CHAPTER XVI

On their last day together Gerald had asked Aurora to find the key of a

certain desk-drawer and to bring him the miniature strong-box locked in

it. He had taken out one by one, to show her, the little store of

trinkets once belonging to his mother and given her from among them the

one he thought most charming, an old silver cross studded with amethysts

and pearls.

Her own house, when she reentered it, looked faintly unfamiliar, as if

she had been away much longer than she had by actual count. But her big

soft bed looked good to her, she told Estelle, after the bed of granite

framed in iron she had lately occupied.

She was in high good spirits. Gerald out of the woods, the amethyst

cross, Estelle and her beautiful commodious house returned to, vistas

ahead of good times and heart satisfactions, a sense of success and the

richness of life--Aurora was in splendid spirits.

Estelle and she slept together on the first night, so as to be able to

buzz until morning, as they had used to do in their young days, when one

of them was allowed to go on a visit to the other and stay overnight.

There ensued a very orgy of talk, a going over of all that had happened

since their separation, quite as if they had not once seen each other in

the interval.

It might have been thought, when their remarks finally became far

spaced, as they did between two and three of the morning, that this

happened because the streams were running dry as well as because the

talkers were growing sleepy; but no such thing. Each had loads more that

she might have told; but each, as had not been the case in the old days,

was keeping back something from the other. Each locked in her breast a

secret.

There had naturally been talk of Gerald. Estelle was immensely nice

about him, and Aurora appeared immensely frank, but yet both knew that

he was to be a delicate subject between them thenceforward, and that

thoughts relating to him could not be exchanged without reserve.

There had been laughter over Estelle's subterfuges in order not to let

it be learned from her, and this without directly lying, that Aurora was

actually living at Gerald's. "It's a case of a cold," she had explained

her friend's non-appearance upon one occasion, without mentioning whose

cold.

The details of Busteretto's illness and danger had caused him to be

reached for in the dark and kissed and cuddled anew.

"My, but it's nice to have you back!" Estelle said in the morning,

fixing a bright, fond gaze upon her friend across the little table in

the bedroom, where they sat in their wrappers eating breakfast. "A penny

for your thoughts, Nell. What are you thinking about?"

Nell smiled rather foolishly, then, putting Satan behind her in the

shape of a temptation to prevaricate, said:

"I was thinking what they were doing over there. Whether Gerald has had

a good night, and about Giovanna, and what it's all like without me.

It's hard for me now to think of the place without me. I miss myself

there."

"I suppose you'll be driving round to inquire sometime in the course of

the day," Estelle said, with true generosity; at which Aurora tried to

look as if she were not sure; she would think about it.

With arms around each other's waists they went through all the rooms for

Aurora to renew her pleasure in them after absence. They came to a

standstill before her portrait in the drawing-room.

"There's no mistake, he's talented," Estelle admitted good-humoredly,

after a considerable silence. "That's a fine portrait."

Aurora did not say she thought so, too. Alone in her room later, while

Estelle was dressing to go out together, she looked at the other

portrait to see if she were "any nearer educated up to it." It seemed to

her she was, a little bit.

She started to dress. Being given to homely rather than poetic fancies,

she subsequently thought of herself as having been, during the process

of making herself fine for the afternoon drive and call, like some Cape

Cod young one trotting happily along with her tin pail full of

blueberries, just before a big dog sprang out of the roadside tangle and

jostled the pail out of her hand, so that all the berries were

spilled....

Even as she was buttoning her gloves a letter came for her with a

parcel. All rosy with delight, she quickly found in her purse a reward

for Gaetano, the bringer. Without too much hurry, like a person not

eager to shorten a solid enjoyment, she opened the letter. It did not

strike her as surprising, certainly not as ominous, that Gerald should

write when he might expect to see her so soon. She read:

This is the fourth letter, dearest Aurora, that I have written you since

waking, after a very bad night, in such a black humor that you would

know I am quite myself again and life has resumed for me its natural

colors. I destroyed those letters one after the other because, although

written with the effort of my whole being to be what you call sweet,

they sounded to me insufferably disagreeable. And now whatever I write I

shall have to send because if I destroy this letter also I shall not

have time to write another before you come to see me as you promised.

And the reason for my wretched night was that I was haunted by all the

reasons there are why you should not come. They are so difficult to put

into words that I despair, after three attempts, of doing it in any but

an offensive manner. Pity, Aurora, the plight of your poor patient;

permit him not to go into them. Just--don't come.

Alas! that cannot be all. I have the vision of your puzzled face. Well,

then, it is for yourself, in part. I have no excuse for profiting by a

kindness that may be harmful to you. It is my duty to regard for you the

conventions you are big-heartedly willing to disregard. I deplore the

fact that I was ever so weak as to forget it.

But it is also for myself, who must not further be demoralized and

spoiled.

I must not, moreover, be laid further under obligations of gratitude,

the less, my dear Aurora, that gratitude is not precisely what I feel.

No. I so little dote upon life that I should be glad if a merciful

angel's attention had not been drawn to me, and I perhaps might have

escaped the dreary prolongation of years. I am sorry, but so it is.

Pray do not conceive any relation between what I have just written and

the request that follows. Will you be so kind as to return the object

belonging to me which I miss from the little table-drawer at the head of

my bed? You had no right to take it.

Vincent Johns is coming in a day or two. Do not think of me, therefore,

as lonely or neglected.

I find I must hurry or be too late. This letter is beastly and ought to

be torn up like the others. It simply cannot; it must go. I can only

pray, Aurora, that you will understand.

* * * * *

Aurora went back to the beginning and read the letter a second time.

