CHAPTER IV.

HALLAM.

As the stage from the railway station rolled up to Fairacres, Amy was

waiting upon the wide porch. She had put on her daintiest frock, white,

of course, since her father liked her to wear no other sort of dress;

and she had twisted sprays of scarlet woodbine through her dark hair and

about her shoulders. Before the vehicle stopped, she called out

eagerly:--

"Oh! how glad I am you're here! It's been such a long two days! Are you

all well? Is everything right, mother dearest? Did you have a nice

time?"

The father reached her first, remarking, with a fond smile:--

"You make a sweet picture, daughter, with that open doorway behind you,

with the firelight and candlelight, and--Ah! did you speak, Salome?"

turning toward his wife.

"The man is waiting, Cuthbert. Has thee the money for him?"

Mr. Kaye fumbled in one pocket, tried another, frowned, and appeared

distressed.

"Never mind, dear. Hallam can attend to it."

But the crippled lad had already swung himself over the steps upon his

crutches, and the artist remarked, with a fresh annoyance:--

"He must put it in the bill, Salome. Why always bother with such

trifles? If one could only get away from the thought and sound of money.

Its sordidness is the torment of one's life."

Mrs. Kaye sighed, as she paid the hackman from her own purse, then

followed her husband into the house.

His face had already lost all its expression of annoyance, and now

beamed with satisfaction as he regarded Amy's efforts to celebrate the

home-coming.

"Good child. Good little girl. Truly, very beautiful. Why, my darling,

you'll be an artist yourself some day, I believe."

"The saints forbid!" murmured a voice from the further side the room,

where Cleena had appeared, bearing a tray of dishes.

Nobody heard the ejaculation, however, save Hallam, and he didn't count,

being of one and the same opinion as the old serving-woman. All the

lad's ambitions lay toward a ceaseless activity, and the coloring of

canvases attracted him less than even the meanest kind of manual labor.

Nor did Amy share in her father's hope, though she loved art for his

sake, and she answered, with conviction:--

"Never such an one as you are, father dear."

But all this while the daughter's eyes had been studying her mother's

face, with the keen penetration of sympathy, and the whispered advice:--

"Be especially gentle with Hallam to-night, my child," but confirmed the

answer she had already found in that careworn countenance.

Yet Hallam showed no need of consolation as he sturdily stumped across

the room and exclaimed, cheerfully enough:--

"Fetch on the provender, Goodsoul. We're all as hungry as bears. What's

for us?"

"What should be? save the best rasher of bacon ever blessed eyesight,

with tea-biscuits galore. For second course--My! but that pullet was a

tender bird, so she was. An' them east-lot petaties would fain melt in

your mouth, they're so hot-foot to be ate."

"The pullet? Not the little brown one you have cared for yourself,

Cleena?"

"What for no? Eat your victuals askin' no questions, for that's aye bad

for the appetite."

Both Amy and Cleena knew, without words, that this last city trip had

been a failure, like so many that had preceded it. Once more had the too

sanguine father dragged his crippled son to undergo a fresh examination

of his well-formed though useless limbs; and once more had an adverse

verdict been rendered.

This time the authority was of the highest. A European specialist, whose

name was known and reverenced upon two continents, had come to New York

and had been consulted. Interested more than common by the boy's fair

face and the sweet womanliness of the mother, the surgeon had given

extra attention to Hallam, and his decision had been as reluctantly

reached as it was final.

"Only a miracle will ever enable him to walk. Yet a miracle may occur,

for we live in an age of them, and nothing seems impossible to science.

However, in all mortal probability, he is as one dead below his knees.

My lad, take your medicine bravely and be a man in spite of it all. Use

your brain, thanking God for it, and let the rest go."

"That's an easy thing for you to say, but it is I who have to bear it!"

burst forth the unhappy boy, and was at once ashamed of his rude speech,

even if it in no wise offended the sympathetic physician.

The return journey had been a sad and silent one, though Hallam had

roused at its end with the sort of bravado that Amy had seen, and which

deceived her no more than it did any of the others; but she loyally

seconded his assumed cheerfulness, and after they had gathered about the

table, gave them a lively description of her afternoon's outing, ending

with:--

"For, mother dear, you hadn't said just where I might or might not ride,

and I'd never seen the carpet mills, though I now hope to go there

often; and, indeed, I think I would like to work in that busy place,

among all those bright, active girls."

Then her enthusiasm was promptly dashed by her father's exclamation:--

"Amy! Amy Kaye! Never again say such a thing! Let there be no more of

that mill talk, not a word."

Mr. Kaye's tone was more stern than his child had ever heard, and as if

he recognized this he continued, more gently:--

"But I am interested in that silly Bonaparte. I almost wish you had kept

him till I came."

Amy happened to glance at Cleena, who had warned her not to mention the

fact of the strange gentleman calling; nor had she known just when

Fayette went away, though she supposed he had done so after so suddenly

leaving the dining room.

