THE GIDDY GIRLS QUARREL.

A dispatch from Brooklyn states that at the conclusion of a performance at

the theatre, Fanny Davenport's wardrobe was attached by Anna Dickinson and

the remark is made that Fanny will contest the matter. Well, we should

think she would. What girl would sit down silently and allow another to

attach her wardrobe without contesting? It is no light thing for an

actress to have her wardrobe attached after the theatre is out. Of course

Fanny could throw something over her, a piece of scenery, or a curtain,

and go to her hotel, but how would she look? Miss Davenport always looked

well with her wardrobe on, but it may have been all in the wardrobe.

Without a wardrobe she may look very plain and unattractive.

Anna Dickinson has done very wrong. She has struck Fanny in a vital part.

An actress with a wardrobe is one of the noblest works of nature. She is

the next thing to an honest man, which is the noblest work, though we do

not say it boastingly. We say she is next to an honest man, with a

wardrobe, but if she has no wardrobe it is not right. However, we will

change the subject before it gets too deep for us.

Now, the question is, what is Anna Dickinson going to do with Fanny's

wardrobe? She may think Fanny's talent goes with it, but if she will

carefully search the pockets she will find that Fanny retains her talent,

and has probably hid it under a bushel, or an umbrella, or something,

before this time. Anna cannot wear Fanny's wardrobe to play on the stage,

because she is not bigger than a banana, while Fanny is nearly six feet

long, from tip to tip. If Anna should come out on a stage with the

Davenport wardrobe, the boys would throw rolls of cotton batting at her.

Fanny's dress, accustomed to so much talent, would have to be

stuffed full of stuff. There would be room enough in Fanny's dress, if

Anna had it on, as we remember the two, to put in a feather bed, eleven

rolls of cotton batting, twelve pounds of bird seed, four rubber air

cushions, two dozen towels, two brass bird cages, a bundle of old papers,

a sack of bran and a bale of hay. That is, in different places. Of course

all this truck wouldn't go in the dress in any one given locality. If Anna

should put on Fanny's dress, and have it filled up so it would look any

way decent, and attempt to go to Canada, she would be arrested for

smuggling.

Why, if Dickinson should put on a pair of Davenport's stockings, now for

instance, it would be necessary to get out a search warrant to find her.

She could pin the tops of them at her throat with a brooch, and her whole

frame would not fill one stocking half as well as they have been filled

before being attached, and Anna would look like a Santa Claus present of a

crying doll, hung on to a mantel piece.

Fanny Davenport is one of the handsomest and splendidest formed women on

the American stage, and a perfect lady, while Dickinson, who succeeds to

her old clothes through the law, is small, not handsome, and a quarrelsome

female who thinks she has a mission. The people of this country had rather

see Fanny Davenport without any wardrobe to speak of than to see Dickinson

with clothes enough to start a second hand store.

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