PART III--_Imposition and Stonework_

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Typographic Technical Series for Apprentices--Part 1, No. 10

PAPER-CUTTING MACHINES

A Primer of Information about Paper and Card Trimmers, Hand-Lever

Cutters, Power Cutters and Other Automatic Machines for Cutting Paper

by

NIEL GRAY, Jr.

Published by the Committee on Education

United Typothetae of America

1918

Copyright, 1918

United Typothetae of America

Chicago, Ill.

Composition and electrotypes contributed by

The Stone Printing and Manufacturing Company

Roanoke, Va.

PREFACE

The paper-cutting machine is a recent development in the industrial

world. Its importance in the graphic arts is only just being

recognized. That it has heretofore been considered an apparatus of

minor importance is proven by the lack of information on the subject,

either historical or technical. No mention is made of a paper-cutting

machine in the eleventh edition of the Encyclopaedia Britannica, either

in the index or under the various trade headings. Mention is omitted

entirely from De Vinne's History of Printing. There are no references

to it in many other standard books, nor in the engineering libraries;

neither are there any comprehensive articles on the subject in any of

the trade journals, either American or foreign. A few scattered

references may be found in dictionaries and manuals having to do with

bookbinding and presswork.

This manual on the paper-cutting machine has the distinction of being,

as far as the author knows, the first book ever written on the

subject. It will endeavor to help toward a better understanding of

this important mechanism, its use and care, and it may also serve as

a starting point from which subsequent treatises may be written.

The difficulty of making a successful machine of this kind to meet the

new demands for accuracy, speed, convenience, and safety, has been

overcome gradually in recent years and there are now several machines

quite efficient and adequate to meet these demands of the modern

manufacturer. To coordinate a number of inanimate pieces of steel and

iron, to operate at high speed with precision, requires fine skill.

The evolution from the first cutting machine--the old hand-operated

wooden plough and press--to the present power-driven steel mechanism

is like the advance from the old wooden sailing vessel to the modern

steel ship.

The objects of this manual are to acquaint the beginner with the

essential features of the machine itself and to provide clear,

comprehensive information which will enable him to become a competent

operator. It is not possible within so small a book to give complete

detailed instructions for all the different conditions which may arise

in the many kinds of work done in establishments where paper-cutting

machines are used. Each of these places has its own particular

requirements; and while the machine can do its part quickly and

efficiently it needs the intelligent and skillful operator to get good

results. The instructions given herein for a few cases, which have

been made as general as possible, indicate the complexity of this

operation as carried on in modern workshops. There is necessity for a

careful study of the subject in any important industry to insure this

part of the work being successful and profitable.

Not all the kinds of cutting machines in use in the printing and

bindery industries are considered in the following pages, but simply

the typical machines in common use for cutting and trimming printed

paper. There are many other styles, such as die-cutting presses,

automatic book-trimming machines, punching, stabbing, and eyeletting

machines, rotary cutters and revolving-blade cutters attached to

presses and other paper machines. These might properly be classed

under the title, but as they are chiefly specialized machines the

limits of space do not permit a consideration of them here.

CONTENTS

PAGE

IMPORTANCE OF THE PAPER CUTTER 7

EVOLUTION OF THE PAPER-CUTTING MACHINE 8

DESCRIPTION OF TYPICAL MACHINES 11

THE KNIFE 16

GRINDING PAPER-CUTTER KNIVES 21

HONING PAPER-CUTTER KNIVES 22

THE CLAMPING PRESSURE 23

CUTTING STICKS 25

THE BACK GAGE 25

POWER BACK GAGE MOVEMENT 28

SPECIAL DEVICES 28

APPLICATION OF POWER 30

CARE OF THE MACHINE 32

OPERATING THE MACHINE 35

SAFETY OF THE KNIFE 37

HANDLING PAPER 38

TO CUT A PILE INTO STRIPS OF EQUAL WIDTH 43

TO CUT A PILE RECTANGULAR 44

TO SQUARE A PILE 45

TO CUT UNUSUAL SHAPES 46

TRIMMING BOOKS 46

PAPER CUTTINGS AND WASTE 50

DEPRECIATION OF A PAPER-CUTTING MACHINE 51

REVIEW QUESTIONS 53

GLOSSARY OF TERMS USED 58

PAPER-CUTTING MACHINES

_Importance of the Paper Cutter_

A paper-cutting machine is used for dividing piles of large sized

sheets into smaller sized sheets; also for squaring a pile; _i.e._,

making all four corners rectangular; and for trimming off irregular or

incorrect edges.

It increases the possible printing output largely because presses of

large size can now print many duplicates of a single design on a single

sheet, and many of these sheets piled can be separated at a single cut,

whereas a fly or rotating cutter cuts but one sheet at a time.

The importance of the paper-cutting machine can hardly be overestimated.

The correct position of the printed matter, the widths of head, tail,

and fore edge may be destroyed by careless cutting. Friendly

cooperation with every department is necessary to produce good work.

No matter how fine the printing and color work is, if the margins are

uneven and the folds mismatched, then the resulting air of slovenliness

discredits the entire work. The final touch that gives the character to

a piece of printed matter is the way it is trimmed.

Modern power automatic-clamp cutting machines, in spite of the high

speed of their operation, are able to cut with absolute accuracy.

Perhaps on no other machine will a little careful study return so large

a profit in dollars and cents.

_Evolution of the Paper-Cutting Machine_

The practice of cutting paper began long before the making of the book

of bound leaves, and the necessity of making a number of sheets of the

same size called for some mechanical means of cutting and trimming. The

earliest cutting machine was no doubt a sharp stone or a stick; then a

piece of metal, dragged across the parchment, with a guide to keep the

cut in a straight line. The sheet was simply held by the hand, and

later the straight-edge formed a clamp also.

About the fifth century the important step of folding the vellum into

leaves became the practice. The instrument which we know to-day as

scissors or shears probably had a large part to do in these early

operations. With the invention of printing and the multiplication of

books larger and stronger means were necessary to cut the sheets.

Although the book with the untrimmed sheets was the rule of this

earlier time, and of a later time, for the smaller books and for

divisions of the sheet a cutter was necessary.

For a time the cutting of piles of paper was done by hand with a knife,

a small pile being put upon a table and a weight laid upon it. The

operator leaned his weight with one hand upon it, while he cut with the

other. The earliest attempt to improve this consisted of a table, a

framework of wood or metal above it, having a groove in which the knife

could be worked, and a screw clamp to hold the pile. The knife was

originally short; then longer, until it became long enough to cut

through the thickness of the book. The deckle-edge of the earlier and

untrimmed books was improved upon and made easier to turn over and

refer to rapidly by the improvement of trimming the leaves. The

hand-plough cutter was probably the first successful machine intended

to cut a number of sheets at a time.

In the Haupt Halle at the great Graphic Arts Exhibition, Leipzig, 1914,

were some illustrations showing the earliest German cutting machines

and their evolution to date. The earliest among them is the lightly

constructed hand-driven vertical cutter of 1855. This consisted of two

side frames, the knife-bar guides in their slots and a large hand wheel

at the right. The next stage was a cutter of 1876, a hand-driven wheel

at the right turning gears above and outside the table. A crank and

a rod connected to the center top of the knife-bar pulled the knife

in the direction of the two slots in the knife-bar, giving it a

shearing motion. This model is the same as that used by most German

manufacturers for both hand and power-driven cutters until within a few

years, when the greatly improved, rapid, and more convenient American

examples became known.

From simply pressing with the hand to hold the sheets the hand clamp

was evolved; then the clamp was attached to a gear by which it could

be held down on the sheets with greater and steadier pressure. To

quicken this operation the spring clamp was devised, with automatic

pressure--fixed at first, then variable to suit varying requirements.

Perhaps the most signal advance in the art of paper-cutting machinery

that has been made is the invention of Samuel R. Brown, who devised the

fixed "throw" of the knife by means of two cranks at opposite ends of a

shaft parallel with the knife. This control of the knife enables a hair

to be cut through, or half through, or the knife edge to just touch it,

with remarkable precision. The various other mechanical connections for

power-cutting machines between the pulley and the knife, consisting of

rolls, slots, guides, cams, chains, levers, etc., all require a great

number of parts between the pulley and the knife, with the consequent

and necessary "looseness" of the mechanism. This allows, after short

wear, a play or "chug" of the knife which quickly tends to destroy its

best cutting abilities.

The evolution of the cutting machine has been rapid and distinctly

marked in all its essential features, from the oscillating plough to

the vertical stroke, to the shear stroke, to the double-shear stroke;

from a single-rod pull-down of the knife (by a chain, by a cam, or by a

crank) to the two-rod pull-down by cams, rolls, slots, slides, to the

cranks which give a fixed dependable stroke; to the cranks which give a

fixed dependable stroke, and at the same time pull the knife endwise;

from swinging-link shear to a straight-line shear; from man-drive to

power-drive; from driving by power fixtures in front and outside the

frame to fixtures located back and underneath; from low piles to high

piles; from hand clamp to power clamp, to self clamp, to automatic

clamp, finally to friction adjustable pressure clamp; from measuring by

rule to the use of rapid automatic measuring and spacing devices.

The best paper-cutting machine is designed with a knife motion operated

by cranks which give an endwise pull to the knife; with the table of

medium height; with quick and accurate adjustments for the knife; with

a foot treadle for bringing the clamp down to the pile when desired

to see exactly where the knife will strike; with an accurate and

dependable device for moving the back gage and the pile and measuring

quickly the widths to be cut; with starting handles easily reachable

without bending; with a powerful clamping pressure automatic for all

height piles and instantly adjustable for heavy or delicate work; with

universal fine adjustments for squaring the back gage with the knife;

with a simple change for the cutting stick; with the driving shaft

running at a low speed; and with a powerful main driving clutch or

friction material that will not cut or damage the parts under the

heavy, constant thrusts.

