II: FAY RICHMOND

THE influenza epidemic of the winter of 1918-19 will for me always

be memorable for a strange coincidence, which could in no way have

happened but for that plague's overwhelming rush; and together with

that I remember vividly the grieved face of a homely matron, as

she spoke to me that January afternoon on the hushed stairway of a

nursing-home in Beaumont Street. It was, I suppose, one of those unreal

incidents which are so essentially part of that life which realism

likes to depict, that a realist may often fail to translate them into

his tale (after that very old man, blind to the thing under his nose),

whereas a romanticist will, perhaps, with a debonair gesture, give them

their true part in the histories of his creatures.

Thus, this tale, sown however dismally, takes to itself the air of

a romance; not mine indeed, nor Howard Wentworth's, the well-known

playwright whom it intimately concerns, but Fay Richmond's. I call her

by that name even though it was lost, in the way that women must lose

the most apt and adequate names (as only names can be), on her Italian

marriage some twenty years before Howard told me about her. He was

curiously infatuated with it; I remember him repeating it, delicately,

and pronouncing it a beautiful name, not unworthy of the meditation of

Mr. George Moore by his fireside in Ebury Street.

"No, it was too fitting a name to last," he said. "A girl with such a

name couldn't but die or get married young.... Can you imagine an aged

spinster called Fay Richmond? It could only be the name of a lovely

girl, but it could never live much more than twenty years except in a

novel by, well, Disraeli or Meredith; unlikely enough shades, you'll

say, the bedizened and the tortuous, to be joined together even in

sentimental discourse about a girl's name, with whom I've already bored

you sufficiently...."

"But I haven't met her yet!" I protested actively from my side of the

fireplace, in his room in the Beaumont Street nursing home.

Influenza had already gripped and released me, so that I was now in an

irritatingly robust state of health in which to visit a less fortunate

friend who had succumbed to its second wave; for that second wave was

more virulent and more treacherous than the first, mocking its victim

into partial convalescence and then, with a jeer and a snarl at the

ambuscaded wretch, fixing again upon the damaged lungs, so inexorably

that there was only the one release. And thus Howard Wentworth, who

was thought, even by himself, to have cheated the thing, in the end

died; not ten days after that afternoon when I had sat listening to

him, as he lounged in the happy _déshabillé_ of convalescence, and was

reminiscent about a girl called Fay Richmond.

The difference in our years had not prevented an acquaintance ripening

into a steady friendship. What I liked about Howard Wentworth was

that--unlike so many Englishmen of middle years--he was _not_ young

for his age. He was completely, sincerely, and normally over 45, which

was so refreshing of him among the crowds of 38's to 42's passing all

the way from Coombe to Sunningdale of a Sunday morning.... And it was

after our occasional dinners in his house in Upper Brook Street that

I would be interested by a solitary photograph in a plain sandal-wood

frame; one could not help contrasting its prominence on the grand

piano with the total absence of any other photograph in that austere

house--austere, in spite of that slight Chinese element of tapestry,

strange green horsemen and the like, which even the best of celibates

are nowadays growing to affect.

I used to wonder, quite shamelessly, who the girl with the sad, sincere

face was, and whether my host and she had loved unhappily; for the

girl's eyes were large and sad, and the firm set of her young mouth had

not tried to obey the exhortation to smile; which must, indeed, have

been given very hesitatingly, for there was a frightening sincerity

about her face. You felt, looking even upon the poor mockery of a

likeness, that you would have to dance very well indeed before you

begged the favour of such as she to dance with you. You imagined to

yourself fine arrogances behind those young eyes, to attract and appall

you in a venturesome moment....

But, of course, I could not ask my host about her, I had to wait;

until, on his reported convalescence, I went to see him in Beaumont

Street, and I suppose too obviously noticed the sandal-wood frame on

the dressing-table. He smiled:

"It always seemed to go with me," he said. "And I don't quite know why,

as I don't remember ever having made a point of it. But Briggs somehow

got into the habit of treating it like a toothbrush, so that it now

goes with me even for weekends. I don't think I've even really looked

at it for years and years.

"Though, I suppose, I've always got the feeling that it's there," he

said, "or that she's there...."

"No," he corrected himself quickly. "I can't aspire to that

consistency. Even in a sentimental mood with you sitting there trying

to look as though you had come to amuse a sick man, whereas you've come

to be amused, and well you know it...."

Then it was that he told me her name, dwelling on it.

"As a preface, I was a very sane young man," he went on, smiling. "I

know I must have been, because when I try to find in my youth even one

among those rare mornings in which a giant wakes up with the feeling

that he could break a lance for a fair lady that day, I can't find one.

There never was one, I never woke up so recklessly. And the fact that I

may have grown to have that feeling when it's too late and I'm too old

to joust carelessly is neither here nor there; it can't bluff me into

thinking that once upon a time I, too, could have followed His Grace of

Dorset into the river for a Zuleika Dobson--or, more splendidly, for

a Fay Richmond, no conjurer nor coquette! For I know dismally that

my wildest youth couldn't have shared in that fantasy of love--I was

too sane or too stupid, whichever you like. And that's why, instead of

being the chief actor, I am only a humble observer in the only play

that has ever really mattered in my life....

"One February afternoon, about six years ago, I drove past two people

on the Route Corniche between Nice and Monte-Carlo. I was driving

alone, a noisy Mercèdes. And I had just swung round a corner on to a

straight stretch, when ahead of me I saw a man and a woman come out of

the garden gate of a villa. The woman had on a white dress. I looked at

it until I was abreast.... And I don't know how I got round the next

corner. I don't know if she really recognised me as I whirled past, if

she really smiled--perhaps it was only a mocking game that the sun had

played on a woman's comely face! Indeed, I thought she had smiled, that

old, gentle smile.... For me the whole thing was just a sudden stare,

and then a long acute, acute pain. The sort of pain that fixes on the

heart and mind, with a doubtful smile to crown its ache.... Wondering

about that smile, as of a ghost in a white dress, all the rest of my

way on that fiendish, lovely mountain road, I suppose it wasn't my

fault that car and self didn't add one more wreck to the credit of Les

Alpes Maritimes.... I hadn't seen Fay Richmond for fourteen years, and

I have never seen her since then.

"I was about twenty-eight or so when I first met the Richmonds, _mère

et fille_, in London. Old General Richmond had died a few years

before--perhaps luckily, before the Boer War rats got at his reputation

as a strategist.

"I had already two fairly successful plays to my name; and so, among

the thousand and one people of my first drawing-rooms, I can't remember

exactly how I met Mrs. Richmond, unless it was at a bridge party, for

she was a fearsome player even at that early stage of the damnable

game. Fearsome she was, I said; but only in spades and clubs. She

is the only woman I've never really been terrified of in my life,

bless her dear kind heart! A huge, vast woman, with a vast expanse of

genial face, and fair hair, and a rumbling rasping voice that caught

you behind the shoulders and made you smile sheepishly. She had no

right to be a woman, she ought to have been a stockbroker, with a

terrified, adoring little wife and a large place in the country. I'm

not exaggerating, she wasn't fat, she was massive--simply exuding

luxury, terror, and kindliness. Yes, that rumbling, rasping voice said

the most encouraging things to a not-very-conceited young playwright;

who, I like to think, fascinated by the kindliness of that vast terror,

perhaps stood behind its chair all that afternoon and watched it take

the odd trick, or know the reason why not, my dear partner?...

