SCENES AND CHARACTERS
FROM THE WORKS OF CHARLES DICKENS
BEING EIGHT HUNDRED AND SIXTY-SIX
PICTURES PRINTED FROM THE ORIGINAL
WOOD BLOCKS
SCENES AND CHARACTERS FROM THE WORKS OF CHARLES DICKENS
BEING EIGHT HUNDRED AND SIXTY-SIX DRAWINGS BY
FRED BARNARD
HABLOT K. BROWNE (PHIZ)
J. MAHONEY
CHARLES GREEN
A. B. FROST
GORDON THOMSON
J. McL. RALSTON
H. FRENCH
E. G. DALZIEL
F. A. FRASER
AND SIR LUKE FILDES
PRINTED FROM THE ORIGINAL WOODBLOCKS
ENGRAVED FOR "THE HOUSEHOLD EDITION"
THE MUSSON BOOK CO. LIMITED
LONDON ENGLAND
TORONTO CANADA
Printed by BALLANTYNE & CO. LIMITED
Tavistock Street, Covent Garden, London
LIST OF WORKS AND ARTISTS
TITLE DESIGN _By Gordon Thomson_
SKETCHES BY BOZ 34 _Illustrations by Fred Barnard_
THE PICKWICK PAPERS 57 " " _Phiz_
OLIVER TWIST 28 " " _J. Mahoney_
NICHOLAS NICKLEBY 59 " " _Fred Barnard_
MASTER HUMPHREY'S CLOCK AND
OTHER STORIES 9 " " _Fred Barnard_
THE OLD CURIOSITY SHOP 39 " " _Charles Green_
BARNABY RUDGE 46 " " _Fred Barnard_
AMERICAN NOTES 10 " " _A. B. Frost_
MARTIN CHUZZLEWIT 59 " " _Fred Barnard_
CHRISTMAS BOOKS 28 " " _Fred Barnard_
PICTURES FROM ITALY 8 " " _Gordon Thomson_
DOMBEY AND SON 62 " " _Fred Barnard_
DAVID COPPERFIELD 61 " " _Fred Barnard_
A CHILD'S HISTORY OF ENGLAND 15 " " _J. McL. Ralston_
BLEAK HOUSE 61 " " _Fred Barnard_
HARD TIMES 20 " " _H. French_
LITTLE DORRIT 58 " " _J. Mahoney_
REPRINTED PIECES 9 " " _E. G. Dalziel_
A TALE OF TWO CITIES 25 " " _Fred Barnard_
UNCOMMERCIAL TRAVELLER 26 " " _E. G. Dalziel_
GREAT EXPECTATIONS 30 " " _F. A. Frazer_
OUR MUTUAL FRIEND 58 " " _J. Mahoney_
CHRISTMAS STORIES 23 " " _E. G. Dalziel_
EDWIN DROOD 12 " " _Luke Fildes_
LIFE OF DICKENS 28 " " _Fred Barnard_
INTRODUCTORY NOTE
THERE is one question upon which the critics and lovers of Dickens seem
never able to get into agreement, and that is the question of the
original illustrations to his works. To the thorough-going enthusiast
Phiz and Dickens seem inseparable, and no edition which does not contain
the old, familiar grotesques of Hablot Browne's imagination, or, in the
earlier volume, the equally abnormal lineaments portrayed by Cruikshank
or Seymour, would be deemed worthy of a place upon his bookshelf. But a
younger generation is growing up, for whom the time-honoured pictures
have not the charm of long association, and among them it is common to
hear the complaint that the natural humour and pathos of the author's
best works are spoiled to modern fancy by the violent caricatures of the
illustrator. "Let us abolish these pictures altogether," they say: "and
illustrate the books with pretty conventionalities by more fashionable
artists." At the opposite pole stands yet another group of critics--the
"Superior People" who have made up their minds that Dickens himself was
a caricaturist, and that therefore the early illustrations, even if they
do a little emphasise his exaggerations, are only conceived in fitting
harmony with a world of fancy which drowns itself in excesses of the
grotesque. Among so many doctors, and all so emphatic, who shall decide?
It is, at any rate, no easy task.
It happens, however, that there does exist a series of Dickens
illustrations, now in some danger of being unduly neglected, in which
the artists were wonderfully happy in preserving the original features
of Phiz and Cruikshank's interpretations, while they toned down the more
extravagant details and brought imagination into closer harmony with
reality. These were the illustrations to the square-shaped "Household
Edition," published in 1870, just after the great novelist's death--and
now reissued in this Dickens picture-book, in the hope that those who
love the stories may like to possess in separate form what is, perhaps,
the best pictorial accompaniment that the novels ever received. At the
time of its first publication, the "Household Edition" enjoyed an
enormous success. At the moment the name of Dickens was on every one's
lips, and the fact that this splendidly illustrated reprint was issued
in penny numbers and sixpenny parts placed it within reach of even the
most humbly stocked purse. Its sale was stupendous, and the familiar
green-covered pamphlets percolated through every town and village where
the English tongue is spoken. The original copies may still be met with,
under many a country timbered roof, carefully treasured as one of the
most cherished household possessions.
Undoubtedly, a great part of the success was due to the art of the
illustrators. To begin with, there was an unusually liberal display of
pictures--the edition, as a whole, containing close upon nine hundred.
But more important than the number were the truth and sincerity of the
interpretations--qualities which helped to give a new life to characters
already secure of immortality. First and foremost, of course, the
edition will always be associated with the memory of Fred Barnard, whose
pictures are the outstanding feature of the present volume. Barnard
seemed destined by nature to illustrate Dickens; the spirit of "Boz" ran
again in his veins. And nothing in his work is more impressively
ingenious than the skill with which he took the types already created by
his predecessors, preserved their characteristics, so that each was
unmistakably himself, and yet by the illuminating touch of genius
transferred them every one from the realm of caricature to that of
portraiture. Not far inferior to him was that admirable draughtsman,
Charles Green, who exactly adopted Barnard's attitude to the originals.
The reader who will compare Green's illustrations to "The Old Curiosity
Shop" with Phiz's, will scarcely fail to notice with interest how often
Green has chosen the same subject as his predecessor, and all but
treated it in the same manner, save that a twisted grotesque suddenly
becomes, under the magic of his wand, a natural human being. His picture
of Sally Brass and the Marchioness is a remarkable instance in point:
but there are many others equally eloquent of his sympathetic and
interpretative method. Nor should the work of Mahony, A. B. Frost,
Gordon Thomson and others be forgotten, for each in his own way has
helped to make this volume, what its publishers confidently claim it to
be, a collection of Dickens pictures unrivalled for humour, pathos,
character, and interpretative skill. In the certainty that such a
gallery of good work can hardly fail to find appreciators, the volume is
now offered to all lovers of the most widely popular author of the
Victorian Era.
SKETCHES BY BOZ
ILLUSTRATIVE OF EVERY-DAY LIFE AND EVERY-DAY PEOPLE.
[Illustration]
THIRTY-FOUR ILLUSTRATIONS
BY FRED BARNARD
[Illustration: THE HALF-PAY CAPTAIN COMPLETELY EFFACED THE OLD LADY'S
NAME FROM THE BRASS DOOR-PLATE IN HIS ATTEMPTS TO POLISH IT WITH
AQUA-FORTIS--_Our Parish_, chap. ii.]
[Illustration: "WHY THE DEVIL AIN'T YOU LOOKING AFTER THAT PLATE?"--_Our
Parish_, chap. v.]
[Illustration: WHEN HE FIRST CAME TO LOOK AT THE LODGINGS, HE INQUIRED
MOST PARTICULARLY WHETHER HE WAS SURE TO BE ABLE TO GET A SEAT IN THE
PARISH CHURCH--_Our Parish_, chap. vii.]
[Illustration: "IT IS NEARLY ELEVEN O'CLOCK, AND THE COLD THIN RAIN,
WHICH HAS BEEN DRIZZLING SO LONG, IS BEGINNING TO POUR DOWN IN GOOD
EARNEST"--_Scenes_, chap. ii.]
[Illustration: THE GRAVESEND BOAT.--_Scenes_, chap. x.]
[Illustration: DIFFERENT WOMEN OF THE HOUSE GOSSIPING ON THE STEPS ...
THE NATIVE DIALLERS--_Scenes_, chap. v.]
[Illustration: IT WAS A WEDDING PARTY AND SKETCHED FROM ONE OF THE
INTERIOR STREETS NEAR FITZROY SQUARE--_Scenes_, chap. vii.]
[Illustration: THE GENTLEMAN DESCRIBED LOOKS EXTREMELY FOOLISH, AND
SQUEEZES HER HAND, AND FEES THE GIPSY LIBERALLY--_Scenes_, chap. xii.]
[Illustration: "I MAY AS WELL GET BOARD, LODGIN', AND WASHIN' TILL THEN,
OUT OF THE COUNTRY, AS PAY FOR IT MYSELF; CONSEQUENTLY HERE
GOES"--_Scenes_, chap. xvii.]
[Illustration: "HIS LINE IS GENTEEL COMEDY--HIS FATHER'S COAL AND
POTATO. HE DOES ALFRED HIGHFLIER IN THE LAST PIECE, AND VERY WELL HE'LL
DO IT--AT THE PRICE."--_Scenes_, chap. xiv.]
