CHAPTER XIII

BUILDING UP A MAGAZINE

Edward Bok has often been referred to as the one "who made _The Ladies'

Home Journal_ out of nothing," who "built it from the ground up," or,

in similar terms, implying that when he became its editor in 1889 the

magazine was practically non-existent. This is far from the fact. The

magazine was begun in 1883, and had been edited by Mrs. Cyrus H. K.

Curtis, for six years, under her maiden name of Louisa Knapp, before

Bok undertook its editorship. Mrs. Curtis had laid a solid foundation

of principle and policy for the magazine: it had achieved a circulation

of 440,000 copies a month when she transferred the editorship, and it

had already acquired such a standing in the periodical world as to

attract the advertisements of Charles Scribner's Sons, which Mr.

Doubleday, and later Bok himself, gave to the Philadelphia

magazine--advertising which was never given lightly, or without the

most careful investigation of the worth of the circulation of a

periodical.

What every magazine publisher knows as the most troublous years in the

establishment of a periodical, the first half-dozen years of its

existence, had already been weathered by the editor and publisher. The

wife as editor and the husband as publisher had combined to lay a solid

basis upon which Bok had only to build: his task was simply to rear a

structure upon the foundation already laid. It is to the vision and to

the genius of the first editor of _The Ladies' Home Journal_ that the

unprecedented success of the magazine is primarily due. It was the

purpose and the policy of making a magazine of authoritative service

for the womanhood of America, a service which would visualize for

womanhood its highest domestic estate, that had won success for the

periodical from its inception. It is difficult to believe, in the

multiplicity of similar magazines today, that such a purpose was new;

that _The Ladies' Home Journal_ was a path-finder; but the convincing

proof is found in the fact that all the later magazines of this class

have followed in the wake of the periodical conceived by Mrs. Curtis,

and have ever since been its imitators.

When Edward Bok succeeded Mrs. Curtis, he immediately encountered

another popular misconception of a woman's magazine--the conviction

that if a man is the editor of a periodical with a distinctly feminine

appeal, he must, as the term goes, "understand women." If Bok had

believed this to be true, he would never have assumed the position.

How deeply rooted is this belief was brought home to him on every hand

when his decision to accept the Philadelphia position was announced.

His mother, knowing her son better than did any one else, looked at him

with amazement. She could not believe that he was serious in his

decision to cater to women's needs when he knew so little about them.

His friends, too, were intensely amused, and took no pains to hide

their amusement from him. They knew him to be the very opposite of "a

lady's man," and when they were not convulsed with hilarity they were

incredulous and marvelled.

No man, perhaps, could have been chosen for the position who had a less

intimate knowledge of women. Bok had no sister, no women confidantes:

he had lived with and for his mother. She was the only woman he really

knew or who really knew him. His boyhood days had been too full of

poverty and struggle to permit him to mingle with the opposite sex.

And it is a curious fact that Edward Bok's instinctive attitude toward

women was that of avoidance. He did not dislike women, but it could

not be said that he liked them. They had never interested him. Of

women, therefore, he knew little; of their needs less. Nor had he the

slightest desire, even as an editor, to know them better or to seek to

understand them. Even at that age, he knew that, as a man, he could

not, no matter what effort he might make, and he let it go at that.

What he saw in the position was not the need to know women; he could

employ women for that purpose. He perceived clearly that the editor of

a magazine was largely an executive: his was principally the work of

direction; of studying currents and movements, watching their

formation, their tendency, their efficacy if advocated or translated

into actuality, and then selecting from the horizon those that were for

the best interests of the home. For a home was something which Edward

Bok did understand. He had always lived in one; had struggled to keep

it together, and he knew every inch of the hard road that makes for

domestic permanence amid adverse financial conditions. And at the home

he aimed rather than at the woman in it.