"Why, Goodsoul, you are as beaming as if you had found a treasure."

"Faith, an' I have. Try a bit of the chicken, mistress, now do;" and she

waved the dish toward the lady, with a smile that was more than

cheerful.

"Well, Cleena, it's heartening to see anybody so bright. The work must

have gone finely to-day, and thee have had plenty of time for scrubbing.

No, thank thee; nothing more. Not even those delicious baked apples. The

best apples in the world grow on that old tree by the dairy door, I

believe," replied the mistress, with another half-suppressed sigh.

As she rose to leave the table, she turned toward her husband:--

"I hope thee'll soon be coming upstairs, Cuthbert."

It was noticeable that Cleena paused, tray in hand, to hear the answer,

which was out of common, for the old servant rarely presumed upon the

fact that she was also the confidential friend of her employers.

"Well, after a little, dear; but, first, I must go over to the studio."

"Arrah, musha, but, master! The painting's all right. What for no?

Indeed, then, it's the mistress herself needs more attention this minute

nor any picture ever was drawed."

"Why, Cleena!" exclaimed the lady, in surprise. Such an interference had

never been offered by the devoted creature to the head of the house.

"Asking pardon, I'm sure; though I know I know. I've lighted a fire in

the sittin' room above, an' it's sure for the comfort of both that yous

make yourselves easy the night."

"That's true, husband. Do leave the picture till morning. We're all

tired and needing the rest."

Always easily persuaded where physical comfort was at stake, the artist

acquiesced, and with his arm about his wife's slender waist he gently

led her from the room.

Cleena heard him murmuring tender apologies that he had not before

observed how utterly fatigued she looked; and a whimsical smile broke on

the Irishwoman's face as she cleared the table and assured the cups and

saucers, with a vigorous disdain, that:--

"Them two's no more nor a couple of childer still. But, alanna! Never a

doubt I doubt there'll be trouble with old Cleena when the cat leaps the

bag. Well, he's in it now, tied fast and tight."

Whereupon, there being nobody to see, the good woman executed a sort of

jig, and having thus relieved her feelings departed to the kitchen,

muttering:--

"It wasn't for naught Miss Amy fetched a simpleton home in her pocket.

Sure, I scared the life clean out of _him_, so I did, an' he'll stay

where he's settled till he's wanted, so long as I keep fillin' his

stummick with victuals like these. Will I carry a bit o' the fowl to the

lib'ry--will I no? Hmm. Will I--nill I?"

Having decided, Cleena passed swiftly from the house into the darkness

and in the direction of the distant library.

Meanwhile, up in the little chamber which had once been their nursery

and was still their own sitting room, Amy had drawn a lounge before the

grate, and, after his accustomed fashion, Hallam lay upon it, while his

sister curled upon the rug beside him.

But she did not look at him. She rested her chin in her palms and gazed

at the dancing flames, as she observed:--

"Even a king might envy us this fire of pine cones, mightn't he? Isn't

it sweet and woodsy? and so bright. I've gathered bushels and bushels of

them, while you were away, and we can have all the fun we want up here.

So now--can't you just begin and tell, Hal dear? Part of it I guess, but

start as you always do: 'I went from here--' and keep right on till you

get back again to me and--this."

She purposely made her tone light, but she was not surprised when her

answer was a smothered sob. Indeed, there was such a lump in her own

throat that she had to swallow twice before she could say:--

"No, darling, you needn't tell one word. I know it all--all--all; and I

can't bear it. I won't--I will not have it so!"

Then she turned and buried her face in the pillow beside her brother's,

crying so passionately that he had to become comforter himself; and his

thin fingers stroked her hair until she grew ashamed of her weakness and

looked up again, trying to smile.

"Forgive me, brotherkin. I'm such a baby, and I meant to be so brave! If

I could only take your lameness on myself, and give you my own strong,

active legs!"

"Don't, Amy! Besides, how often have you said that very same thing? Yet

it isn't any use. Nothing is of any use. Life isn't, I fancy."

Even the vehement Amy was shocked by this, and her tears stopped,

instantly.

"Why, Hal!"

"Sounds wicked, doesn't it? Well, I feel wicked. I feel like, was it Job

or one of his friends? that it would be good to 'curse God and die.'

Dying would be so much easier than living."

The girl sprang up, clinching her brown hands, and staring at her

brother defiantly.

"Hallam Kaye, don't you talk like that! Don't you dare! Suppose God

heard you? Suppose He took you at your word and made you die just now,

this instant? What then?"

Hallam smiled, wanly, "I won't scare you by saying what then, girlie. If

He did, I suppose it would all be right. Everything is right--to the

folks who don't have to suffer the thing. Even the doctor--and I liked

him as much as I envied him--even he preached to me and bade me not to

mind, to 'forget.' Hmm, I wish _he_ could feel, just for one little

minute, the helplessness that I must feel always, eternally."

