She broke away from those entangling questions. "I must go."

"But you'll be at the place with the horses?"

"Yes."

"Then so long till the time comes. And--you're a brick, Jig!"

Once outside the jail, she set to work at once. As for getting the

roan, it was the simplest thing in the world. There was no one in the

stable behind the hotel, and no one to ask questions. She calmly

saddled the roan, mounted him, and rode by a wider detour to the

cottonwoods behind the blacksmith shop.

Her own horse was to be for Sinclair. But before she took him, she went

into the hotel, and the first man she found on the veranda was

Cartwright. He came to her at once, shifting away from the others.

"How are things?"

"Good," said Cartwright. "Ain't you heard 'em talking?"

Here and there about the hotel, men stood in knots of three and four,

talking in low voices.

"Are they talking about _that_?"

"Sure they are," said Cartwright, relieved. "You ain't heard nothing?"

"Not a word."

"Then the thing for you to do is to keep under cover. You don't want to

get mixed up in this thing, eh?"

"I suppose not."

"Keep out of sight, honey. The crowd will start pretty soon and tear

things loose." He could not resist one savage thrust. "A rope, or a

pair of ropes, will do the work."

"Ropes?"

"One to tie Kern, and one to tie his deputy," he explained smoothly.

"Where you going now?"

"Getting their retreat ready," she whispered excitedly. "I've already

warned them where to go to get the horses."

She waved to him and stepped back into the night, convinced that all

was well. As for Cartwright, he hesitated, staring after her. After

all, if his plan developed, it would be wise for him to allow the

others to do the work of mischief. He had no wish to be actively mixed

up with a lynching party. Sometimes there were after results. And if he

had done no more than talk, there would be small hold upon him by the

law.

Moreover, things were going smoothly under the guidance of Whitey. The

pale-faced man had thrown himself body and soul into the movement. It

was a rare thing to see Whitey excited. Other men were readily

impressed. After a time, when anger had reached a certain point where

men melt into hot action, these fixed figures of men would sweep into

fluid action. And then the fates of Arizona and Sinclair would be

determined.

It pleased Cartwright more than any action of his life to feel that he

had stirred up this movement. It pleased him still more to know that he

could now step back and watch the work of ruin go on. It was like

disturbing the one small stone which starts the avalanche, which

eventually smashes the far-off forest.

So much was done, then. And now why not make sure that the very last

means of retreat for the pair was blocked? The girl went to get the

horses. And if, by the one chance in twenty, the two should actually

break out of the jail, it would remain to Cartwright to kill the horses

or the men. He did not care which.

He slipped behind the hotel and presently saw the girl come out of the

stable with her horse. He followed, skulking softly behind her until he

reached the appointed place among the cottonwoods. The trees grew tall

and thick of trunk, and about their bases was a growth of dense

shrubbery. It was a simple thing to conceal two saddled horses in a

hollow which sank into the edge of the shrubbery.

Cartwright's first desire was to couch himself in shooting distance.

Then he remembered that shooting with a revolver by moonlight was

uncertain work. He slipped away to the hotel and got a rifle ready

enough. Men were milling through the lower rooms of the hotel. The

point of discussion had long since been passed. The ringleaders had

made up their minds. They went about with faces so black that those who

were asked to join, hardly had the courage to question. There was

broad-voiced rumor growing swiftly. Something was wrong--something was

very wrong. It was like that mysterious whisper which goes through the

forest before the heavy storm strikes. Something was terribly wrong and

must be righted.

How the ringleaders had reasoned, nobody paused to ask. It was

sufficient that a score of men were saying: "The sheriff figures on

letting Sinclair and Arizona go."

A typical scene between two men. They meet casually, one man whistling,

the other thoughtful.

"What's the bad luck?" asks the whistler.

"No time for whistling," says the other.

"Say, what you mean?"

"I ask you just this," said the gloomy man, with a mystery of much

knowledge in his face: "Are gents around here going to be murdered, and

the murderers go free?"

"Well?"

"Sinclair and Arizona--that's what's up! They're going to bust loose."

"I dunno about Arizona, but Sinclair, they say, is a square shooter."

"Who told you that? Sinclair himself? He's got a rep as long as my arm.

He's a bad one, son!"

"You don't say!"

"I do say. And something has got to be done, or Sour Creek won't be a

decent man's town no more."

"Let me in." Off they went arm in arm.

Cartwright saw half a dozen little interviews of this nature, as he

entered the hotel. Men were excited, they hardly knew why. There is no

need for reason in a mob. One has only to cry, "Kill!" and the mob will

start of its own volition to find something that may be slain. Also, a

mob has no conscience and no remorse. It is the nearest thing to a

devil that exists, and it is also the nearest thing to the divine mercy

and courage. It is braver than the bravest man; it is more timorous

than the most fearful; it is fiercer than a lion, gentler than a lamb.

All these things by turns, and each one to the exclusion of all the

others.