_Description of Typical Machines_

PLOUGH AND PRESS CUTTER

An early form of cutting machine, made almost entirely of wood. The

pile of paper or book was clamped to the table by the upper cross-bar

of the clamp, which was brought down by the geared vertical arm. As

shown by picture, these arms were raised and lowered by turning the

large toothed wheel. The steel chisel (A) operating in a holder running

in a groove, was moved to and fro across the paper, cutting deeper each

time as the chisel was gradually lowered by the handle.

[Illustration: Fig. 1. Plough and Press Cutter]

CARD CUTTER OR TRIMMER

Card trimmers are knives hinged at one end to a base upon which the

work is laid and held, while the knife is pulled down by hand to shear

it off against a metal edge. Stock cut this way has a slight burr on

its lower edge, caused by the "drag" or downward pressure of the knife.

[Illustration: Fig. 2 Binder Shears or Table Cutter]

[Illustration: Fig. 3 Card Cutter and Trimmer]

To cut cards free from burr a rotary card-cutting machine is used, with

a rotating shaft carrying a small wheel cutter. These cutters are used

on a workbench.

[Illustration: Fig. 4. Hand-Lever Cutter]

[Illustration: Fig. 5. Bench-Lever Cutter]

HAND-LEVER CUTTER

Hand-lever cutters stand on the floor and have a convenient height

table to lay the work upon. The cut is made by pulling the knife down

through the pile. The knife is hung from two swinging links, and is

easily operated when it has double shear and a toggle crank connection

to the hand-lever shaft.

[Illustration: Fig. 6

POWER CUTTING MACHINE (HAND-CLAMP)

Knife Pulled Down at One End]

Power cutting machines substitute power fixtures for the hand

(sometimes in addition to the hand operating fixtures), and eliminate

labor and save time. A hand-clamp power cutter is operated first by

screwing the clamp by hand down firmly upon the line where the work is

to be cut; then pulling the starting lever, which causes the knife to

make the cut, return to the top, and stop.

[Illustration: Fig. 7

POWER CUTTING MACHINE (HAND-CLAMP)

Knife Pulled at Both Ends]

Semi-automatic means a cutting machine which has a treadle to bring the

clamp down quickly upon the work, and a regular hand-clamping wheel

instantly acting to produce the clamping pressure when it is turned a

part of a revolution. The clamp returns automatically to the top by

touching the treadle lightly with the foot and giving the clamping

wheel a slight backward turn. The advantages are the simplicity of

construction and operation of the regular hand-clamp machine, and a

gain of about one-third greater output with one-third less effort.

Automatic-clamp power cutting machines save labor by pressing the pile

by power, instead of requiring the operator to screw the clamp down and

back again by hand. In the larger sizes power attachments save the

labor of pulling the back gage and work forward by hand. Automatic

spacing (or measuring) devices for duplicating any desired width,

without the customary measuring for each cut, enable larger production.

[Illustration: Fig.8

AUTOMATIC-CLAMP POWER CUTTING MACHINE

With Instantly Variable Automatic Clamping Device]

An automatic power cutter is operated first by determining the line of

the cut by the indicator or by pulling the clamp down upon the work;

then pulling the starting lever, which automatically forces the clamp

down first upon the stock, and then drives the knife through it, and

returns both knife and clamp to stop at the top.

Automatic-clamp power cutting machines are also furnished with

hand-clamp attachment for special clamping pressures.

Continuous running is effected by devices which permit the quick

disengagement of the stop throw-out mechanism. This is desirable with

duplicate work in quantities carefully arranged for fast production.

Automatic cutting machines are also furnished with spacing devices for

the rapid duplication of exact widths of any size.

Vertical stroke (and vertical changeable to shear stroke) cutting

machines (see Fig. 9, page 17), both hand power and also power, are

used with special shaped knives for cutting fancy edges, and pinking

cloth samples, etc., some having back tables of great length, moved on

rollers or slides by spacing devices. Considerable ingenuity has been

shown in the variable method and mechanism used for moving the knife up

and down.

_The Knife_

The knife is most important. It must be kept sharp. It must be of the

proper shape and thickness and bevel and temper and free from any burrs

or lumps on its back edge. A cutting-machine knife is like a razor

that, stropped correctly, does not pull the beard, but stropped an

infinitesimally different way--a difference impossible to see except

with a microscope--pulls hard. Study carefully the knife. No matter how

carefully the machine is built, an imperfect knife cannot cut right.

Most knives are imperfect in spite of the rigorous specifications given

them by makers. They vary in thickness, straightness, concave, bevel,

flatness, temper, and quality of steel; and also in the character of

their sharpening and honing, which varies with the fineness or

coarseness of the grinding wheel and stone. These variations need only

be a few thousandths of an inch to cause trouble.

[Illustration: Fig. 9

VERTICAL-STROKE POWER MACHINE

Changeable to Double Shear]

A blue wave mark indicates where the temper is drawn, and a file which

"drags" when pushed fairly hard across the flat of the bevel indicates

the soft spots, where the temper is imperfect.

[Illustration: Fig. 10

DIAGRAM SHOWING DOUBLE SHEAR STROKE OF THE

KNIFE PASSING OBLIQUELY THROUGH THE PILE

At the beginning of the stroke the knife is higher at the right-hand

side; when finishing the cut the knife is parallel to the table]

To ascertain if a knife has a correct face, hold it flat, face up, with

one end on a window ledge, and look along the face for variations. This

is a simple matter which any one can do. Use a perfectly straight and

clean-edged steel rule and pass it along from one end to the other as

shown in Figs. 11 and 12. A dark spot shows the point of contact of the

rule with the knife. These dark spots should show only exactly at the

cutting edge and at the back edge. If a dark spot shows away from the

cutting edge, it indicates that the knife is imperfect there and will

not make a true cut. Regrinding the face by the makers can correct this

fault, except where it is the fault of the one who hones the knife

after it is sharpened.

[Illustration: Fig. 11]

[Illustration: Fig. 12]

Hone the knife only on the bevel. To remove the wire edge burrs along

the edge lay the hone flat on the face and rub gently so as not to

round over the edge.

A knife will sometimes cut better after it has been ground the first

time. A polished knife will give a better surface to the cut. The

cutting of the same kind of stock will often vary with different makes

of knives. An oily rag tied to a stick kept handy and passed along the

bevel of the knife before cutting hard stock will improve the cut. A

blunt bevel is preferred for hard stock; a long, thin bevel for soft

stock.

A general rule for the length of bevel on knives is two and one-half

times the thickness of the knife. This may be varied to suit the

different materials to be cut, but must be held within reasonable

limits to preserve the strength of the cutting edge of the knife and

also to secure accurate, clean cutting.

The face of a knife should be as nearly flat as possible and must not

be convex. It is better to have it concave than convex, but not over

two or three thousandths of an inch concave. A knife that is too

concave or convex will tend to dig in or out of the work.

For safe clearance the knife should be a few thousandths of an inch

thinner at the top than the distance from its back to the line of its

cutting edge.

The knife bolts should always be screwed up snug, so that the cutting

edge of the knife will have the correct pitch in relation to the pile.

The top or back edge of a knife should be held absolutely straight to

get a firm thrust--bearing all along the knife-bar. Knives abutting

against adjusting screws for this reason are not apt to give so good

results as knives that abut against a solid shoulder all across the

knife-bar.

Dirt, oil, grease, paper, chips, etc., in the knife-slot or bar, or a

bruise or nick on the back edge of the knife, or a defective knife

bolt, may prevent the knife seating firm and true in its proper place

and may cause poor cutting.

Knives bought from the maker of paper-cutting machines are apt to give

the best results because they receive two inspections: one by the knife

maker, and another by the machine maker, who is careful to see that

only perfect knives are supplied.

In order to understand how important it is to use a sharp knife on a

power cutter, throw off the belt and pull the machine around by hand

through a high cut with a dull knife. Then put in a sharp knife and

make the same cut. Where there is much cutting to be done and the

machine is in constant use, it is well to keep extra knives on hand to

allow one to be sharpened while the other is being used.

A specially tempered knife is best for boards or varnished paper.

Gummed and varnished stock are likely to break small pieces off the

knife edge. The double shear motion for the knife now furnished on the

new automatic rapid production cutting machines practically eliminates

this trouble.

The first place to look when work is not cut true, after making sure

there is correct clamping pressure, is the knife. See if it is sharp.

See if it has been honed properly. See if it has the proper length of

bevel.

_Grinding Paper-Cutter Knives_

It is best to grind with a soft sandstone; but if an emery wheel is

used, it should be about 46-60 grain, 5-1/2 grade, or soft enough so

that a light feed can be taken without burning or glazing the bevel of

the knife.

The operator of the grinding machine should be in constant attendance

while the knife is being ground, and should have a liberal supply of

water feeding on the wheel where it comes in contact with the bevel of

the knife, not at the top of the wheel. If this supply of water is cut

off and the wheel continues to grind without water, this will create

friction, heat up, and draw the temper in the knife or crack it.

Extra precaution should be taken to grind the cutting edge of the knife

parallel with the back of the knife, and not have one end of the knife

wider than the other. When this occurs the cutting edge of the knife

does not hit the cutting stick squarely, and not only has a tendency to

snip out at the wide end, but also to destroy the cutting stick

quickly.

The bevel should be ground flat or a shade concave, and must not exceed

twice the thickness of the knife, plus one-quarter inch, or twenty-four

degrees. If this rule is not adhered to and a longer bevel than this is

ground on the knife, the flat side or face of the knife will become

rounded about one-half inch back from the cutting edge, thereby taking

the slight concave out of the knife and causing the machine to cut

tapering; _i.e._, the top of the cut, say four or five inches high,

will be narrower than the bottom of the cut.

If a knife is ground on the rim of an ordinary emery wheel worn to a

small diameter, the smallness of the emery wheel will tend to make the

bevel concave. This weakens the edge of the knife. A knife grinder with

a cup-shape emery wheel makes it easier to grind the bevel straight.