And with his own limited knowledge of the sex, he needed, and none knew

it better than did he, the ablest women he could obtain to help him

realize his ideals. Their personal opinions of him did not matter so

long as he could command their best work. Sooner or later, when his

purposes were better understood, they might alter those opinions. For

that he could afford to wait. But he could not wait to get their work.

By this time the editor had come to see that the power of a magazine

might lie more securely behind the printed page than in it. He had

begun to accustom his readers to writing to his editors upon all

conceivable problems.

This he decided to encourage. He employed an expert in each line of

feminine endeavor, upon the distinct understanding that the most

scrupulous attention should be given to her correspondence: that every

letter, no matter how inconsequential, should be answered quickly,

fully, and courteously, with the questioner always encouraged to come

again if any problem of whatever nature came to her. He told his

editors that ignorance on any question was a misfortune, not a crime;

and he wished their correspondence treated in the most courteous and

helpful spirit.

Step by step, the editor built up this service behind the magazine

until he had a staff of thirty-five editors on the monthly pay-roll; in

each issue, he proclaimed the willingness of these editors to answer

immediately any questions by mail, he encouraged and cajoled his

readers to form the habit of looking upon his magazine as a great

clearing-house of information. Before long, the letters streamed in by

the tens of thousands during a year. The editor still encouraged, and

the total ran into the hundreds of thousands, until during the last

year, before the service was finally stopped by the Great War in 1917,

the yearly correspondence totalled nearly a million letters.

[Illustration: The Grandmother, who counselled each of her children to

make the world a better and more beautiful place to live in--a counsel

which is now being carried on by her grandchildren, one of whom is

Edward Bok.]

The lack of opportunity for an education in Bok's own life led him to

cast about for some plan whereby an education might be obtained without

expense by any one who desired. He finally hit upon the simple plan of

substituting free scholarships for the premiums then so frequently

offered by periodicals for subscriptions secured. Free musical

education at the leading conservatories was first offered to any girl

who would secure a certain number of subscriptions to _The Ladies' Home

Journal_, the complete offer being a year's free tuition, with free

room, free board, free piano in her own room, and all travelling

expenses paid. The plan was an immediate success: the solicitation of

a subscription by a girl desirous of educating herself made an

irresistible appeal.

This plan was soon extended, so as to include all the girls' colleges,

and finally all the men's colleges, so that a free education might be

possible at any educational institution. So comprehensive it became

that to the close of 1919, one thousand four hundred and fifty-five

free scholarships had been awarded. The plan has now been in operation

long enough to have produced some of the leading singers and

instrumental artists of the day, whose names are familiar to all, as

well as instructors in colleges and scores of teachers; and to have

sent several score of men into conspicuous positions in the business

and professional world.

Edward Bok has always felt that but for his own inability to secure an

education, and his consequent desire for self-improvement, the

realization of the need in others might not have been so strongly felt

by him, and that his plan whereby thousands of others were benefited

might never have been realized.

It was this comprehensive personal service, built up back of the

magazine from the start, that gave the periodical so firm and unique a

hold on its clientele. It was not the printed word that was its chief

power: scores of editors who have tried to study and diagnose the

appeal of the magazine from the printed page, have remained baffled at

the remarkable confidence elicited from its readers. They never looked

back of the magazine, and therefore failed to discover its secret. Bok

went through three financial panics with the magazine, and while other

periodicals severely suffered from diminished circulation at such

times, _The Ladies' Home Journal_ always held its own. Thousands of

women had been directly helped by the magazine; it had not remained an

inanimate printed thing, but had become a vital need in the personal

lives of its readers.

So intimate had become this relation, so efficient was the service

rendered, that its readers could not be pried loose from it; where

women were willing and ready, when the domestic pinch came, to let go

of other reading matter, they explained to their husbands or fathers

that _The Ladies' Home Journal_ was a necessity--they did not feel that

they could do without it. The very quality for which the magazine had

been held up to ridicule by the unknowing and unthinking had become,

with hundreds of thousands of women, its source of power and the

bulwark of its success.