[Illustration: TUREENS OF SOUP ARE EMPTIED WITH AWFUL
RAPIDITY--_Scenes_, chap. x. 19]
[Illustration: A GIN-SHOP--_Scenes_, chap. xxii.]
[Illustration: THE PAWNBROKER'S SHOP--_Scenes_, chap. xxiii.]
[Illustration: CHILDREN WERE PLAYING ON THE GRASS; GROUPS ... CHATTING
AND LAUGHING; BUT THE MAN WALKED STEADILY UP AND DOWN, UNHEEDING AND
UNHEEDED--_Characters_, chap. i.]
[Illustration: "WHAT DO YOU MEAN BY THAT, SCOUNDREL?" EXCLAIMED MR.
SAMUEL WILKINS.... "WHAT'S THE MATTER WITH YOU, YOU LITTLE HUMBUG?"
REPLIED WHISKERS--_Characters_, chap. iv.]
[Illustration: THE PRISONERS' VAN--_Characters_, chap. xii.]
[Illustration: HURRYING ALONG A BY-STREET, KEEPING AS CLOSE AS HE CAN TO
THE AREA RAILINGS, A MAN OF ABOUT FORTY OR FIFTY, CLAD IN AN OLD RUSTY
SUIT OF THREADBARE BLACK CLOTH--_Characters_, chap. x.]
[Illustration: "I RECEIVED A NOTE"--HE SAID TREMULOUSLY, IN A VOICE LIKE
A PUNCH WITH A COLD--"YES," RETURNED THE OTHER, "YOU DID,"--"EXACTLY,"--
"YES"--_Tales_, Chap. i.]
[Illustration: "NO WHAT?" INQUIRED MRS. BLOSS WITH A LOOK OF THE MOST
INDESCRIBABLE ALARM "NO STOMACH," REPEATED MRS. TIBBS WITH A SHAKE OF
THE HEAD--_Tales_, chap. i.]
[Illustration: THE DEAR LITTLE FELLOW, HAVING RECOVERED HIS ANIMAL
SPIRITS, WAS STANDING UPON HER SOFT TENDER FOOT--_Tales_, chap. iii.]
[Illustration: "SO EXACTLY THE AIR OF THE MARQUIS," SAID THE MILITARY
GENTLEMAN--_Tales_, chap. iv.]
[Illustration: "HOW DELIGHTFUL, HOW REFRESHING IT IS, TO RETIRE FROM THE
CLOUDY STORMS, THE VICISSITUDES, AND THE TROUBLES OF LIFE, EVEN IF IT BE
BUT FOR A FEW FLEETING MOMENTS."--_Tales_, chap. v.]
[Illustration: "WHO WAS HE?" INQUIRED THE SURGEON. "MY SON!" REJOINED
THE WOMAN; AND FELL SENSELESS AT HIS FEET--_Tales_, chap. vi.]
[Illustration: THE FACETIOUS HARDY, IN FULFILMENT OF HIS PROMISE, HAD
WATCHED THE CHILD TO A REMOTE PART OF THE VESSEL, AND, SUDDENLY
APPEARING BEFORE HIM WITH THE MOST AWFUL CONTORTIONS OF VISAGE, HAD
PRODUCED HIS PAROXYSMS OF TERROR--_Tales_, chap. vii.]
[Illustration: ONE GENTLEMAN WAS OBSERVED SUDDENLY TO RUSH FROM TABLE
WITHOUT THE SLIGHTEST OSTENSIBLE REASON, AND DART UP THE STEPS WITH
INCREDIBLE SWIFTNESS, THEREBY GREATLY DAMAGING BOTH HIMSELF AND THE
STEWARD, WHO HAPPENED TO BE COMING DOWN AT THE SAME MOMENT--_Tales_,
chap. vii.]
[Illustration: "LEAVE THAT 'ERE BELL ALONE, YOU WRETCHED LOO-NATTIC!"
SAID THE BOOTS, SUDDENLY FORCING THE UNFORTUNATE TROTT BACK INTO HIS
CHAIR, AND BRANDISHING THE STICK ALOFT--_Tales_, chap. viii.]
[Illustration: THE BLACK VEIL--_Tales_, chap. vi.]
[Illustration: "WHY," REPLIED MR. WALKINS TOTTLE EVASIVELY; FOR HE
TREMBLED VIOLENTLY, AND FELT A SUDDEN TINGLING THROUGHOUT HIS WHOLE
FRAME; "WHY--I SHOULD CERTAINLY--AT LEAST, I _think_ I SHOULD
LIKE----"--_Tales_, chap. x. 1]
[Illustration: MR. NICODEMUS DUMPS ... CROSS, CADAVEROUS, ODD AND
ILL-NATURED--_Tales_, chap. xi.]
[Illustration: "I'VE BROUGHT THIS HERE NOTE," REPLIED THE INDIVIDUAL IN
THE PAINTED TOPS IN A HOARSE WHISPER; "I'VE BROUGHT THIS HERE NOTE FROM
A GEN'L'M'N AS COME TO OUR HOUSE THIS MORNIN'."--_Tales_, Chap. x. 2]
[Illustration: HE RAISED HIS MANACLED HANDS IN A THREATENING ATTITUDE,
FIXED HIS EYES ON HIS SHRINKING PARENT AND SLOWLY LEFT THE
ROOM--_Tales_, chap. xii.]
[Illustration: LOOKS THAT HE HAD LONG FORGOTTEN WERE FIXED UPON HIM ONCE
MORE; VOICES LONG SINCE HUSHED IN DEATH SOUNDED IN HIS EARS LIKE THE
MUSIC OF VILLAGE BELLS--_Tales_, chap. xii.]
[Illustration: THE BODY WAS WASHED ASHORE, SOME MILES DOWN THE RIVER, A
SWOLLEN DISFIGURED MASS--_Tales_, chap. xii.]
THE POSTHUMOUS PAPERS OF THE PICKWICK CLUB
[Illustration]
FIFTY-SEVEN ILLUSTRATIONS BY PHIZ
[Illustration: "COME ON," SAID THE CAB-DRIVER, SPARRING AWAY LIKE
CLOCKWORK. "COME ON--ALL FOUR ON YOU"--Chap. i.]
[Illustration: "WHAT! INTRODUCING HIS FRIEND!"--Chap. ii.]
[Illustration: MR. SNODGRASS AND MR. WINKLE HAD EACH PERFORMED A
COMPULSORY SUMMERSET WITH REMARKABLE AGILITY--Chap. iv.]
[Illustration: THE HORSE NO SOONER BEHELD MR. PICKWICK ADVANCING WITH
THE CHAISE WHIP IN HIS HAND--Chap. v.]
[Illustration: THERE WAS A SCREAM AS OF AN INDIVIDUAL--NOT A ROOK--IN
CORPOREAL ANGUISH. MR. TUPMAN HAD SAVED THE LIVES OF INNUMERABLE
UNOFFENDING BIRDS BY RECEIVING A PORTION OF THE CHARGE IN HIS LEFT
ARM--Chap. vii.]
[Illustration: MR. WARDLE LOOKED ON, IN SILENT WONDER--Chap. vii.]
[Illustration: OLD MR. WARDLE, WITH A HIGHLY-INFLAMED COUNTENANCE, WAS
GRASPING THE HAND OF A STRANGE GENTLEMAN--Chap. viii.]
[Illustration: MR. TUPMAN LOOKED ROUND. THERE WAS THE FAT BOY--Chap.
viii.]
[Illustration: SAM STOLE A LOOK AT THE INQUIRER--Chap. x.]
[Illustration: "GOD BLESS ME, WHAT'S THE MATTER"--Chap. xi.]
[Illustration: "TAKE THIS LITTLE VILLAIN AWAY," SAID THE AGONISED MR.
PICKWICK--Chap. xii.]
[Illustration: "HE HAS COME OUT," SAID LITTLE MR. PERKER, GREATLY
EXCITED; THE MORE SO AS THEIR POSITION DID NOT ENABLE THEM TO SEE WHAT
WAS GOING FORWARD--Chap. xiii.]
[Illustration: THE CHAIR WAS AN UGLY OLD GENTLEMAN; AND WHAT WAS MORE,
HE WAS WINKING AT TOM SMART--Chap. xiv.]
[Illustration: "PERMIT ME TO INTRODUCE MY FRIENDS--MR. TUPMAN--MR.
WINKLE--MR. SNODGRASS"--Chap. xv.]
[Illustration: THE HEROIC MAN ACTUALLY THREW HIMSELF INTO A PARALYTIC
ATTITUDE, CONFIDENTLY SUPPOSED BY THE TWO BYSTANDERS TO HAVE BEEN
INTENDED AS A POSTURE OF SELF-DEFENCE--Chap. xv.]
[Illustration: MR. WELLER WAS DISPELLING ALL THE FEVERISH REMAINS OF THE
PREVIOUS EVENING'S CONVIVIALITY, ... WHEN HE WAS ATTRACTED BY THE
APPEARANCE OF A YOUNG FELLOW IN MULBERRY-COLOURED LIVERY--Chap. xvi.]
[Illustration: THE DOOR WAS JUST GOING TO BE CLOSED IN CONSEQUENCE, WHEN
AN INQUISITIVE BOARDER, WHO HAD BEEN PEEPING BETWEEN THE HINGES, SET UP
A FEARFUL SCREAMING--Chap. xvi.]
