowadays were put in the new burying-place on the hill, close to the

Bois d'Amour and within sound of the bells that called the living to

mass. But the little church where the mass was celebrated stood

faithfully beside the older dead; a new church, indeed, had not been

built in that forgotten corner of Finisterre for centuries, not since

the calvary on its pile of stones had been raised in the tiny square,

surrounded then, as now, perhaps, by gray naked cottages; not since the

castle with its round tower, down on the river, had been erected for the

Counts of Croisac. But the stone walls enclosing that ancient cemetery

had been kept in good repair, and there were no weeds within, nor

toppling headstones. It looked cold and gray and desolate, like all the

cemeteries of Brittany, but it was made hideous neither by tawdry

gewgaws nor the license of time.

And sometimes it was close to a picture of beauty. When the village

celebrated its yearly _pardon_, a great procession came out of the

church--priests in glittering robes, young men in their gala costume of

black and silver, holding flashing standards aloft, and many maidens in

flapping white head-dress and collar, black frocks and aprons flaunting

with ribbons and lace. They marched, chanting, down the road beside the

wall of the cemetery, where lay the generations that in their day had

held the banners and chanted the service of the _pardon_. For the dead

were peasants and priests--the Croisacs had their burying-place in a

hollow of the hills behind the castle--old men and women who had wept

and died for the fishermen that had gone to the _grande pêche_ and

returned no more, and now and again a child, slept there. Those who

walked past the dead at the _pardon_, or after the marriage ceremony, or

took part in any one of the minor religious festivals with which the

Catholic village enlivens its existence--all, young and old, looked

grave and sad. For the women from childhood know that their lot is to

wait and dread and weep, and the men that the ocean is treacherous and

cruel, but that bread can be wrung from no other master. Therefore the

living have little sympathy for the dead who have laid down their

crushing burden; and the dead under their stones slumber contentedly

enough. There is no envy among them for the young who wander at evening

and pledge their troth in the Bois d'Amour, only pity for the groups of

women who wash their linen in the creek that flows to the river. They

look like pictures in the green quiet book of nature, these women, in

their glistening white head-gear and deep collars; but the dead know

better than to envy them, and the women--and the lovers--know better

than to pity the dead.

The dead lay at rest in their boxes and thanked God they were quiet and

had found everlasting peace.

And one day even this, for which they had patiently endured life, was

taken from them.

The village was picturesque and there was none quite like it, even in

Finisterre. Artists discovered it and made it famous. After the artists

followed the tourists, and the old creaking _diligence_ became an

absurdity. Brittany was the fashion for three months of the year, and

wherever there is fashion there is at least one railway. The one built

to satisfy the thousands who wished to visit the wild, sad beauties of

the west of France was laid along the road beside the little cemetery

of this tale.

It takes a long while to awaken the dead. These heard neither the

voluble working-men nor even the first snort of the engine. And, of

course, they neither heard nor knew of the pleadings of the old priest

that the line should be laid elsewhere. One night he came out into the

old cemetery and sat on a grave and wept. For he loved his dead and felt

it to be a tragic pity that the greed of money, and the fever of travel,

and the petty ambitions of men whose place was in the great cities where

such ambitions were born, should shatter forever the holy calm of those

who had suffered so much on earth. He had known many of them in life,

for he was very old; and although he believed, like all good Catholics,

in heaven and purgatory and hell, yet he always saw his friends as he

had buried them, peacefully asleep in their coffins, the souls lying

with folded hands like the bodies that held them, patiently awaiting the

final call. He would never have told you, this good old priest, that he

believed heaven to be a great echoing palace in which God and the

archangels dwelt alone waiting for that great day when the elected dead

should rise and enter the Presence together, for he was a simple old man

who had read and thought little; but he had a zigzag of fancy in his

humble mind, and he saw his friends and his ancestors' friends as I have

related to you, soul and body in the deep undreaming sleep of death, but

sleep, not a rotted body deserted by its affrighted mate; and to all who

sleep there comes, sooner or later, the time of awakening.