"And not very many days later, on a lazy afternoon one October, he

was sending in his name from the doorway of a house in Rutland Gate,

vaguely hoping that she was not at home so that he could wander about

the Park for an hour or two. But within the next few minutes he was in

an unconventional little grey room upstairs, certainly not the usual

drawing-room of this large house, in half-hesitating talk with a girl

who had followed him in.

"He had swung round, as guiltily as one always does from the

examination of a strange room, when he heard the door open behind him;

and expecting, prepared for that large woman, he was suddenly struck

shy, absurdly stammering, when a slight thing, a girl, came towards

him with a smile and flushed cheeks and some quick nervous words. It

was surprising how slight she seemed! Her words and her flush showed

him that she was much more shy than he--why, she was only a girl!--and

this pulled him together into his experienced self, before he entirely

missed what she had begun to say.

"'My mother told me--' she was saying, but she had misjudged her

distance, and was now so close to me that she had to break in with a

'How d'you do?' and shake hands.... Then her eyelids fluttered, quite,

quite sincerely. But, beneath them, the brown eyes were apprising me

steadily all the time--she was one of those sweet things who valiantly

pretend that they can judge for themselves! Well, she would have to

like me, I decided.

"'You see,' she was going on quickly, 'when your card came up, mother

said at first that she wasn't at home--'

"'Thank you,' I said, and we both laughed like shy children.

"'You know I didn't mean--oh, dear, it's very difficult!' she broke in

helplessly. 'And I haven't even asked you to sit down yet!'

"'But I don't know if I'm to be allowed to stay!'

"'Why, of course, you are going to stay!' she said, surprised into a

decisive manner. 'I'm just trying to explain.... Do sit down, please!'

We both sat down. She took a deep breath:

"'Mother said she wasn't at home at first, because she is lying down

with a headache and a bad temper. But then she changed her mind--even

a headache can't ever prevent mother from changing her mind--and said

that she couldn't turn you away from the door the very first time you

called, as you might never come again, which--'

"'Yes, I would,' I interrupted.

"'But you wouldn't dare contradict mother like that if she were here,'

she retorted; and then covered her suddenly heightened flush with a

little tremor of a laugh. It wasn't quite a laugh--rather like a happy

gurgle, you know, if that doesn't sound too stupid. And it made one

want to smile all over.

"'Shall I go on where I left off when you interrupted?... Which, said

mother, would be a pity, because you were a nice young man and had

quite good manners for a man who couldn't help having gone to Oxford or

Cambridge--'

"'Heidelberg,' I corrected softly.

"'Well, I'm glad mother doesn't know that, because she generally

doesn't like eccentric people.... And then she told me to come down and

receive you, and give you tea, and make such a fuss of you that you'd

have to pretend to be amused, anyway.'

"I suppose she caught me with a whole-hearted smile all over my face,

because she added, 'And you are pretending splendidly,' in a shy,

mischievous way. Then again that tremor of a laugh, with just a little

mocking wave in it. And now, too, laughter was playing a fluttering

game with the inevitable shyness in the tortoiseshell eyes. Yes,

they were just brown eyes when she first came in, but now they were

tortoiseshell in the pale October light. These things happen.

"It was rash of me to begin to try and tell you about Fay Richmond,

because I find I am groping for the threads. And there is something

almost irritating in trying to modulate one's thoughts to the facts of

an intimacy which has been at the back of one's mind for so many years,

but which only lasted twelve months. That's all--just about twelve

months from that afternoon which I've been describing to you at such

terrible length; on purpose, indeed, because in groping to fit a memory

with a face and a voice I have got to go back to the very beginning, to

re-live that first impression of that first meeting; which ended only

with a suddenly returned nervousness, itself the herald of my returning

formality. As I took my leave I had the happy feeling that I had found

a friend--you know that feeling? as you walk away from a house which

you had entered never dreaming of the unusual smile with which you

would be leaving it? It happens so seldom....

"From that time I saw a great deal of them--or rather, as much of them

as of any one, for I did more writing at that period of my life than

at any other. I was still young enough to have the luxury of having

something to say, or thinking I had, which is as enjoyable. Mrs.

Richmond was really fond of me, God only knows why. And genuine in

her affections as in all else, the ordinary barriers of time between

acquaintance and friendship counted for nothing with her; and so I

found myself, very delightfully, to be almost an 'old friend' of the

family within less than a month!

"Perhaps it was just this unusual development that put me in the wrong

channel; for there were Fay and I, with the embracing presence of her

mother between us, or upstairs about to come down--how often she was,

carelessly, 'about to come down'!--calling each other by our Christian

names within, perhaps, the fifth time of my seeing her! While there was

another young man, much more often and with more right at Rutland Gate

than I, who, I know now, could not have called her by her Christian

name, nor she by his, until the moment came when he simply couldn't

help calling her by it. And that, after all, is what a Christian name

is for! Certainly not to be scattered about in casual familiarity....

What a feeling, not to have called her 'Fay' until, one day, I simply

had to! It's an emotion I missed, with other things....

"You will find it scarcely believable when I tell you that I went

there, for most of that time, just as much to see the mother as the

daughter! I simply can't remember hoping, when I rang the bell, that

Mrs. Richmond would be out or lying down, and that I must 'pretend to

be amused' with Fay--a joke, by the way, not easily released by any of

us in that pleasant house! Mrs. Richmond was quite right in trusting to

her affections, as good people often are right; and she herself said

once, 'One very seldom places confidence in the wrong people.'

"No, this unfinished romance would never have happened if, several

months before I met her, Fay Richmond had not been engaged to marry the

Marchese Vitiali. It would not have happened because Mrs. Richmond was

a sensible and practical woman, and because I was quite an ineligible

young man, having no money, and, as she once remarked, only the most

erratic prospects.

"'And for a woman to marry a man who lives by his pen is as dangerous

an adventure as to marry a man who lives by his sword,' she ponderously

added in the course of this same conversation; which of course held no

strictly personal quality in it, but had sprung, one afternoon early in

our friendship, from her coming down and finding Fay and me in a happy

mood together.

"'One of the pleasant things that have happened,' she said embracingly

as she came in, 'since this girl was clever enough to get herself

engaged, is that now we can have ineligible young men about the

house--can't we, Fay?'

"Even I could see that she wouldn't have answered but for the silence

of two people.

"'Yes, it's fun to have friends,' Fay said, almost shortly. And for the

first time in that house I felt a twinge of embarrassment. Something, a

faint idea, brushed me in the face, vaguely. It's exaggerating a vagary

into a phrase to say that I could almost feel it leave a faint red

mark, like a flush. But it's quite poignant, even now.