_Honing Paper-Cutter Knives_

Every knife, when coming direct from the grinding machine, has a wire

edge which should be honed off before the knife is adjusted to the

knife-bar. Excellent results in honing are obtained from No. 1 Washita

oilstone (Pike Mfg. Co., N.H., U.S.A.), or an india oilstone made by

W. H. Price, Hartford, Conn.

The knife should be laid on a bench or table, flat side down, with the

edge of the knife protruding about one-eighth of an inch beyond the

edge of the table. The hone should be held flat on the bevel, and the

motion should be a circular or rotary movement as well as up and down,

and the honing should be done from one end to the other without lifting

the hone from the knife.

When a fine wire edge appears on the flat side, lay the hone on lightly

with no pressure and absolutely flat, and draw from one end to the

other. After honing the knife for a short time (four or five minutes)

the wire edge will disappear or get so thin that a small piece of white

pine or other soft wood, if drawn along the cutting edge, will

eliminate this thin wire edge. Never hone the flat side of the knife.

Never hone a knife while in the machine.

A wooden holder for the oilstone will protect the fingers.

For smooth "glass edge" cutting, the bevel of the knife may be ground

slightly concave. Then hone thoroughly with an extra fine hone slightly

convex in shape.

No method of grinding has yet been devised which will leave a perfectly

smooth surface, because no matter how fine the stone or material that

is used for grinding it will leave marks on the edge of the knife, and

these marks cause roughness in the cut. The reason the above method

gives almost a perfectly smooth cut is because a thorough honing

removes most of the marks.

_The Clamping Pressure_

The clamping of the stock in the machine while the cut is being made is

an important feature of a modern paper cutter. This is done by means of

a horizontal bar placed behind the knife and parallel with it. This

clamping bar is moved up out of the way while the stock is being placed

in position and is then brought down with the desired pressure to hold

the pile of sheets firmly until the cut is made, and is again lifted up

out of the way.

In the simpler machines the clamping pressure is obtained by means of a

stout vertical threaded rod to which the clamp bar is attached at the

lower end. The rod is operated by a hand wheel at the top and turns in

a threaded opening in the cross-head of the frame.

Clamping pressures vary greatly under different conditions, from a

light pressure to several tons. The ratio of the power applied in

hand clamping to the pressure secured on the clamp is, in ordinary

commercial machines, about 1 to 150 for small machines up to 32

inches wide, using a 2-foot-diameter clamp wheel and overhead screw.

The ratio of power in cutting machines 34 inches and wider, having a

1-1/2-foot-diameter clamp wheel, and worm of 3/4-inch pitch at the

side engaging a worm gear keyed to the clamp shaft, is about 1 to

180. That is, a pull by the hand of 1 pound on the overhead clamp

wheel will produce about 150 pounds pressure of the clamp on the

stock to be cut; and a pull by the hand of 1 pound on the side

clamping wheel will produce about 180 pounds pressure of the clamp,

less friction. Operators will pull ordinarily from 10 to 100 pounds;

_i.e._, producing a pressure of from one to nine tons.

The first type of automatic-clamp cutting machines produced always the

same arbitrary pressure on the clamp, with consequent waste of power,

crushing and indenting the work, offsetting the ink unless it was

absolutely dry, and requiring adjusting with a wrench, which was slow,

dirty, and indefinite.

All modern automatic-clamp cutting machines have independent

automatic-clamp pressure, and these apply the pressure at both ends of

the clamp. The earliest power clamps were called "self-clamp." In these

the knife and clamp were connected together (_i.e._, dependent).

The modern automatic-clamp mechanism is not only independent of the

knife, but in addition practically all the power of the belt goes first

to clamp the work and then afterwards to drive the knife through the

cut. This separation of the clamping effort from the cutting effort

increases efficiency and economy.

By a modern device on some machines this clamping pressure is instantly

variable to suit different kinds of stock and other conditions.

_Cutting Sticks_

The cutting stick, into which the knife passes after cutting through

the bottom sheet, saves the edge from cutting on the iron table.

Correctly designed cutting machines have knife-bar motions that permit

no "chug" of the knife into the stick and thus conserve its sharp edge.

Many designs, however, are faulty in this respect and the unrecorded

expense of their operation is a serious leak.

The cutting stick is set in a slot in the table. The most common and

perhaps best form, everything considered, is a 3/4-inch square hard

maple stick, set so that the knife strikes it 1/4-inch from the edge.

All four faces of such a stick may be used.

A metal frame for holding a 1/4-inch square hardwood stick, or a soft

metal (so-called) cutting stick, is made. A round wood cutting stick

connected to a timing mechanism which rotates it automatically for

every cut, or for a certain number of cuts, is valuable for hard stock

requiring microscopical perfection.

_The Back Gage_

The back gage is moved and controlled on the machine table in several

ways. In the simpler machines the gage is attached to a rod under the

table, a long slot in the center of the table allowing the connection

of the gage with the rod below. The rod is attached to the gage with a

worm gear and is operated by a small hand wheel at the front of the

table. In other machines the gage is attached to a steel cable, or a

metal tape, or a chain which passes over wheels at the back and front

below the table.

The one-piece back gage was improved by cutting it into two or three

sections so that the first and final cuts of two or three piles may be

made at every stroke of the knife. Adjusting screws are provided for

tilting the back gage forward or backward to compensate for the

variation in the width of the top and the bottom sheets which occurs in

the same machine and with the same knife when cutting hard or soft

papers. A swinging adjustment is also provided to "square" the back

gage parallel with the knife edge.

Various devices for taking up the slack caused by wear in the table

slot guiding the back gage are furnished, but probably the simplest and

best method is the replacement and refitting of the inexpensive sliding

part.

INDICATOR ATTACHMENT FOR BACK GAGE

The distance the back gage is moved is read in different ways. The

movement of a gage operated by a screw and wheel is indicated by a

pointer on the front edge of the table overlapping the rim of the long

screw wheel. If the rim of the screw wheel is lined off in sixteenths

of its circumference, the pitch of the screw being one inch, each

complete turn of the screw wheel means that the back gage is advanced

one inch, and each one-sixteenth turn means that it is advanced

one-sixteenth of an inch. It is important always to keep turning the

screw and wheel the same way when so measuring, because otherwise the

"back lash" (looseness of the screw and its nut to permit easy working)

will cause variation.

For a back gage moved by a chain or a wire cable or a metal tape, a

graduated dial is attached to the top of the cable hand wheel which

reads from a pointer attached to the front edge of the table.

Both these ways of reading require the operator to look down.

For a back gage moved by power, a steel indicator ribbon passing around

a wheel overhead in the frame cap and attached to a standard on top of

the back gage (see Fig. 7) enables the operator to read the position of

the back gage without looking down, and a second wheel indicator and

pointer permits reading to less than one-thousandth of an inch. Similar

indicator ribbons are attachable to the back gage for screw, cable,

chain, and metal tape movements.

These indicator ribbons are usually graduated and marked for inches,

halves, quarters, eighths, and sixteenths. They are also furnished with

metric system measurements, graduated and marked for centimeters and

millimeters. They are also furnished extra wide so that both the

English inch measurements as well as the metric system measurements may

be put upon the same ribbon. When graduated to thirty-seconds of an

inch and millimeters a good magnifying glass of about three inches

diameter, adjusted in front of the pointer, enables easier and more

accurate reading. An easily operated lock for holding the back gage

fast to the table at any exact mark prevents variation in the width of

cutting.

Fixed distance gage rods and suitable engagements with the back gage

are provided for cutting at any time duplicates of exactly the same

width, especially valuable for loose-leaf ledger work. Pins and holes

drilled in the back gage and table also secure uniform locations

impossible to get solely from reading the overhead ribbon or an

indicator dial, which latter may be read incorrectly because of poor

light or variation in the operator's position or eye.

Locking devices for the back gage ordinarily consist of (a) a friction

grip around the moving screw, or (b) about the cable hand wheel, or (c)

a clamping device which holds the back gage, or (d), best of all, a

fixed grip rod-holding device operated from the front of the table,

thus eliminating any possible lost motion through connecting parts from

the jogging or chucking of work.

A back gage is split so that different width piles may be cut at the

same time, such as trimming the heads, tails, and fronts of books. The

fingers at the splits are placed smooth, so that they may be used as

side gages to enable the wear of the knife to be taken its full width,

instead of just at the usual left-hand end.

_Power Back Gage Movement_

The larger sizes of cutting machines are equipped with a labor-saving

power connection to the main driving shaft which may be thrown in by

the operator at will to move the back gage forward or backward by

power, a micrometer reading the position to thousandths of an inch.

_Special Devices_

Special spacing devices for the back gage are revolutionizing many

branches of work. The usual screw or cable is relatively slow and

undependable and requires care and time to move the work the exact

distance required.

The new way is to equip the cutting machine with a back gage operating

mechanism having stops which can be set for any width to be cut. The

operator simply pulls a lever between the stops, which instantly moves

the pile and measures it exactly. Production has been increased six

hundred per cent. with such spacing devices.

Gages for measuring the width of the cut may be simply a sample cut the

desired width laid upon the pile, or an exact size wood or metal

pattern, or the width may be determined by reading on a steel

indicator-ribbon attached to the back gage the distance its face is

back from the knife edge.

These methods are only approximately accurate, however; for exact

cutting, steel distance-pieces of correct lengths to give the different

widths of cut required are set against a fixed stop in the back table

and the back gage run back until it grips the steel distance-piece.

This brings the face of the back gage the desired distance from the

knife.

Modern patented spacing devices for the rapid duplication of exact

widths in succession, while the machine runs continuously without

stopping between cuts, have been perfected so as to enable, on some

classes of work, one cutting machine to do the work of six and still

obtain accuracy. These spacing devices operate the back gage through a

chain or a screw or a gear by means of a lever driven by hand or by

power between accurately set stops fixed for any desired width, and

thus eliminate the time ordinarily lost measuring the width for each

cut.

Among other conveniences on the large modern cutters two starting

levers, one at each side of the machine, or a starting bar extending

across the front, save several motions at each cut.

A flat piece of metal, called a clamp face, which may be quickly

attached to the under side of the fingered clamp, is used to prevent

these fingers marking soft or delicate finished stock.

A snake gage is a folding lattice used in front of the back gage of a

solid wide face clamp machine to enable the back gage to push the pile

up nearer the knife.