Bok was beginning to realize the vision which had lured him from New

York: that of putting into the field of American magazines a periodical

that should become such a clearing-house as virtually to make it an

institution.

He felt that, for the present at least, he had sufficiently established

the personal contact with his readers through the more intimate

departments, and decided to devote his efforts to the literary features

of the magazine.

The newspaper paragraphers were now having a delightful time with

Edward Bok and his woman's magazine, and he was having a delightful

time with them. The editor's publicity sense made him realize how

valuable for his purposes was all this free advertising. The

paragraphers believed, in their hearts, that they were annoying the

young editor; they tried to draw his fire through their articles. But

he kept quiet, put his tongue in his cheek, and determined to give them

some choice morsels for their wit.

He conceived the idea of making familiar to the public the women who

were back of the successful men of the day. He felt sure that his

readers wanted to know about these women. But to attract his newspaper

friends he labelled the series, "Unknown Wives of Well-Known Men" and

"Clever Daughters of Clever Men."

The alliterative titles at once attracted the paragraphers; they fell

upon them like hungry trout, and a perfect fusillade of paragraphs

began. This is exactly what the editor wanted; and he followed these

two series immediately by inducing the daughter of Charles Dickens to

write of "My Father as I Knew Him," and Mrs. Henry Ward Beecher, of

"Mr. Beecher as I Knew Him." Bok now felt that he had given the

newspapers enough ammunition to last for some time; and he turned his

attention to building up a more permanent basis for his magazine.

The two authors of that day who commanded more attention than any

others were William Dean Howells and Rudyard Kipling. Bok knew that

these two would give to his magazine the literary quality that it

needed, and so he laid them both under contribution. He bought Mr.

Howells's new novel, "The Coast of Bohemia," and arranged that

Kipling's new novelette upon which he was working should come to the

magazine. Neither the public nor the magazine editors had expected Bok

to break out along these more permanent lines, and magazine publishers

began to realize that a new competitor had sprung up in Philadelphia.

Bok knew they would feel this; so before he announced Mr. Howells's new

novel, he contracted with the novelist to follow this with his

autobiography. This surprised the editors of the older magazines, for

they realized that the Philadelphia editor had completely tied up the

leading novelist of the day for his next two years' output.

Meanwhile, in order that the newspapers might be well supplied with

barbs for their shafts, he published an entire number of his magazine

written by the daughters of famous men. This unique issue presented

contributions by the daughters of Charles Dickens, Nathaniel Hawthorne,

President Harrison, Horace Greeley, William M. Thackeray, William Dean

Howells, General Sherman, Jefferson Davis, Mr. Gladstone, and a score

of others. This issue simply filled the paragraphers with glee. Then

once more Bok turned to articles calculated to cement the foundation

for a more permanent structure.

The material that the editor was publishing and the authors that he was

laying under contribution began to have marked effect upon the

circulation of the magazine, and it was not long before the original

figures were doubled, an edition--enormous for that day--of seven

hundred and fifty thousand copies was printed and sold each month, the

magical figure of a million was in sight, and the periodical was

rapidly taking its place as one of the largest successes of the day.

Mr. Curtis's single proprietorship of the magazine had been changed

into a corporation called The Curtis Publishing Company, with a capital

of five hundred thousand dollars, with Mr. Curtis as president, and Bok

as vice-president.

The magazine had by no means an easy road to travel financially. The

doubling of the subscription price to one dollar per year had

materially checked the income for the time being; the huge advertising

bills, sometimes exceeding three hundred thousand dollars a year, were

difficult to pay; large credit had to be obtained, and the banks were

carrying a considerable quantity of Mr. Curtis's notes. But Mr. Curtis

never wavered in his faith in his proposition and his editor. In the

first he invested all he had and could borrow, and to the latter he

gave his undivided support. The two men worked together rather as

father and son--as, curiously enough, they were to be later--than as

employer and employee. To Bok, the daily experience of seeing Mr.