"Yes, I suppose I _have_ brought in her engagement as a sort of

casual incident instead of as the real fact of her life. But, don't

you see, that is exactly how it seemed to strike one, entering that

house at a mid-way hour, so to say? Why, as I see it now, I think it

was weeks before I actually realised the fact of her engagement! Her

_fiancé_ was nearly always there, of course; but not acutely so as her

_fiancé_! He wasn't momentously present, I mean.... And I don't think

that it was entirely an excessive good breeding or a lack of point of

view which so blurred the outlines of his position in the house. The

Richmonds seemed, rather, to have peculiarly enveloped him, his whole

foreignness, his demonstrativeness, and his dark good looks. So that

it wasn't, perhaps, unnatural that some time passed before I realised

anything other in the handsome young Italian than a charming and

cultured--one might almost be pardoned for adding, decorative--addition

to an already luxurious household. Accepting him as part of the

family he seemed to just grow, in his capacity of lover, into my

consciousness; as, I guessed, he must have grown with time into Fay's

life--that rich and eligible young Roman! He, born with all the good

things of life, having entered it with a letter of introduction, as it

were, from the god who awards the silver spoons, had managed to happen

on yet one more! And, with it all, he was still so very likeable....

"There seemed, through all those earlier months, to be a grim sort of

silence sustained by the mother and daughter about Vitiali. It grew

queerly on one, this silence, after I had accepted him as part of the

Richmond household; and I impudently put myself to inquiring into it.

Not, of course, that I often saw Mrs. Richmond and Fay, or either of

them, alone, for as I've said he was nearly always about the house,

had just left or was just arriving.... I chose to think it a little

strange that so ardent a _fiancé_, as undoubtedly he was, should be

treated so utterly as part of the family--strange, or if you like, more

than flattering for a foreigner in an English house! And, happening on

what I've already described as that grim sort of silence about him, I

found a more subtle reason to account for it than this whole-hearted

acceptance of him into the family as a lover and a gentleman. Its very

quality of grimness, which seems a little absurd in this context, gave

one the key to Mrs. Richmond's queerly and almost insensibly working

conscience, and--as I stretched the limits of my conceit--to Fay's

dim understanding of it and its cause. Surely you can see the pathos

of a situation in which a mother and a daughter, very really loving

one another, seldom referred to an approaching marriage because they

both vaguely saw in it a contradiction to their mutual understanding?

It couldn't have been more definite than that, else my tale would run

differently.

"I can see Mrs. Richmond, now, fumbling in her generous mind, through

that time for a real and deep content at her daughter's marriage

with the Marchese Vitiali, whom she liked so much. She, who would

indignantly have denied that she could ever force or more than mildly

persuade her daughter to a choice of a husband, must have felt a

plaintive discomfort in doubting if her genuine desire for Fay to

accept him had not influenced a daughter, who placed her mother's

happiness beside her own, over just that fraction which helps

indecision into assent.

"That Fay's concession of herself was not more abandoned than an assent

I came to see through the window which an intimate household, unused

to secreting its intimacies except by way of good breeding, almost

forces upon the privileged third person. It didn't vividly strike one,

as such a fact vividly should, that Fay was in love with her _fiancé_;

not, I mean, that admirable sort of "in love" of young people, however

undemonstrative, which makes the third person, on leaving its happy

presence, want to clutch at the heart of the first pretty woman he sees

so that he too can share of the beauty of a beautiful world.... But the

opposite, the flatness of a forced emotion, certainly didn't strike me;

love was there, I suppose, but of that pale kind which so often doesn't

outlast, even in the purest mind, its consequence of marriage. The

third person didn't have the acute feeling that he had blundered, ever

so little, on them in a room; or that, once there, he should quickly

leave them. There was a "grown-up" atmosphere about her in Vitiali's

presence which, I once realised, was quite lacking when he wasn't

there; which was terribly seldom.... Of course, when I did come on them

together, as happened sometimes when I called in the afternoon and Mrs.

Richmond was 'lying down,' I generally found a way to retire quite

early--but entirely because of that other party to the approaching

marriage, the charming Vitiali, whose eyes made no secret of a fact

which, after all, there's no reason to conceal from a celibate woman.

"I had nothing from Fay about the preliminaries, as I came to be

curious about them. She never spoke of yesterday, very seldom of

to-morrow; all her words and laughter were for the present moment, when

you were with her and were held captive by the deliciously sincere

brown eyes, which could mock so faintly--and, if she chose to play

with you, act so plaintively! Perhaps it is because I, even then,

had put her on a velvet cushion in a glass case, to admire and enjoy

her especially, but she certainly did seem a figure quite apart from

her own generation of just-emerged _débutantes_--usually a tiresome

barley-water stage for a girl, when she hasn't yet quite dropped

her girlish giggle for her woman's smile. I never thought of her in

relation to the other maidenly things one met in drawing-rooms round

about, even when she was herself there as one of them, and by a quaint

mixture of shyness and self-possession made one mentally describe

her by an unusual epithet for a girl--she looked gracious! But then

that was suitable, for parties and such-like were different to these

nowadays. It was much less difficult then than it is now to tell a lady

from a _demi-mondaine_; girls hadn't yet learnt, or pretended they

hadn't, to be sophisticated before getting married. One played more

ping-pong in those days.

"So it was entirely from Mrs. Richmond that I learnt of Vitiali's

approach, and of her own motherly share in it, and was able to piece

together my theory of the good lady's vague discomfort at it all. He

had appeared in London about two years before to take up the vaguest

post at the Embassy here, but with just a little more than the usual

social advantages of the ordinary attaché. Mothers' hearts could not

but beat a little frenziedly in the presence of his fortune and his

very agreeable person; and his title, however Italian, held a long and

honoured tradition. Mrs. Richmond was quite a dear in her self-directed

sarcasm, and there was a real tenderness in her reference to the

_parti_ which her daughter had won--because, after all, the prize had

melted before Fay into the most graceful of begging suitors; had so

wantonly fallen in love, her mother explained, that only the severest

exercise in breeding had restrained her from feeling superior to more

commonplace mothers. From the first he had lain, so to speak, on the

door-mat, quite pitifully. Fay, who had just 'come out' had quite

definitely refused his first proposal--any Englishman would have run to

join the salmon in the Hebrides after that girlish refusal! But not so

Carlo, who loved without false pride, like the Venetian suitor he was;

he ran no further than that door-mat, and there he stayed; looking not

in the least ridiculous in a position which tarnishes the dignity of

most spoiled young men, but rather grew in it, to one watching kindly

more than ever acceptable. Indeed both liking and approving him, Mrs.

Richmond had watched his suit kindly and carefully from the first and

had favoured it as well as she could; and more than ever after his

rebuff, for Vitiali was emerging so admirably from the dangerous test

that, so she affirmed, she had never in her life learnt so much as then

about the best way in which a young man can win a young woman.

"'And, after all, it's not every day that you will be loved so well

and so eligibly,' she had told Fay; and I gather that the rumbling

voice must have held a certain weight of impatience in it that day.

Because, beside the initial one, there were so many advantages which

the tiresome girl didn't seem to see; such, for instance, as the very

important one that the southern climate was good for her delicate

health,--a cause for great anxiety ever since a very severe attack of

bronchial pneumonia in her sixteenth year; in fact, just because of

that, they would anyway have to spend a considerable part of every year

in the south.... Not of course that any advantage of any kind could or

should sway a definite dislike into anything more amiable--but where,

incomparably instead of dislike, there was a genuine fondness which

the slightest touch of time's finger might throw into love, it was

irritating to see a girl's whim assert itself so contrarily!

"And who, in the end, but Fay herself had proved it to be a whim,

when, some eight months after he had first declared his suit, Carlo

had found himself accepted as whole-heartedly, Mrs. Richmond affirmed,

as once he had been refused? Although, of course, Fay was of a very

undemonstrative nature--which perhaps was just as well in a mate of

this Italian gallant, who was himself quite demonstrative enough for

one household!

