CHAPTER X

GRUYERE WITHOUT ITS COUNTS

Nearly four hundred years have passed since the fall of its counts, but

the merciless march of democracy, although changing the government of

Gruyere has left the people strangely unaltered. In spite of the

injunctions of the Lutheran Bernois, they still danced and sang, and

until the dawn of the present century still spoke their musical patois.

The chateau, long used as the residence of a prefet of Fribourg, was

offered for sale when in the middle of the 19th century the prefecture

was transferred to Bulle. For a long time left to decay, it was finally

doomed to demolition, when for the same sum offered by a housebreaker of

Vevey, it was happily purchased by M. Bovy of Geneva. His brother, a

painter and pupil of Ingres, devoted the remaining strength left to him

after a disabling paralysis, to the restoration of the chateau, and in

this enthusiastic service exhausted the family fortune. His friends and

companions in Paris gathered about him, and to the beautiful frescoes

with which he adorned the walls of the Hall of the Chevaliers were added

the landscape vignettes of the salon. Thus several Corot canvases are

strangely found in this out of the way corner in the Swiss mountains, a

lovely tribute of the great modern master to the long past glories of

Gruyere. In the jousting court flowers bloom bravely through the passing

seasons, the old well with its moss covered roof jewels the terrace with

its emerald green; through the chapel windows the painted light streams

over walls where in silver on scarlet still flies the Grue. On the clock

tower, still circling, the hands mark the passing of time and the bells

in the church still ring out their summons to prayer. At Easter the

"Benichons" bring the people together for their old dances and songs,

and in the long "Veillees" the lads and the maids through the summer

nights or in winter beside their bright fires, watch the dawning of

love. The maidens, like Juliet, lean from low vine-covered windows, and

with beckoning candles invite their lovers to climb. The spring pastures

still blossom with marjolaine and narcissus, with cowslips and rue, the

orchards still redden in autumn with ripe fruit which falls with the

breeze, with tressed wheat, goats, and cows black and white; the green

fertile country abounds, and as in Provence a Mireille is the poet's

dream of its maids, so is "_Marie la Tresseuse_" in poems and tales the

wheat weaving girl of Gruyere. The "Armaillis" still drive their herds

to the mountains, still singing "_Le ranz des vaches_," the song which

among all others best reveals the soul of their race. "Lioba," "Lioba,"

one should hear the refrain as it echoes from the valleys and hills, the

same cry, musical, lingering, melancholy, which through century after

century has been sung by generations of Gruyere herdsmen.

"Le Ranz des Vaches."

The herdsmen of the Colombettes,

To milk the cows arose.

Ha! Ha! Lioba.

Come! Come! Large and small,

The black, the white, the short, the tall,

Starry forehead, red and gold,

All the young and all the old.

Under the oak tree come!

Ha! Ha! Lioba.

Bells came first,

Jet black came last,

But at the stream they stopped aghast.

Ha! Ha! Lioba.

Alas, poor Pierre! what will you do?

Trouble enough you have, 'tis true.

Ha! Ha! Lioba.

At the Cure's door

You now must tap,

He'll tell you how to cross the gap.

Ha! Ha! Lioba.

And what should I to the Cure say?

A mass shall I beg, or will he pray

To help my cows go over?

Ha! Ha! Lioba.

The Cure he, of a cheese was fain,

"A creamy cheese, or your cows remain

On the other side, 'tis very plain."

Ha! Ha! Lioba.

"Send us your pretty maid," said Pierre,

"To carry the cheese,

I speak you fair."

Ha! Ha! Lioba.

"Too pretty by far is my rosy maid,

She might not return," the Cure said.

Ha! Ha! Lioba.

"What belongs to the Church

We may not take,

Confession humble we then should make."

Ha! Ha! Lioba.

"Go to friend Pierre,

The mass shall be said,

Good luck be yours, rich cheese and bread."

Ha! Ha! Lioba.

Gayly Pierre went to his waiting herd,

And freely they passed at the Cure's word.

Ha! Ha! Lioba.

