NOTES to ESSAY I

(1) There is a passage in Werter which contains a very pleasing

illustration of this doctrine, and is as follows:--

'About a league from the town is a place called Walheim. It is very

agreeably situated on the side of a hill: from one of the paths which

leads out of the village, you have a view of the whole country; and

there is a good old woman who sells wine, coffee, and tea there: but

better than all this are two lime-trees before the church, which spread

their branches over a little green, surrounded by barns and cottages. I

have seen few places more retired and peaceful. I send for a chair and

table from the old woman's, and there I drink my coffee and read Homer.

It was by accident that I discovered this place one fine afternoon: all

was perfect stillness; everybody was in the fields, except a little boy

about four years old, who was sitting on the ground, and holding between

his knees a child of about six months; he pressed it to his bosom

with his little arms, which made a sort of great chair for it; and

notwithstanding the vivacity which sparkled in his eyes, he sat

perfectly still. Quite delighted with the scene, I sat down on a plough

opposite, and had great pleasure in drawing this little picture of

brotherly tenderness. I added a bit of the hedge, the barn-door, and

some broken cart-wheels, without any order, just as they happened

to lie; and in about an hour I found I had made a drawing of great

expression and very correct design without having put in anything of my

own. This confirmed me in the resolution I had made before, only to

copy Nature for the future. Nature is inexhaustible, and alone forms

the greatest masters. Say what you will of rules, they alter the true

features and the natural expression.'

(2) It is at present covered with a thick slough of oil and varnish

(the perishable vehicle of the English school), like an envelope of

goldbeaters' skin, so as to be hardly visible.

(3) Men in business, who are answerable with their fortunes for

the consequences of their opinions, and are therefore accustomed to

ascertain pretty accurately the grounds on which they act, before they

commit themselves on the event, are often men of remarkably quick and

sound judgements. Artists in like manner must know tolerably well what

they are about, before they can bring the result of their observations

to the test of ocular demonstration.

(4) The famous Schiller used to say, that he found the great happiness

of life, after all, to consist in the discharge of some mechanical duty.

(5) The rich _impasting_ of Titian and Giorgione combines something of

the advantages of both these styles, the felicity of the one with the

carefulness of the other, and is perhaps to be preferred to either.

Table Talk: Essays on Men and Manners · 第 10 / 83 题