[Illustration: OLD LOBBS GAVE IT ONE TUG, AND OPEN IT FLEW, DISCLOSING
NATHANIEL PIPKIN STANDING BOLT UPRIGHT INSIDE, AND SHAKING WITH
APPREHENSION FROM HEAD TO FOOT--Chap. xvii.]
[Illustration: "WHO ARE YOU, YOU RASCAL?" SAID THE CAPTAIN,
ADMINISTERING SEVERAL POKES TO MR. PICKWICK'S BODY WITH THE THICK STICK.
"WHAT'S YOUR NAME?"--Chap. xix.]
[Illustration: "YOU JUST COME AWAY," SAID MR. WELLER. "BATTLEDORE AND
SHUTTLECOCK'S A WERY GOOD GAME, WHEN YOU AN'T THE SHUTTLECOCK AND TWO
LAWYERS THE BATTLEDORES"--Chap. xx.]
[Illustration: "HEYLING!" SAID THE OLD MAN WILDLY. "MY BOY, HEYLING, MY
DEAR BOY, LOOK, LOOK!" GASPING FOR BREATH, THE MISERABLE FATHER POINTED
TO THE SPOT WHERE THE YOUNG MAN WAS STRUGGLING FOR LIFE--Chap. xxi.]
[Illustration: STANDING BEFORE THE DRESSING-GLASS WAS A MIDDLE-AGED LADY
IN YELLOW CURL-PAPERS, BUSILY ENGAGED IN BRUSHING WHAT LADIES CALL THEIR
"BACK HAIR"--Chap. xxii.]
[Illustration: MR. PICKWICK NO SOONER PUT ON HIS SPECTACLES, THAN HE AT
ONCE RECOGNISED IN THE FUTURE MRS. MAGNUS THE LADY INTO WHOSE ROOM HE
HAD SO UNWARRANTABLY INTRUDED ON THE PREVIOUS NIGHT--Chap. xxiv.]
[Illustration: A COMPLIMENT WHICH MR. WELLER RETURNED BY KNOCKING HIM
DOWN OUT OF HAND: HAVING PREVIOUSLY, WITH THE UTMOST CONSIDERATION,
KNOCKED DOWN A CHAIRMAN FOR HIM TO LIE UPON--Chap. xxiv.]
[Illustration: THE KITCHEN DOOR OPENED, AND IN WALKED MR. JOE
TROTTER--Chap. xxv.]
[Illustration: SAM LOOKED AT THE FAT BOY WITH GREAT ASTONISHMENT, BUT
WITHOUT SAYING A WORD--Chap. xxviii.]
[Illustration: BEFORE MR. PICKWICK DISTINCTLY KNEW WHAT WAS THE MATTER,
HE WAS SURROUNDED BY THE WHOLE BODY, AND KISSED BY EVERY ONE OF
THEM--Chap. xxviii.]
[Illustration: SEATED ON AN UPRIGHT TOMBSTONE, CLOSE TO HIM, WAS A
STRANGE UNEARTHLY FIGURE--Chap. xxix.]
[Illustration: MR. PICKWICK .... WENT SLOWLY AND GRAVELY DOWN THE SLIDE,
WITH HIS FEET ABOUT A YARD AND A QUARTER APART, AMIDST THE GRATIFIED
SHOUTS OF ALL THE SPECTATORS--Chap. xxx.]
[Illustration: A LITTLE FIERCE WOMAN BOUNCED INTO THE ROOM, ALL IN A
TREMBLE WITH PASSION, AND PALE WITH RAGE--Chap. xxxii.]
[Illustration: WITH A COUNTENANCE GREATLY MOLLIFIED BY THE SOFTENING
INFLUENCE OF TOBACCO, REQUESTED HIM TO "FIRE AWAY"--Chap. xxxiii.]
[Illustration: BEFORE SAM COULD INTERFERE TO PREVENT IT, HIS HEROIC
PARENT HAD PENETRATED INTO A REMOTE CORNER OF THE ROOM, AND ATTACKED THE
REVEREND MR. STIGGINS WITH MANUAL DEXTERITY--Chap. xxxiii.]
[Illustration: AN ADMONITORY GESTURE FROM PERKER RESTRAINED HIM, AND HE
LISTENED TO THE LEARNED GENTLEMAN'S CONTINUATION WITH A LOOK OF
INDIGNATION--Chap. xxxiv.]
[Illustration: POOR MR. PICKWICK! HE HAD NEVER PLAYED WITH THREE
THOROUGH-PACED FEMALE CARD-PLAYERS BEFORE--Chap. xxxv.]
[Illustration: HE NO SOONER HEARD THE HORRIBLE THREAT OF THE VALOROUS
DOWLER, THAN HE BOUNCED OUT OF THE SEDAN--Chap. xxxvi.]
[Illustration: MR. TUCKLE, DRESSED OUT WITH THE COCKED-HAT AND STICK,
DANCED THE FROG HORNPIPE AMONG THE SHELLS ON THE TABLE--Chap. xxxvii.]
[Illustration: MR BOB SAWYER'S BOY ... PEEPED THROUGH THE GLASS DOOR,
AND THUS LISTENED AND LOOKED ON AT THE SAME TIME--Chap. xxxviii.]
[Illustration: "UNLOCK THAT DOOR, AND LEAVE THIS ROOM IMMEDIATELY, SIR,"
SAID MR. WINKLE--Chap. xxxviii.]
[Illustration: "MY DEAR," SAID MR. PICKWICK, LOOKING OVER THE WALL, AND
CATCHING SIGHT OF ARABELLA ON THE OTHER SIDE. "DON'T BE FRIGHTENED, MY
DEAR, 'TIS ONLY ME"--Chap. xxxix.]
[Illustration: MR. PICKWICK SITTING FOR HIS PORTRAIT--Chap. xl.]
[Illustration: LETTING HIS HAT FALL ON THE FLOOR, HE STOOD PERFECTLY
FIXED AND IMMOVABLE WITH ASTONISHMENT--Chap. xlii.]
[Illustration: WITH THIS, THE SPEAKER SNATCHED THAT ARTICLE OF DRESS
FROM MR. PICKWICK'S HEAD--Chap. xli.]
[Illustration: SAM, HAVING BEEN FORMALLY INTRODUCED .... AS THE
OFFSPRING OF MR. WELLER, OF THE BELLE SAVAGE, WAS TREATED WITH MARKED
DISTINCTION--Chap. xliii.]
[Illustration: "DO YOU ALWAYS SMOKE ARTER YOU GOES TO BED, OLD COCK?"
INQUIRED MR. WELLER OF HIS LANDLORD, WHEN THEY HAD BOTH RETIRED FOR THE
NIGHT--Chap. xliv.]
[Illustration: MR. STIGGINS, GETTING ON HIS LEGS AS WELL AS HE COULD,
PROCEEDED TO DELIVER AN EDIFYING DISCOURSE FOR THE BENEFIT OF THE
COMPANY--Chap. xlv.]
[Illustration: MRS. BARDELL SCREAMED VIOLENTLY; TOMMY ROARED; MRS.
CLUFFINK SHRUNK WITHIN HERSELF AND MRS. SANDERS MADE OFF WITHOUT MORE
ADO--Chap. xlvi.]
[Illustration: MR. PICKWICK COULD SCARCELY BELIEVE THE EVIDENCE OF HIS
OWN SENSES--Chap. xlvii.]
[Illustration: THESE ATTENTIONS WERE DIRECTED, NOT TOWARDS HIM, BUT TO A
YOUNG LADY WHO JUST THEN APPEARED AT THE FOOT OF THE STEPS--Chap. xlix.]
[Illustration: MR. BOB SAWYER WAS SEATED: NOT IN THE DICKEY, BUT ON THE
ROOF OF THE CHAISE--Chap. l.]
[Illustration: SNATCHING UP A MEAL-SACK, EFFECTUALLY STOPPED THE
CONFLICT BY DRAWING IT OVER THE HEAD AND SHOULDERS OF THE MIGHTY
POTT--Chap. ii.]
[Illustration: SUDDENLY AWARE THAT HE WAS IN THE PRESENCE OF A STRANGER,
MR. BEN ALLEN ADVANCED--Chap. l.]
[Illustration: IT WAS A STILL MORE EXCITING SPECTACLE TO BEHOLD MR.
WELLER .... IMMERSING MR. STIGGINS'S HEAD IN A HORSE-TROUGH FULL OF
WATER, AND HOLDING IT THERE UNTIL HE WAS HALF SUFFOCATED--Chap. lii.]
[Illustration: "I SAY INSOLENT FAMILIARITY, SIR," SAID MR. PICKWICK,
TURNING UPON FOGG WITH A FIERCENESS OF GESTURE WHICH CAUSED THAT PERSON
TO RETREAT TOWARDS THE DOOR WITH GREAT EXPEDITION--Chap. liii.]
[Illustration: "I SAY, HOW NICE YOU LOOK!"--Chap. liv.]
[Illustration: THE MOTTLED-FACED GENTLEMAN REVIEWED THE COMPANY, AND
SLOWLY LIFTED HIS HAND--Chap. lv.]
[Illustration: THE WORDS WERE SCARCELY OUT OF THE OLD GENTLEMAN'S LIPS,
WHEN FOOTSTEPS WERE HEARD ASCENDING THE STAIRS--Chap. lvi.]
