HOW THE WAR ENTERED ITALY

Then, by one of the most vivid, if pathetic, of the flashes as of

lightning that have shown us the drama of the past 365 days, we saw the

actual war come to Italy. It came in a profoundly impressive form--the

dead body of young Bruno Garibaldi, grandson of the Liberator. Fighting

for France, Bruno had fallen in a gallant charge at the front, and his

brother, who was by his side, had carried his body out of the trenches

and brought it home. We who know Rome do not need to be told how it

was received there. We can see the dense mass of uncovered heads in the

Piazza delle Terme, stretching from the doors of the railway station to

the bronze fountain at the top of the Via Nazionale, and we can hear the

deep swell of the Garibaldian hymn, which comes like a challenge as

well as a moan from 50,000 throats. Not for the first time was a dead

Garibaldi being borne through the streets of Rome, and those of us who

remembered the earlier day knew well that with the body of this Italian

boy the war had entered Italy.

Then, at a crisis in Italy’s internal government, our enemy, having

failed to buy, bribe, or corrupt Italy, began to threaten her. Out of

the delirium of his intoxicated conscience, which no longer shrank from

crime, he told Italy that if she dared to break her neutrality her

fate should be as the fate of Belgium. That frightened some of us for

a moment. We thought of Venice, of Florence, of Assisi, of Subiaco, of

Naples, and of Rome, and, remembering the methods by which Germany was

beating and bludgeoning her way through the war, our hearts trembled

and thrilled at a dreadful vision of the lovely and beloved Italian

land under the heel of a ruthless aggressor--of the destruction of the

history of Christendom as it had been written by great artists on canvas

and by great architects in stone through the long calendar of nearly two

thousand years. But we also thought of Savoy, of Palestro, of Cas-ale,

of Caprera, and of “Roma o morte,” and told ourselves that, come what

might, victory or defeat, the children of Victor Emmanuel III would

never allow themselves to buy the ease and safety of their bodies by the

corruption and degradation of their souls.

The Drama Of Three Hundred & Sixty-Five Days: Scenes In The Great War · 第 49 / 60 题