THE OLD GERMAN ADAM

It was the old historic story of German duplicity, and the nations of

Europe had no excuse for being surprised. When the Prussian Monarchy

was first bestowed on the relatively humble family of the Höhenzollerns,

they found their territory for the most part sterile, the soil round

Berlin and about Potsdam--the favourite residence of the Margraves--a

sandy desert that could scarcely be made to yield a crop of rye or oats,

so they set themselves to enlarge and enrich it by help of an army

out of all proportion to the size and importance of their States. The

results were inevitable. When war becomes the trade of a separate class

it is natural that they should wish to pursue it at the first favourable

opportunity of conquest. That opportunity came to Prussia when Charles

VI died and the Archduchess Maria Theresa succeeded to her father by

virtue of a law (the Pragmatic Sanction), to which all the Powers

of Europe had subscribed. Frederick had subscribed to it. But,

nevertheless, in the name of Prussia, without any proper excuse or even

decent pretext, he took possession of Silesia, thereby robbing the ally

whom he had bound himself to defend, and committing the same great crime

of violating his pledged word, which Germany has now committed against

Belgium.

But there was one difference between the outrages of 1740 and 1914.

The great barrator made no hypocritical pretence of desiring peace.

“Ambition, interest, the desire of making people talk about me carried

the day, and I decided for war,” he said. It was reserved for

Harnack and Hauptmann, not to speak of the Kaiser, to cant about the

responsibilities of “Kul-tur” (that harlot of the German dictionary,

debased by all ignoble uses), about the hastening of the kingdom of

heaven, and about the German sword being sanctified by God. But the old

German Adam remained, and when, two days before the declaration of war

with France, the German soldiers were flying to the Belgian frontier

there was no thought of the Archduke Ferdinand or of the doddering

old man on the Austrian throne, whose paternal heart had been sorely

wounded. Germany was out to rob France of her colonies--to rob her, and

the Germans knew it.

“A few centuries may have to run their course,” said their own poet

Goethe (who surely knew the German soul), “before it can be said of the

German people, ‘It is a long time since they were barbarians.’”

Such, then, were some of the events in the great drama of the war

which took place in Germany before the rising of the curtain. Not a

theologian, a philosopher, an historian, or a poet to recall the past of

his country, to warn it not to repeat the crime of a century and a half

before, which had stained its name for ever before the tribunals of man

and God; not a statesman to remind a generation that was too young to

remember 1870 of the miseries and horrors of war, for (alas for the

welfare of the world!) the one great German voice that could have done

so with searching and scorching eloquence (the voice of Bebel) had only

just been silenced by the grave. And so it came to pass that Germany, in

the last days of July 1914, presented the pitiful spectacle of a great

nation being lured on to its moral death-agony amid canting appeals to

the Almighty, and wild outbursts of popular joy.

The Drama Of Three Hundred & Sixty-Five Days: Scenes In The Great War · 第 17 / 60 题