LIII.

These letters, which were without any pitiful pretensions to talent on

my part, and were a delight and not a labor, might have been of

marvellous service to me at a later period, if fate had destined me to

address my fellow men, or to depict the shades, the transports, or the

pains of passion, in works of imagination. Unknown to myself, I

struggled desperately as Jacob wrestled with the angel, against the

poorness, the rigidity, and the resistance of the language I was forced

to use, as I knew not the language of the skies. The efforts that I

made to conquer, bend, smooth, extend, spiritualize, color, inflame, or

moderate expressions; the wish to render by words the nicest shades of

feeling the most ethereal aspirations of thought, the most irresistible

impulses, and the most chaste reserve of passion; to express looks,

attitudes, sighs, silence, and even the annihilation of the heart

adoring the invisible object of its love,--all these efforts, I repeat,

which seemed to bend my pen beneath my fingers like a rebellious

instrument, made me sometimes find the very word, expression, or cry

that I required to give a voice to the unutterable. I had used no

language, but I had cried forth the cry of my soul; and I was heard.

When I rose from my chair, after this desperate but delightful struggle

against words, pen, and paper, I remembered that, spite of the winter

cold in my room, the perspiration stood upon my forehead, and I used to

open the window to cool my fevered brow.

Raphael; Or, Pages of the Book of Life at Twenty · 第 67 / 121 题