CHAPTER XI. {15}

Transcribed from the 1886 Cassell & Company edition by David Price, email

ccx074@pglaf.org

[Picture: Book cover]

CASSELL’S NATIONAL LIBRARY

* * * * *

THE

MAN OF FEELING

BY

HENRY MACKENZIE.

[Picture: Decorative graphic]

CASSELL & COMPANY, LIMITED:

_LONDON_, _PARIS_, _NEW YORK & MELBOURNE_.

1886.

EDITOR’S INTRODUCTION

HENRY MACKENZIE, the son of an Edinburgh physician, was born in August,

1745. After education in the University of Edinburgh he went to London

in 1765, at the age of twenty, for law studies, returned to Edinburgh,

and became Crown Attorney in the Scottish Court of Exchequer. When

Mackenzie was in London, Sterne’s “Tristram Shandy” was in course of

publication. The first two volumes had appeared in 1759, and the ninth

appeared in 1767, followed in 1768, the year of Sterne’s death, by “The

Sentimental Journey.” Young Mackenzie had a strong bent towards

literature, and while studying law in London, he read Sterne, and falling

in with the tone of sentiment which Sterne himself caught from the spirit

of the time and the example of Rousseau, he wrote “The Man of Feeling.”

This book was published, without author’s name, in 1771. It was so

popular that a young clergyman made a copy of it popular with imagined

passages of erasure and correction, on the strength of which he claimed

to be its author, and obliged Henry Mackenzie to declare himself. In

1773 Mackenzie published a second novel, “The Man of the World,” and in

1777 a third, “Julia de Roubigné.” An essay-reading society in

Edinburgh, of which he was a leader, started in January, 1779, a weekly

paper called _The Mirror_, which he edited until May, 1780. Its writers

afterwards joined in producing _The Lounger_, which lasted from February,

1785, to January, 1787. Henry Mackenzie contributed forty-two papers to

_The Mirror_ and fifty-seven to _The Lounger_. When the Royal Society of

Edinburgh was founded Henry Mackenzie was active as one of its first

members. He was also one of the founders of the Highland Society.

Although his “Man of Feeling” was a serious reflection of the false

sentiment of the Revolution, Mackenzie joined afterwards in writing

tracts to dissuade the people from faith in the doctrines of the

Revolutionists. Mackenzie wrote also a tragedy, “The Prince of Tunis,”

which was acted with success at Edinburgh, and a comedy, “The White

Hypocrite,” which was acted once only at Covent garden. He died at the

age of eighty-six, on the 13th June, 1831, having for many years been

regarded as an elder friend of their own craft by the men of letters who

in his days gave dignity to Edinburgh society, and caused the town to be

called the Modern Athens.

A man of refined taste, who caught the tone of the French sentiment of

his time, has, of course, pleased French critics, and has been translated

into French. “The Man of Feeling” begins with imitation of Sterne, and

proceeds in due course through so many tears that it is hardly to be

called a dry book. As guide to persons of a calculating disposition who

may read these pages I append an index to the Tears shed in “The Man of

Feeling.”

INDEX TO TEARS.

(_Chokings_, _&c._, _not counted_.)