Hallam was dearer to his sister than any other human being, and the

despair in her idol's tone promptly banished her anger against his

irreverence. She went down on her knees and caught away the arm with

which he had hidden his face, kissing him again and again.

"Oh! there will be some way out of this misery, laddie. There must be.

It wouldn't be right, that anybody as clever and splendid as you should

be left a cripple for life. I won't believe it. I won't!"

"How like father you are!"

Amy's head tossed slightly, and a faint protest came into her eyes, but

was banished as soon because of its disloyalty.

"Am I? In what way? and why shouldn't I be?"

"You never know when you're down nor why you shouldn't have all that you

want."

"Isn't it a good thing? Would it help to go moping and unbelieving?"

"I suppose not. Anyway, it makes things easier for you and him, and so,

maybe, for the rest of us."

The sister dropped back into her favorite attitude upon the rug and

regarded her brother curiously.

"Hal, you're as queer as can be, to-night. Seems as if there was

something the matter with you, beyond what that know-nothing doctor

said. Isn't there?"

"Don't call the poor man hard names, girlie. He was fine, and I was

impertinent enough for the whole family. Only, I reckon he was too high

up to feel anything we could say. But there _is_ something. Something I

must tell you, and I don't know how to begin. Promise that you won't get

into a tantrum, or run and disturb the little mother about it."

"Hallam Kaye! Do I ever?"

"Hmm! Sometimes. Don't you? Never mind. Sit closer, dear, and let me get

hold of your hand. Then you'll understand why I am so bitter; why this

disappointment about my lameness is so much worse than any that has gone

before. And I've been disappointed often enough, conscience knows."

Amy crept up and snuggled her dark head against Hallam's fair one,

remarking, with emphasis:--

"Now I'm all ready. I'll be as still as a mouse, and not interrupt you

once. What other dreadful trouble has come? Is it a grocery bill, or

Clafflin's for artists' stuff?"

"Something far worse than that."

"What?"

"Did you ever think we might have--might have--oh, Amy! I can't tell you

'gently,' as mother bade--all it is--well, we've got to go away from

Fairacres. _Its not ours any longer._"

"Wh-a-at?" cried the girl, springing up, or striving to do so, though

Hallam's hold upon her fingers drew her down again.

"I don't wonder you're amazed. I was, too, at first. Now I simply wonder

how we have kept the place so long."

"Why isn't it ours? Whose is it?"

"It belongs to a cousin of mother's, Archibald Wingate. Did you ever

hear of him?"

"Never. How can it?"

"I hardly understand myself, though mother's lawyer tried to explain.

It's something about indorsing notes and mortgages and things. Big boy

as I am, I know no more about business than--you do."

"Thanks, truly. But I do know. I attended to the marketing yesterday

when the wagon came. Cleena said that I did very well."

"Glad of it. You'll have a chance to exercise your talents in that

line."

"But, Hal, mother will never let anybody take away our home. How could

she? What would father do without his studio that he had built expressly

after his own plan? or we without all this?" sweeping her arm about to

indicate the cosiness of their own room.

"Mother can't help herself, dear. She was rich once, but she's

desperately poor now."

"I knew there was trouble about money, of course. There never seems to

be quite enough, but that's been so since I can remember. Why shouldn't

we go on just as we have? What does this cousin of our mother's want of

the place, anyway?"

"I don't know. I don't know him. I hate him unseen."

"So do I. Still, if he's a cousin, he should be fond of mother, and not

bother."

"Amy, we're all a set of simpletons, I guess, as a family, and in

relation to practical matters."

"'Speak for yourself, John.'"

"That isn't all. There's something--something wrong with father."

"Hallam Kaye! Now I do believe you're out of your head. I was afraid you

were, you've talked and acted so queerly. I'm going for Cleena. Is your

face hot? Do you ache more than usual?"

"Don't be silly. I'm as right as I ever shall be. Listen. I found it

all out in the city. Father had gone to some exhibition, and mother and

I were waiting for the time to go to the doctor. A gentleman called, and

I never saw anybody look so frightened and ill as mother did when she

received him, though I knew it wasn't about me. She hadn't hoped for

anything better in that line. She called the man 'Friend Howard Corson,'

and he was very courteous to her; but all of a sudden she cried out:--

"'Don't tell me that the end has come! I can't bear both sorrows in one

day!' And then she looked across at me. I smiled as bravely as I could,

and, Amy, I believe our mother is the very most beautiful woman in this

world."

"Why, of course; and father's the handsomest man."

"Certainly," agreed the lad, with rather more haste than conviction.

"Well, what next?"

Before the answer could be given, there burst upon their ears an

uproarious clamor of angry voices, such as neither had ever heard at

Fairacres; and Amy sprang up in wild alarm, while Hallam groped blindly

for the crutches he had tossed aside.

Reels and Spindles: A Story of Mill Life · 第 4 / 29 章