Then she turned to the accompanying parcel and noticed that it was done

up in a shabby piece of old newspaper. It contained a pair of fur-lined

velvet shoes, a bow-knot of blue satin ribbon, and a bottle of almond

milk, things of her own which through carelessness had been left behind.

She could not know that the honest Giovanna alone was responsible for

this return of her property. Coming at that moment, it formed the

occasion for two stinging tears rising to the edge of Aurora's eyes. She

swept them away with the back of her glove, and forbade any more to

follow. To prevent them she took her lips between her teeth, and with

all her strength called upon her pride.

She read Gerald's letter over again, really trying to understand, to be

fair, to interpret it in the high-minded way he would wish.

"When all is said, it amounts to this,"--she reached the end of that

exercise by a short cut,--"he wants to be let alone."

And after every allowance had been made for him, and all due deference

paid to his excellent reasons, still it seemed to her what she couldn't

call anything but a poor return. Because his letter was bound to hurt

her, and he must have known it. His sending it, therefore, argued a lack

of any very deep affection for her. After she had come, just from his

own words and actions, to supposing....

"This is what you get for not remembering that if a person is

practically a foreigner you can never expect to know them except in

spots," she admonished herself.

* * * * *

After they had driven in the Cascine and around the Viali for the

sunshine and air, Aurora asked suddenly:

"Haven't we had enough of this?" and ordered the coachman to go home.

"Why!" exclaimed Estelle, astonished, "I thought we were going to Gerald

Fane's to see how he's getting along!"

"No, I guess we won't. I think it's time, after living with him for

three weeks, that I began to look after my reputation, don't you?" said

Aurora, with a forced lightness of rather bitter effect.

"I had a note from him, anyhow, just before we came out," she added

after a moment. "He's doing all right."

Estelle understood that something was wrong. Aurora could not

successfully pretend with her. Aurora's transparent face, as she now

took note of it, betrayed hidden perplexity and chagrin. Estelle asked

no questions, not needing to be told that Gerald's note had worked the

change. Despite her affection for her friend, indeed, just because of

that affection, Estelle was quietly glad of it. Her thought caressed the

secret which has been referred to, a scheme which for some weeks had

given her an excited feeling of having between her fingers the thread of

the Fates.

After Estelle had gone to her own room for the night, Aurora sat down to

compose an answer to Gerald's letter. She had reflected a good deal

since receiving it, and out of confusion and complexity singled one

clear and simple thought or two.

Gerald had never said or intimated that she had forced herself upon him

when he was too ill to help it; but the truth was she had done that,

after all his shying rocks at her, too, to keep her off. Nor had Gerald

suggested that one of his reasons for wishing her not to haunt his

bedside was a fear of her becoming inconveniently fond of him. A hint

could be found, if one chose, that he feared becoming too fond of her,

but of the other no vestige, no shadow, or ghost of a shadow. Yet by

those two points the spirit of Aurora's reply must be inspired.

Centuries of civilization have ground into the female of the species one

particular lesson.

So the irascible man's nervous, hurried and harried scrawl, written with

sputtering pen that at several places tore clean through the paper, and

written under the compulsion of his soul and his good sense, received

from the best of women an answer in her calmest hand, deliberately

calculated to give him pain, at the same time as to convey to him

unambiguously that, as far as she was concerned, he was freer than the

birds of the air. She wrote:

My dear friend Gerald,

What I want principally to say is just _don't worry_. Don't

worry for fear I'll come, and don't worry for fear I won't

understand, and don't worry because you think my feelings may be

hurt. And above all the rest, don't worry about

_gratitude_, for I don't feel you owe me any at all. Don't

you think for a moment that I saved your life. You were not as

sick as you imagine, I guess. It was a very light case, or how

would you have got over it so soon? You were not near as sick,

according to all accounts, as poor Busteretto, who has been

having what they call here the _cimurro_. I took you in

hand because _I am a nurse_ and I couldn't keep my hands

off, just as an old fire-engine horse will start to gallop when

he hears a fire-alarm even if he isn't on the job. If it had

been Italo Ceccherelli who was sick I would have been tempted in

just the same way; so you see there is no occasion for

gratitude. Put it out of your mind.

Now about the thing I took from the drawer of your night-stand.

I am very sorry I can't give it back, because I flung it out in

the middle of the river. That is what I did with it, and I am

not sorry either. You know that we at home don't look upon

certain things as you apparently do over here. We think it a

disgrace for a man to kill himself. I myself am old-fashioned

enough to think that that door leads to hell. I have been

astonished to find that over here it is thought quite

respectable, that some Italians look upon it as an honorable

way, for instance, of paying their debts, and a natural way of

getting over an unhappy love-affair. As I know you have a good

many foreign ideas, and as you have once or twice made a remark

that showed me you thought of that solution of difficulties as a

possible one, I grabbed your nasty old pistol when I found it in

the little drawer, and it reposes now at the bottom of the Arno.

Don't get another, Gerald. No burglars are going to enter your

house to steal your Roman tear-bottle or your books. When you

are so blue you feel like killing yourself, say your prayers. I

am very glad your friend the abbe is going to come and stay with

you. He is a _good influence_, I feel sure, and a good

friend.

I suppose I shall see you again some time, even if I don't do

the visiting. But don't be in any hurry, not on my account. I

hope that in the meantime you will get back your strength

quickly. Remember that you will have to be very careful for

quite a long time, because a relapse is _an awfully mean

thing_.

Good-by, my dear Gerald. Please accept the very best wishes of

Yours sincerely,

Aurora Hawthorne.

P.S. I did not write four letters and tear three of them up,

like you. I wrote one and corrected it, and here I have copied

it out for you, hoping that in it I have made my meaning as

clear to you as you made yours clear to me in your letter.

Aurora the Magnificent · 第 16 / 24 章