"But there was to be no hurry about the affair, Mrs. Richmond had

decided from the first; and I could imagine her bustling that decision

about her mind, as a sort of anodyne for she didn't quite know what.

They had been engaged already six months, and she, watching her only

child's happiness very, very carefully, had gained from her care not

less than certainty about the felicity of Fay's choice. There was in

Carlo no note that jarred, as there often is even in the best of men;

besides, he could so perfectly accommodate one's every mood, and yet

lose not a fraction of his dignity in such complaisance; for, having so

absolutely thrown himself at Fay's feet, she hadn't really been able

to help allowing him to stay there--'as who wouldn't?' Mrs. Richmond

demanded comfortably.

"No, there was to be no hurrying. Carlo had been persuaded by her

determination--Mrs. Richmond rather stressed her influence here--and

the marriage would not take place for another six months from then;

for she preferred that Fay should have reached a decent one-and-twenty

before setting out on the conquest of Italy.

"'But she is an odd girl, with a terrible capacity for loyalty--I

suppose that's the word,' she added. 'With more loyalty than a

human being can comfortably hold, I sometimes imagine.' A note of

self-deprecatory anxiety in her voice conflicted oddly in one's ears

with the 'happy-ever-after' tone of her previous sentences; and to help

her out of her ensuing silence, I ventured that surely it was just

Fay's loyalty (if that was the word), which even a stranger could feel,

that made her so unusually, well, attractive for her years.

"'Of course, of course....' Mrs. Richmond assented heavily; then turned

in her chair directly round on me. 'But, my dear man, don't you

see that when it's carried to excess it can make a very treacherous

quality? When, let's say, it becomes a leading principle in life for

a girl who, after all, needs only a working amount of it, all sorts

of troublesome things might happen--I mean, of course, that it's just

conceivable as a theory in a foolish moment such as this.... Poor

Howard! to be burdened by a mother with her child's virtues for lack of

any real faults! It's a sweet thought, that way.

"'You see,' she said wistfully, 'people sometimes break after the

strain of too much loyalty--I've adopted that word now. They don't take

things easily enough, until, one day, they suddenly break and take

things too easily! I've seen it happen, a dear sweet woman.... I'm

talking so intimately to you because I expect you to understand, and

not be too brilliantly conclusive to yourself about it. Of course you

know that I am not talking directly of Fay, for it's absurd to suppose

that there ever could be a strain on her loyalty about anything, but

about my own theories. I've got lately into the habit, from so much

watching, of doing her introspection for her, just as I still like

doing her hair for her sometimes--for it's a shame that a mere maid

should have all the fun, isn't it?'

"But, after all, it was not to run so smoothly for dear Mrs.

Richmond; her half-articulate anxiety--I can't really call it

self-reproach--seemed to have held a parallel justification in its

subject. Fay, knowing nothing of her good mother's shouldering of

her burden, had done her own introspection as well as she could by

herself; and came, as girls will, upon its results inconveniently as

the marriage grew nearer--instead of having thought of it all _before_

as her mother had done for her!

"I had a very good view of the pattern they unknowingly worked

between them because, in my curious too-quickly developed position in

that house, I was again made the _confidant_. I was, 'Since mother

has quarrelled with all her "in-laws," the only sensible man about

the premises,' Fay herself said once; a bloodless and unenviable

prerogative so unsuitable to Vitiali's temper that he had never

troubled to stoop down to claim it from the heights where his good

fortune had enthroned him. For who, able to be something better, would

trouble himself to hold the mean place of 'the sensible man about the

premises?' I've never been lured into it since, anyway.

"It was about a month later that, after a week in which I had not seen

them, I called one afternoon and came face to face with Vitiali by the

drawing-room door, which he had just closed behind him.

"I'm so glad you have come, Howard,' he said, with his affectionate

smile, retaining my hand in his; we were great friends, you understand.

'I have just left Fay, looking exactly as though she were going to

write a book or a tragedy. Oh, so serious!

"'Come on, quickly,' he said, catching me by the arm and hurrying me to

the door. 'Let her see you before she takes a pen in her hand--let her

see a man who actually has written something, and take warning.

"'Of course, you don't look like an author, old man,' he soothed my

protest. 'You look just like any one else, but more sympathetic. That

is why I am asking you to make Fay look not so serious--Oh, it's

terrible, that quiet Fay seriousness!' He held me at arm's length with

a sudden gesture. 'Can you make a woman laugh?' he asked.

"'I can do nothing else,' I answered.

"'Then, Howard, I shall count you not a good friend if Fay is not

smiling all over her face when I come back to-night to take them out to

dinner.' He had a delightful way of mock solemnity, which seemed to

suit particularly his dark mobile features.

"'Quick, now, before she takes up that horrible pen!' and he opened

the door and thrust me into the room. 'God be with you,' he whispered

behind the closing door.

"What poor Carlo had helplessly called her 'seriousness' I had remarked

about Fay just lately; and the forced comedy of my entrance to combat

it was part of the woe-begone air with which he usually tried to

appease and lighten it.... It was, as I had noticed, as though a

fleeting shadow of thought, in brushing across her face, had been

seduced to stay beyond its first impulse; and there's nothing in the

world so satisfying to watch as a young serious loveliness, so it be

without guile. I, as sometimes the four of us sat at the play (when of

course I was Mrs. Richmond's companion in particular), in a side glance

at her would catch the shadow of that thought, and it was as a delicate

engravure on a lovely face; and I'd wonder what problem that dear

mind was trying to work out--of course, bravely! You see? She was the

sort of girl to induce a generous epithet about her every action, the

sort that even great writers seldom show as anything but lay figures,

simply because it needs a rare personal quality to create a perfect

description of beauty together with simplicity and genuineness. I can't

even attempt to do that, I'm content just to envy my youth her company,

and curse it for its commonplace vigour which, ambitious in a busy

world, thought of that girl as a playmate, instead of--oh, instead of

as a mate!

"'I'm here, to-day, as a clown,' I said, as I walked towards her at the

writing table by the window. They affected quills in that house, and

as she turned round in her chair she had the end of one thoughtfully

between her teeth.

"'You don't have to be a clown,' she denied, quite vigorously. 'Even

though Carlo did make a speech to you just outside--and isn't he a

sweet when he's fussed!'

"'And with reason. For the point of his speech was that you had been

pulling a long face at him, and no decent Italian likes to have his

women pulling long faces.'

"'It wasn't at _him_, Howard. Could any woman pull one of those faces

you refer to at Carlo? Obviously he's too dear to be treated as an

ordinary man....'

"'Well, I did say I was only a clown,' I murmured humbly.

"'No, to-day you are an uncle, Uncle Howard,' she said, puckering her

eyebrows as though in examination of me for that post. 'Yes, you've

got to be the sort of uncle that real uncles never are.'

"'This is one of my serious days,' she explained. 'I'm sorry, Howard,

but it is. I'm not old enough yet to have a plain day, so I've got to

put up with a serious one instead now and again. There's no sugar or

chocolate on any of the cakes I think about to-day.'

"'I remember a tale by a man called Henry Harland about a woman who

once had a plain day--' I was beginning vaguely.