He knew that they had slept through the wild storms that rage on the

coast of Finisterre, when ships are flung on the rocks and trees crash

down in the Bois d'Amour. He knew that the soft, slow chantings of the

_pardon_ never struck a chord in those frozen memories, meagre and

monotonous as their store had been; nor the bagpipes down in the open

village hall--a mere roof on poles--when the bride and her friends

danced for three days without a smile on their sad brown faces.

All this the dead had known in life and it could not disturb nor

interest them now. But that hideous intruder from modern civilization, a

train of cars with a screeching engine, that would shake the earth which

held them and rend the peaceful air with such discordant sounds that

neither dead nor living could sleep! His life had been one long unbroken

sacrifice, and he sought in vain to imagine one greater, which he would

cheerfully assume could this disaster be spared his dead.

But the railway was built, and the first night the train went screaming

by, shaking the earth and rattling the windows of the church, he went

out and sprinkled every grave with holy-water.

And thereafter, twice a day, at dawn and at night, as the train tore a

noisy tunnel in the quiet air, like the plebeian upstart it was, he

sprinkled every grave, rising sometimes from a bed of pain, at other

times defying wind and rain and hail. And for a while he believed that

his holy device had deepened the sleep of his dead, locked them beyond

the power of man to awake. But one night he heard them muttering.

It was late. There were but a few stars on a black sky. Not a breath of

wind came over the lonely plains beyond, or from the sea. There would be

no wrecks to-night, and all the world seemed at peace. The lights were

out in the village. One burned in the tower of Croisac, where the young

wife of the count lay ill. The priest had been with her when the train

thundered by, and she had whispered to him:

"Would that I were on it! Oh, this lonely lonely land! this cold echoing

château, with no one to speak to day after day! If it kills me, _mon

père_, make him lay me in the cemetery by the road, that twice a day I

may hear the train go by--the train that goes to Paris! If they put me

down there over the hill, I will shriek in my coffin every night."

The priest had ministered as best he could to the ailing soul of the

young noblewoman, with whose like he seldom dealt, and hastened back to

his dead. He mused, as he toiled along the dark road with rheumatic

legs, on the fact that the woman should have the same fancy as himself.

"If she is really sincere, poor young thing," he thought aloud, "I will

forbear to sprinkle holy-water on her grave. For those who suffer while

alive should have all they desire after death, and I am afraid the count

neglects her. But I pray God that my dead have not heard that monster

to-night." And he tucked his gown under his arm and hurriedly told his

rosary.

But when he went about among the graves with the holy-water he heard the

dead muttering.

"Jean-Marie," said a voice, fumbling among its unused tones for

forgotten notes, "art thou ready? Surely that is the last call."

"Nay, nay," rumbled another voice, "that is not the sound of a trumpet,

François. That will be sudden and loud and sharp, like the great blasts

of the north when they come plunging over the sea from out the awful

gorges of Iceland. Dost thou remember them, François? Thank the good

God they spared us to die in our beds with our grandchildren about us

and only the little wind sighing in the Bois d'Amour. Ah, the poor

comrades that died in their manhood, that went to the _grande pêche_

once too often! Dost thou remember when the great wave curled round

Ignace like his poor wife's arms, and we saw him no more? We clasped

each other's hands, for we believed that we should follow, but we lived

and went again and again to the _grande pêche_, and died in our beds.

_Grâce à Dieu_!"

"Why dost thou think of that now--here in the grave where it matters

not, even to the living?"

"I know not; but it was of that night when Ignace went down that I

thought as the living breath went out of me. Of what didst thou think as

thou layest dying?"

"Of the money I owed to Dominique and could not pay. I sought to ask my

son to pay it, but death had come suddenly and I could not speak. God

knows how they treat my name to-day in the village of St. Hilaire."

"Thou art forgotten," murmured another voice. "I died forty years after

thee and men remember not so long in Finisterre. But thy son was my

friend and I remember that he paid the money."

"And my son, what of him? Is he, too, here?"