Now the thunderclouds were piling on the horizon, and Cartwright could

feel the electricity in the air. He went to Pop.

"I got to have a rifle."

"What for?"

"You know," said Cartwright significantly.

The hotelkeeper nodded. He brought out an old Winchester, still mobile

of action and deadly. With that weapon under his arm, Cartwright

started back, but then he remembered that there were excellent chances

of missing even with a rifle, when he was shooting through the shadows

and by the treacherous moonlight. It would be better, far better, to

have his horse with him. Then, if he actually succeeded in wounding one

or both of them, he could run his victim down, or, perhaps, keep up a

steady fire of rifle shots from the rear, that would bring half the

town pouring out to join in the chase.

So he swung back to the stables, saddled his horse, trotted it around

in a comfortably wide detour, and, coming within sound distance of the

cottonwoods behind the blacksmith shop, he dismounted and led his horse

into a dense growth of shrubbery. That close approach would have been

impossible without alarming the girl, had it not been for a stiff wind

blowing across into his face, completely muffling the noise of his

coming. In the bushes he ensconced himself safely. Only a few yards

away he kept his eye on the opening among the cottonwoods, behind which

the girl and the two horses moved from time to time, growing more and

more visible, as the moon climbed above the horizon mist.

He tightened his grip on the rifle and amused himself with drawing

beads on stumps and bright bits of foliage, from time to time. He must

be ready for any sort of action if the two should ever appear.

While he waited, sounds reached his ear from the town, sounds eloquent

of purpose. He listened to them as to beautiful music. It was a low,

distinct, and continuous humming sound. Voices of men went into it, low

as the growl of an angered dog, and there was a background of slamming

doors, and footsteps on verandas. Sour Creek was mustering for the

assault.

35

Now that sound had entered the jail, and it had a peculiar effect. It

was like that distant murmuring of the storm which walks over the

treetops far away. It made the sheriff and his two prisoners lift their

heads and look at one another in silence, for the sheriff was most

unprofessionally tilted back in a chair, with his feet braced against

the bars of the cell, while he chatted with his bad men about men,

women, and events. The sheriff had a distinct curiosity to learn how

Arizona had recovered so suddenly from his "blue funk."

Unquestionably the fat man had recovered. His voice was as steady now

as any man's, and the old, insolent glitter was in his eyes. He squared

his shoulders and blew his smoke straight at the face of the sheriff,

as he talked. What caused it, the sheriff could not tell, this

rehabilitation of a fighting man, but he connected the influence of

Sinclair with the change.

By this time Sinclair himself was the more restless of the two. While

Arizona sat at ease on the bunk, the tall man ranged up and down the

cell, with long, noiseless steps, turning quickly back and forth beside

the bars. He had spent his nervous energy cheering up Arizona, until

the latter was filled with a reckless, careless courage. What would

happen Arizona could not guess, but Sinclair had assured him that

something _would_ happen, and he trusted implicitly to the word of his

tall companion. Sooner or later he would learn that they were hopeless,

and Sinclair dreaded the breakdown which he knew would follow that

discovery.

In his heart Sinclair knew that there would be no hope, no chance. The

girl, he felt, had been swept off her feet with some absurd dream of

freeing them. For his own part he had implicit faith in the strength of

the toolproof steel of the bars on the one hand, and the gun of the

sheriff on the other. As long as they held, they would keep their

prisoners. The key to freedom was the key to the sheriff's heart, and

Sinclair was too much of a man to whine.

He had come to the end of his trail, and that was evident in the

restlessness of his walking to and fro. The love of the one thing on

earth that he cared for was his, according to Arizona, and there was

nothing to make the fat man lie. It seemed to Riley Sinclair that, at

the very moment he had set his hands upon priceless gold, the treasure

was crumbling to dead sand. He had lost her by the very thing that won

her.

In the midst of his pacing he stopped and lifted his head, just as the

sheriff and Arizona did the same thing. The far-off murmur hummed and

moaned toward them, gathering strength. Then the sheriff pushed back

his chair and went to the front of the jail. They heard him give

directions to his deputy to find out what the murmuring meant. When

Kern returned he was patently worried.

"Gents," he said, "I've heard that same sort of a sound twice before,

and it means business." None of the three spoke again until the door

of the jail was burst open, and the deputy came on them, running.

"Kern," he gasped, as he reached the sheriff, "they're coming."

"Who?"

"Every man in Sour Creek. They tried to get me with 'em. I told 'em I'd

stay and then slipped off. They want both of these. They want 'em bad.

They're going to fight to get 'em!"

"Do they want to grab Arizona and Sinclair?" asked the sheriff, with

surprising lack of emotion. "Don't think they're guilty?"

"You're wrong. They think they're sure guilty, and they're going to

lynch 'em."

He whispered this, but his panting made the words louder than he

thought. Sinclair heard; and by the shudder of Arizona, he knew that

his companion had heard as well.

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