For large pamphlets or magazines an extra clamp attached behind the

regular clamp to hold the back of the pile down gently by spring

pressure will prevent the sheets springing up and away from the back

gage, caused by the folds and air between the sheets.

A plate attached to the machine with hooks upon which to hang the

wrenches is provided upon the most modern machines and this helps the

operator to keep them together and in order.

Guards covering the gearing, knife edge, pulleys, flywheel and other

moving parts are required by many state laws, and power cutting

machines are, therefore, so designed and furnished complete.

_Application of Power_

There are five methods of applying power necessary to operate paper

cutters: by hand lever, by belt, by direct gearing, by chain and

sprocket, and by direct connection of electric motor.

Figure 13 shows an electric motor on a bracket, adjustable vertically,

attached to the frame of the cutting machine, driving by a belt from

the motor pulley to the machine pulley. The belt cushions the heavy

repeated thrusts of the clamp and knife in cutting upon the motor. The

electric motor may be set on the floor or on a bracket on the wall.

Figure 14 shows a direct-geared connection of the electric motor

through its noiseless rawhide pinion engaging an iron gear on the

machine driving shaft. An adjustment is provided for taking up the wear

in the gears, in order to maintain the noiseless running of the

machine.

[Illustration: Fig. 13

ELECTRIC MOTOR OVERHEAD, BELT DRIVE]

The chain drive is like the direct-geared except that it substitutes a

chain and two sprockets for two gears.

It is not generally understood what a large amount of power is required

to drive a paper-cutting machine, and how important it is that the

number of working parts connecting the belt pulley to the knife be as

simple and few as possible in order to eliminate friction and lost

motion, and to secure efficiency. Every cut costs money for the power

consumed.

[Illustration: Fig. 14

ELECTRIC MOTOR UNDERNEATH, GEARED DRIVE]

An inch-high pile of writing paper with a sharp knife may take one

thousand pounds for each foot of length of the knife to drive it

through. A higher pile on a fifty-inch power cutter may take three tons

pressure, plus the automatic clamping effort and plus frictional

losses, and (more important) plus a tremendous increase in case the

knife is dull.

_Care of the Machine_

A man is known by the condition of the machine he keeps. Keep the knife

sharp. That is the first rule to repeat every day and every hour of the

day. The second rule is to oil every hole and place required on the

machine. The third rule is to keep the machine and its neighborhood

scrupulously clean. The fourth rule is to learn by heart and follow the

printed directions attached to the machine by the maker. If you do not

understand or if you cannot follow correctly every instruction on the

printed instructions attached to the machine by the maker, first ask

your foreman or superintendent. If the directions are not clear, write,

or ask the office to write, to the maker for a detailed explanation or

to have his traveling representative come and explain them. Any

operator who does not understand the adjustments of the machine he

operates has but partly learned his trade. Be particular to see that

the driving pulley on your machine runs at the speed given for it on

the manufacturer's directions.

Keep the machine always in adjustment. See that the brake band is

adjusted so that when the starting lever is thrown in to start, the

friction is entirely released and there is no drag on machine.

Do not allow the knife to sink any deeper into the cutting stick than

to sever the last sheet of the pile.

Never use more pressure on the clamp than is necessary to hold the pile

without drawing or slipping; any additional pressure is only an added

strain on the machine.

Jog your stock before putting it in the machine and do not use the back

gage for that purpose. Continual hard jogging with heavy lifts of stock

against first one end of gage and then the other will quickly knock it

out of square or loosen it.

A little talcum powder, French chalk, or powdered boracic acid dusted

on the table makes the stock handle easier.

A slip-sheet of paper or thin pulp board placed on top or on the bottom

of the pile, and cut up with it, protects delicate surfaces from finger

marks or soiling. Keep your hands and apron clean. Keep the machine

clean in every part.

Use only wrenches furnished with the machine, because they fit the bolt

heads properly and because they are the correct lengths to put on the

proper tension.

Do not use a monkey wrench, because, unless the jaws are carefully

adjusted, it will destroy the bolt heads and if used on small bolts, on

account of its length and power, is apt to strip the threads or break

the bolt or part.

Occasionally go over every part of machine and see that all taper pins,

bolts, nuts, etc., are snug in place.

A locked cupboard or box at the cutting machine is useful to keep the

full set of wrenches provided, clean waste, colored crayons, a good

magnifying glass, powdered pumice stone, French chalk, talcum powder,

boracic acid, special cutting pads, and boards for making them, size

strips, dimension records, etc. The oil can should stand always filled

and ready on its bracket.

If a belt is put on too tight, it may pull so hard on the bearings as

to heat and cause them to cut. It is easier not to put the belt on too

tight at first and to relace it several times while it is stretching,

than it is to repair a rough bearing.

Keep clean waste in a box. Destroy dirty, oily waste instantly after

use, or place it carefully inside a fireproof oily waste can if

provided. Do not put dirty, oily waste away or leave it around. It is

most dangerous and many plants have been burned by its spontaneous

combustion.

Have a definite fixed time to oil, and to clean the machine. Mark the

hours when to oil every day, and the day and hour when to clean and

polish the machine every week, on the maker's direction sheet attached

to the machine.

Oil with intelligence, not just with an oil can and oil. Oil freely,

but not sloppily. Oil should not drip upon the floor. Oil should not

flow over parts not requiring it. An excess of oil on a brake band will

prevent its acting and stopping the machine promptly. Wipe out the

excess oil in this case by passing a rag under and around the bands.

Oil that runs or drops or is wiped off is wasted.

Oil the parts above the table carefully and thoroughly. A few drops of

oil on the palm of the hand and applied to the four front and back

faces of the knife-bar prevents dripping on the table from the oil can.

Run the machine through a few strokes after oiling and then wipe off

clean with a cloth or piece of waste the surfaces against which the

stock to be cut is placed.

When oiling, remember it is only the oil that reaches the bearing that

does any good. Any surplus that runs over and defaces the machine is

waste.

The best kind of oil to use is a free-running, light-colored petroleum

machine oil. Cheap oils cost more in the end.

_Operating the Machine_

The character of the cutting depends upon, first, the machine, second,

the knife, and third, the man.

Successful cutting is a fine manual art. The finest razor improperly

stropped and used in unskilled hands does poor work. The finest cutting

machine unintelligently operated will stultify the best efforts of the

printing plant.

The machine that has the simplest mechanism evolved by long experience

and study ensures the first safeguard of accuracy. The knife that

fulfils the specifications given elsewhere furnishes the second. And

third, the man whose standard of work is high, who is conscientious in

following his instructions, who is big enough and broad enough to

understand how important his position is, and how necessary, therefore,

it is for him to cooperate with every other department in a friendly

and intelligent manner, completes the tripod that can stand up

successfully under any job.

A cutting machine is a sharp-edged tool and, therefore, dangerous when

run by a careless or unskilled operator. "Look before you leap"

applies especially to the cutting machine. Its action is powerful and

quick. Accidents occur through failure of the operator to watch his

own motions and because of the improper operation of the machine

through failure of some of its parts. Sufficient safety devices to

make all accidents impossible would render the cutting machine as

useless as an axe in a velvet case. Accidents which occur from undue

wear or neglect to oil are apt to happen. Two preventives are

available: _first_, to train the operator to care; _second_, to

provide as many safeguards as can be utilized and still permit

commercially successful operation.

With the modern high-speed machine operating at from twenty-five to

forty cuts a minute, the time consumed in the cutting room is not the

time taken by the knife to pass through the stock, but rather the time

getting the stock laid up and measured ready to cut. Consequently,

these latter operations are the ones to study for savings.

The time and labor required to cut a job depends upon the number and

kind of motions of the hands and body and feet that are made to get the

stock ready and to take it away. The fewer motions necessary to do this

and to operate the machine, the easier and pleasanter it is to work at

a cutting machine.

Powdered chalk and naphtha put on the bright parts and nickel and

allowed to stay over night will polish off in the morning and leave the

machine appearing clean and free from rust.

The clamp strap ways should be kept clean and free from the fuzz from

the cuttings and thick oil. This can be done by occasionally cleaning

them out with kerosene.

If the oil gets in the friction brake band the machine may not stop

promptly at the proper point. Throw off the driving belt, and throw on

the starting lever to loosen the brake band; then pass a rag around

under the band, between it and the clutch rings, so as to remove the

oil, then throw off the starting lever. If a piece of waste is laid on

the lower part of the friction brake band just next to the ring, it

will keep it free from oil for some time.

Rub the knife and other bright parts of the machine with an oily rag

every night. This will prevent the rust forming with the variation of

temperature between day and night.

When using the graduations on its rim to measure by, always keep

turning the gage screw wheel in one direction, without reversing it,

when pulling the back gage forward for successive cuts. This will keep

up all the slack and lost motion of the screw and its nut. If the screw

wheel is moved first one way and then another, little dependence can be

placed upon the graduated reading of the scale.

_Safety of the Knife_

The best automatic rapid-production cutting machines are provided with

four safety devices to prevent the knife making an unexpected stroke.

_First_--A solid knocker throws out the clutch positively. Neither

gravity nor a spring for a trip is depended upon to move an

intercepting part, but the certain fact that two solid bodies cannot

occupy the same space at the same time.

_Second_--An automatic friction brake grips firmly and stops all motion

silently.

_Third_--An automatic counterbalance is used for both the knife-bar and

the clamp, and retains them at the top position.

_Fourth_--An automatic steel safety bolt engages a solid lug on the

large gear, so that the gear cannot revolve further until the operator

deliberately pulls the starting lever for another cut.

These four safety devices are designed so as to act positively and

simultaneously on the completion of each cut. To start requires a

deliberate action of the starting lever by the operator.

_Handling Paper_

Paper is made principally in long webs, or continuous strips, and is

rolled up as it comes from the paper-making machine. It is then cut

into sheets by a revolving fly cutter or a shear knife, cutting one

sheet at a time off the roll. These sheets are furnished by the mills

in bundles or cases, which are trimmed to certain sizes on a

paper-cutting machine.

