CHAPTER XX.

PRINTING ON GELATINO-CHLORIDE EMULSION PAPER.

Mr. W. T. Wilkinson has recently brought forward the notion of using

gelatine instead of albumen as a medium for holding the silver chloride

in printing. He uses the following formula:--

Barium chloride 2,440 grains

Gelatine 2,000 "

Water 20 ounces

The gelatine is allowed to swell in the water, and, by the aid of heat,

is dissolved; the barium chloride is then added. Next he prepares--

Silver nitrate 1,700 grains

Water 5 ounces

and adds this to the former, little by little, in a large bottle with

much shaking, or pours it slowly into the former in a large jar,

stirring briskly the whole time. This makes an emulsion of silver

chloride, and is used without washing. When required for use, the

gelatine, which will have set when cold, is swelled by placing the jar

containing it in hot water, and is then transferred to a dish. The dish

should be kept warm by being placed, supported on small blocks, in a tin

tray (about two inches larger in dimensions every way than the dish)

filled with hot water, the temperature of which should be about 150° F.

to commence with. Saxe or Rive paper may be coated by rolling the sheet

face outwards, and placing the edge of the roll upon the gelatine. The

two corners of the paper in contact with the solution are then taken

hold of by the fingers, and raised. The paper will unroll of itself, and

take up a thin layer of the gelatine emulsion. The sheet of paper is

then suspended to dry. All these operations are, of course, conducted

in the dark room. The behaviour of the paper in the printing-frame is

precisely the same as albumenized paper, and the washing and toning are

conducted in the same way. For a fixing bath is used--

Sodium hyposulphite 2 ounces

Water 20 "

The washing after fixing is more rapid than with albumenized paper. It

is washed in ten or twelve changes of water for ten minutes, and then

placed for five minutes in an alum bath made as follows:--

Potash alum 5 ounces

Water 20 "

The print is washed in a few changes of water, and the prints are ready

for drying and mounting. The advantage of the alum bath is that the

hyposulphite is destroyed into harmless products, and the gelatine is

rendered insoluble by it. In the formula given there is large excess

of chloride, and we recommend that instead of using 2,440 grains of

barium chloride, 2,050 grains be used. (Mr. Wilkinson has used that

amount of the barium salt that would be required exactly to convert

1,700 grains of silver nitrate into silver chloride, if the formula for

barium chloride were BaCl_{3} instead of BaCl_{2}.) It will be seen

that whichever formula is used, there is no silver left to combine with

the gelatine, and hence the image will be entirely formed by metallic

silver, and not an organic salt of silver.

The Art and Practice of Silver Printing · 第 20 / 26 章