"Nay; he lies deep in the northern sea. It was his second voyage, and

he had returned with a purse for the young wife, the first time. But he

returned no more, and she washed in the river for the dames of Croisac,

and by-and-by she died. I would have married her, but she said it was

enough to lose one husband. I married another, and she grew ten years in

every three that I went to the _grande pêche_. Alas for Brittany, she

has no youth!"

"And thou? Wert thou an old man when thou camest here?"

"Sixty. My wife came first, like many wives. She lies here. Jeanne!"

"Is't thy voice, my husband? Not the Lord Jesus Christ's? What miracle

is this? I thought that terrible sound was the trump of doom."

"It could not be, old Jeanne, for we are still in our graves. When the

trump sounds we shall have wings and robes of light, and fly straight up

to heaven. Hast thou slept well?"

"Ay! But why are we awakened? Is it time for purgatory? Or have we been

there?"

"The good God knows. I remember nothing. Art frightened? Would that I

could hold thy hand, as when thou didst slip from life into that long

sleep thou didst fear, yet welcome."

"I am frightened, my husband. But it is sweet to hear thy voice, hoarse

and hollow as it is from the mould of the grave. Thank the good God thou

didst bury me with the rosary in my hands," and she began telling the

beads rapidly.

"If God is good," cried François, harshly, and his voice came plainly to

the priest's ears, as if the lid of the coffin had rotted, "why are we

awakened before our time? What foul fiend was it that thundered and

screamed through the frozen avenues of my brain? Has God, perchance,

been vanquished and does the Evil One reign in His stead?"

"Tut, tut! Thou blasphemest! God reigns, now and always. It is but a

punishment He has laid upon us for the sins of earth."

"Truly, we were punished enough before we descended to the peace of this

narrow house. Ah, but it is dark and cold! Shall we lie like this for an

eternity, perhaps? On earth we longed for death, but feared the grave. I

would that I were alive again, poor and old and alone and in pain. It

were better than this. Curse the foul fiend that woke us!"

"Curse not, my son," said a soft voice, and the priest stood up and

uncovered and crossed himself, for it was the voice of his aged

predecessor. "I cannot tell thee what this is that has rudely shaken us

in our graves and freed our spirits of their blessed thraldom, and I

like not the consciousness of this narrow house, this load of earth on

my tired heart. But it is right, it must be right, or it would not be at

all--ah, me!"

For a baby cried softly, hopelessly, and from a grave beyond came a

mother's anguished attempt to still it.

"Ah, the good God!" she cried. "I, too, thought it was the great call,

and that in a moment I should rise and find my child and go to my

Ignace, my Ignace whose bones lie white on the floor of the sea. Will he

find them, my father, when the dead shall rise again? To lie here and

doubt!--that were worse than life."

"Yes, yes," said the priest; "all will be well, my daughter."

"But all is not well, my father, for my baby cries and is alone in a

little box in the ground. If I could claw my way to her with my

hands--but my old mother lies between us."

"Tell your beads!" commanded the priest, sternly--"tell your beads, all

of you. All ye that have not your beads, say the 'Hail Mary!' one

hundred times."

Immediately a rapid, monotonous muttering arose from every lonely

chamber of that desecrated ground. All obeyed but the baby, who still

moaned with the hopeless grief of deserted children. The living priest

knew that they would talk no more that night, and went into the church

to pray till dawn. He was sick with horror and terror, but not for

himself. When the sky was pink and the air full of the sweet scents of

morning, and a piercing scream tore a rent in the early silences, he

hastened out and sprinkled his graves with a double allowance of

holy-water. The train rattled by with two short derisive shrieks, and

before the earth had ceased to tremble the priest laid his ear to the

ground. Alas, they were still awake!

"The fiend is on the wing again," said Jean-Marie; "but as he passed I

felt as if the finger of God touched my brow. It can do us no harm."

"I, too, felt that heavenly caress!" exclaimed the old priest. "And I!"

"And I!" "And I!" came from every grave but the baby's.