The soft terminations of the romanized French are never more musical

than in this famous song which, during their foreign campaigns, reduced

the Swiss soldiers to such weeping longing for home that it was

forbidden by their generals. Melancholy as is the repeated refrain, the

couplets reveal a ravishing picture of the customs and the observing

satirical spirit of the Gruyerien. Is not the quip of the Cure worthy of

any son of the Emerald Isle?

[Illustration: JOUSTING COURT]

In truth this "_verte Gruyere_" shut away from the world by its

mountains as Ireland is by the sea, is like a lost island, fabled,

remote, its speech Provencal, its soul purely Celt. Laughter loving,

warlike and brave in the idyllic years of their prime, the Gruyeriens of

to-day are still gay, caustic of wit as they are kindly at heart; and,

in a changed world, as tenacious of their new republican rights as they

were erstwhile valiant vassals to their pastoral kings. The source of

innumerable songs and legends in the rich and melodious Gruyere speech,

still pastoral, this country has been celebrated in its exquisite,

unchanging beauty by many poets; its romances and its national song have

been the themes of dramatic and musical inspirations. Not yet has the

cruel light of modern day chased the fairies, the may-maidens, the

"servans" and the evil spirits from the forests and the caves. The place

where the devil, joining in a coraule, drew the dancing people over a

precipice is still shunned by young and old; with pride also will they

point out the slope of the Gruyere hill where when the men were fighting

at the _Pre de Chenes_ the women drove their goats, each bearing a

lighted candle, through the darkness upon an invading horde of Bernois,

who, thinking they were devils, fled in affright. For the refreshment of

the good spirits who guard the herds, basins of fresh milk are still set

in every mountain chalet. The origin of the Gruyere customs, like the

coraules and the still observed habit of hanging wreaths on their door

posts or in the oak groves, have a derivation of the most distant

antiquity, in the Chaldean cradle of the race, in the myths of India and

the Orient. The personified forces of Nature, the cloud wraiths of the

mountains, the lisping voices of the streams, for many centuries

haunting the imaginations of the people, still live in their legends, as

they do in Celtic Ireland. The idyllic loveliness of the country is

deliciously completed by the vines which are trained over the houses, by

the flowers which grow in their windows, so that from spring to

November Gruyere is a garden, ringed by blue mountains under a sky of

pure blue. In the Romand country are many exquisite towns such as Romont

and Rue, Estavayer, Oron and Morat--happily preserved in their unaltered

mediaeval perfection. But the heart of this country is Gruyere,

impregnated with the romance of the departed days of chivalry, its

people affectionately faithful to the memory of their noble and beloved

rulers.

As for the Celtic wit, ever present in their sayings and legends, it is

characteristically shown in the following little story of the "Fountain

of Lessoc."

THE FOUNTAIN OF LESSOC

It happened one day that good father Colin went to the fair at chateau

d'Oex, where he successfully transacted his business, particularly at

the tavern. On his return journey he stopped at the inn at Montbovon,

not so much for the pleasure of drinking as to chat with his old

cronies, with the result that it was midnight before he was on his way

to Lessoc. A cold welcome awaited him at home. "Thou art a selfish and a

drunken wight, and the donkey is dying of thirst," said Fanchon with

many reproaches for his evil conduct. Greatly ashamed was Colin, and to

quickly repair his error untied la Cocotte and led her to the fountain.

The night was superb, and in the water was reflected the shining disk

of the moon. Precisely in this silver spot, the poor Cocotte began to

ease her thirst when, "Behold," said her master, "she is drinking the

moon." Then suddenly the moon went under a cloud, and at the same moment

Cocotte, quite satisfied, lifted her head, "Heavens!" cried Colin, "the

moon has gone and my donkey has drunk her."

Not a word did he say to his wife, but all night watched over Cocotte in

the stable. In the morning, up and down the village street, he drove her

to help her digestion. "It matters little to me," he said to himself,

"what becomes of the moon, for there is a new one each month, but I

intend to take care of my good donkey." And soon all Lessoc marveled to

see Colin and Cocotte, Cocotte and Colin, passing and repassing

continually over the same road, one apparently frightened, the other

sadly bored by the exercise. "Is your donkey ill?" asked the good mayor

at last. "Woe is me, she is ruined," replied Colin, "for she has

swallowed the moon and will not give her up." Whereupon the mayor, after

grave reflection remarked, "If la Cocotte has not yet gotten rid of the

moon, poor Colin already is rid of his senses."