The best method of handling and cutting stock, the proper quantity to

take on at each lift, the height of the pile to cut, and the routine of

passing each cut section along in orderly fashion, should be given

careful study.

Convenient tables of the right height and of ample surface are

essential if the work is to be carried on satisfactorily, without

backtracking or unnecessary motions and lifting.

Large stock should be piled on movable wooden platforms which can be

moved quickly from place to place.

A primary difficulty in cutting-machine work is due to the great

variety of papers and sizes required to be handled on the machine. This

varies from little narrow slips to piles the full width of the table,

from a few sheets to a pile the full height allowed by the clamp, and

from soft book paper to stock nearly as tough as tin. All these varying

conditions cannot be met with equal success in one automatic machine.

Therefore, superior intelligence rather than unusual muscle should be

required of the operator.

Good judgment is required to determine the proper height of a pile to

cut. This will often depend upon how much can be grasped each time with

the hands and put into place in good order. Time may be lost and sheets

wasted trying to fill up to the capacity of the machine; smaller piles

and more of them may sometimes be a more economical method. The time

taken for the knife stroke is only a second, while the time necessary

to jog up several lifts may be minutes more than to put one lift into

place. The convenient lift, as large as possible, and uniform in size

if there are several of them, is the advisable practise.

Inaccurate cutting may be the result of several causes: (a) Not jogging

the pile thoroughly against the back gage; this should be done by

pressing the ball of the thumbs against the front of the pile from top

to bottom. (b) By disturbing the pile when turning it for the next cut.

(c) By lifting out the pile and failing to jog it carefully when flat

against the back gage again. (d) Work that is fed to points on the

printing press may not be square and true and consequently cannot be

jogged against a straightedge gage and cut accurately. This condition

should be watched for in such cases. Find out, if possible, which is

the feed edge in the printing and jog up to that. Pressmen are often

careless about this necessary instruction in sending printed sheets to

the cutter.

Inaccurate cutting is also due to insufficient clamping pressure,

allowing the pile to slip out of place slightly; or to excessive

clamping pressure, compressing the pile more than necessary just at the

line behind the knife cut.

The above causes may result in imperfect cutting when the machine is in

good order. When the machine is not in the proper condition, and the

knife is dull, or of a shape not adapted to the work, accurate cutting

cannot be expected.

When piling up sheets see that each sheet is laid in exact register

with all the others, that is, that the printed pages, guide marks, and

edges are all in the same position throughout the pile. One sheet on

top laid the wrong way may be the cause of cutting every other sheet of

the pile wrong unless (and this is very important) the operator looks

at the under sheets to make sure that they are all laid alike.

When cutting or trimming printed sheets it is necessary that the

operator should jog the sheets to the pressman's feed edges. These

should be marked plainly, without chance of misunderstanding. If they

are not, he should ask for directions. One wrong cut will spoil the

whole pile.

When a sheet is taken off a pile for examination or for any other

purpose, care should be observed that it is laid back again uniform

with the other sheets. A pile is easily disturbed in this manner either

when swinging it over, turning it around, or rejogging, if the utmost

care and orderliness are not observed.

Papers received from the mills or from dealers are not always trimmed

squarely, but have what is called a mill edge. This edge is only

approximately straight and the corners only apparently square. For

accurate work, either in printing or in cutting, one or two edges may

need to be retrimmed on a paper cutter to get them straight and have a

true corner. The ultimate accuracy of the finished work will depend

upon this proper trimming before the sheets are printed.

Exact register and accurate trimming can be secured only by working

from the same edges of the paper at every operation and the edges must

be straight and squarely cut. When the edges are thus trimmed they

should be marked with a red crayon, or in some similar manner, in order

to be readily identified at each handling.

A pile may be tested for squareness by jogging it in the cutter table

against both the back gage and the side gage, if the machine gages are

themselves in perfect adjustment. If it is difficult to see whether the

sides of the pile are close against the gages at all points, narrow

strips of paper put between the pile and gages will show whether the

pile touches the gages uniformly.

When cutting lithographed work or similar close-register printing,

where large sheets are apt to come with an irregular edge, a small

wooden block against the back gage or the side gage at points on the

sheet where the original register guides of the press were placed, will

usually insure cutting on an accurate line with the printing. In this

manner the same points of contact as were used in the press feeding may

be secured.

To cut a pile of paper in half, fold over the top sheet and fold at the

middle, carefully matching the edges. Crease this fold distinctly and

use the crease as a guide when the sheet is opened out and laid on the

pile. To cut into thirds or fifths it is better to measure the sheet

exactly with a rule and make clear pencil marks at the points of

cutting.

Hand-made papers have rough, uneven edges which are thicker than the

rest of the sheet and, therefore, require particular care in jogging

and clamping. They should be handled in small piles.

Gummed and varnished papers require special care even when perfectly

dry, but more so in a moist atmosphere. Varnished stock if it is very

dry may nick the knife, and a clean oily (but not too oily) swab run

over the bevel of the knife before the cut will make a smoother, safer

cut. It is not well to use soap on the knife, especially on

lithographic work.

Freshly printed work which tends to offset on the next sheet may be cut

where necessary by placing strips of reglet or thick card around the

margin close to the line of the proposed cut, so as to keep the

pressure of the clamp off the printed matter.

Tissue paper requires to be firmly clamped to cut accurately. A

clamping motion that will first exert a gentle pressure to squeeze the

air out between the sheets and pack the pile down evenly all over and

then apply a powerful pressure before the knife strikes the pile, gives

the best results.

Accuracy is required in manifold duplicate work, where absolute

register must be made, to secure the proper location of dollars in

dollars columns and cents in cents columns. The ruling and printing

both depend entirely on the square and accurate cutting of the stock to

secure proper register.

The cutting of waxed and oiled manifold stock, if carefully jogged up,

is not difficult with the newer types of clamping mechanism, especially

on that type of cutting machine where the pressure of the automatic

clamp is applied at first gently and then with maximum pressure,

similar to the hand-clamp.

_To Cut a Pile into Strips of Equal Width_

This is sometimes required to be done for a large quantity of stock and

it is desirable to do it with economy of time and labor. The obvious

method is to first trim one edge of the stock, then set the back gage

to the required width and jog the pile up to it for each cut. This

method is usually accurate but requires a great deal of handling of the

stock--almost three times as much as is necessary by some other

methods.

The following methods require the pile of paper to be first trimmed

with a true edge in order to jog it against the back gage, and also

with a true edge on the opposite or front side.

1. Make a mark or place a thin paper sticker on the top surface of the

front table the exact distance in front of the cutting edge of the

knife to correspond with the required width of the strip. Place the

pile of paper on the back table with a trimmed edge against the back

gage. Move the gage forward so that the front edge of the pile comes to

the mark on the front table. Make the cut. Repeat this until the pile

is cut up. This requires only one jogging of the pile into place.

2. Same as the method just described, except that a small hinged metal

gage is used instead of a mark on the table. This requires a special

device. The front flange of this device or gage may be slotted and

fastened to the table by a thumbscrew. The vertical angle part must be

hinged to the part fixed to the table so that it can be swung upward

and back far enough to leave the cut pile room to move forward on the

table when the knife passes down through the pile.

3. Use a hand automatic spacing device, gage screw movement.

4. Use a template placed on top of the pile. Run the clamp down to the

pile, place a card or fiber template on top of the pile in front of the

clamp. Draw the pile forward until this front edge coincides with the

front edge of the template. Make the cut and repeat the operation until

the pile is cut up.

5. Draw the front edge of the pile forward to dimension on the regular

graduated rule set in the front table.

6. Draw the pile forward the distance desired by reading the steel tape

scale overhead, or the dial, or the graduation on the gage movement

wheel.

7. Use a hand automatic spacing device, chain movement.

_To Cut a Pile Rectangular_

To trim a pile with perfectly true corners first jog its straightest

edge against the back gage, and make the first trim. Then jog this cut

edge against the back gage and make the second trim, keeping the pile

away from the side gage. This trimmed edge should be exactly parallel

with the edge trimmed first. Then jog either of these cut edges against

the side gage, and push gently (but do not jog) to the back gage, for

distance. This cut will be at exact right angles to the first and

second. Turn the pile and make the last cut with the trimmed edge

against the back gage keeping the pile away from the side gage.

Do not try to jog a pile against both side gage and back gage at the

same time, for, although these are at right angles, the attempt to

force a pile against both will slue the pile.

Turn the pile on the table with the greatest care; do not lift it

between cuts or jog it vertically. To test a pile for rectangularity,

turn part of it one-half way around and match the edges.

_To Square a Pile_

_First_--Set the back gage about one-eighth inch further from the

cutting edge of the knife than the desired dimension of the square. The

extra distance the back gage is set beyond the dimension of the square

will depend upon the amount necessary to trim it to a true, clean edge.

_Second_--Jog an uncut edge of the pile against the back gage and make

a clean trim.

_Third_--Jog this clean trim against the side gage and just "feel" the

back gage for distance. This trim is at right angles to the first.

_Fourth_--Now draw the back gage up to the exact dimension of the

square desired.

_Fifth_--Jog either of the clean trimmed edges against the back gage

(keep the pile away from the side gage). This trims three sides.

_Sixth_--Jog the pile against the back gage and trim the remaining

uncut edge, keeping the pile away from the side gage. This completes

the square.

To test a pile for squareness, turn part of the pile one quarter way

around and match the edges.

_To Cut Unusual Shapes_

Any odd shapes having straight lines may be cut by the following

method: Make a sample of the shape and size required; then take a piece

of No. 70 strawboard a little larger than the pattern. The board must

be squared up, and the odd-shaped card laid on it; then put the two

pieces under the clamp and adjust the strawboard against the back gage

and the sample card even with the clamp in front; then run the clamp

down and draw a pencil line around the sample card on the strawboard. A

piece of wood can then be glued on to the strawboard along the pencil

line at the back and another at the end. If a bunch of cards is laid

into this box gage and the board pushed up against the back gage of the

machine, a narrow strip of wood or board must be glued on the clamp

right over the card, so that a pressure may be secured on the stock.