THE ADVENTURES OF
OLIVER TWIST
[Illustration]
TWENTY-EIGHT ILLUSTRATIONS
BY J. MAHONEY
[Illustration: OLIVER ASKS FOR MORE--Chap. ii.]
[Illustration: "LIBERAL TERMS, MR. SOWERBERRY, LIBERAL TERMS!"--Chap.
iv.]
[Illustration: OLIVER RATHER ASTONISHES NOAH--Chap. vi.]
[Illustration: "HULLO, MY COVEY! WHAT'S THE ROW?"--Chap. viii.]
[Illustration: "STOP THIEF!"--Chap. x.]
[Illustration: "WHAT'S BECOME OF THE BOY?"--Chap. xiii.]
[Illustration: "YOU ARE ON THE SCENT, ARE YOU, NANCY?"--Chap. xv.]
[Illustration: "A BEADLE! A PARISH BEADLE, OR I'LL EAT MY HEAD"--Chap.
xvii.]
[Illustration: THE BOY WAS LYING FAST ASLEEP, ON A RUDE BED UPON THE
FLOOR--Chap. xix.]
[Illustration: SIKES, WITH OLIVER'S HANDS STILL IN HIS, SOFTLY
APPROACHED THE LOW PORCH--Chap. xxi.]
[Illustration: "DIRECTLY I LEAVE GO OF YOU, DO YOUR WORK. HARK!"--Chap.
xxii.]
[Illustration: "FAGIN!" WHISPERED A VOICE CLOSE TO HIS EAR--Chap.
xxvi.]
[Illustration: "DON'T SIGH, MRS. CORNEY," SAID MR. BUMBLE--Chap. xxvii.]
[Illustration: "JUST SEND SOMEBODY OUT TO RELIEVE MY MATE, WILL YOU,
YOUNG MAN?"--Chap. xxxi.]
[Illustration: WHEN IT BECAME QUITE DARK, AND THEY RETURNED HOME, THE
YOUNG LADY WOULD SIT DOWN TO THE PIANO, AND PLAY SOME PLEASANT
AIR--Chap. xxxii.]
[Illustration: LOOKING ROUND, HE SAW THAT IT WAS A POST-CHAISE, DRIVEN
AT GREAT SPEED--Chap. xxxiv.]
[Illustration: A "FEW--A VERY FEW--WILL SUFFICE, ROSE," SAID THE YOUNG
MAN, DRAWING HIS CHAIR TOWARDS HER--Chap. xxxv.]
[Illustration: "WERE YOU LOOKING FOR ME," HE SAID, "WHEN YOU PEERED IN
AT THE WINDOW?"--Chap. xxxvii.]
[Illustration: THE EVIDENCE DESTROYED--Chap. xxxviii.]
[Illustration: THEN, STOOPING SOFTLY OVER THE BED, SHE KISSED THE
ROBBER'S LIPS--Chap. xxxix.]
[Illustration: "LOOK THERE! THOSE ARE THE LIGHTS OF LONDON"--Chap.
xlii.]
[Illustration: "WHAT IS THIS?" INQUIRED ONE OF THE MAGISTRATES. "A
PICK-POCKETING CASE, YOUR WORSHIP"--Chap. xliii.]
[Illustration: WHEN SHE WAS ABOUT THE SAME DISTANCE IN ADVANCE AS SHE
HAD BEEN BEFORE, HE SLIPPED QUIETLY DOWN, AND FOLLOWED HER AGAIN--Chap.
xlvi.]
[Illustration: HE MOVED, BACKWARD, TOWARDS THE DOOR: DRAGGED THE DOG
WITH HIM--Chap. xlviii.]
[Illustration: AND CREEPING OVER THE TILES, LOOKED OVER THE LOW
PARAPET--Chap. l.]
[Illustration: "DO YOU KNOW THE YOUNG LADY, SIR?"--Chap. li.]
[Illustration: HE SAT DOWN ON THE STONE BENCH OPPOSITE THE DOOR--Chap.
lvi.]
THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY
[Illustration]
FIFTY-NINE ILLUSTRATIONS BY FRED BARNARD
[Illustration: RALPH NICKLEBY AND NEWMAN NOGGS--Chap. ii.]
[Illustration: THE UNCLE AND NEPHEW LOOKED AT EACH OTHER FOR SOME
SECONDS WITHOUT SPEAKING--Chap. iii.]
[Illustration: THE SCHOOLMASTER AND HIS COMPANION LOOKED STEADILY AT
EACH OTHER FOR A FEW SECONDS, AND THEN EXCHANGED A VERY MEANING
SMILE--Chap. iv.]
[Illustration: "SNUBS AND ROMANS ARE PLENTIFUL ENOUGH, AND THERE ARE
FLATS OF ALL SORTS AND SIZES WHEN THERE'S A MEETING AT EXETER
HALL"--Chap. v.]
[Illustration: "VERY GLAD TO MAKE YOUR ACQUAINTANCE, MISS," SAID
SQUEERS, RAISING HIS HAT AN INCH OR TWO--Chap. v.]
[Illustration: ON THE OPPOSITE SIDE OF THE FIRE, THERE SAT WITH FOLDED
ARMS A WRINKLING HIDEOUS FIGURE--Chap. vi.]
[Illustration: THE FIRST CLASS ENGLISH SPELLING AND PHILOSOPHY--Chap.
viii.]
[Illustration: "PAIN AND FEAR, PAIN AND FEAR FOR ME, ALIVE OR DEAD. NO
HOPE, NO HOPE!"--Chap. viii.]
[Illustration: KATE WALKED SADLY BACK TO THEIR LODGINGS IN THE
STRAND--Chap. x.]
[Illustration: "OH! AS SOFT AS POSSIBLE, IF YOU PLEASE"--Chap. ix.]
[Illustration: "WRETCH," REJOINED NICHOLAS FIERCELY, "TOUCH HIM AT YOUR
PERIL! I WILL NOT STAND BY, AND SEE IT DONE. MY BLOOD IS UP, AND I HAVE
THE STRENGTH OF TEN SUCH MEN AS YOU"--Chap. xiii.]
[Illustration: "I CAN--NOT HELP IT, AND IT DON'T SIGNIFY," SOBBED MRS.
KENWIGS. "OH! THEY'RE TOO BEAUTIFUL TO LIVE, MUCH TOO BEAUTIFUL!"--Chap.
xiv.]
[Illustration: THERE CAME INTO THE OFFICE AN APPLICANT IN WHOSE FAVOUR
HE IMMEDIATELY RETIRED, AND WHOSE APPEARANCE BOTH SURPRISED AND
INTERESTED HIM--Chap. xvi.]
[Illustration: "I DON'T FORGET YOU, MY SOUL, AND NEVER SHALL, AND NEVER
CAN," SAID MANTALINI, KISSING HIS WIFE'S HAND AND GRIMACING ASIDE TO
MISS NICKLEBY, WHO TURNED AWAY--Chap. xvii.]
[Illustration: "A MISERABLE WRETCH," EXCLAIMED MR. KNAG, STRIKING HIS
FOREHEAD. "A MISERABLE WRETCH"--Chap. xviii.]
[Illustration: "I AM AFRAID YOU HAVE BEEN GIVING HER SOME OF YOUR WICKED
LOOKS, MY LORD," SAID THE INTENDED--Chap. xviii.]
[Illustration: BUT THE YOUNG LADY MAKING A VIOLENT EFFORT TO DISENGAGE
HERSELF, HE LOST HIS BALANCE, AND MEASURED HIS LENGTH UPON THE
GROUND--Chap. xix.]
[Illustration: THE DRESSING-ROOM DOOR BEING HASTILY FLUNG OPEN, MR.
MANTALINI WAS DISCLOSED TO VIEW, WITH HIS SHIRT COLLAR SYMMETRICALLY
THROWN BACK: PUTTING A FINE EDGE TO A BREAKFAST KNIFE BY MEANS OF HIS
RAZOR STROP--Chap. xxi.]
[Illustration: "YOU CAN JUST GIVE HIM THAT ERE CARD, AND TELL HIM IF HE
WANTS TO SPEAK TO ME, AND SAVE TROUBLE, HERE I AM, THAT'S ALL"--Chap.
xxi.]
[Illustration: MR. CRUMMLES LOOKED, FROM TIME TO TIME, WITH GREAT
INTEREST AT SMIKE, WITH WHOM HE HAD APPEARED CONSIDERABLY STRUCK FROM
THE FIRST. HE HAD NOW FALLEN ASLEEP, AND WAS NODDING IN HIS CHAIR--Chap.
xxii.]
[Illustration: THE INDIAN SAVAGE AND THE MAIDEN--Chap. xxiii.]
[Illustration: "AS AN EXQUISITE EMBODIMENT OF THE POET'S VISIONS, AND A
REALISATION OF HUMAN INTELLECTUALITY, GILDING WITH REFULGENT LIGHT OUR
DREAMY MOMENTS, AND LAYING OPEN A NEW AND MAGIC WORLD BEFORE THE MENTAL
EYE, THE DRAMA IS GONE, PERFECTLY GONE," SAID MR. CURDLE--Chap. xxiv.]