"'You mustn't remember it because I'm not a bit interested in her,' she

stopped me. 'If you please, we will discuss myself Entirely. Do you

mind very much, Howard?'

"'Not very much,' I said.

"And suddenly she jumped up and caught me tightly by the arm, the

whole smile and impulse exquisitely childish. 'Oh, my dear, what

shall I do when I'm married to a foreigner and no strong, silly,

sensible Englishman about the house to play with!' Quick words they

were, tumbling over one another--and then she let go my arm, for that

inevitable flush was tingeing her cheeks.

"'You see, one thinks of that,' she went on, more sedately. 'It simply

creeps over me, the thought of who poor Fay is going to talk nonsense

with in the "near future." It's difficult to talk nonsense with most

people, isn't it? Yes, say it is.... You know you get that feeling

yourself, Howard--you know very well that it isn't with every chit of a

girl you can talk the sort of stuff you do with me. Just try, anyway,

and see what you get!'

"'Of course, I can with Carlo too,' she said. 'But it's different.

Rather like work. Why, it took me months and months to make him

understand that I didn't hate him when I laughed at him! And one only

really laughs at people one's very fond of, after all.... I suppose

it's different because he's in love with me,' she added, and waited for

me to find a query in her eyebrows; but I didn't answer it.

"'Italians are very odd,' she said. 'I know all about them now. They

simply mustn't be laughed at--it's a sort of threat they hold over

you, poor dears! I'm always making a sunny day into a rainy day for

Carlo.... When I said "foreigner" I didn't, of course, mean to imply

that he was an ordinary foreigner,' she added very decidedly.

"'Even if he had no money,' I agreed, 'he could never be anything

worse than an "alien." With a face like that he simply couldn't be

"undesirable."

"'What is it, Fay?' I asked suddenly. 'You've got the air of a woman

"leading up to something." There is an important look in your eye.'

"She smiled a little plaintively. 'It's not very important,' she said.

'I'm worrying about myself, that's all. To-day, and yesterday, and

other days before, I've been wondering whether I am or am not going to

marry Carlo.'

"'But, Fay, of course you are!' I was startled enough to cry.

"'Yes,' she nodded. 'That is exactly what mother would say, except that

she would say it in a bigger way; but she doesn't know.... I'm worrying

about it a lot, Howard. I simply don't know which to do.'

"She had startled me into the attitude of uncle she had desired of me.

I stood on the hearth, just by her chair, and really felt very serious.

Suddenly, and with both hands, she had given me a responsibility. She

had half turned a key and shown me a place of discomfort for three

people whom I was really fond of. And I wanted, intensely, to help--not

only Fay, but her mother. If this was only a passing indecision I

decided that her mother must never hear of it, for I already knew of

her infinite capacity to worry herself.... But it doesn't matter what

in particular I said. I probably bent over from my place on the hearth,

and spoke into her eyes, telling her that this wasn't a game. She

simply must make up her mind--now! To go on doubting was, after all, so

unfair to Carlo!

"'It can't all be so indefinite,' I urged rather impatiently. 'I mean,

my child, that you must know whether you do or don't like him enough.'

"'But I do, I like him frightfully,' she protested. 'You don't quite

understand, Uncle Howard. I'm not worrying so much about his part of

it as about mine. I'm sure about him, you see. He is the sweetest and

dearest young man in the world, and I know that I can be happy with

him--even though he does look sulky when I laugh at him. But Italian

sulks are so much more attractive than the home product.... Yes, I like

him very, very much, and I know very, very clearly that I'm not in love

with him--'

"She was too sensible a girl for me to take up that cue in the

conventional way; but there was no other way in which to answer it, so

I didn't.

"'But I'm not an idiot. I don't quarrel with that especially,' she

said, 'because I will probably never like any one I can marry half as

much. No, it's quite easy to just marry Carlo, he fits in so well.'

"'Well, if that's so, I wonder what on earth we are talking about!' I

had to say. And she shook her head at me helplessly.

"'You make an awfully good uncle, Howard, you are so terribly stupid!

Didn't I tell you ages ago that this discussion was to be limited

strictly to Fay? So Carlo, for the moment, is just a man who has bought

a ring. I, the Queen of Sheba, come to Solomon for wisdom, but with one

fat worry instead of jewels and things....'

"How surprised she would have been if I had said, 'My dear, even

Solomon was not more grateful.' But I wanted to.

"'I seem very meek and mild, but I'm really very full of myself,' she

explained shyly. 'I've been introspecting, you see, and of course I've

made an awful mess of it. Knowing oneself doesn't help, it simply

complicates.... I've found, for instance, that once I do a thing--well,

it's done! It's like a thing written in a book (or in a play by you!),

always there, by me. I mean that once I've stuck myself to a thing, I

am--do you mind?--a "sticker." I don't change or break away--I can't.

And it's very frightening and discouraging to realize that, because it

sort of cuts away from under the feet all the trap-doors which other

people can escape through. I feel very pathetic ... and even you don't

know what I'm talking about.'

"'But I do, Fay, I do!' I said quickly. And I knew even better than

she, with her mother's self-deprecatory confidence on 'loyalty' in my

ears!

"'The feeling,' she went on encouraged, 'is that, not quite like other

people, once I'm married--well, just suppose that I even in the least

bit wanted to get unmarried again! I couldn't. It's like a Roman

Catholic marriage, for ever and ever. Of course,' she added quickly,

sincerely, 'it's the very dimmest nightmare. I'm quite happy to marry

Carlo, and I can't really imagine that I could begin to be unhappy

with him--but just suppose! I'm much too fond of him even now to want

to hurt him, and as I grow fonder of him I shall never be able to hurt

him. Never. His eyes wouldn't let me....'

"And as I looked at her I couldn't help thinking that the world would

be a splendid place if women realised the responsibility of being loved

as did this girl. For that, mainly, was what it was, the burden of the

responsibility of being utterly loved for the first time.

"But I didn't give way to that sort of thing. I seem to remember

talking a great deal of sense that afternoon, but sense which I tried

to frame illogically enough not to appear too disagreeable. I simply

can't help feeling a little proud of my own share in that afternoon. I

remember that I said quite sternly that it was very strange for a girl

like her to have wandered so far ahead, strange and not very fitting.

'Because, don't you see, Fay, it's all very unfair to Carlo and to

your own affection for him? You say you are frightfully fond of him,

you let him feel that you are, and then, if you please, your mind goes

searching on ahead concocting plots as to what you will or will not do

when you are not so fond of him. If you are fond enough of him now, as

you say you are, it's simply dishonest of you, Fay, to go on playing

draughts with those vague doubts about a very vague future. It's the

sort of thing women do when they are thinking of marrying a fourth

husband.... If you go on like this, when you are an old woman you will

be very superstitious and quite unbearable. For it's not much more than

a superstition now, and you are treating yourself very cruelly to make

it the keystone of your "serious day." I've never felt less sympathetic

about a thing in all my life!'

"And so I went on, bartering my mess of pottage for the homely position

of 'Uncle' Howard. And as she looked up at me and listened, her eyes

grew not so serious, until they laughed outright.

"'Oh, dear, I'm sure you're right,' she said at last; 'but I don't in

the least agree with what you say.... But anyway I've gained something

by boring you with it all, Howard. The whole thing seems so very

unimportant and silly now I've told it to some one else.' And then she

added, with a manner: 'The serious day has nothing further on which to

proceed, so ... let's have tea! And muffins! It's simply impossible not

to have muffins to-day, Howard.'

