I have always loved walks in the Fens. In a steady march along one of

the great dykes by the monotonous canal with the exuberant vegetation

dozing in its stagnant waters, we were imbibing the spirit of the

scenery. Our talk might be of senior wranglers or the University

crew, but we felt the curious charm of the great flats. The absence,

perhaps, of definite barriers makes you realise that you are on the

surface of a planet rolling through free and boundless space. One

queer figure comes back to me--a kind of scholar-gipsy of the fens.

Certain peculiarities made it undesirable to trust him with cash, and

his family used to support him by periodically paying his score at

riverside publics. They allowed him to print certain poems, moreover,

which he would impart when one met him on the towpath. In my boyhood,

I remember, I used to fancy that the most delightful of all lives must

be that of a bargee--enjoying a perpetual picnic. This gentleman seemed

to have carried out the idea; and in the intervals of lectures, I

could fancy that he had chosen the better part. His poems, alas! have

long vanished from my memory, and I therefore cannot quote what would

doubtless have given the essence of the local sentiment and invested

such names as Wicken Fen or Swaffham Lode with associations equal to

those of Arnold's Hincksey ridge and Fyfield elm.

Another set of walks may, perhaps, appeal to more general sympathy. The

voice of the sea, we know, is as powerful as the voice of the mountain;

and, to my taste, it is difficult to say whether the Land's End is not

in itself a more impressive station than the top of Mont Blanc. The

solitude of the frozen peaks suggests tombstones and death. The sea is

always alive and at work. The hovering gulls and plunging gannets and

the rollicking porpoises are animating symbols of a gallant struggle

with wind and wave. Even the unassociative mind has a vague sense

of the Armada and Hakluyt's heroes in the background. America and

Australia are just over the way. "Is not this a dull place?" asked some

one of an old woman whose cottage was near to the Lizard lighthouse.

"No," she replied, "it is so 'cosmopolitan.'" That was a simple-minded

way of expressing the charm suggested in Milton's wonderful phrase:

"Where the great Vision of the guarded Mount

Looks towards Namancos and Bayona's hold."

She could mentally follow the great ships coming and going, and shake

hands with people at the ends of the earth. The very sight of a

fishing-boat, as painters seem to have found out, is a poem in itself.

But is it not all written in _Westward Ho!_ and in the _Prose Idylls_,

in which Kingsley put his most genuine power? Of all walks that I

have made, I can remember none more delightful than those round the

south-western promontory. I have followed the coast at different times

from the mouth of the Bristol Avon by the Land's End to the Isle of

Wight, and I am only puzzled to decide which bay or cape is the most

delightful. I only know that the most delightful was the more enjoyable

when placed in its proper setting by a long walk. When you have made

an early start, followed the coastguard track on the slopes above

the cliffs, struggled through the gold and purple carpeting of gorse

and heather on the moors, dipped down into quaint little coves with

a primitive fishing village, followed the blinding whiteness of the

sands round a lonely bay, and at last emerged upon a headland where

you can settle into a nook of the rocks, look down upon the glorious

blue of the Atlantic waves breaking into foam on the granite, and see

the distant sea-levels glimmering away till they blend imperceptibly

into cloudland; then you can consume your modest sandwiches, light

your pipe, and feel more virtuous and thoroughly at peace with the

universe than it is easy even to conceive yourself elsewhere. I have

fancied myself on such occasions to be a felicitous blend of poet and

saint--which is an agreeable sensation. What I wish to point out,

however, is that the sensation is confined to the walker. I respect the

cyclist, as I have said; but he is enslaved by his machine: he has to

follow the highroad, and can only come upon what points of view open

to the commonplace tourist. He can see nothing of the retired scenery

which may be close to him, and cannot have his mind brought into due

harmony by the solitude and by the long succession of lovely bits of

scenery which stand so coyly aside from public notice.