[Illustration: "NICKLEBY," SAID HIS CLIENT, THROWING HIMSELF ALONG THE
SOFA ON WHICH HE HAD BEEN PREVIOUSLY SEATED, SO AS TO BRING HIS LIPS
NEARER TO THE OLD MAN'S EAR, "WHAT A PRETTY CREATURE YOUR NIECE
IS!"--Chap. xxvi.]
[Illustration: SIR MULBERRY HAWK AND HIS FRIEND EXCHANGED GLANCES OVER
THE TOP OF THE BONNET--Chap. xxvi.]
[Illustration: "I SEE HOW IT IS," SAID POOR NOGGS, DRAWING FROM HIS
POCKET WHAT SEEMED TO BE A VERY OLD DUSTER, AND WIPING KATE'S EYES WITH
IT AS GENTLY AS IF SHE WERE AN INFANT--Chap. xxviii.]
[Illustration: "BUT THEY SHALL NOT PROTECT YE!" SAID THE TRAGEDIAN,
TAKING AN UPWARD LOOK AT NICHOLAS, BEGINNING AT HIS BOOTS AND ENDING AT
THE CROWN OF HIS HEAD--Chap. xxix.]
[Illustration: MR. SNEVELLICCI REPEATED THE WINK, AND, DRINKING TO MRS.
LILYVICK IN DUMB-SHOW, ACTUALLY BLEW HER A KISS--Chap. xxx.]
[Illustration: LASHING HIMSELF UP TO AN EXTRAORDINARY PITCH OF FURY,
NEWMAN NOGGS JERKED HIMSELF ABOUT THE ROOM WITH THE MOST ECCENTRIC
MOTION EVER BEHELD IN A HUMAN BEING--Chap. xxxi.]
[Illustration: "LOOK AT THEM TEARS, SIR!" SAID SQUEERS WITH A TRIUMPHANT
AIR, AS MASTER WACKFORD WIPED HIS EYES WITH THE CUFF OF HIS JACKET;
"THERE'S OILINESS"--Chap. xxxiv.]
[Illustration: SIR MULBERRY, SHORTENING HIS WHIP, APPLIED IT FURIOUSLY
TO THE HEAD AND SHOULDERS OF NICHOLAS. IT WAS BROKEN IN THE STRUGGLE:
NICHOLAS GAINED THE HEAVY HANDLE, AND WITH IT LAID OPEN ONE SIDE OF HIS
ANTAGONIST'S FACE FROM THE EYE TO THE LIP--Chap. xxxii.]
[Illustration: NIGHT FOUND HIM, AT LAST, STILL HARPING ON THE SAME
THEME, AND STILL PURSUING THE SAME UNPROFITABLE REFLECTIONS--Chap.
xxxiv.]
[Illustration: "I'M NOT COMING AN HOUR LATER IN THE MORNING, YOU KNOW,"
SAID TIM, BREAKING OUT ALL AT ONCE, AND LOOKING VERY RESOLUTE. "I'M NOT
GOING TO SLEEP IN THE FRESH AIR--NO, NOR I'M NOT GOING INTO THE COUNTRY
EITHER"--Chap. xxxv.]
[Illustration: WITH THIS THE DOCTOR LAUGHED; BUT HE DIDN'T LAUGH HALF AS
MUCH AS A MARRIED FRIEND OF MRS. KENWIGS'S, WHO HAD JUST COME IN FROM
THE SICK CHAMBER--Chap. xxxvi.]
[Illustration: "YE'ES," SAID THE OTHER, TURNING FULL UPON HIM. "IF YOU
HAD TOLD HIM WHO YOU WERE: IF YOU HAD GIVEN HIM YOUR CARD, AND FOUND
OUT, AFTERWARDS, THAT HIS STATION OR CHARACTER PREVENTED YOUR FIGHTING
HIM, IT WOULD HAVE BEEN BAD ENOUGH THEN"--Chap. xxxviii.]
[Illustration: DARTING IN, COVERED SMIKE'S MOUTH WITH HIS HUGE HAND
BEFORE HE COULD UTTER A SOUND--Chap. xxxix.]
[Illustration: THE MEDITATIVE OGRE--Chap. xl.]
[Illustration: CONCLUDED BY STANDING ON ONE LEG, AND REPEATING HIS
FAVOURITE BELLOW WITH INCREASED VEHEMENCE--Chap. xli.]
[Illustration: "I SAY," SAID JOHN, RATHER ASTOUNDED FOR THE MOMENT,
"MAK' THEESELF QUITE AT WHOAM, WILL 'EE?"--Chap. xlii.]
[Illustration: FELL UPON HIS FACE IN A PASSION OF BITTER GRIEF--Chap.
xliii.]
[Illustration: "I AM A MOST MISERABLE AND WRETCHED OUTCAST, NEARLY SIXTY
YEARS OLD, AND AS DESTITUTE AND HELPLESS AS A CHILD OF SIX"--Chap.
xliv.]
[Illustration: MR. SQUEERS EXECUTES AN IMPROMPTU "PAS SEUL"--Chap. xlv.]
[Illustration: WAS PRESENTLY CONDUCTED BY A ROBBER, WITH A VERY LARGE
BELT AND BUCKLE ROUND HIS WAIST, AND VERY LARGE LEATHER GAUNTLETS ON HIS
HANDS, INTO THE PRESENCE OF HIS FORMER MANAGER--Chap. xlviii.]
[Illustration: "NO MATTER! DO YOU THINK YOU BRING YOUR PALTRY MONEY HERE
AS A FAVOUR OR A GIFT; OR AS A MATTER OF BUSINESS, AND IN RETURN FOR
VALUE RECEIVED"--Chap. xlvi.]
[Illustration: "AHA!" CRIED THE OLD GENTLEMAN, FOLDING HIS HANDS AND
SQUEEZING THEM WITH GREAT FORCE AGAINST EACH OTHER. "I SEE HER NOW; I
SEE HER NOW; MY LOVE, MY LIFE, MY BRIDE, MY PEERLESS BEAUTY! SHE IS COME
AT LAST--AT LAST--AND ALL IS GAS AND GAITERS"--Chap. xlix.]
[Illustration: TWO MEN, SEIZING EACH OTHER BY THE THROAT, STRUGGLED INTO
THE MIDDLE OF THE ROOM--Chap. l.]
[Illustration: ALL THE LIGHT AND LIFE OF DAY CAME ON; AND AMIDST IT ALL,
AND PRESSING DOWN THE GRASS WHOSE EVERY BLADE BORE TWENTY TINY LIVES,
LAY THE DEAD MAN, WITH HIS STARK AND RIGID FACE TURNED UPWARDS TO THE
SKY--Chap. l.]
[Illustration: "I'LL BE MARRIED IN THE BOTTLE-GREEN," CRIED ARTHUR
GRIDE--Chap. li.]
[Illustration: "THIEVES! THIEVES!" SHRIEKED THE USURER, STARTING UP AND
FOLDING HIS BOOK TO HIS BREAST; "ROBBERS! MURDER!"--Chap. liii.]
[Illustration: "I MUST BESEECH YOU TO CONTEMPLATE AGAIN THE FEARFUL
COURSE TO WHICH YOU HAVE BEEN IMPELLED"--Chap. liii.]
[Illustration: HE DREW RALPH NICKLEBY TO THE FURTHER END OF THE ROOM,
AND POINTED TOWARDS GRIDE, WHO SAT HUDDLED TOGETHER IN A CORNER,
FUMBLING NERVOUSLY WITH THE BUTTONS OF HIS COAT, AND EXHIBITING A FACE
OF WHICH EVERY SKULKING AND BASE EXPRESSION WAS SHARPENED AND AGGRAVATED
TO THE UTMOST OF HIS ANXIETY AND TREPIDATION--Chap. liv.]
[Illustration: "THERE IS SOMETHING MISSING, YOU SAY," SAID RALPH,
SHAKING HIM FURIOUSLY BY THE COLLAR. "WHAT IS IT?"--Chap. lvi.]
[Illustration: "DO YOU SEE THIS? THIS IS A BOTTLE"--Chap. lvii.]
[Illustration: "WHO TAMPERED WITH A SELFISH FATHER, URGING HIM TO SELL
HIS DAUGHTER TO OLD ARTHUR GRIDE, AND TAMPERED WITH GRIDE TOO, AND DID
SO IN THE LITTLE OFFICE, WITH A CLOSET IN THE ROOM"--Chap. lix.]
[Illustration: "TOTAL, ALL UP WITH SQUEERS!"--Chap. lx.]
[Illustration: RALPH MAKES ONE LAST APPOINTMENT--AND KEEPS IT--Chap.
lxii.]
[Illustration: CLASPING THE IRON RAILINGS WITH HIS HANDS, LOOKED EAGERLY
IN, WONDERING WHICH MIGHT BE HIS GRAVE--Chap. lxii.]
[Illustration: "OH, MR. LINKINWATER, YOU'RE JOKING!" "NO, NO, I'M NOT.
I'M NOT INDEED," SAID TIM. "I WILL, IF YOU WILL. DO, MY DEAR!"--Chap.
lxiii.]
[Illustration: THE LITTLE PEOPLE COULD DO NOTHING WITHOUT DEAR NEWMAN
NOGGS--Chap. lxv.]