"She was a dear, that girl! And a little later, as I walked up

Piccadilly towards my flat, I suddenly found myself staring hard at an

empty 'crawler,' with the tremendous thought in my head that it was a

great shame that England should lose such a girl to a foreigner and a

foreign country! It began to seem wrong, somehow....

"I saw very little of them between then and the marriage. August and

part of September took them up to Scotland, while I stayed in London

and worked. How I must have enjoyed working in those days! And when

they came back I was busy with the production of a new play, and they

too, I supposed, with the usual preparations. But Vitiali used often

to drop in at my rooms at odd hours, and I asked him once if Fay had

ever looked serious enough since that afternoon to write a tragedy; he

showed his teeth in a smile, and said that I must have done her a great

deal of good that day, 'Because, my dear Howard, she has never been

gayer and more light-hearted as lately. I am very happy....' He could

say those things, he had a way of charming you with his simplicity;

and, anyway, there is nothing more charming in the world than a

cultured foreigner--except, of course, a cultured Englishman.

"Two nights before the wedding day, after ten o'clock, Fay rang me up

on the telephone. 'I hope I am disturbing you,' she began sweetly.

"'I just want to know, Howard,' the voice said, 'if you really are

coming to see me married.'

"'Well, I've intimated to your mother my decision to be present, and

I've committed myself in writing, what's more.'

"'Don't be silly, my dear! Whoever takes any notice of what _you_

write? You write much too well.'

"'It's only that I had a vague idea,' she explained very gently, 'that

you wouldn't be there.' Then, somehow, there was a short silence. That

telephone silence, full of dim murmurings and the attention of two

people!

"'Why?' I asked abruptly.

"'Don't be snappy with me, please, Howard,' the voice begged. 'I just

wanted to know for certain, that's all.'

"Queer things happen sometimes on a clear telephone about half-past ten

at night. Voices seem to take their clothes off....

"'Well, as a matter of fact,' I began slowly.

"'Yes?' It was scarcely a word, but a light low tremor of a

question.... I put my lips very close to the mouthpiece and formed my

words very clearly:--

"'Why don't you want me to come, Fay?'

"I'm not sure about the little gasp, but only about the little voice,

after a long second, saying, 'I don't know why, Howard.'

"'Now that you've asked me I realise that I never intended to come,' I

confessed. 'And I'm damned if I know why, either!... If I come at all

I shall be among the crowd outside, admiring you and Carlo.'

"'But aren't you quite, quite sure that at the last moment you won't

regretfully find it impossible to come at all?' the voice seemed to

plead.

"'I'm beginning not to be sure of anything to-night,' I said fretfully.

"'Poor Howard!' Ah, I knew that voice, the firmer one with the little

caress of mischief over it! I made a quick grab at it.

"'I say, you're going to write to me quite a lot, aren't you?'

"'Not one line,' she answered firmly.

"'But, Fay, you can't disappear from my life like that!' I protested

heatedly. 'Of course you are going to write to me, aren't you?'

"'I don't intend to,' she said sweetly, 'but I suppose I will,

sometime.... Don't you know, Howard,' the voice asked, as though

getting farther and farther away, 'that you don't deserve a letter

from me, ever?' No words of mine could hold that voice near, it was

disappearing, a faint thing growing fainter, like phantom in a wind.

"'And you don't deserve ever to see me again.... Good-bye, Howard.'

"'Fay!' I cried. Her name seemed to be on the wall before me, a written

word. And I couldn't reach it, couldn't! Her receiver clicked--like a

far away door clicking behind some one who has left a room empty of all

that matters. And I was realising that only then! There was no more Fay

Richmond! That voice over the telephone, with an unrealised shade and

quiver in it, had wrenched aside in my consciousness what the eyes and

body of that voice had seemed to leave intact for so long! As though a

sudden ray of sunshine had awakened a man whom an alarm-clock had left

sleeping. There was no more Fay Richmond! I didn't go to the wedding.

"I haven't, even now, the least sympathy with myself. Nor would I have

with you, say, if you had grossly bungled your affairs in the same way.

It's a deficiency for which there is not the shadow of an excuse, that

mean, ungenerous, deficiency which blinds a man to the necessities of

his own happiness--until, since life is always farce or melodrama, it's

too late!

"She did not write to me. The 'sometime' of her concession faded with

the months into a dream, perhaps to come true, sometime!... I wrote

only once to her, a dishonest letter, which I did my best to fill with

the spirit of my past--and how long passed!--'avuncular' relations with

her. And yet nothing happened since the day when the Queen of Sheba

had come to Solomon with 'one fat worry,' nothing at all! Not even

the first syllable of a word of love--not, by a thousand miles, even

the shadow of an attempted or desired kiss! Only, to account for it

all, a voice on a telephone one night, a so familiar voice changed by

magic.... Changed in itself or in my mind? I simply didn't ask! But,

however it was, from that strange thing the god worked a stranger,

for I knew that when she read that letter she would know that it was

dishonest, unreal.

"She must have known! Or else, sixteen months later.... That 'sometime'

letter of hers had come at last! A treasure, stamped from Vienna where

(so Mrs. Richmond had written me from Tonbridge, her new home since the

disposal of the house of Rutland Gate) Carlo was now attached. It was a

very short letter something like this:

"'I am coming to England for a week,' she wrote, 'to see mother in

her new home in the country. But, if you don't mind, there are other

folk I would like to see, too!... Carlo is getting more and more of a

personage, and simply can't leave Vienna, so I won't be able to stay

away more than a week, from next Thursday as ever is, Howard! But as

I don't know what day I will be in London, you will please institute

no inquiries about me until you hear from me. I will ring you up at

about 10:30 on any of my seven nights, so that we can arrange to meet

somewhere. Of course, I could write to you, but I want to wonder,

as I take up the receiver, whether you will recognise my voice. But

you won't dare not to, will you, Howard?' That is only a reason in a

letter, I said to myself, for I can hear her adding, 'And so, my dear,

if there's anything gay enough to keep you out after ten-thirty on any

of those nights, then you will miss Fay--now won't you?'

"Thursday came. And then came those other days and nights, and passed!

Each one tingling with hope, until half-past ten, and then--oh, it's a

misery unlike any other, that waiting for a bell that doesn't ring! It

is a cruel game to play upon a man, that exaltation of hope to hear a

voice, and then that helpless misery, with no remedy but what he can

find in cigarettes. I paced many miles of carpet those six evenings.

"Thursday again. I dined alone, and then, telling Briggs that he could

take his evening out, opened a book, and read grimly. I can't remember

anything in my life like the bitter, dismal anger of that night. It's

a vivid sore even now, that last vigil by my fire with mind and heart

telling me that I had been cruelly played with, like a beast in a cage.

I didn't love the less, I couldn't; indeed it was my love that was

measured by my bitter grievance.... And even if I do hear her voice

to-night, I wasn't spared from realising, it will be too late to see

her--'to arrange to meet somewhere,' she had written!--for she will be

leaving to-morrow.

"One can act very well in one's own bitter company. Even as the clock

in my little hall struck the half-hour after ten I pretended to read

grimly on.... I've explained all this waiting to you because it seems

to reflect quite importantly on my behaviour that night. It can't but

account for it in a sort of way--and as for excusing it, well I don't

care a button for that!