The cockney cyclist who wisely seeks to escape at intervals from the

region "where houses thick and sewers annoy the air," suffers the

same disadvantages. To me, for many years, it was a necessity of life

to interpolate gulps of fresh air between the periods of inhaling

London fogs. When once beyond the "town" I looked out for notices that

trespassers would be prosecuted. That gave a strong presumption that

the trespass must have some attraction. The cyclist could only reflect

that trespassing for him was not only forbidden but impossible. To me

it was a reminder of the many delicious bits of walking which, even in

the neighbourhood of London, await the man who has no superstitious

reverence for legal rights. It is indeed surprising how many charming

walks can be contrived by a judicious combination of a little

trespassing with the rights of way happily preserved over so many

commons and footpaths. London, it is true, goes on stretching its vast

octopus arms farther into the country. Unlike the devouring dragon of

Wantley, to whom "houses and churches" were like "geese and turkies,"

it spreads houses and churches over the fields of our childhood. And

yet, between the great lines of railway there are still fields not

yet desecrated by advertisements of liver pills. It is a fact that

within twenty miles of London two travellers recently asked their way

at a lonely farmhouse; and that the mistress of the house, seeing that

they were far from an inn, not only gave them a seat and luncheon, but

positively refused to accept payment. That suggested an idyllic state

of society which, it is true, one must not count upon discovering. Yet

hospitality, the virtue of primitive regions, has not quite vanished,

it would appear, even from this over-civilised region. The travellers,

perhaps, had something specially attractive in their manners. In that

or some not distant ramble they made time run back for a couple of

centuries. They visited the quiet grave where Penn lies under the

shadow of the old Friends' meeting-house, and came to the cottage where

the seat on which Milton talked to Ellwood about _Paradise Regained_

seems to be still waiting for his return; and climbed the hill to

the queer monument which records how Captain Cook demonstrated the

goodness of Providence by disproving the existence of a continent in

the South Sea--(the argument is too obvious to require exposition);

and then gazed reverently upon the obelisk, not far off, which marks

the point at which George III. concluded a famous stag hunt. A little

valley in the quiet chalk country of Buckinghamshire leads past these

and other memorials, and the lover of historical associations, with

the help of Thorne's _Environs of London_, may add indefinitely to

the list. I don't object to an association when it presents itself

spontaneously and unobtrusively. It should not be the avowed goal but

the accidental addition to the interest of a walk; and it is then

pleasant to think of one's ancestors as sharers in the pleasures. The

region enclosed within a radius of thirty miles from Charing Cross

has charms enough even for the least historical of minds. You can't

hold a fire in your hand, according to a high authority, by thinking

on the frosty Caucasus; but I can comfort myself now and then, when

the fellow-passengers who tread on my heels in London have put me out

of temper, by thinking of Leith Hill. It only rises to the height of

a thousand feet by help of the "Folly" on the top, but you can see,

says my authority, twelve counties from the tower; and, if certain

legendary ordnance surveyors spoke the truth, distinguish the English

Channel to the south, and Dunstable Hill, far beyond London, to the

north. The Crystal Palace, too, as we are assured, "sparkles like a

diamond." That is gratifying; but to me the panorama suggests a whole

network of paths, which have been the scene of personally conducted

expeditions, in which I displayed the skill on which I most pride

myself--skill, I mean, in devising judicious geographical combinations,

and especially of contriving admirable short cuts. The persistence of

some companions in asserting that my short cuts might be the longest

way round shows that the best of men are not free from jealousy. Mine,

at any rate, led me and my friends through pleasant places innumerable.

My favourite passage in _Pilgrim's Progress_--an allegory which could

have occurred, by the way, to no one who was not both a good man and

a good walker--was always that in which Christian and Hopeful leave

the highroad to cross a stile into "Bypath Meadow." I should certainly

have approved the plan. The path led them, it is true, into the castle

of Giant Despair; but the law of trespass has become milder; and the

incident really added that spice of adventure which is delightful to

the genuine pilgrim. We defied Giant Despair; and if our walks were

not quite so edifying as those of Christian and his friends, they add

a pleasant strand to the thread of memory which joins the past years.

Conversation, we are often told, like letter-writing, is a lost art. We

live too much in crowds. But if ever men can converse pleasantly, it is

when they are invigorated by a good march: when the reserve is lowered

by the long familiarity of a common pursuit, or when, if bored, you can

quietly drop behind, or perhaps increase the pace sufficiently to check

the breath of the persistent argufier.