MASTER HUMPHREY'S CLOCK AND OTHER STORIES
[Illustration]
NINE ILLUSTRATIONS BY FRED BARNARD
[Illustration: AT SUCH TIMES, OR WHEN THE SHOUTS OF STRAGGLING BRAWLERS
MET HER EAR, THE BOWYER'S DAUGHTER WOULD LOOK TIMIDLY BACK AT HUGH,
BESEECHING HIM TO DRAW NEARER.--_Master Humphrey's Clock_, chap. i.]
[Illustration: AS HE SAT UPON A LOW SEAT BESIDE MY WIFE, I WOULD PEER AT
HIM FOR HOURS TOGETHER FROM BEHIND A TREE.--_Master Humphrey's Clock_,
chap. ii.]
[Illustration: "VITH THESE VORDS HE RUSHES INTO THE SHOP, BREAKS THE
DUMMY'S NOSE WITH A BLOW OF HIS CURLIN'-IRONS, MELTS HIM DOWN AT THE
PARLOUR FIRE, AND NEVER SMILES AFTERWARDS."--_Master Humphrey's Clock_,
chap. v.]
[Illustration: AT LAST THEY MADE A HALT AT THE OPENING OF A LONELY,
DESOLATE SPACE, AND, POINTING TO A BLACK OBJECT AT SOME DISTANCE, ASKED
WILL IF HE SAW THAT YONDER.--_Master Humphrey's Clock_, chap. iii.]
[Illustration: "WITH A LOOK OF SCORN, SHE PUT INTO MY HAND A BIT OF
PAPER, AND TOOK ANOTHER PARTNER. ON THE PAPER WAS PENCILLED, 'HEAVENS!
CAN I WRITE THE WORD? IS MY HUSBAND A COW?'"--_Holiday Romance_, Part
i.]
[Illustration: "WHAT IS THE MATTER?" ASKED BROTHER HAUKYARD. "AY! WHAT
IS THE MATTER?" ASKED BROTHER GIMBLET.--_George Silverman's
Explanation_, chap. vi.]
[Illustration: GEORGE SILVERMAN WRITES HIS EXPLANATION.--Chap. ix.]
[Illustration: "YOU SHALL SEE ME ONCE AGAIN IN THE BODY, WHEN YOU ARE
TRIED FOR YOUR LIFE. YOU SHALL SEE ME ONCE AGAIN IN THE SPIRIT, WHEN THE
CORD IS ROUND YOUR NECK AND THE CROWD ARE CRYING AGAINST YOU."--_Hunted
Down_, chap. v.]
THE OLD CURIOSITY SHOP
[Illustration]
THIRTY-NINE ILLUSTRATIONS BY C. GREEN
[Illustration: THE DOOR BEING OPENED, THE CHILD ADDRESSED HIM AS HER
GRANDFATHER--Chap. i.]
[Illustration: THE OLD MAN SAT HIMSELF DOWN IN A CHAIR, AND, WITH FOLDED
HANDS, LOOKED SOMETIMES AT HIS GRANDSON AND SOMETIMES AT HIS STRANGE
COMPANION--Chap. i.]
[Illustration: WHEN HE DID SIT DOWN, HE TUCKED UP HIS SLEEVES AND
SQUARED HIS ELBOWS AND PUT HIS FACE CLOSE TO THE COPY-BOOK--Chap. iii.]
[Illustration: DANIEL QUILP SAT HIMSELF DOWN IN A WHERRY TO CROSS TO THE
OPPOSITE SHORE--Chap. v.]
[Illustration: HE SOON CAST HIS EYES UPON A CHAIR, INTO WHICH HE SKIPPED
WITH UNCOMMON AGILITY, AND, PERCHING HIMSELF ON THE BACK WITH HIS FEET
UPON THE SEAT, WAS THUS ENABLED TO LOOK ON--Chap. ix.]
[Illustration: "I'LL BEAT YOU TO PULP, YOU DOGS"--Chap. vi.]
[Illustration: "IS IT GOOD, BRASS, IS IT NICE, IS IT FRAGRANT?"--Chap.
xi.]
[Illustration: NOT TO BE BEHINDHAND IN THE BUSTLE, MR. QUILP WENT TO
WORK WITH SURPRISING VIGOUR--Chap. xiii.]
[Illustration: NELLY, KNEELING DOWN BESIDE THE BOX, WAS SOON BUSILY
ENGAGED IN HER TASK--Chap. xvii.]
[Illustration: "NOW, GENTLEMEN," SAID JERRY, LOOKING AT THEM
ATTENTIVELY, "THE DOG WHOSE NAME'S CALLED, EATS"--Chap. xviii.]
[Illustration: THERE WAS BUT ONE LADY WHO SEEMED TO UNDERSTAND THE
CHILD, AND SHE WAS ONE WHO SAT ALONE IN A HANDSOME CARRIAGE--Chap. xix.]
[Illustration: A SMALL WHITE-HEADED BOY WITH A SUNBURNT FACE APPEARED AT
THE DOOR WHILE HE WAS SPEAKING, AND STOPPING THERE TO MAKE A RUSTIC BOW,
CAME IN--Chap. xxv.]
[Illustration: AND THEN THEY WENT ON ARM-IN-ARM, VERY LOVINGLY
TOGETHER--Chap. xxiii.]
[Illustration: SHE HANDED DOWN TO THEM THE TEA-TRAY, THE BREAD AND
BUTTER, THE KNUCKLE OF HAM, AND, IN SHORT, EVERYTHING OF WHICH SHE HAD
PARTAKEN HERSELF--Chap. xxvi.]
[Illustration: "THAT, LADIES AND GENTLEMEN," SAID MRS. JARLEY, "IS
JASPER PACKLEMERTON OF ATROCIOUS MEMORY"--Chap. xxviii.]
[Illustration: AND IN THIS STATE AND CEREMONY RODE SLOWLY THROUGH THE
TOWN EVERY MORNING--Chap. xxix.]
[Illustration: IN SOME OF THESE FLOURISHES IT WENT CLOSE TO MISS SALLY'S
HEAD--Chap. xxxiii.]
[Illustration: "YOU'RE THE WAX-WORK CHILD, ARE YOU NOT?"--Chap. xxxi.]
[Illustration: "OH PLEASE," SAID A LITTLE VOICE VERY LOW DOWN IN THE
DOORWAY, "WILL YOU COME AND SHOW THE LODGINGS?"--Chap. xxxiv.]
[Illustration: "DO YOU SEE THIS?"--Chap. xxxvi.]
[Illustration: AT LENGTH EVERYTHING WAS READY, AND THEY WENT OFF--Chap.
xxxix.]
[Illustration: THE OLD MAN STOOD HELPLESSLY AMONG THEM FOR A LITTLE
TIME--Chap. xiii.]
[Illustration: A MAN OF VERY UNCOUTH AND ROUGH APPEARANCE WAS STANDING
OVER THEM--Chap. xliii.]
[Illustration: "SHE IS QUITE EXHAUSTED," SAID THE SCHOOLMASTER--Chap.
xlvi.]
[Illustration: "AQUILINE!" CRIED QUILP, THRUSTING IN HIS HEAD--Chap.
xlix.]
[Illustration: BOTH MOTHER AND DAUGHTER, TREMBLING WITH TERROR AND COLD,
.... OBEYED MR. QUILP'S DIRECTIONS IN SUBMISSIVE SILENCE--Chap. l.]
[Illustration: "HALLOA!"--Chap. l.]
[Illustration: ELEVATING HIS GLASS, DRANK TO THEIR NEXT MERRY-MEETING IN
THAT JOVIAL SPOT--Chap. li.]
[Illustration: THE CHILD SAT DOWN IN THIS OLD SILENT PLACE--Chap.
liii.]
[Illustration: "THEN, MARCHIONESS," SAID MR. SWIVELLER, "FIRE
AWAY!"--Chap. lviii.]
[Illustration: THE AIR WAS, "AWAY WITH MELANCHOLY"--Chap. lvlli.]
[Illustration: "IS IT LIKE KIT--IS IT HIS PICTURE, HIS IMAGE, HIS VERY
SELF?"--Chap. lxii.]
[Illustration: THE MARCHIONESS JUMPED UP QUICKLY, AND CLAPPED HER
HANDS--Chap. lxiv.]
[Illustration: SHE HAD NOTHING FOR IT NOW, THEREFORE, BUT TO RUN AFTER
THE CHAISE--Chap. lxv.]
[Illustration: TOM IMMEDIATELY WALKED UPON HIS HANDS TO THE WINDOW,
AND--IF THE EXPRESSION BE ALLOWABLE--LOOKED IN WITH HIS SHOES--Chap.
lxvii.]
[Illustration: THE STRONG TIDE FILLED HIS THROAT, AND BORE HIM ON ITS
RAPID CURRENT--Chap. lxvii.]
[Illustration: "MASTER!" HE CRIED, STOOPING ON ONE KNEE AND CATCHING AT
HIS HAND. "DEAR MASTER! SPEAK TO ME!"--Chap. lxxi.]
[Illustration: TWO WRETCHED PEOPLE WERE MORE THAN ONCE OBSERVED TO CRAWL
AT DUSK FROM THE INMOST RECESSES OF ST. GILES'S--Chap. lxxiii.]