"I suppose it was about a quarter of an hour later that the door-bell

rang. Briggs was out, as I've said, and I had not the faintest

intention of answering it, for it could only be a casual caller wanting

a drink. But the bell rang again, furiously--and this time, without a

second's hesitation, I threw aside my book, strode into the hall, and

flung open the door.

"'You beast!' I said with all my heart, quivering.

"There she was, in the half-darkness of the open doorway, a grey-hatted

woman, with a little face thrown up to laugh, laughing at me! And I

may have been laughable indeed, with face suited to that unrestrained

outburst. I didn't wait for her to speak, I stretched out a hand and

drew her by the arm into the hall, and kicked the door to. And she just

smiled! with her head a little to one side, she stared up at me, as I

still held her arm, and, I suppose, glowered down at her--like a child

examining the giant who has caught her. And then, at last, she spoke:

"'I wondered what my welcome would be,' she said softly, 'but I never

expected this particular one.'

"Her voice broke my impulses into pieces, as a silver hammer might

break coarse grass. I let go of her arm.

"'And of all the welcomes I'd prepared for you, Fay,' I said humbly,

'this particular one never occurred to me. Please--'

"But she didn't seem to be listening, the large, serious eyes were

still examining me, my face.

"'Why, Howard, you're quite changed!' she exclaimed. 'You aren't the

same Howard at all, the one who used to come to Rutland Gate!'

"'Well, you see, that telephone call last century....' I explained

vaguely.

"She nodded her head comprehendingly.

"'Ah, yes, that one that should simply never have happened!' she

murmured.

"'I'm frightfully glad to see you again, Fay,' I said, as though

irrelevantly, and gravely held out my hand. We shook hands.

"'I just thought I'd call and see you before I left England,' she

said as gravely. 'And I might add that though I find your hall quite

charming, it's very unsatisfactory as a reception-room.'

"But she didn't go straight in, she stopped on the threshold of the

room to look round at me with a sudden, excited smile.

"'You silly Howard, don't you realise that this is a wonderful

adventure, because I've never, never been in your rooms before!' And

once in the room she looked slowly round, until her eyes fixed on her

own portrait on my writing table. She pointed a finger at the discovery.

"'Why, there's Fay Richmond!' she exclaimed.

"'A girl not unworthy to be put beside you, Madame la Marchesa,' I

bowed gallantly.

"'Don't!' she almost screamed. 'I've been hearing that sort of stuff

from Italians and Austrians for a year and a half--and I simply can't

bear it from you, Howard, even in fun.'

"'Anyway, it's a wretched sort of compliment,' she added, 'because that

girl wouldn't dare hold her head up beside me--would she now?' And she

looked me intimidatingly full in the face.

"'Well, I suppose you have grown just a little,' I conceded. 'Though

I can't possibly judge between your looks until you take off your

hat--like a dear?'

"It was easily done, a light grey felt thing with a rakish brim--a

travelling hat, I realised with a shock! My eyes followed it as she

threw it on to the table, and my mind lost all the ease which I had

managed to collect. She saw that, I suppose, for as she patted her hair

she was looking at me with a queer, understanding, hopeless smile.

"'Fay, you're not going--just now?' I blurted out.

"'I called here on my way to the station,' she told me very evenly.

"I couldn't help it, I said again, 'You beast, Fay!'

"'But you don't understand, my dear' she protested quickly; and with an

adorable gesture she stretched out a hand, three fingers of a gloved

hand, and ran them thoughtfully down my arm. 'Won't you understand

at all? Why I've come to see you on my last night in England instead

of--instead of on my first?'

"She seemed to plead, a suppliant before me staring cruelly down at

her. I didn't understand.

"'If I had seen you on my first night,' she tried to explain, 'why, I

might have been tempted to go on seeing you, again and again, for ever

and ever, Howard!... Oh, don't you understand?' And she asked that with

a sort of breathless, childish pleading in her voice--illuminating even

to my bitterness! But I couldn't, just then, let a pleading voice make

me forgive so easily.

"'And so, in case you might be tempted,' I said, like any cad, 'you

come to see me on your way to the train!'

"'But my train doesn't go until 7 o'clock in the morning,' she said....

A slave to that wonderful moment, I took her and kissed her lips.

"Those few hours explained Fay Richmond--the girl I had known so well,

the woman I loved.... And who loved me! There lay the unforgivable

wonder."

And for the first time, on that passionate regret, Howard Wentworth

broke in on his tale. With elbows on his knees and hands clasped, he

leant forward in his arm-chair (one of those creaking wicker things

which only poor men and rich nursing-homes have) and earnestly pointed

his haggard convalescent face at me.

"But it's simply impossible to carry on that explanation, the method

and the conviction of it, to you," he said. "In fact, if you will look

about you at methods of expression, you will find that it's just there

that life takes its leave of literature--just at that point where, in

this instance, one impulse kissed another! It is as though life and

literature had been travelling companions a good way, both helping

the other--until at a cross-road life, with a sudden realisation akin

to contempt, goes off on its own different road, a boundless and

secret road where men and women passionately tell God what, on that

other cruder road, they can't tell their fellows.... Sex, of course,

is generally the most convincing explanation of inconsistencies--but

it's not, by an exquisite subtraction, quite enough! It is only people

who cannot go one better who live and love and lie in terms of sex

alone; because, after all, there are additions to it, not so definite,

perhaps, but more satisfying--and more lasting! So, anyway, the memory

of one night tells me.

"That night was, as you realise, an amazing inconsistency in the

Fay Richmond I've told you about. But if you will look even at that

photograph you will see that such sincerity couldn't really be

consistently sincere without, just once, being inconsistent to itself.

I know that that sounds rather like a remark made by a young man after

a liqueur brandy, but somehow it's very true.

"Hours later, as though she had suddenly awoken to a memory, she

asked me very seriously if I remembered how there had been no sugar

or chocolate on any of the cakes she had thought about on a certain

afternoon? 'And all my long self-conscious speech, which you listened

to so brutally well that I almost hated you--even though I didn't

know for certain then that I loved you! And when you were going away,

d'you remember, I was smiling "all over my face" like Carlo wanted me

to, and being a frightfully jolly person? But afterwards I cried, Oh,

how I cried! I liked you so much, and I liked Carlo so much--but so

differently!...

"'It was all arranged that I should marry Carlo,' she said, 'and then

you came along and just ruffled the surface of things--but ever so

slightly! If you had kissed me you might have ruffled them too much,

things might have been different, and now I would still be an honest

woman instead of just a helpless creature in your arms, never, never

wanting to leave them to go back to the world, where there's no passion

for me....' Her voice was lower than a whisper, a murmur in my ears,

and I would have preferred it to fade entirely into the silence it

scarce left, for she was hurting us both with what she said.

"But the whisper went on, telling me how bitterly she had been hurt

because I had been to see them so little in the weeks before the

wedding--and how, missing me, she had found out her own secret.