The priest of earth, deeply thankful that his simple device had

comforted them, went rapidly down the road to the castle. He forgot that

he had not broken his fast nor slept. The count was one of the directors

of the railroad, and to him he would make a final appeal.

It was early, but no one slept at Croisac. The young countess was dead.

A great bishop had arrived in the night and administered extreme

unction. The priest hopefully asked if he might venture into the

presence of the bishop. After a long wait in the kitchen, he was told

that he could speak with _Monsieur l'Évêque_. He followed the servant up

the wide spiral stair of the tower, and from its twenty-eighth step

entered a room hung with purple cloth stamped with golden fleurs-de-lis.

The bishop lay six feet above the floor on one of the splendid carved

cabinet beds that are built against the walls in Brittany. Heavy

curtains shaded his cold white face. The priest, who was small and

bowed, felt immeasurably below that august presence, and sought for

words.

"What is it, my son?" asked the bishop, in his cold weary voice. "Is the

matter so pressing? I am very tired."

Brokenly, nervously, the priest told his story, and as he strove to

convey the tragedy of the tormented dead he not only felt the poverty of

his expression--for he was little used to narrative--but the torturing

thought assailed him that what he said sounded wild and unnatural, real

as it was to him. But he was not prepared for its effect on the bishop.

He was standing in the middle of the room, whose gloom was softened and

gilded by the waxen lights of a huge candelabra; his eyes, which had

wandered unseeingly from one massive piece of carved furniture to

another, suddenly lit on the bed, and he stopped abruptly, his tongue

rolling out. The bishop was sitting up, livid with wrath.

"And this was thy matter of life and death, thou prating madman!" he

thundered. "For this string of foolish lies I am kept from my rest, as

if I were another old lunatic like thyself! Thou art not fit to be a

priest and have the care of souls. To-morrow--"

But the priest had fled, wringing his hands.

As he stumbled down the winding stair he ran straight into the arms of

the count. Monsieur de Croisac had just closed a door behind him. He

opened it, and, leading the priest into the room, pointed to his dead

countess, who lay high up against the wall, her hands clasped, unmindful

for evermore of the six feet of carved cupids and lilies that upheld

her. On high pedestals at head and foot of her magnificent couch the

pale flames rose from tarnished golden candlesticks. The blue hangings

of the room, with their white fleurs-de-lis, were faded, like the rugs

on the old dim floor; for the splendor of the Croisacs had departed with

the Bourbons. The count lived in the old château because he must; but he

reflected bitterly to-night that if he had made the mistake of bringing

a young girl to it, there were several things he might have done to save

her from despair and death.

"Pray for her," he said to the priest. "And you will bury her in the

old cemetery. It was her last request."

He went out, and the priest sank on his knees and mumbled his prayers

for the dead. But his eyes wandered to the high narrow windows through

which the countess had stared for hours and days, stared at the

fishermen sailing north for the _grande pêche_, followed along the shore

of the river by wives and mothers, until their boats were caught in the

great waves of the ocean beyond; often at naught more animate than the

dark flood, the wooded banks, the ruins, the rain driving like needles

through the water. The priest had eaten nothing since his meagre

breakfast at twelve the day before, and his imagination was active. He

wondered if the soul up there rejoiced in the death of the beautiful

restless body, the passionate brooding mind. He could not see her face

from where he knelt, only the waxen hands clasping a crucifix. He

wondered if the face were peaceful in death, or peevish and angry as

when he had seen it last. If the great change had smoothed and sealed

it, then perhaps the soul would sink deep under the dark waters,

grateful for oblivion, and that cursed train could not awaken it for

years to come. Curiosity succeeded wonder. He cut his prayers short,

got to his weary swollen feet and pushed a chair to the bed. He mounted

it and his face was close to the dead woman's. Alas! it was not

peaceful. It was stamped with the tragedy of a bitter renunciation.

After all, she had been young, and at the last had died unwillingly.