BARNABY RUDGE
A TALE OF THE RIOTS OF 'EIGHTY
[Illustration]
FORTY-SIX ILLUSTRATIONS BY FRED BARNARD
[Illustration: "STAND--LET ME SEE YOUR FACE"--Chap. ii.]
[Illustration: "DOES THE BOY KNOW WHAT HE'S A-SAYING OF!" CRIED THE
ASTONISHED JOHN WILLETT--Chap. iii.]
[Illustration: "I CAN'T TOUCH HIM!" CRIED THE IDIOT, FALLING BACK AND
SHUDDERING AS WITH A STRONG SPASM; "HE'S BLOODY!"--Chap. iii.]
[Illustration: "IF I AM EVER," SAID MRS. V.,--NOT SCOLDING, BUT IN A
SORT OF MONOTONOUS REMONSTRANCE--"IN SPIRITS, IF I AM EVER CHEERFUL, IF
I AM EVER MORE THAN USUALLY DISPOSED TO BE TALKATIVE AND COMFORTABLE,
THIS IS THE WAY I AM TREATED"--Chap. vii.]
[Illustration: THOSE LIPS WITHIN SIM'S REACH FROM DAY TO DAY, AND YET SO
FAR OFF--Chap. iv.]
[Illustration: "CHESTER," SAID MR. HAREDALE AFTER A SHORT SILENCE,
DURING WHICH HE HAD EYED HIS SMILING FACE FROM TIME TO TIME INTENTLY,
"YOU HAVE THE HEAD AND HEART OF AN EVIL SPIRIT IN ALL MATTERS OF
DECEPTION"--Chap. xii.]
[Illustration: "HE MELTS, I THINK. HE GOES LIKE A DROP OF FROTH. YOU
LOOK AT HIM, AND THERE HE IS. YOU LOOK AT HIM AGAIN, AND--THERE HE
ISN'T"--Chap. x.]
[Illustration: FATHER AND SON--Chap. xv.]
[Illustration: "COME, COME, MASTER," CRIED THE FELLOW, URGED ON BY THE
LOOKS OF HIS COMRADES, AND SLAPPING HIM ON THE SHOULDER; "BE MORE
COMPANIONABLE AND COMMUNICATIVE. BE MORE THE GENTLEMAN IN THIS GOOD
COMPANY"--Chap. xvi.]
[Illustration: WITH THAT HE ADVANCED, AND BENDING DOWN OVER THE
PROSTRATE FORM, SOFTLY TURNED BACK THE HEAD AND LOOKED INTO THE
FACE--Chap. xvii.]
[Illustration: SHE SAT HERE, THOUGHTFUL AND APART, UNTIL THEIR TIME WAS
OUT--Chap. xxv.]
[Illustration: EMMA HAREDALE AND DOLLY VARDEN--Chap. xx.]
[Illustration: "HUFF OR NO HUFF," SAID MR. TAPPERTIT, DETAINING HER BY
THE WRIST. "WHAT DO YOU MEAN, JEZEBEL! WHAT WERE YOU GOING TO SAY!
ANSWER ME!"--Chap. xxii.]
[Illustration: HOW THE ACCOMPLISHED GENTLEMAN SPENT THE EVENING IN THE
MIDST OF A DAZZLING AND BRILLIANT CIRCLE--Chap. xxiv.]
[Illustration: NOW HE WOULD CALL TO HER FROM THE TOPMOST BRANCH OF SOME
HIGH TREE BY THE ROADSIDE--Chap. xxv.]
[Illustration: "I BEG PARDON--DO I ADDRESS MISS HAREDALE!"--Chap.
xxix.]
[Illustration: FINISHED BY DRIVING HIM WITH SURPRISING SWIFTNESS AGAINST
A HEAP OF SPITTOONS IN ONE CORNER--Chap. xxx.]
[Illustration: LORD GEORGE GORDON LEAVING THE MAYPOLE--Chap. xxxvii.]
[Illustration: "IF THEY'RE A DREAM," SAID SIM, "LET SCULPTURES HAVE SUCH
WISIONS, AND CHISEL'EM OUT WHEN THEY WAKE. THIS IS REALITY. SLEEP HAS NO
SUCH LIMBS AS THEM"--Chap. xxxi.]
[Illustration: "HA, HA!" ROARED THE FELLOW, SMITING HIS LEG; "FOR A
GENTLEMAN AS 'ULL SAY A PLEASANT THING IN A PLEASANT WAY, GIVE ME MUSTER
GASHFORD AGIN ALL LONDON AND WESTMINSTER!"--Chap. xxxvii.]
[Illustration: A NICE TRIO--Chap. xxxix.]
[Illustration: GABRIEL VARDEN--Chap. xii.]
[Illustration: "HE RETORT!" CRIED HAREDALE. "LOOK YOU HERE, MY LORD. DO
YOU KNOW THIS MAN!"--Chap. xliii.]
[Illustration: "IN THE NAME OF GOD NO!" SHRIEKED THE WIDOW, DARTING
FORWARD. "BARNABY--MY LORD--SEE--HE'LL COME BACK--BARNABY--BARNABY!"--Chap.
xlviii.]
[Illustration: "A BRAVE EVENING, MOTHER! IF WE HAD CHINKING IN OUR
POCKETS BUT A FEW SPECKS OF THAT GOLD WHICH IS PILED UP YONDER IN THE
SKY, WE SHOULD BE RICH FOR LIFE"--Chap. xlv.]
[Illustration: THEN SEATING HIMSELF UNDER A SPREADING HONEYSUCKLE, AND
STRETCHING HIS LEGS ACROSS THE THRESHOLD SO THAT NO PERSON COULD PASS IN
OR OUT WITHOUT HIS KNOWLEDGE, HE TOOK FROM HIS POCKET A PIPE, FLINT,
STEEL, AND TINDER-BOX, AND BEGAN TO SMOKE--Chap. xlv.]
[Illustration: THE POLE SWEPT THE AIR ABOVE THE PEOPLE'S HEADS, AND THE
MAN'S SADDLE WAS EMPTY IN AN INSTANT--Chap. xlix.]
[Illustration: IT FLITTED ONWARD, AND WAS GONE--Chap. l.]
[Illustration: "YOU HAVE BEEN DRINKING," SAID THE LOCKSMITH--Chap. li.]
[Illustration: FLUNG ITSELF UPON THE FOREMOST ONE, KNELT DOWN UPON ITS
BREAST, AND CLUTCHED ITS THROAT WITH BOTH HANDS--Chap. lvi.]
[Illustration: PUTTING HIS STAFF ACROSS HIS KNEES IN CASE OF ALARM OR
SURPRISE, SUMMONED GRIP TO DINNER--Chap. lvii.]
[Illustration: LOOKED MOODILY ON AS SHE FLEW TO MISS HAREDALE'S
SIDE--Chap. lix.]
[Illustration: "WILL YOU COME?"
"I!" SAID THE LORD MAYOR MOST EMPHATICALLY. "CERTAINLY NOT"--Chap.
lxi.]
[Illustration: "STOP!" CRIED THE LOCKSMITH, IN A VOICE THAT MADE THEM
FALTER--PRESENTING, AS HE SPOKE, A GUN. "LET AN OLD MAN DO THAT. YOU CAN
SPARE HIM BETTER"--Chap. lxiii.]
[Illustration: THE BURNING OF NEWGATE--Chap. lxiv.]
[Illustration: "NO OFFENCE, NO OFFENCE," SAID THAT PERSONAGE IN A
CONCILIATORY TONE, AS HUGH STOPPED IN HIS DRAUGHT AND EYED HIM, WITH NO
PLEASANT LOOK FROM HEAD TO FOOT--Chap. lxix.]
[Illustration: "TENDER-HEARTED!" ECHOED DENNIS. "TENDER-HEARTED! LOOK AT
THIS MAN. DO YOU CALL THIS CONSTITOOTIONAL! DO YOU SEE HIM SHOT THROUGH
AND THROUGH, INSTEAD OF BEING WORKED OFF LIKE A BRITON! DAMME IF I KNOW
WHICH PARTY TO SIDE WITH"--Chap. lxix.]
[Illustration: "YOU OUGHT TO BE THE BEST INSTEAD OF THE WORST," SAID
HUGH, STOPPING BEFORE HIM. "HA, HA, HA! SEE THE HANGMAN WHEN IT COMES
HOME TO HIM!"--Chap. lxxvi.]
[Illustration: "I SHALL BLESS YOUR NAME," SOBBED THE LOCKSMITH'S LITTLE
DAUGHTER, "AS LONG AS I LIVE"--Chap. lxxii.]
[Illustration: SAT THE UNHAPPY AUTHOR OF ALL--LORD GEORGE GORDON--Chap.
lxxiii.]
[Illustration: HE ROSE FROM HIS BED WITH A HEAVY SIGH, AND WRAPPED
HIMSELF IN HIS MORNING GOWN. "SO SHE KEPT HER WORD," HE SAID, "AND WAS
CONSTANT TO HER THREAT!"--Chap. lxxv.]
[Illustration: THE LOCKSMITH'S RUDDY FACE AND BURLY FORM COULD BE
DESCRIED, BEATING ABOUT AS THOUGH HE WAS STRUGGLING WITH A ROUGH
SEA--Chap. lxxix.]
[Illustration: RECLINING, IN AN EASY ATTITUDE, WITH HIS BACK AGAINST A
TREE, AND CONTEMPLATING THE RUIN WITH AN EXPRESSION OF PLEASURE--Chap.
lxxxi.]