Nowhere, at least, have I found talk flow so freely and pleasantly as

in a march through pleasant country. And yet there is also a peculiar

charm in the solitary expedition when your interlocutor must be

yourself. That may be enjoyed, perhaps even best enjoyed, in London

streets themselves. I have read somewhere of a distinguished person who

composed his writings during such perambulations, and the statement was

supposed to prove his remarkable power of intellectual concentration.

My own experience would tend to diminish the wonder. I hopelessly

envy men who can think consecutively under conditions distracting to

others--in a crowded meeting or in the midst of their children--for I

am as sensitive as most people to distraction; but if I can think at

all, I am not sure that the roar of the Strand is not a more favourable

environment than the quiet of my own study. The mind--one must only

judge from one's own--seems to me to be a singularly ill-constructed

apparatus. Thoughts are slippery things. It is terribly hard to

keep them in the track presented by logic. They jostle each other,

and suddenly skip aside to make room for irrelevant and accidental

neighbours; till the stream of thought, of which people talk, resembles

rather such a railway journey as one makes in dreams, where at every

few yards you are shunted on to the wrong line. Now, though a London

street is full of distractions, they become so multitudinous that they

neutralise each other. The whirl of conflicting impulses becomes a

continuous current because it is so chaotic and determines a mood of

sentiment if not a particular vein of reflection. Wordsworth describes

the influence upon himself in a curious passage of his _Prelude_.

He wandered through London as a raw country lad, seeing all the

sights from Bartholomew Fair to St Stephen's, and became a unit of

the "monstrous ant-hill in a too busy world." Of course, according

to his custom, he drew a moral, and a most excellent moral, from the

bewildering complexity of his new surroundings. He learnt, it seems, to

recognise the unity of man and to feel that the spirit of nature was

upon him "in London's vast domain" as well as on the mountains. That

comes of being a philosophical poet with a turn for optimism. I will

not try to interpret or to comment, for I am afraid that I have not

shared the emotions which he expresses. A cockney, born and bred, takes

surroundings for granted. The hubbub has ceased to distract him; he is

like the people who were said to become deaf because they always lived

within the roar of a waterfall: he realises the common saying that the

deepest solitude is solitude in a crowd; he derives a certain stimulus

from a vague sympathy with the active life around him, but each

particular stimulus remains, as the phrase goes, "below the threshold

of consciousness." To some such effect, till psychologists will give

me a better theory, I attribute the fact that what I please to call

my "mind" seems to work more continuously and coherently in a street

walk than elsewhere. This, indeed, may sound like a confession of

cynicism. The man who should open his mind to the impressions naturally

suggested by the "monstrous ant-hill" would be in danger of becoming

a philanthropist or a pessimist, of being overpowered by thoughts of

gigantic problems, or of the impotence of the individual to solve them.

Carlyle, if I remember rightly, took Emerson round London in order

to convince his optimistic friend that the devil was still in full

activity. The gates of hell might be found in every street. I remember

how, when coming home from a country walk on a sweltering summer

night, and seeing the squalid population turning out for a gasp of air

in their only playground, the vast labyrinth of hideous lanes, I seemed

to be in Thomson's _City of Dreadful Night_. Even the vanishing of

quaint old nooks is painful when one's attention is aroused. There is

a certain churchyard wall, which I pass sometimes, with an inscription

to commemorate the benefactor who erected it "to keep out the pigs." I

regret the pigs and the village green which they presumably imply. The

heart, it may be urged, must be hardened not to be moved by many such

texts for melancholy reflection. I will not argue the point. None of us

can be always thinking over the riddle of the universe, and I confess

that my mind is generally employed on much humbler topics. I do not

defend my insensibility nor argue that London walks are the best. I

only maintain that even in London, walking has a peculiar fascination.

The top of an omnibus is an excellent place for meditation; but it has

not, for me at least, that peculiar hypnotic influence which seems to

be favourable to thinking, and to pleasant daydreaming when locomotion

is carried on by one's own muscles. The charm, however, is that even a

walk in London often vaguely recalls better places and nobler forms of

the exercise. Wordsworth's Susan hears a thrush at the corner of Wood

Street, and straightway sees

"A mountain ascending, a vision of trees,

Bright volumes of vapour through Lothbury glide,

And a river flows on through the vale of Cheapside."