There was still a fierce tenseness about the nostrils, and her upper lip

was curled as if her last word had been an imprecation. But she was very

beautiful, despite the emaciation of her features. Her black hair nearly

covered the bed, and her lashes looked too heavy for the sunken cheeks.

"_Pauvre petite_!" thought the priest. "No, she will not rest, nor would

she wish to. I will not sprinkle holy-water on her grave. It is wondrous

that monster can give comfort to any one, but if he can, so be it."

He went into the little oratory adjoining the bedroom and prayed more

fervently. But when the watchers came an hour later they found him in a

stupor, huddled at the foot of the altar.

When he awoke he was in his own bed in his little house beside the

church. But it was four days before they would let him rise to go about

his duties, and by that time the countess was in her grave.

The old housekeeper left him to take care of himself. He waited eagerly

for the night. It was raining thinly, a gray quiet rain that blurred the

landscape and soaked the ground in the Bois d'Amour. It was wet about

the graves, too; but the priest had given little heed to the elements in

his long life of crucified self, and as he heard the remote echo of the

evening train he hastened out with his holy-water and had sprinkled

every grave but one when the train sped by.

Then he knelt and listened eagerly. It was five days since he had knelt

there last. Perhaps they had sunk again to rest. In a moment he wrung

his hands and raised them to heaven. All the earth beneath him was

filled with lamentation. They wailed for mercy, for peace, for rest;

they cursed the foul fiend who had shattered the locks of death; and

among the voices of men and children the priest distinguished the

quavering notes of his aged predecessor; not cursing, but praying with

bitter entreaty. The baby was screaming with the accents of mortal

terror and its mother was too frantic to care.

"Alas," cried the voice of Jean-Marie, "that they never told us what

purgatory was like! What do the priests know? When we were threatened

with punishment of our sins not a hint did we have of this. To sleep for

a few hours, haunted with the moment of awakening! Then a cruel insult

from the earth that is tired of us, and the orchestra of hell. Again!

and again! and again! Oh God! How long? How long?"

The priest stumbled to his feet and ran over graves and paths to the

mound above the countess. There he would hear a voice praising the

monster of night and dawn, a note of content in this terrible chorus of

despair which he believed would drive him mad. He vowed that on the

morrow he would move his dead, if he had to un-bury them with his own

hands and carry them up the hill to graves of his own making.

For a moment he heard no sound. He knelt and laid his ear to the grave,

then pressed it more closely and held his breath. A long rumbling moan

reached it, then another and another. But there were no words.

"Is she moaning in sympathy with my poor friends?" he thought; "or have

they terrified her? Why does she not speak to them? Perhaps they would

forget their plight were she to tell them of the world they have left so

long. But it was not their world. Perhaps that it is which distresses

her, for she will be lonelier here than on earth. Ah!"

A sharp horrified cry pierced to his ears, then a gasping shriek, and

another; all dying away in a dreadful smothered rumble.

The priest rose and wrung his hands, looking to the wet skies for

inspiration.

"Alas!" he sobbed, "she is not content. She has made a terrible mistake.

She would rest in the deep sweet peace of death, and that monster of

iron and fire and the frantic dead about her are tormenting a soul so

tormented in life. There may be rest for her in the vault behind the

castle, but not here. I know, and I shall do my duty--now, at once."

He gathered his robes about him and ran as fast as his old legs and

rheumatic feet would take him towards the château, whose lights gleamed

through the rain. On the bank of the river he met a fisherman and begged

to be taken by boat. The fisherman wondered, but picked the priest up in

his strong arms, lowered him into the boat, and rowed swiftly towards

the château. When they landed he made fast.

"I will wait for you in the kitchen, my father," he said; and the priest

blessed him and hurried up to the castle.

Once more he entered through the door of the great kitchen, with its

blue tiles, its glittering brass and bronze warming-pans which had

comforted nobles and monarchs in the days of Croisac splendor. He sank

into a chair beside the stove while a maid hastened to the count. She

returned while the priest was still shivering, and announced that her

master would see his holy visitor in the library.