At the communal council, the mayor presented at length the strange case.

"If a new moon appears," he declared, "we may be reassured, but to avoid

the possibility of further accident, we will place a spacious roof over

the fountain." This wise decision was adopted to the general

satisfaction, and such was the authentic origin of the elegant fountain

of Lessoc.

In ancient chronicles and modern publications many similar stories are

repeated, while a multitude of ballads, of legends taken from the lips

of the old peasants, constitute a precious and abounding document of the

ancient Gruyere customs.

But uniquely characteristic as are these Gruyere people, the history of

their country is still more extraordinary. Almost negligible in wealth

or population, the little mountain province, lying midway between

France, Austria, and Savoy, held in the days of its prosperity an almost

unexplainably important position beside the great monarchies of the

fourteenth and fifteenth centuries. Midway also between the Berne and

Fribourg republics, the Gruyere counts held something very nearly

approaching a balance of power between Savoy and the Confederates.

Feudal by race and by the independence of their little principality,

they were so trusted by the Confederates and so powerful with Savoy,

that they repeatedly acted as arbitrators in their mutual quarrels, and

by this high influence were sharers and at times framers of the treaties

with the neighboring kingdoms, and admitted to the diplomatic councils

of Europe. They were not only valorous in the defence of their country

but by the Latin charm of their race were adored by their subjects, and

held in great favor by the dukes of Savoy, themselves allied by many

inter-marriages with all the crowns of Europe. So important was the

little Gruyere to the French kings and the emperors of Germany that, as

has been related, they occupied themselves with its internal affairs,

attempting to intervene in such matters as runaway marriages and the

rival claims for succession. But the attitude of its rulers towards

royal and imperial mandates was so independent, their maintenance of

their feudal sovereignty was so tenacious that they preserved the high

and happy ideals of their house, and were the last of the Swiss nobles

to yield to the march of democracy.

Their long rule, extending through six centuries of internal wars,

during times when oppression was the prerogative of their order, was

stained by no single act of cruelty. In the peculiar charm of their

race, in the unique influence of their position in Europe, as in the

unbroken length of their rule, the counts of Gruyere were the most

important of all the noble Swiss families. Titles and aristocratic

privileges have long since vanished from republican Switzerland, where

liberty triumphant, the age-wrought jewel of a thousand years, shines

clearly among the tumults of the warring nations. But remote among its

mountains, a cherished place of pilgrimage and refreshment, the little

feudal city still crowns its green hill, and in the Gruyere people the

Celtic soul, undying fresh and free, still sings in their love songs and

war songs, still speaks in their legends and tales of its birth in the

morning of time.

APPENDIX

The traditions of Romand Helvetia have preserved the memory of the

establishment of Vandal or Burgundian hordes in that part of Gaul.

Thus has arisen the belief that the once wild region traversed by the

river Sarine came into the possession of some chief of these tribes who

there settled with his followers. The unavowed author (Bonsetten) of a

history of the Counts of Gruyere is of the opinion that it is possible

that, in accordance with the customs of the Germanic tribes, that

Gruerius, the hero of the popular legend, or his warriors, might have

carried a Grue (crane) as a symbol of a migratory race on their helmets

or shields, and that the leader himself might have adopted the name

Gruerius from the emblem.

The theory, however, disagrees entirely with the tradition that the

Burgundians were so fond of liberty that they bore the figure of a cat

upon their banners. It is well known that the arms of Gruyere are a Grue

on a scarlet field, and this circumstance alone has evidently given rise

to the anonymous author's conjecture. His opinion not only has no

positive proof to support it, but has no color of probability in its

favor.

J. J. Hisely, author of "Le Comte de Gruyere."

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End of Project Gutenberg's The Counts of Gruyere, by Mrs. Reginald de Koven

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