PAGE

“Odds but should have wept” xiii

Tear, given, “cordial drop” repeated 17

,, like Cestus of Cytherea 26

,, one on a cheek 30

“I will not weep” 31

Tears add energy to benediction 31

,, tribute of some 52

„ blessings on 52

I would weep too 52

Not an unmoistened eye 53

Do you weep again? 53

Hand bathed with tears 53

Tears, burst into 54

„ sobbing and shedding 74

,, burst into 75

,, virtue in these 75

„ he wept at the recollection of her 80

,, glister of new-washed 81

Sweet girl (here she wept) 94

I could only weep 95

Tears, saw his 97

,, burst into 99

„ wrung from the heart 99

,, feet bathed with 100

,, mingled, _i.e._, his with hers 100

„ voice lost in 108

Eye met with a tear 108

Tear stood in eye 127

Tears, face bathed with 130

Dropped one tear, no more 131

Tears, press-gang could scarce keep from 136

Big drops wetted gray beard 137

Tears, shower of 138

,, scarce forced—blubbered like a boy 139

Moistened eye 141

Tears choked utterance 144

I have wept many a time 144

Girl wept, brother sobbed 145

Harley kissed off her tears as they flowed, and wept between 145

every kiss

Tears flowing down cheeks 148

,, gushed afresh 148

Beamy moisture 154

A tear dropped 165

Tear in her eye, the sick man kissed it off in its bud, 176

smiling through the dimness of his own

Hand wet by tear just fallen 185

Tears flowing without control 187

Cheek wiped (at the end of the last chapter) 189

AUTHOR’S INTRODUCTION

MY dog had made a point on a piece of fallow-ground, and led the curate

and me two or three hundred yards over that and some stubble adjoining,

in a breathless state of expectation, on a burning first of September.

It was a false point, and our labour was vain: yet, to do Rover justice

(for he’s an excellent dog, though I have lost his pedigree), the fault

was none of his, the birds were gone: the curate showed me the spot where

they had lain basking, at the root of an old hedge.

I stopped and cried Hem! The curate is fatter than I; he wiped the sweat

from his brow.

There is no state where one is apter to pause and look round one, than

after such a disappointment. It is even so in life. When we have been

hurrying on, impelled by some warm wish or other, looking neither to the

right hand nor to the left—we find of a sudden that all our gay hopes are

flown; and the only slender consolation that some friend can give us, is

to point where they were once to be found. And lo! if we are not of that

combustible race, who will rather beat their heads in spite, than wipe

their brows with the curate, we look round and say, with the nauseated

listlessness of the king of Israel, “All is vanity and vexation of

spirit.”

I looked round with some such grave apophthegm in my mind when I

discovered, for the first time, a venerable pile, to which the enclosure

belonged. An air of melancholy hung about it. There was a languid

stillness in the day, and a single crow, that perched on an old tree by

the side of the gate, seemed to delight in the echo of its own croaking.

I leaned on my gun and looked; but I had not breath enough to ask the

curate a question. I observed carving on the bark of some of the trees:

’twas indeed the only mark of human art about the place, except that some

branches appeared to have been lopped, to give a view of the cascade,

which was formed by a little rill at some distance.

Just at that instant I saw pass between the trees a young lady with a

book in her hand. I stood upon a stone to observe her; but the curate

sat him down on the grass, and leaning his back where I stood, told me,

“That was the daughter of a neighbouring gentleman of the name of WALTON,

whom he had seen walking there more than once.

“Some time ago,” he said, “one HARLEY lived there, a whimsical sort of

man I am told, but I was not then in the cure; though, if I had a turn

for those things, I might know a good deal of his history, for the

greatest part of it is still in my possession.”

“His history!” said I. “Nay, you may call it what you please,” said the

curate; for indeed it is no more a history than it is a sermon. The way

I came by it was this: some time ago, a grave, oddish kind of a man

boarded at a farmer’s in this parish: the country people called him The

Ghost; and he was known by the slouch in his gait, and the length of his

stride. I was but little acquainted with him, for he never frequented

any of the clubs hereabouts. Yet for all he used to walk a-nights, he

was as gentle as a lamb at times; for I have seen him playing at teetotum

with the children, on the great stone at the door of our churchyard.

“Soon after I was made curate, he left the parish, and went nobody knows

whither; and in his room was found a bundle of papers, which was brought

to me by his landlord. I began to read them, but I soon grew weary of

the task; for, besides that the hand is intolerably bad, I could never

find the author in one strain for two chapters together; and I don’t

believe there’s a single syllogism from beginning to end.”

“I should be glad to see this medley,” said I. “You shall see it now,”

answered the curate, “for I always take it along with me a-shooting.”

“How came it so torn?” “’Tis excellent wadding,” said the curate.—This

was a plea of expediency I was not in a condition to answer; for I had

actually in my pocket great part of an edition of one of the German

Illustrissimi, for the very same purpose. We exchanged books; and by

that means (for the curate was a strenuous logician) we probably saved

both.