The gulls which seem lately to have found out the merits of London

give to occasional Susans, I hope, a whiff of fresh sea-breezes.

But, even without gulls or wood-pigeons, I can often find occasions

in the heart of London for recalling the old memories, without any

definable pretext; little pictures of scenery, sometimes assignable

to no definable place, start up invested with a faint aroma of old

friendly walks and solitary meditations and strenuous exercise, and

I feel convinced that, if I am not a thorough scoundrel, I owe that

relative excellence to the harmless monomania which so often took me,

to appropriate Bunyan's phrase, from the amusements of _Vanity Fair_ to

the _Delectable Mountains_ of pedestrianism.

_Leslie Stephen._

The Exhilarations of the Road

_Afoot and light-hearted I take to the open road._

WHITMAN.

Occasionally on the sidewalk, amid the dapper, swiftly-moving,

high-heeled boots and gaiters, I catch a glimpse of the naked human

foot. Nimbly it scuffs along, the toes spread, the sides flatten,

the heel protrudes; it grasps the curbing, or bends to the form of

the uneven surfaces,--a thing sensuous and alive, that seems to take

cognisance of whatever it touches or passes. How primitive and uncivil

it looks in such company,--a real barbarian in the parlour. We are so

unused to the human anatomy, to simple, unadorned nature, that it looks

a little repulsive; but it is beautiful for all that. Though it be a

black foot and an unwashed foot, it shall be exalted. It is a thing of

life amid leather, a free spirit amid cramped, a wild bird amid caged,

an athlete amid consumptives. It is the symbol of my order, the Order

of Walkers. That unhampered, vitally playing piece of anatomy is the

type of the pedestrian, man returned to first principles, in direct

contact and intercourse with the earth and the elements, his faculties

unsheathed, his mind plastic, his body toughened, his heart light, his

soul dilated: while those cramped and distorted members in the calf and

kid are the unfortunate wretches doomed to carriages and cushions.

I am not going to advocate the disuse of boots and shoes, or the

abandoning of the improved modes of travel; but I am going to brag as

lustily as I can on behalf of the pedestrian, and show how all the

shining angels second and accompany the man who goes afoot, while all

the dark spirits are ever looking out for a chance to ride.

When I see the discomforts that able-bodied American men will put up

with rather than go a mile or half a mile on foot, the abuses they will

tolerate and encourage, crowding the street car on a little fall in

the temperature or the appearance of an inch or two of snow, packing

up to overflowing, dangling to the straps, treading on each other's

toes, breathing each other's breaths, crushing the women and children,

hanging by tooth and nail to a square inch of the platform, imperilling

their limbs and killing the horses,--I think the commonest tramp in the

street has good reason to felicitate himself on his rare privilege of

going afoot. Indeed, a race that neglects or despises this primitive

gift, that fears the touch of the soil, that has no footpaths, no

community of ownership in the land which they imply, that warns off

the walker as a trespasser, that knows no way but the highway, the

carriage-way, that forgets the stile, the foot-bridge, that even

ignores the rights of the pedestrian in the public road, providing no

escape for him but in the ditch or up the bank, is in a fair way to far

more serious degeneracy.

Shakespeare makes the chief qualification of the walker a merry heart:--

"Jog on, jog on the footpath way,

And merrily hent the stile-a;

A merry heart goes all the day,

Your sad tires in a mile-a."

The human body is a steed that goes freest and longest under a light

rider, and the lightest of all riders is a cheerful heart. Your sad,

or morose, or embittered, or preoccupied heart settles heavily into

the saddle, and the poor beast, the body, breaks down the first mile.