Curtis finance his proposition in sums that made the publishing world

of that day gasp with sceptical astonishment was a wonderful

opportunity, of which the editor took full advantage so as to learn the

intricacies of a world which up to that time he had known only in a

limited way.

What attracted Bok immensely to Mr. Curtis's methods was their perfect

simplicity and directness. He believed absolutely in the final outcome

of his proposition: where others saw mist and failure ahead, he saw

clear weather and the port of success. Never did he waver: never did

he deflect from his course. He knew no path save the direct one that

led straight to success, and, through his eyes, he made Bok see it with

equal clarity until Bok wondered why others could not see it. But they

could not. Cyrus Curtis would never be able, they said, to come out

from under the load he had piled up. Where they differed from Mr.

Curtis was in their lack of vision: they could not see what he saw!

It has been said that Mr. Curtis banished patent-medicine

advertisements from his magazine only when he could afford to do so.

That is not true, as a simple incident will show. In the early days,

he and Bok were opening the mail one Friday full of anxiety because the

pay-roll was due that evening, and there was not enough money in the

bank to meet it. From one of the letters dropped a certified check for

five figures for a contract equal to five pages in the magazine. It

was a welcome sight, for it meant an easy meeting of the pay-roll for

that week and two succeeding weeks. But the check was from a

manufacturing patent-medicine company. Without a moment's hesitation,

Mr. Curtis slipped it back into the envelope, saying: "Of course,

_that_ we can't take." He returned the check, never gave the matter a

second thought, and went out and borrowed more money to meet his

pay-roll.

With all respect to American publishers, there are very few who could

have done this--or indeed, would do it today, under similar

conditions--particularly in that day when it was the custom for all

magazines to accept patent-medicine advertising; _The Ladies' Home

Journal_ was practically the only publication of standing in the United

States refusing that class of business!

Bok now saw advertising done on a large scale by a man who believed in

plenty of white space surrounding the announcement in the

advertisement. He paid Mr. Howells $10,000 for his autobiography, and

Mr. Curtis spent $50,000 in advertising it. "It is not expense," he

would explain to Bok, "it is investment. We are investing in a

trademark. It will all come back in time." And when the first

$100,000 did not come back as Mr. Curtis figured, he would send another

$100,000 after it, and then both came back.

Bok's experience in advertisement writing was now to stand him in

excellent stead. He wrote all the advertisements, and from that day to

the day of his retirement, practically every advertisement of the

magazine was written by him.

Mr. Curtis believed that the editor should write the advertisements of

a magazine's articles. "You are the one who knows them, what is in

them and your purpose," he said to Bok, who keenly enjoyed this

advertisement writing. He put less and less in his advertisements.

Mr. Curtis made them larger and larger in the space which they occupied

in the media used. In this way _The Ladies' Home Journal_

advertisements became distinctive for their use of white space, and as

the advertising world began to say: "You can't miss them." Only one

feature was advertised at one time, but the "feature" was always

carefully selected for its wide popular appeal, and then Mr. Curtis

spared no expense to advertise it abundantly. As much as $400,000 was

spent in one year in advertising only a few features--a gigantic sum in

those days, approached by no other periodical. But Mr. Curtis believed

in showing the advertising world that he was willing to take his own

medicine.

Naturally, such a campaign of publicity announcing the most popular

attractions offered by any magazine of the day had but one effect: the

circulation leaped forward by bounds, and the advertising columns of

the magazine rapidly filled up.

The success of _The Ladies' Home Journal_ began to look like an assured

fact, even to the most sceptical.

As a matter of fact, it was only at its beginning, as both publisher

and editor knew. But they desired to fill the particular field of the

magazine so quickly and fully that there would be small room for

competition. The woman's magazine field was to belong to them!

A Dutch Boy Fifty Years After · 第 13 / 22 章