This clamp-stick must, of course, fit into the box gage, so that it

will take up the difference in thickness between the pile of stock and

the height of the box gage. These gages may be made by means of a

square and a pair of dividers, as well as in the machine.

Celluloid may be cut into narrow strips by using the method described

above. A sharp knife and rubber bands are all that are necessary.

_Trimming Books_

A common error made by printers is to make up forms nearly the full

measurement of the leaf, thereby leaving the binder very little trim

margin. A standing rule of every printing and binding establishment

should be to allow one-eighth of an inch trim margin for the fore-edge,

head, and tail of all stitched tablets and quarter-bound cut-flush

books. All sewed books should have three-sixteenths of an inch for the

fore-edge, and one-eighth of an inch for the head and tail trim

margins. The trimming of letter-press work should be standardized, so

that paper-covered books are trimmed a trifle larger to permit a retrim

when books are returned for a substantial cover. To illustrate this, a

sheet 24 x 38 inches made up into thirty-two-page signatures, when

folded, is 6 x 9-1/2 inches. The paper-covered books should be trimmed

5-7/8 x 9-1/8 inches; one-eighth of an inch is trimmed off the head,

the balance off the tail, while the fore-edge has one-eighth of an inch

trim. These books, when returned for permanent covers, as they

frequently are, have one-sixteenth of an inch trimmed off the head and

tail; and one-eighth of an inch off the fore-edge. This gives the

standard book size, 5-3/4 x 9 inches for the bound volume.

When the entire edition is to be bound with a permanent cover,

provision is made for three-sixteenths of an inch trim at the head.

This enables the printer to standardize forms without varying the head

margins, and gives the binder sufficient margin to trim inaccurately

folded sheets.

To trim books on a cutting machine, take as many as will make a pile

about three inches high, and jog at the head and back. Set the back

gage the exact size to which the book is to be trimmed; put the books

in the machine with the head against the side and the back against the

back gage. Run down the clamp, provided the machine has a hand clamp;

an automatic or self-clamp requires nothing more than to pull the

lever. When the cut has been made and the machine stops, remove the

books and put to one side. Repeat this operation until all books are

trimmed on the fore-edge and lay aside in piles with the backs out.

To trim the heads and tails, fillers must be made to take up the

thickness of the back. Cut strips of straw or binders' board about four

inches wide; glue them together; fan out and press. Put the books in

the machine with the heads against the back gage and the trimmed

fore-edges against the side; then lay the board filler on top in such a

way that the fanned-out ends are sufficiently away from the back to

permit an even pressure of the clamp on the books. Pull the lever, and

repeat the operation for subsequent books. The filler can be glued to

the clamp and the books put directly under it.

For the head, the gage is set forward and the trimmed tail is placed

against the back and side gage. The board filler is placed on top in

the same manner as above described and the operation continued. On thin

books the board filler may be dispensed with by reversing the backs of

the books alternately, so as to distribute the thickness of the back on

both sides of the pile.

If there are two splits in the back gage, _i.e._, if it is a three-part

back gage, set the center for trimming the fore-edge, the left for

trimming the tail, and the right end for the head. This, however,

should be done only when the quantity to be trimmed justifies it. When

the back gage is set, tighten the thumbscrew with the hand. To guard

against the marking of the book by the pressure of the clamp, cut a

piece of binders' board somewhat larger than the width of the clamp

face and glue it on the clamp.

Waste leaves should be placed on the top and bottom of enameled or

glazed stock to keep it clean.

To trim quarter-bound cut-flush tablets or pads which are bound two or

more on a sheet, as in the case of receipts, trim the fore-edges, cut

all the tails alike, then the heads. The knife should cut against the

back. In making up books to be bound two or more on, one-fourth of an

inch trim must be provided for, to clear the bevel caused by the knife.

This is provided for if books are made up with one-eighth of an inch

trim for the head and tail. Thick books can be bound two or more on

until the stitching is completed. Then cut apart and proceed with the

rest of the binding in the regular way.

Blank books are trimmed so that the standard sizes are reduced

one-fourth of an inch for the length and three-sixteenths of an inch

for the width. The paper for a medium book is 18 x 23 inches; when

folded, 11-1/2 x 18 inches. If such standard sizes are adopted the work

of forwarding is greatly facilitated, as cases and boards can be made

in advance without fear of the books being trimmed too large.

In trimming spring-back account-books, sewed straight or on guards, the

fore-ends are trimmed, then forwarded until the books are in straps.

Sharp knives are indispensable in trimming books which are concave on

the fore-edge. Deep rounds should be filled in with waste paper to

prevent the top sections and the back from breaking. Board fillers are

always laid on top and the book placed so that the knife will cut

against the back.

Brochures with extended cover should have the stock first cut to size

of cover before printing, and sufficient extra stock allowed for an

all-round trim of the inset after, especially at the fore-edge where

after folding in sections the inner sheets are apt to bulge forward.

The printer should know how much will be taken off in the after trim to

enable him to allow uniform widths of margin. After a job is bound, the

cutting machine cannot remedy any defect of edges.

_Paper Cuttings and Waste_

Cuttings and waste may be disposed of by throwing them into a large bag

attached to or placed near the machine. When filled, this can be taken

away and another substituted. Throwing waste on the floor should not be

tolerated. It is untidy, costs time and labor to gather up, and is

dangerous.

A light box on wheels is also a good plan for caring for waste of this

kind. In some places where there is a great deal of trimming, a chute

in the floor next to the machine provides a convenient method of

disposing of waste from a number of machines. This chute leads into a

large bin or baling machine below, from which the material is carted

away.

The worth of a paper-cutter operator can be measured by an examination

of the waste cuttings. A careless operator can waste a large sum of

money in a year. Many persons make a good living from the waste paper

of large printing and binding plants by buying it at a nominal price

and selling it again at a considerable advance.

There is unavoidable waste, of course, but there is often a great deal

of unnecessary trimming. When the necessary trimming runs up into

hundreds and thousands of pounds, as it does in all large plants, it is

worthy of notice, especially when it is realized that this waste has

been paid for at the same rate per pound as the stock that is actually

used. Some printers and binders sort and bale their waste and dispose

of it so as to make a considerable saving, but few understand how a

little care and system can be made to return a good profit.

There is another waste, sometimes far greater in amount, caused by the

careless cutting of stock. A thoughtless operator will often try to

save ten minutes by hasty calculation and then waste stock through

inaccurate cutting that costs several dollars.

In some binderies the operator is instructed to sort his trimmings

according to the kind of stock; that is, clean white edge trimmings

kept by themselves are worth more than when mixed with miscellaneous

colored trimmings. By having two or more bins at hand into which these

different kinds can be thrown as they come from the knife the sorting

can be done without extra handling.

An intelligent inspection, segregation and saving of the waste cuttings

will well repay the effort. The larger pieces of waste can be kept for

pads or other use. White stock should be kept separate from colored and

where the quantity will warrant the cost, all waste should be baled in

a baling press.

_Depreciation of a Paper-Cutting Machine_

Deterioration takes place in a paper-cutting machine chiefly in the

knife, friction clutch, driving-shaft bearings, knife-bar guide ways,

and knife pull-down connection. Depreciation in the entire machine

occurs rapidly when it is not kept oiled, adjusted, and clean.

Neglected bearings which run dry are ruined in a short time. The times

for the daily oilings and weekly cleaning and polishing should be fixed

and faithfully attended to.

On modern machines the worn knife and the friction-clutch bearings may

be easily replaced or repaired. Knife-bar guide ways and the guide

slot for the back gage are made with adjustments for taking up wear,

for which the maker will give correct instructions on request. The

knife-bar pull-down connections are not so easily corrected for wear,

and the simpler and more direct these connections are, and the fewer

slots and rolls, pins, etc., the better. The general design of the

machine also affects its value, especially if it is not adapted for the

addition of improvements or attachments for increasing its production.

The depreciation that comes from natural evolution due to the constant

effort by machine makers to render their product more efficient, and

the impossibility of attaching to the older machines new and improved

devices, is more serious for two reasons: _first_, that it is apt to be

overlooked by the owner; _second_, because of the greater cost of

operating the machine, as compared to one of a later and improved

design with attachments especially adapted to the particular work in

each case, which in some cases permit three, four, five, and six times

as much work being produced as can be obtained on a machine not so

equipped.

A well designed and built paper-cutting machine will last with care

nearly half a century. The prudent manager, however, will find he is

obliged to discard most of the machines of various kinds in his plant

in much less than twenty years in order to keep pace with the newer

shops starting with the advantage of later-designed machines.

SUGGESTIONS TO STUDENTS AND INSTRUCTORS

The following questions, based on the contents of this pamphlet, are

intended to serve (1) as a guide to the study of the text, (2) as an

aid to the student in putting the information contained into definite

statements without actually memorizing the text, (3) as a means of

securing from the student a reproduction of the information in his own

words.

A careful following of the questions by the reader will insure full

acquaintance with every part of the text, avoiding the accidental

omission of what might be of value. These primers are so condensed that

nothing should be omitted.

In teaching from these books it is very important that these questions

and such others as may occur to the teacher should be made the basis of

frequent written work, and of final examinations.

The importance of written work cannot be overstated. It not only

assures knowledge of material but the power to express that knowledge

correctly and in good form.

If this written work can be submitted to the teacher in printed form it

will be doubly useful.

REVIEW QUESTIONS

1. For what is a paper cutting machine used?

2. How does it increase printing output?

3. What is its great importance?

4. What were the first methods of cutting paper, or its earlier

substitutes?

5. How were piles of paper first cut?

6. How was the process improved?

7. Describe the development of cutting machines down to Samuel R.

Brown's invention.

8. Describe that invention.

9. Give the lines of evolution of the cutting machine.

10. What are the characteristics of the best paper-cutting machines?

11. Describe a plough and press cutter.

12. Describe a card cutter.

13. Describe a hand lever cutter.

14. What are the differences between hand and power cutters, and what

are the advantages of the latter?

