THE RUSSIAN SOUL

The truth is, too, that there is not in the world a more religious

people than the Russian--a people more submissive to what they conceive

(not always wisely) to be the will of the Almighty, the governance of

the unseen forces. As opposed to the average German intellect, which for

the past fifty years has been struggling day and night to materialize

the spiritual, the Russian intellect seems to be always trying to

spiritualize the material. No one can doubt this who has seen the

Russian peasants on their pathetic pilgrimages to the Holy Land,

standing (among the lepers, uttering their clamorous lamentations)

before the gates of the Garden of Gethsemane, or trooping in dense

crowds down the steep steps to the underground Church of the Virgin. The

literature of Russia, too, reflects this trait of the Russian soul, and

not only in the works of Pushkin, Gogol, Tourgeneiff, Tolstoy,

Repin, Dostoyevsky, and Glinka, or yet in Kuprine, Gorki, Anoutchin,

Merejkowsky, and Baranovsky, but in those simpler and perhaps cruder

writings which speak directly to uneducated minds, the same striving

after the spiritual is everywhere to be seen. Books like Treitschke’s,

Nietzsche’s, and Bernhardi’s would be impossible in Russia, not, heaven

knows, because of their “intellectual superiority,” which is another

name for braggadocio, but because of their moral insensibility, their

glorification of the physical forces of the body of man, which the

Russian mind sets lower than the unseen powers of his soul.

The Drama Of Three Hundred & Sixty-Five Days: Scenes In The Great War · 第 42 / 60 题