[Illustration: RAISING HIMSELF UPON HIS HANDS, HE GAZED AT HIM FOR AN
INSTANT WITH SCORN AND HATRED IN HIS LOOK--Chap. lxxxi.]
[Illustration: GRIP THE RAVEN--Chap. the last.]
AMERICAN NOTES
[Illustration]
TEN ILLUSTRATIONS BY A. B. FROST
[Illustration: "RATHER A HEAVY SEA ON, SIR, AND A HEAD WIND"--Chap. ii].
[Illustration: RAILWAY DIALOGUE--Chap. v.]
[Illustration: WHEN SUDDENLY THE LIVELY HERO DASHES IN TO THE
RESCUE--Chap. vi.]
[Illustration: IN THE WHITE HOUSE--Chap. vii]
[Illustration: IN THE CABIN OF THE CANAL BOAT--Chap. x.]
[Illustration: EMIGRANTS--Chap. xi.]
[Illustration: "NOT YET AWHILE, SIR, NOT YET"--Chap. xiii.]
[Illustration: AND HAVING HIS WET PIPE PRESENTED TO HIM, ETC.--Chap.
xv.]
[Illustration: AS THE COACH STOPS A GENTLEMAN IN A STRAW HAT LOOKS OUT
OF THE WINDOW--Chap. xiv.]
THE LIFE AND ADVENTURES OF MARTIN CHUZZLEWIT
[Illustration]
FIFTY-NINE ILLUSTRATIONS BY FRED BARNARD
[Illustration: "I SEE YOU," CRIED MISS PECKSNIFF TO THE IDEAL INFLICTOR
OF A RUNAWAY KNOCK, "YOU'LL CATCH IT; SIR!"--Chap. ii.]
[Illustration: MR. PECKSNIFF, LOOKING SWEETLY OVER THE HALF-DOOR OF THE
PAR, AND INTO THE VISTA OF SNUG PRIVACY BEYOND, MURMURED, "GOOD EVENING,
MRS. LUPIN"--Chap. iii.]
[Illustration: "WE WILL SAY, IF YOU PLEASE," ADDED MR. PECKSNIFF, WITH
GREAT TENDERNESS OF MANNER, "THAT IT ARISES FROM A COLD IN THE HEAD, OR
IS ATTRIBUTABLE TO SNUFF, OR SMELLING SALTS, OR ONIONS, OR ANYTHING BUT
THE REAL CAUSE"--Chap. iii.]
[Illustration: MR. PECKSNIFF IS INTRODUCED TO A RELATIVE BY MR.
TIGG--Chap. iv.]
[Illustration: "HE TURNED A WHIMSICAL FACE AND VERY MERRY PAIR OF BLUE
EYES ON MR. PINCH."--Chap. v.]
[Illustration: "LET US BE MERRY." HERE HE TOOK A CAPTAIN'S
BISCUIT--Chap. v.]
[Illustration: "STILL A-BED," REPLIED THE BOY; "I WISH THEY WOS STILL
A-BED. THEY'RE VERY NOISY A-BED; ALL CALLING FOR THEIR BOOTS AT
ONCE"--Chap. viii.]
[Illustration: "OH CHIV, CHIV," MURMURED MR. TIGG, "YOU HAVE A NOBLY
INDEPENDENT NATURE, CHIV"--Chap. vii.]
[Illustration: "YOU'RE A PAIR OF WHITTINGTONS, GENTS, WITHOUT THE CAT,
... MY NAME IS TIGG; HOW DO YOU DO?"--Chap. vii.]
[Illustration: "I SAY--THERE'S FOWLS TO-MORROW, NOT SKINNY ONES. OH
NO!"--Chap. ix.]
[Illustration: "DO NOT REPINE, MY FRIENDS," SAID MR. PECKSNIFF,
TENDERLY. "DO NOT WEEP FOR ME. IT IS CHRONIC"--Chap. ix.]
[Illustration: "WE SOMETIMES VENTURE TO CONSIDER HER RATHER A FINE
FIGURE, SIR. SPEAKING AS AN ARTIST, I MAY PERHAPS BE PERMITTED TO
SUGGEST, THAT ITS OUTLINE IS GRACEFUL AND CORRECT"--Chap. x.]
[Illustration: THE DOOR OF A SMALL GLASS OFFICE, WHICH WAS PARTITIONED
OFF FROM THE REST OF THE ROOM, WAS SLOWLY OPENED, AND A LITTLE
BLEAR-EYED, WEAZEN-FACED, ANCIENT MAN CAME CREEPING OUT.--Chap. xi.]
[Illustration: "STAND OFF FOR A MOMENT, TOM," CRIED THE OLD PUPIL, ...
"LET ME LOOK AT YOU! JUST THE SAME! NOT A BIT CHANGED!"--Chap. xii.]
[Illustration: "I'M GOING UP," OBSERVED THE DRIVER; "HOUNSLOW, TEN MILES
THIS SIDE LONDON"--Chap. xiii.]
[Illustration: STUCK HIS HANDS IN HIS SKIRT POCKETS AND SWAGGERED ROUND
THE CORNER.--Chap. xiii.]
[Illustration: SEEING THAT THERE WAS NO ONE NEAR, AND THAT MARK WAS
STILL INTENT UPON THE FOG, HE NOT ONLY LOOKED AT HER LIPS, BUT KISSED
THEM INTO THE BARGAIN--Chap. xiv.]
[Illustration: ON BOARD THE "SCREW"--Chap. xv.]
[Illustration: "IT IS IN SUCH ENLIGHTENED MEANS," SAID A VOICE ALMOST IN
MARTIN'S EAR, "THAT THE BUBBLING PASSIONS OF MY COUNTRY FIND A
VENT"--Chap. xvi.]
[Illustration: "YOU'RE THE PLEASANTEST FELLOW I HAVE SEEN YET," SAID
MARTIN, CLAPPING HIM ON THE BACK, "AND GIVE ME A BETTER APPETITE THAN
BITTERS"--Chap. xvi.]
[Illustration: JINIRAL BLADDOCK!--Chap. xvii.]
[Illustration: "MATTER!" CRIED THE VOICE OF MR. PECKSNIFF, AS PECKSNIFF
IN THE FLESH SMILED AMIABLY UPON HIM. "THE MATTER, MR. JONAS!"--Chap.
xviii.]
[Illustration: "WELL, MRS. GAMP, AND HOW ARE _you!_ MRS. GAMP," SAID THE
GENTLEMAN, IN A VOICE AS SOFT AS HIS STEP--Chap. xix.]
[Illustration: "OH! I DON'T MIND YOUR PINCHING," GRINNED JONAS, "A
BIT"--Chap. xx.]
[Illustration: "I WAS MERELY REMARKING, GENTLEMEN--THOUGH IT'S A POINT
OF VERY LITTLE IMPORT--THAT THE QUEEN OF ENGLAND DOES NOT HAPPEN TO LIVE
IN THE TOWER OF LONDON"--Chap. xxi.]
[Illustration: "WELL, SIR!" SAID THE CAPTAIN PUTTING HIS HAT A LITTLE
MORE ON ONE SIDE, FOR IT WAS RATHER TIGHT IN THE CROWN: "YOU'RE QUITE A
PUBLIC MAN I CALC'LATE"--Chap. xxii.]
[Illustration: HE FLOURISHED HIS STICK OVER TOM'S HEAD; BUT IN A MOMENT
IT WAS SPINNING HARMLESSLY IN THE AIR, AND JONAS HIMSELF LAY SPRAWLING
IN THE DITCH--Chap. xxiv.]
[Illustration: "LOOK ABOUT YOU," HE SAID, POINTING TO THE GRAVES; "AND
REMEMBER THAT FROM YOUR BRIDAL HOUR TO THE DAY WHICH SEES YOU BROUGHT AS
LOW AS THESE, AND LAID IN SUCH A BED, THERE WILL BE NO APPEAL AGAINST
HIM!"--Chap. xxiv.]
[Illustration: "WHETHER I SICKS OR MONTHLIES, MA'AM ... I DO REQUIRE IT,
WHICH I MAKES CONFESSION, TO BE BROUGHT REG'LAR AND DRAW'D MILD"--Chap.
xxv.]
[Illustration: "THERE'S NOTHIN' HE DON'T KNOW; THAT'S MY OPINION,"
OBSERVED MRS. GAMP. "ALL THE WICKEDNESS OF THE WORLD IS PRINT TO
HIM"--Chap. xxvi.]
[Illustration: THE SPIDER AND THE FLY--Chap. xxvii.]
[Illustration: "TIMES IS CHANGED, AIN'T THEY! I SAY, HOW YOU'VE
GROWED!"--Chap. xxviii.]
[Illustration: RUSTLING AMONG LAST YEAR'S LEAVES, WHOSE SCENT WOKE
MEMORY OF THE PAST, THE PLACID PECKSNIFF STROLLED--Chap. xxx.]
[Illustration: "I SAY," CRIED TOM, IN GREAT EXCITEMENT, "HE IS A
SCOUNDREL AND A VILLAIN! I DON'T CARE WHO HE IS, I SAY HE IS A
DOUBLE-DYED AND MOST INTOLERABLE VILLAIN"--Chap. xxxi.]