When I returned to town, I had leisure to peruse the acquisition I had

made: I found it a bundle of little episodes, put together without art,

and of no importance on the whole, with something of nature, and little

else in them. I was a good deal affected with some very trifling

passages in it; and had the name of Marmontel, or a Richardson, been on

the title-page—’tis odds that I should have wept: But

One is ashamed to be pleased with the works of one knows not whom.

CHAPTER XI. {15}

ON BASHFULNESS.—A CHARACTER.—HIS OPINION ON THAT SUBJECT.

THERE is some rust about every man at the beginning; though in some

nations (among the French for instance) the ideas of the inhabitants,

from climate, or what other cause you will, are so vivacious, so

eternally on the wing, that they must, even in small societies, have a

frequent collision; the rust therefore will wear off sooner: but in

Britain it often goes with a man to his grave; nay, he dares not even pen

a _hic jacet_ to speak out for him after his death.

“Let them rub it off by travel,” said the baronet’s brother, who was a

striking instance of excellent metal, shamefully rusted. I had drawn my

chair near his. Let me paint the honest old man: ’tis but one passing

sentence to preserve his image in my mind.

He sat in his usual attitude, with his elbow rested on his knee, and his

fingers pressed on his cheek. His face was shaded by his hand; yet it

was a face that might once have been well accounted handsome; its

features were manly and striking, a dignity resided on his eyebrows,

which were the largest I remember to have seen. His person was tall and

well-made; but the indolence of his nature had now inclined it to

corpulency.

His remarks were few, and made only to his familiar friends; but they

were such as the world might have heard with veneration: and his heart,

uncorrupted by its ways, was ever warm in the cause of virtue and his

friends.

He is now forgotten and gone! The last time I was at Silton Hall, I saw

his chair stand in its corner by the fire-side; there was an additional

cushion on it, and it was occupied by my young lady’s favourite lap dog.

I drew near unperceived, and pinched its ears in the bitterness of my

soul; the creature howled, and ran to its mistress. She did not suspect

the author of its misfortune, but she bewailed it in the most pathetic

terms; and kissing its lips, laid it gently on her lap, and covered it

with a cambric handkerchief. I sat in my old friend’s seat; I heard the

roar of mirth and gaiety around me: poor Ben Silton! I gave thee a tear

then: accept of one cordial drop that falls to thy memory now.

“They should wear it off by travel.”—Why, it is true, said I, that will

go far; but then it will often happen, that in the velocity of a modern

tour, and amidst the materials through which it is commonly made, the

friction is so violent, that not only the rust, but the metal too, is

lost in the progress.

“Give me leave to correct the expression of your metaphor,” said Mr.

Silton: “that is not always rust which is acquired by the inactivity of

the body on which it preys; such, perhaps, is the case with me, though

indeed I was never cleared from my youth; but (taking it in its first

stage) it is rather an encrustation, which nature has given for purposes

of the greatest wisdom.”

“You are right,” I returned; “and sometimes, like certain precious

fossils, there may be hid under it gems of the purest brilliancy.”

“Nay, farther,” continued Mr. Silton, “there are two distinct sorts of

what we call bashfulness; this, the awkwardness of a booby, which a few

steps into the world will convert into the pertness of a coxcomb; that, a

consciousness, which the most delicate feelings produce, and the most

extensive knowledge cannot always remove.”

From the incidents I have already related, I imagine it will be concluded

that Harley was of the latter species of bashful animals; at least, if

Mr. Silton’s principle is just, it may be argued on this side; for the

gradation of the first mentioned sort, it is certain, he never attained.

Some part of his external appearance was modelled from the company of

those gentlemen, whom the antiquity of a family, now possessed of bare

£250 a year, entitled its representative to approach: these indeed were

not many; great part of the property in his neighbourhood being in the

hands of merchants, who had got rich by their lawful calling abroad, and

the sons of stewards, who had got rich by their lawful calling at home:

persons so perfectly versed in the ceremonial of thousands, tens of

thousands, and hundreds of thousands (whose degrees of precedency are

plainly demonstrable from the first page of the Complete Accomptant, or

Young Man’s Best Pocket Companion) that a bow at church from them to such

a man as Harley would have made the parson look back into his sermon for

some precept of Christian humility.

The Man of Feeling · 第 1 / 19 章