"'If you had come to me then and said, "Fay, come away with me," I

suppose I would have thrown over Carlo. Yes, I suppose I would, but I'm

not sure, because it would have been so frightfully difficult to have

hurt him, the dearest man in the world! He would have died.... But it

doesn't matter what I would have done or not done in that wonderful

moment, because it never came--it was quite hopeless to hope that it

would! I felt that right in my bones, I felt that you were a hopeless

person to love, and very, very far away. Oh, so far away you seemed to

be, Howard! And getting farther and farther every day, a cold, friendly

figure coming to see us now and again, like a character in a play who

has nothing to do but watch and make a sensible sort of joke when the

real people get over-excited. And so I let everything go on, quite

terrified and miserable, wondering what to do. It wasn't the idea of

marrying Carlo that made me terrified or miserable, it was the thought

of losing all hope of you--the thought of putting a husband between me

and all hope of ever being loved by you.... But I let those last days

pass, one by one, full of prophecy about myself, like a tragic figure

in the Bible; and I didn't lift my voice, I did nothing at all, I let

each day pass. I suppose it was because I was so hopeless about you,

and laziness must have had something to do with it, too! That special

sort of laziness which tells you that one effort is easier to make than

the other--it was easier not to hurt Carlo and mother. But I couldn't

resist just telephoning to you at the last moment to let you know what

a pig you were, and, if you liked me at all, to make you see that

the whole thing served you jolly well right. But I suppose I didn't

control my voice very well and so gave myself away--though I didn't

mind, really, because I had it firmly fixed in my mind that it was too

late, I was going to marry Carlo whatever happened. And something did

happen on that telephone, vaguely--I found that you did like me quite

a lot after all, you poor man! And all this time that I've been away,

a respectable married woman, I've been building up the romance of my

life on a break in your voice--growing more and more certain that you

loved me, until I had to come back to England to find out. And when you

opened the door I found out....

"'On my way to St. George's to marry Carlo,' she said, 'it seemed as

though I had to wrap you up in a parcel, and go round by Westminster

Bridge and drop you into the river. Yes ... and that's what I did,

really, Howard dear. I have lost you, and you me, even though you are

beside me now, a figure in a dream from which I shall wake up--just

in time to catch my train! And that train is going to take me such a

long way away from you, Howard, that we will be dead and buried and

reincarnated before it can bring me back to see your beloved face

again. It seems to be that sort of train, my dear....'

"Of course, I said things, I protested, I implored. It simply couldn't

be that I was not to see her again!... There was misery enough, but

there was no heart in my entreaties, for I knew all the time that what

she said must be, and why it must be. It was the only right thing in

a wrong business, that last cruelty. Oh, I knew, I knew! And there

was a quality of fatalism about Fay's voice, which made its softness

as hard to pierce as adamant. I was quite dull and flat, listening to

her numbly, so that her words seemed to write themselves vividly in my

mind, unalterable words never to be forgotten, each one like a fate in

itself.

"It was more than martyrdom to an idea, it was a principle of living,

that determined her to that course, the inevitable course; something in

her much more human than can be found in such philandering with oneself

as martyrdom, and that's why it was so inevitable, why I couldn't fight

against it heartily and actively. It was simply that her whole being,

the very insides and outsides, was in revolt against the treachery of

any change in the road she had, however undecidedly once, set herself

to travel; it was not possible for her to burn a single boat even on

the certain chance of finding a palace in the romantic land--and so it

was like a Roman Catholic marriage, as she had told me that afternoon,

ages ago, when I had been so seriously concerned about her indecision

to marry Carlo!... My dear old man, hers was an aristocrat among souls!

"It was past six o'clock, and I was in an arm-chair watching her do her

hair at the dressing-table, when she suddenly let it fall again over

her shoulders, and came and knelt by the arm of my chair, and said:

'I'm not a very tiresome woman, really, because I know quite well that

often in your life you will be saying beautiful things to beautiful

women--but you will think it awfully bad luck if they believe you,

won't you, Howard?

"'I had to come to see if you loved me,' she said, 'and to make you my

lover, all mine, for once and always. Always ... just like that! It's a

long word to repeat, always, but I do make it sound convincing, don't

I, dear? Please, I want you to believe that I'll love you always....

Of course, I know that one day you will sit up and take notice of the

thrill in a woman's eyes, you won't be able to help it, and it's only

right that you shouldn't. But it won't be like this. She won't have all

of you, simply because you can't help always being mostly mine, the

girl whom you once took no notice of except to give her advice. It will

be no good your trying, Howard. I can hear you saying one day soon,

when you want to see me very much, "My God, I must end this damnable

wizardry"--damnable wizardry is exactly how you will put it, but even

swearing won't help you at all. You will try to worship strange gods,

but it will be a self-conscious business, perhaps good for your vanity

but not for your soul. You can't ever love again like this, my Howard,

you simply can't help loving Fay all your life. Those, roughly, are my

orders, anyway ...' she whispered into my ear, her fair hair tumbling

over my face, punishing me.

"I had ordered a cab earlier in the night. Her maid, to whom she had

made some excuse, was to meet her at the station. But Fay wouldn't

even let me accompany her part of the way, she insisted on saying

good-bye at the open door, the door which I had opened so fiercely

so long before. Two lives, after all, had been lived since then. She

stood there, in the open doorway, her eyes sad and remote, and touched

with something as old as this earth of ours is old, and a smile was

crucified on her face; and she whispered:

"'_Pour un plaisir mille douleurs. L'amour est mort, vive l'amour!_'

"And then she went away.... I know no more of Fay Richmond."

Howard's tale ended, I think, not too soon, for he had already talked

too much for his returning strength. He lay back with closed eyes,

perhaps he was asleep, as I stealthily left the room.

It so happened that I did not see him again. As I have said, although

he was convalescent at that time, he had a relapse, and died about

ten days later. I rang up frequently to inquire, but more than a

week passed before I had time to call at Beaumont Street. My young

brother, for whom I was entirely responsible, had fallen ill in the

meanwhile, and my time was anxiously spent, first in helping to nurse

him, for nurses were not easy to find, and then in helping to find a

nursing-home with a vacant bed, for nursing-homes were full; one had to

die and vacate his bed before another could fight the wretched plague

in it.

When at last I called at Howard's nursing-home and asked for him, the

maid said she would ask the matron. But I said I would go up to see

the matron myself, and was going upstairs to her room when I met her

descending. As she saw me she shook her head gently and told me that

Mr. Wentworth was not allowed to see any one, he was very ill. The

crisis had not passed yet.... She was a sweet, white-haired old woman,

on whose kind face grief had never been disciplined into that geniality

which makes matrons sometimes horrible.

"I'm afraid for him...." she added inconclusively, sadly. And then

she said: "I have spent most of my life among sick and ailing people,

Mr. Arlen, but this has been the saddest time of all. Terribly sad

it's been! Only this morning a dear sweet lady, who only came in two

days ago.... An English lady married to an Italian, and she was just

spending a day in London on her way to Tonbridge where her mother

lives, when...." I am almost certain that there were tears, repressed

rebellious tears in the kind eyes. "I think her dying has affected

me most of all," she added apologetically. "She was such a sweet,

beautiful lady!"

As I put up my umbrella against the rain outside I thought to myself

that it was like the end of a tale by a sentimentalist, for he had

compromised with the angels and brought together in the end, a Juliet

unaware of Romeo, the bodies of a man and woman who had loved so

unhappily and so incompletely. I heard a tired voice saying bitterly,

"I know no more of Fay Richmond."

The Romantic Lady · 第 12 / 25 题