It was a dreary room where the count sat waiting for the priest, and it

smelled of musty calf, for the books on the shelves were old. A few

novels and newspapers lay on the heavy table, a fire burned on the

andirons, but the paper on the wall was very dark and the fleurs-de-lis

were tarnished and dull. The count, when at home, divided his time

between this library and the water, when he could not chase the boar or

the stag in the forests. But he often went to Paris, where he could

afford the life of a bachelor in a wing of his great hotel; he had known

too much of the extravagance of women to give his wife the key of the

faded salons. He had loved the beautiful girl when he married her, but

her repinings and bitter discontent had alienated him, and during the

past year he had held himself aloof from her in sullen resentment. Too

late he understood, and dreamed passionately of atonement. She had been

a high-spirited brilliant eager creature, and her unsatisfied mind had

dwelt constantly on the world she had vividly enjoyed for one year. And

he had given her so little in return!

He rose as the priest entered, and bowed low. The visit bored him, but

the good old priest commanded his respect; moreover, he had performed

many offices and rites in his family. He moved a chair towards his

guest, but the old man shook his head and nervously twisted his hands

together.

"Alas, _monsieur le comte_," he said, "it may be that you, too, will

tell me that I am an old lunatic, as did _Monsieur l'Évêque_. Yet I must

speak, even if you tell your servants to fling me out of the château."

The count had started slightly. He recalled certain acid comments of the

bishop, followed by a statement that a young _curé_ should be sent,

gently to supersede the old priest, who was in his dotage. But he

replied suavely:

"You know, my father, that no one in this castle will ever show you

disrespect. Say what you wish; have no fear. But will you not sit down?

I am very tired."

The priest took the chair and fixed his eyes appealingly on the count.

"It is this, monsieur." He spoke rapidly, lest his courage should go.

"That terrible train, with its brute of iron and live coals and foul

smoke and screeching throat, has awakened my dead. I guarded them with

holy-water and they heard it not, until one night when I missed--I was

with madame as the train shrieked by shaking the nails out of the

coffins. I hurried back, but the mischief was done, the dead were awake,

the dear sleep of eternity was shattered. They thought it was the last

trump and wondered why they still were in their graves. But they talked

together and it was not so bad at the first. But now they are frantic.

They are in hell, and I have come to beseech you to see that they are

moved far up on the hill. Ah, think, think, monsieur, what it is to have

the last long sleep of the grave so rudely disturbed--the sleep for

which we live and endure so patiently!"

He stopped abruptly and caught his breath. The count had listened

without change of countenance, convinced that he was facing a madman.

But the farce wearied him, and involuntarily his hand had moved towards

a bell on the table.

"Ah, monsieur, not yet! not yet!" panted the priest. "It is of the

countess I came to speak. I had forgotten. She told me she wished to lie

there and listen to the train go by to Paris, so I sprinkled no

holy-water on her grave. But she, too, is wretched and horror-stricken,

monsieur. She moans and screams. Her coffin is new and strong, and I

cannot hear her words, but I have heard those frightful sounds from her

grave to-night, monsieur; I swear it on the cross. Ah, monsieur, thou

dost believe me at last!"

For the count, as white as the woman had been in her coffin, and shaking

from head to foot, had staggered from his chair and was staring at the

priest as if he saw the ghost of his countess.

"You heard--?" he gasped.

"She is not at peace, monsieur. She moans and shrieks in a terrible,

smothered way, as if a hand were on her mouth--"

But he had uttered the last of his words. The count had suddenly

recovered himself and dashed from the room. The priest passed his hand

across his forehead and sank slowly to the floor.

"He will see that I spoke the truth," he thought, as he fell asleep,

"and to-morrow he will intercede for my poor friends."

* * * * *

The priest lies high on the hill where no train will ever disturb him,

and his old comrades of the violated cemetery are close about him. For

the Count and Countess of Croisac, who adore his memory, hastened to

give him in death what he most had desired in the last of his life. And

with them all things are well, for a man, too, may be born again, and

without descending into the grave.

The Bell in the Fog and Other Stories · 第 21 / 45 题