CHAPTER XXIV.

ENCAUSTIC PASTE.

The value of an encaustic paste in improving the effect of photographic

prints has become very generally recognised amongst photographers.

A good encaustic confers three special benefits on the print: it

gives depth, richness, and transparency to the shadows; it renders

apparent delicate detail in the lights which would otherwise remain

imperceptible; and it aids in protecting the surface, and so tends to

permanency. One of the writers has in his possession prints that were

treated with an encaustic paste thirteen years ago, which retain all

their original freshness and purity, while prints done at the same time

from the same negatives have gone, to say the least of it, "off colour."

Various formulæ for the preparation of encaustic pastes have been

published, and many of them very excellent. The qualities required are,

easiness of application, and the capacity of giving richness and depth

without too much gloss, and of yielding a hard, firm, permanent surface.

For a proper combination of all these qualities, nothing has ever

approached the paste of the late Adam-Salomon, of which the following is

the formula:--

Pure white wax 500 grains

Gum elemi 10 "

Benzole 200 "

Essence of lavender 300 "

Oil of spike 15 "

The wax is cut into shreds, and melted in a capsule over a water

bath. Placing it in a jar, and the latter in a pan of hot water, will

serve. Powder the elemi, and dissolve it in the solvent, using gentle

heat. Some samples of elemi are soft and tough, and will not admit of

powdering, in which case it may be roughly divided into small portions,

and placed in a bottle with the solvents. Strain through muslin, and add

the clear solution to the melted wax, and stir well. It is then poured

into a wide-mouthed bottle, and allowed to cool.

The encaustic paste is put on the prints in patches, and then rubbed

with a light, quick motion, with a piece of flannel, until a firm, fine

surface is obtained.

We give another simple formula which is efficient, though we ourselves

prefer the above.

White wax cut into shreds 1 ounce

Turpentine 1 "

and thinned down, if necessary, till it has the consistency of "cold

cream."

Yet another is--

White wax 1 ounce

Benzole 2 ounces.

The Art and Practice of Silver Printing · 第 24 / 26 章