Indeed, the heaviest thing in the world is a heavy heart. Next to that

the most burdensome to the walker is a heart not in perfect sympathy

and accord with the body--a reluctant or unwilling heart. The horse and

rider must not only both be willing to go the same way, but the rider

must lead the way and infuse his own lightness and eagerness into the

steed. Herein is no doubt our trouble and one reason of the decay of

the noble art in this country. We are unwilling walkers. We are not

innocent and simple-hearted enough to enjoy a walk. We have fallen

from that state of grace which capacity to enjoy a walk implies. It

cannot be said that as a people we are so positively sad, or morose, or

melancholic as that we are vacant of that sportiveness and surplusage

of animal spirits that characterised our ancestors, and that springs

from full and harmonious life,--a sound heart in accord with a sound

body. A man must invest himself near at hand and in common things, and

be content with a steady and moderate return, if he would know the

blessedness of a cheerful heart and the sweetness of a walk over the

round earth. This is a lesson the American has yet to learn--capability

of amusement on a low key. He expects rapid and extraordinary returns.

He would make the very elemental laws pay usury. He has nothing to

invest in a walk; it is too slow, too cheap. We crave the astonishing,

the exciting, the far away, and do not know the highways of the

gods when we see them,--always a sign of the decay of the faith and

simplicity of man.

If I say to my neighbour, "Come with me, I have great wonders to show

you," he pricks up his ears and comes forthwith; but when I take him on

the hills under the full blaze of the sun, or along the country road,

our footsteps lighted by the moon and stars, and say to him, "Behold,

these are the wonders, these are the circuits of the gods, this we now

tread is a morning star," he feels defrauded, and as if I had played

him a trick. And yet nothing less than dilatation and enthusiasm like

this is the badge of the master walker.

If we are not sad we are careworn, hurried, discontented, mortgaging

the present for the promise of the future. If we take a walk, it is as

we take a prescription, with about the same relish and with about the

same purpose; and the more the fatigue the greater our faith in the

virtue of the medicine.

Of those gleesome saunters over the hills in spring, or those sallies

of the body in winter, those excursions into space when the foot

strikes fire at every step, when the air tastes like a new and finer

mixture, when we accumulate force and gladness as we go along, when the

sight of objects by the roadside and of the fields and woods pleases

more than pictures or than all the art in the world,--those ten or

twelve mile dashes that are but the wit and affluence of the corporeal

powers,--of such diversion and open road entertainment, I say, most of

us know very little.

I notice with astonishment that at our fashionable watering-places

nobody walks; that of all those vast crowds of health-seekers and

lovers of country air, you can never catch one in the fields or woods,

or guilty of trudging along the country road with dust on his shoes

and sun-tan on his hands and face. The sole amusement seems to be to

eat and dress and sit about the hotels and glare at each other. The

men look bored, the women look tired, and all seem to sigh, "O Lord!

what shall we do to be happy and not be vulgar?" Quite different from

our British cousins across the water, who have plenty of amusement and

hilarity, spending most of the time at their watering-places in the

open air, strolling, picnicking, boating, climbing, briskly walking,

apparently with little fear of sun-tan or of compromising their

"gentility."

It is indeed astonishing with what ease and hilarity the English walk.

To an American it seems a kind of infatuation. When Dickens was in this

country I imagine the aspirants to the honour of a walk with him were

not numerous. In a pedestrian tour of England by an American, I read

that "after breakfast with the Independent minister, he walked with us

for six miles out of town upon our road. Three little boys and girls,

the youngest six years old, also accompanied us. They were romping and

rambling about all the while, and their morning walk must have been

as much as fifteen miles; but they thought nothing of it, and when we

parted were apparently as fresh as when they started, and very loath to

return."

I fear, also, the American is becoming disqualified for the manly art

of walking, by a falling off in the size of his foot. He cherishes and

cultivates this part of his anatomy, and apparently thinks his taste

and good breeding are to be inferred from its diminutive size. A small,

trim foot, well booted or gaitered, is the national vanity. How we

stare at the big feet of foreigners, and wonder what may be the price

of leather in those countries, and where all the aristocratic blood is,

that these plebeian extremities so predominate. If we were admitted

to the confidences of the shoemaker to Her Majesty or to His Royal

Highness, no doubt we would modify our views upon this latter point,

for a truly large and royal nature is never stunted in the extremities;

a little foot never yet supported a great character.

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