15. Describe two forms of hand-clamp power cutters.

16. What do automatic clamp machines do?

17. How is an automatic power cutter operated?

18. How is continuous running effected?

19. For what are vertical stroke machines used?

20. What results from the great power needed to operate cutting

machines?

21. Give some idea of the amount of power needed for these machines.

22. What is the most important part of the machine and why?

23. How do these parts vary?

24. How can you judge the temper of a knife?

25. How can you tell whether a knife has a correct face?

26. How should you hone a knife?

27. What is the rule for the length of the bevel on knives?

28. How is this rule modified by stock?

29. What can you say of the face of the knife?

30. What is desirable in the thickness of the knife?

31. What precaution should be taken as to the setting of the knife?

32. What should you look at if the work is not cut true?

33. Tell all you can about grinding knives.

34. Tell all you can about the use of the hone.

35. What causes are liable to prevent the proper seating of the

knife, and what is the result of improper seating?

36. How can the best knives be obtained, and why?

37. How is the paper held in place?

38. Describe the mechanism used.

39. What is the relation of the power exerted by the operator to the

power obtained at the clamp?

40. What was the characteristic of the first automatic clamp cutting

machines, and how have they been improved?

41. Describe the cutting stick and its substitutes.

42. What is the back gage, and how does it work?

43. Mention some improvements which have been made on the back gage.

44. How is the distance of the back gage read in hand-operated gages?

45. Describe an appliance for reading the movement of a back gage

operated by power.

46. What contrivances are in use for cutting at any time duplicates

of a given job?

47. How is the back gage locked?

48. How may piles of different widths be cut at the same time?

49. What device is used on the larger sizes of cutting machines?

50. What special devices have been applied to the back gage to

increase production?

51. How is the width of the cut measured?

52. Describe some modern patented spacing devices, and tell what they

accomplish.

53. What is a clamp face?

54. What is a snake gage?

55. What special contrivance is used for large pamphlets, etc., and

for what purpose?

56. What safety devices are required by some states?

57. What five methods of applying power are in use?

58. Give the four great rules for the care of the machines.

59. What advice is given about adjustment, stroke of the knife,

pressure of the clamp, use of oil?

60. What is the right time to jog stock, and why?

61. How should you oil the parts above the table?

62. How can you make the stock handle easier?

63. How can you keep stock clean?

64. What wrenches should be used and why?

65. What things should be done periodically?

66. What does a cutter operator need to work with, and how should he

care for them?

67. What can you say about belts?

68. How should you care for waste, especially when oily?

69. How should you use oil?

70. What is the best sort of oil?

71. Upon what three things does the character of the cutting depend,

and why?

72. How may accidents be prevented?

73. How is time consumed in cutting stock?

74. How can labor saving be accomplished?

75. What safety rule applies to cutting?

76. Why is a sharp knife an economy?

77. How can you keep the machine clean and bright?

78. How should you care for the clamp strap ways?

79. What care should be taken of the friction brake band?

80. How can you prevent rust?

81. How can you keep the gage screw wheel graduation true?

82. Give the four devices which safeguard the knife.

83. What are the things to study in handling stock?

84. What can you say about each of these things?

85. What are the causes of inaccurate cutting when the machine is in

good order?

86. What care should be taken in piling sheets?

87. What precaution is necessary in cutting printed sheets?

88. What is a mill edge and what does it require?

89. How can exact register and accurate trimming be secured?

90. How may a pile be tested for squareness?

91. What device is used in cutting lithographed work and the like?

92. How can you cut stock in certain fixed portions?

93. What peculiarity have hand-made papers?

94. What precautions are needed with gummed and varnished stock?

95. What precaution is desirable in the cutting of freshly printed

stock?

96. Give several methods of cutting a pile into strips of equal

width.

97. How can you cut a pile rectangular?

98. What are the processes for squaring a pile?

99. How can you test a pile for squareness?

100. What care has to be used in cutting tissue paper?

101. How can waxed and oiled manifold stock be managed?

102. What additional margins should be left on book pages for trimming

after they are bound?

103. Describe the operation of trimming books on a cutting machine.

104. How are quarter bound cut-flush pads or tablets trimmed?

105. How are blank books trimmed?

106. How are spring-back account books trimmed?

107. How are brochures with extended covers trimmed?

108. What should be done with cuttings and waste?

109. By what can you measure the worth of a paper-cutter operator?

110. How would you apply the test?

111. How can waste be prevented, or waste paper utilized?

112. Where does a paper-cutting machine naturally show special wear?

113. What other consideration affects the value of a

machine?

114. How does the invention of improved machines affect the value of

old-style machines?

115. How long should a good paper cutter last?

GLOSSARY OF TERMS USED

AUTOMATIC CLAMPING--Means that the clamp descends upon any height pile

and produces approximately the same clamping pressure for all heights

and all kinds of material. Among the methods for producing this

pressure for automatic clamping are devices which employ friction discs

turned only one way by ratchets which produce the maximum pressure with

the least expenditure of power; friction discs or friction plungers

worked forward and reverse; surfaces sometimes combined with

wedge-shaped ways for producing a resultant pressure from the knife;

weights, oil and hydraulic and air plungers; springs, climbing gears

and weights, etc.

BACK GAGE--A movable device against which the paper is placed for

measuring the size of the sheet to be cut.

BRAKE, AUTOMATIC FRICTION--Generally a band with a lining which grips

automatically the outside of a wheel fastened to the driving gear and

stops it promptly after every cut when the knife rises to the top.

CHUG--The action of the knife that results from lost motion in the

parts connecting the knife-bar to the parts that operate it. "Chug" is

caused, first, by the looseness of fitting necessary to permit the

parts to operate without heating, and second, by wear of these parts.

"Chug" dulls knives and spoils stock and makes expense for grinding,

sharpening, and knife replacement.

CLAMP--The part that presses the work firmly on the table to hold it

while being cut.

CLAMP, ONE PIECE--Means a single casting used both for marking (or

gaging) the stock where the knife is going to cut and also for pressing

the pile to hold it.

CLAMP DWELL, LONG--Means that the clamp is held down a little longer

upon the pile after the knife has cut, so as to allow the knife to rise

to a safe height before the clamp is released. This prevents the knife

rippling up the sheets on the return motion and disturbing the pile.

CLAMP FACE--A removable flat steel plate fastened underneath across the

clamp fingers to prevent the indenting of soft stock.

CLAMPING, AUTOMATIC PRESSURE ADJUSTMENT--A device for varying the

holding pressure easily and instantly for different kinds of work.

CLUTCH, FRICTION DRIVING--An improvement over the jaw clutch, because

instead of starting the machine with a jar, it permits gradual

engagement of the power.

COUNTERBALANCE WEIGHT FOR KNIFE-BAR--A safety device which, through

constant and dependable action of gravity, always tends to keep the

knife from dropping.

CUTTING STICKS--A wood or soft metal piece inserted in the table, on

which the knife edge strikes; in shape usually square, but sometimes

round and rotatable by hand or power to present fresh surfaces after a

number of cuts.

DOUBLE-SHEAR STROKE--Means there are three motions taking place at the

same time; first, the downward motion through the pile; second, the

single "shear" motion across the face of the pile; and third, the

double-shear motion which means that the cutting edge starts to cut

higher at one side than the other and by rocking approximates parallel

when it reaches the bottom of the cut at the table. The double-shear

cuts more like a pair of scissors, the knife edge entering each sheet

at its side and gradually cutting across it. Its advantages are less

power required to cut, less strain on the machine and the knife, a more

perfectly cut edge and a smoother face to the pile. See Fig. 10, Page

18.

DUPLICATING DEVICES, AUTOMATIC--See "Spacing Devices."

GAGE MOVEMENT, CABLE--A steel wire cable wound around a drum which when

revolved pulls the back gage forward or backward.

GAGE MOVEMENT, CHAIN--A connection for operating the back gage to and

fro; principally used with automatic spacing devices.

GAGE MOVEMENT, POWER--A friction drive variable speed connection from

the main driving shaft to move the back gage forward and backward.

GAGE MOVEMENT, SCREW AND HAND WHEEL--This is used on the simpler,

cheaper styles of cutting machine devices. It is slower than the cable

device, but more reliable.

GAGE MOVEMENT, AUTOMATIC SPACING DEVICE--This quickly moves the back

gage and the pile forward a given distance without measuring for each

cut, thus largely increasing production.

GREASE CUPS--Receptacles with a screw top containing lubricating

grease, which is forced a little at a time upon the bearing when the

screw top is turned, or which starts to melt and flow if the bearing

warms.

GROOVED TABLE--Means slight rounded depressions lengthwise in the back

table in which the back gage fingers travel, extending slightly below

the table surface to catch the lowest sheets and prevent them from

wedging under the back gage.

HAND CLAMPING WHEEL--Is generally connected to the clamp by a worm and

gears (or directly by a screw). A force of one pound exerted on its rim

holds the work with about one hundred and fifty pounds pressure and

correspondingly more for each additional pound.

INDICATOR--Generally a steel ribbon ruled to sixteenths of an inch,

reading the distance from the front face of the back gage to the

cutting edge of the knife.

INTERLOCKING CLAMP AND BACK GAGE (also called fingered clamp and

fingered back gage)--Recesses in the clamp permit projections on the

back gage to push the work farther forward than if both clamp and back

gage were solid and the clamp of sufficient width to hold the stock

firmly.

JOG--To jog a pile against the gage is to strike it with a blow just

sufficient to bring every sheet in the pile so that it touches the gage

and in the same relative location with each other if all the margins

are uniform.

KNIFE--A piece of tempered tool steel about one-half the width and

thickness of the whole blade, forged into a piece of less expensive

soft steel, in which holes can be drilled more easily for the bolts

that hold it to the knife bar.

KNIFE ADJUSTMENT--Devices for lowering the knife-bar to compensate for

the wear of the knife and for tilting it in case the knife edge is

ground out of level.

KNIFE-BAR--A rigid carrier for the knife. The best style takes the down

thrust and side thrust of the knife directly upon a solid shoulder

planed in it, instead of the knife back abutting against the points of

adjusting screws.

KNIFE-BAR MOTION--A mechanical way of imitating the action of a draw

shave in pulling down the knife. The nearer it is to the hand method,

the more simple and successful it is. Rods connected to each end of the

knife-bar and pulled down by simple cranks at each end approach nearest

to the method of human hands.

LIFT--The pile of paper or other stock cut and handled at one time.

MARKER--A part of the clamp on some machines, separate from the

pressing part, that may be pulled down by a treadle to show where the

knife is going to cut.

MOTOR BRACKET--A support attached to one side or top of the cutter to

which the electric driving motor is firmly bolted.

OIL BOXES--Channels containing oily waste which allows the oil to seep

slowly upon the bearing.

OIL CUPS--An oil feeding device requiring careful attention.

PLAIN CLAMP AND BACK GAGE--The under face of the clamp is a solid broad

surface without any recesses; consequently the back gage has no

projections but is simply a solid smooth front.

PILOT CLAMPING WHEEL--A wheel with handles projecting from the rim to

give a firmer grasp.

POWER ATTACHMENTS--For hand-power cutters. These may be put only on

machines designed and built originally for them.

SAFETY BOLT (LOCK STOP)--A steel bar which must be unlocked each time

before the machine can make a cut.

SIDE GAGES--Flat guides bolted to each side of the table, front and

back, accurately set at right angles to the knife and the table,

against which the stock may be set to cut square.

SINGLE-SHEAR STROKE--The stroke of a knife which has a side-wise motion

at the same time that it descends, with its edge always parallel with

the table top. The single-shear cuts the entire width of each sheet at

the same time all through the pile.

SOLID KNOCKER FOR THROW-OUT--This is a part solidly fastened to the

shaft (or gear) making one revolution for each cut of the knife and

that throws the clutch out positively and puts on the brake throwing in

the safety bolt after every stroke of the knife.

SPACING DEVICES, AUTOMATIC--See "Gage Movement, Automatic Spacing

Device."

STARTING BAR--A rod extending clear across the front of the larger size

of the machines to start and stop the machines.

STARTING LEVERS--Preferably two, one at each side, on medium size

machines, to start and stop the machines.

TABLE--A slab of metal upon which the stock is laid and handled for

cutting.

TABLE, FRONT SIDE EXTENSIONS--Wings bolted on the front table upon

which work may be handled before and after cut without having to turn

around.

TOGGLING CRANK--A device on hand-lever cutters that increases the power

as knife goes down and eliminates jumping on the lever to get the knife

down through the lower part of the cut.

TREADLE, FOOT (for clamping)--A convenience which leaves the operator's

two hands free to handle the work while locating the line of the cut by

pulling down the clamp with foot treadle.

VERTICAL STROKE--An attachment for shear or double-shear stroke cutting

machines which brings the knife down vertically, instead of side-ways.

It is used with knives of a special shape to cut irregular or fancy

edges or to pink cloth samples. See Fig. 9, page 17.

TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES

The following list of publications, comprising the TYPOGRAPHIC

TECHNICAL SERIES FOR APPRENTICES, has been prepared under the

supervision of the Committee on Education of the United Typothetae of

America for use in trade classes, in courses of printing instruction,

and by individuals.

Each publication has been compiled by a competent author or group of

authors, and carefully edited, the purpose being to provide the printers

of the United States--employers, journeymen, and apprentices--with a

comprehensive series of handy and inexpensive compendiums of reliable,

up-to-date information upon the various branches and specialties of the

printing craft, all arranged in orderly fashion for progressive study.

The publications of the series are of uniform size, 5 x 8 inches. Their

general make-up, in typography, illustrations, etc., has been, as far

as practicable, kept in harmony throughout. A brief synopsis of the

particular contents and other chief features of each volume will be

found under each title in the following list.

Each topic is treated in a concise manner, the aim being to embody in

each publication as completely as possible all the rudimentary

information and essential facts necessary to an understanding of the

subject. Care has been taken to make all statements accurate and clear,

with the purpose of bringing essential information within the

understanding of beginners in the different fields of study. Wherever

practicable, simple and well-defined drawings and illustrations have

been used to assist in giving additional clearness to the text.

In order that the pamphlets may be of the greatest possible help for

use in trade-school classes and for self-instruction, each title is

accompanied by a list of Review Questions covering essential items of

the subject matter. A short Glossary of technical terms belonging to

the subject or department treated is also added to many of the books.

These are the Official Text-books of the United Typothetae of America.

Address all orders and inquiries to COMMITTEE ON EDUCATION, UNITED

TYPOTHETAE OF AMERICA, CHICAGO, ILLINOIS, U.S.A.

TYPOGRAPHIC TECHNICAL SERIES _for_ APPRENTICES

PART I--_Types, Tools, Machines, and Materials_

1. Type: a Primer of Information By A. A. Stewart

Relating to the mechanical features of printing types; their sizes,

font schemes, etc., with a brief description of their manufacture. 44

pp.; illustrated; 74 review questions; glossary.

2. Compositors' Tools and Materials By A. A. Stewart

A primer of information about composing sticks, galleys, leads, brass

rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50

review questions; glossary.

3. Type Cases, Composing Room Furniture By A. A. Stewart

A primer of information about type cases, work stands, cabinets, case

racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33

review questions; glossary.

4. Imposing Tables and Lock-up Appliances By A. A. Stewart

Describing the tools and materials used in locking up forms for the

press, including some modern utilities for special purposes. 59 pp.;

illustrated; 70 review questions; glossary.

5. Proof Presses By A. A. Stewart

A primer of information about the customary methods and machines for

taking printers' proofs. 40 pp.; illustrated; 41 review questions;

glossary.

6. Platen Printing Presses By Daniel Baker

A primer of information regarding the history and mechanical

construction of platen printing presses, from the original hand press

to the modern job press, to which is added a chapter on automatic

presses of small size. 51 pp.; illustrated; 49 review questions;

glossary.

7. Cylinder Printing Presses By Herbert L. Baker

Being a study of the mechanism and operation of the principal types of

cylinder printing machines. 64 pp.; illustrated; 47 review questions;

glossary.

8. Mechanical Feeders and Folders By William E. Spurrier

The history and operation of modern feeding and folding machines; with

hints on their care and adjustments. Illustrated; review questions;

glossary.

9. Power for Machinery in Printing Houses By Carl F. Scott

A treatise on the methods of applying power to printing presses and

allied machinery, with particular reference to electric drive. 53 pp.;

illustrated; 69 review questions; glossary.

10. Paper Cutting Machines By Niel Gray, Jr.

A primer of information about paper and card trimmers, hand-lever

cutters, power cutters, and other automatic machines for cutting paper.

70 pp.; illustrated; 115 review questions; glossary.

11. Printers' Rollers By A. A. Stewart

A primer of information about the composition, manufacture, and care of

inking rollers. 46 pp.; illustrated; 61 review questions; glossary.

12. Printing Inks By Philip Ruxton

Their composition, properties and manufacture (reprinted by permission

from Circular No. 53, United States Bureau of Standards); together with

some helpful suggestions about the everyday use of printing inks by

Philip Ruxton. 80 pp.; 100 review questions; glossary.

13. How Paper is Made By William Bond Wheelwright

A primer of information about the materials and processes of

manufacturing paper for printing and writing. 68 pp.; illustrated; 62

review questions; glossary.

14. Relief Engravings

Brief history and non-technical description of modern methods of

engraving: woodcut, zinc plate, halftone; kind of copy for

reproduction; things to remember when ordering engravings. Illustrated;

review questions; glossary.

15. Electrotyping and

Stereotyping By Harris B. Hatch and A. A. Stewart

A primer of information about the processes of electrotyping and

stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.

PART II--_Hand and Machine Composition_

16. Typesetting By A. A. Stewart

A handbook for beginners, giving information about justifying, spacing,

correcting, and other matters relating to typesetting. Illustrated;

review questions; glossary.

17. Printers' Proofs By A. A. Stewart

The methods by which they are made, marked, and corrected, with

observations on proofreading. Illustrated; review questions; glossary.

18. First Steps in Job Composition By Camille DeVeze

Suggestions for the apprentice compositor in setting his first jobs,

especially about the important little things which go to make good

display in typography. 63 pp.; examples; 55 review questions; glossary.

19. General Job Composition

How the job compositor handles business stationery, programs and

miscellaneous work. Illustrated; review questions; glossary.

20. Book Composition By J. W. Bothwell

Chapters from De Vinne's "Modern Methods of Book Composition," revised

and arranged for this series of text-books by J. W. Bothwell of The De

Vinne Press, New York. Part I: Composition of pages. Part II:

Imposition of pages. 229 pp.; illustrated; 525 review questions;

glossary.

21. Tabular Composition By Robert Seaver

A study of the elementary forms of table composition, with examples of

more difficult composition. 86 pp.; examples; 45 review questions.

22. Applied Arithmetic By E. E. Sheldon

Elementary arithmetic applied to problems of the printing trade,

calculation of materials, paper weights and sizes, with standard tables

and rules for computation, each subject amplified with examples and

exercises. 159 pp.

23. Typecasting and Composing Machines A. W. Finlay, Editor

Section I--The Linotype By L. A. Hornstein

Section II--The Monotype By Joseph Hays

Section III--The Intertype By Henry W. Cozzens

Section IV--Other Typecasting and

Typesetting Machines By Frank H. Smith

A brief history of typesetting machines, with descriptions of their

mechanical principles and operations. Illustrated; review questions;

glossary.

PART III--_Imposition and Stonework_

24. Locking Forms for the Job Press By Frank S. Henry

Things the apprentice should know about locking up small forms, and

about general work on the stone. Illustrated; review questions;

glossary.

25. Preparing Forms for the Cylinder Press By Frank S. Henry

Pamphlet and catalog imposition; margins; fold marks, etc. Methods of

handling type forms and electrotype forms. Illustrated; review

questions; glossary.

Paper-Cutting Machines A Primer of Information about Paper and Card Trimmers, Hand-Lever Cutters, Power Cutters and Other Automatic Machines for Cutting Paper · 第 1 / 7 章