Then all at once, as if struck by a fresh idea, Duthil went on: "But why

shouldn't you come with me? You secure a line from the Baron, and

thereupon, without losing a minute, you go in search of the Baroness. Ah!

yes, the house embarrasses you a little, I understand it. Would you like

to see only the Baron there? You can wait for him in a little _salon_

downstairs; I will bring him to you."

This proposal made Duthil altogether merry, but Pierre, quite scared,

hesitated at the idea of thus going to Silviane d'Aulnay's. It was hardly

a place for him. However, to achieve his purpose, he would have descended

into the very dwelling of the fiend, and had already done so sometimes

with Abbe Rose, when there was hope of assuaging wretchedness. So he

turned to Duthil and consented to accompany him.

Silviane d'Aulnay's little mansion, a very luxurious one, displaying,

too, so to say, the luxury of a temple, refined but suggestive of

gallantry, stood in the Avenue d'Antin, near the Champs Elysees. The

inmate of this sanctuary, where the orfrays of old dalmaticas glittered

in the mauve reflections from the windows of stained-glass, had just

completed her twenty-fifth year. Short and slim she was, of an adorable,

dark beauty, and all Paris was acquainted with her delicious, virginal

countenance of a gentle oval, her delicate nose, her little mouth, her

candid cheeks and artless chin, above all which she wore her black hair

in thick, heavy bands, which hid her low brow. Her notoriety was due

precisely to her pretty air of astonishment, the infinite purity of her

blue eyes, the whole expression of chaste innocence which she assumed

when it so pleased her, an expression which contrasted powerfully with

her true nature, shameless creature that she really was, of the most

monstrous, confessed, and openly-displayed perversity; such as, in fact,

often spring up from the rotting soil of great cities. Extraordinary

things were related about Silviane's tastes and fancies. Some said that

she was a door-keeper's, others a doctor's, daughter. In any case she had

managed to acquire instruction and manners, for when occasion required

she lacked neither wit, nor style, nor deportment. She had been rolling

through the theatres for ten years or so, applauded for her beauty's

sake, and she had even ended by obtaining some pretty little successes in

such parts as those of very pure young girls or loving and persecuted

young women. Since there had been a question, though, of her entering the

Comedie Francaise to play the _role_ of Pauline in "Polyeucte," some

people had waxed indignant and others had roared with laughter, so

ridiculous did the idea appear, so outrageous for the majesty of classic

tragedy. She, however, quiet and stubborn, wished this thing to be, was

resolved that it should be, certain as she was that she would secure it,

insolent like a creature to whom men had never yet been able to refuse

anything.

That day, at three o'clock, Gerard de Quinsac, not knowing how to kill

the time pending the appointment he had given Eve in the Rue Matignon,

had thought of calling at Silviane's, which was in the neighbourhood. She

was an old caprice of his, and even nowadays he would sometimes linger at

the little mansion if its pretty mistress felt bored. But he had this

time found her in a fury; and, reclining in one of the deep armchairs of

the _salon_ where "old gold" formed the predominant colour, he was

listening to her complaints. She, standing in a white gown, white indeed

from head to foot like Eve herself at the _dejeuner_, was speaking

passionately, and fast convincing the young man, who, won over by so much

youth and beauty, unconsciously compared her to his other flame, weary

already of his coming assignation, and so mastered by supineness, both

moral and physical, that he would have preferred to remain all day in the

depths of that armchair.

"You hear me, Gerard!" she at last exclaimed, "I'll have nothing whatever

to do with him, unless he brings me my nomination."

Just then Baron Duvillard came in, and forthwith she changed to ice and

received him like some sorely offended young queen who awaits an

explanation; whilst he, who foresaw the storm and brought moreover

disastrous tidings, forced a smile, though very ill at ease. She was the

stain, the blemish attaching to that man who was yet so sturdy and so

powerful amidst the general decline of his race. And she was also the

beginning of justice and punishment, taking all his piled-up gold from

him by the handful, and by her cruelty avenging those who shivered and

who starved. And it was pitiful to see that feared and flattered man,

beneath whom states and governments trembled, here turn pale with

anxiety, bend low in all humility, and relapse into the senile, lisping

infancy of acute passion.

"Ah! my dear friend," said he, "if you only knew how I have been rushing

about. I had a lot of worrying business, some contractors to see, a big

advertisement affair to settle, and I feared that I should never be able

to come and kiss your hand."

He kissed it, but she let her arm fall, coldly, indifferently, contenting

herself with looking at him, waiting for what he might have to say to

her, and embarrassing him to such a point that he began to perspire and

stammer, unable to express himself. "Of course," he began, "I also

thought of you, and went to the Fine Arts Office, where I had received a

positive promise. Oh! they are still very much in your favour at the Fine

Arts Office! Only, just fancy, it's that idiot of a minister, that

Taboureau,* an old professor from the provinces who knows nothing about

our Paris, that has expressly opposed your nomination, saying that as

long as he is in office you shall not appear at the Comedie."

* Taboureau is previously described as Minister of Public

Instruction. It should be pointed out, however, that

although under the present Republic the Ministries of

Public Instruction and Fine Arts have occasionally been

distinct departments, at other times they have been

united, one minister, as in Taboureau's case, having

charge of both.--Trans.

Erect and rigid, she spoke but two words: "And then?"

"And then--well, my dear, what would you have me do? One can't after all

overthrow a ministry to enable you to play the part of Pauline."

"Why not?"

He pretended to laugh, but his blood rushed to his face, and the whole of

his sturdy figure quivered with anguish. "Come, my little Silviane," said

he, "don't be obstinate. You can be so nice when you choose. Give up the

idea of that _debut_. You, yourself, would risk a great deal in it, for

what would be your worries if you were to fail? You would weep all the

tears in your body. And besides, you can ask me for so many other things

which I should be so happy to give you. Come now, at once, make a wish

and I will gratify it immediately."

In a frolicsome way he sought to take her hand again. But she drew back

with an air of much dignity. "No, you hear me, my dear fellow, I will

have nothing whatever to do with you--nothing, so long as I don't play

Pauline."

He understood her fully, and he knew her well enough to realise how

rigorously she would treat him. Only a kind of grunt came from his

contracted throat, though he still tried to treat the matter in a jesting

way. "Isn't she bad-tempered to-day!" he resumed at last, turning towards

Gerard. "What have you done to her that I find her in such a state?"

But the young man, who kept very quiet for fear lest he himself might be

bespattered in the course of the dispute, continued to stretch himself

out in a languid way and gave no answer.

But Silviane's anger burst forth. "What has he done to me? He has pitied

me for being at the mercy of such a man as you--so egotistical, so

insensible to the insults heaped upon me. Ought you not to be the first

to bound with indignation? Ought you not to have exacted my admittance to

the Comedie as a reparation for the insult? For, after all, it is a

defeat for you; if I'm considered unworthy, you are struck at the same

time as I am. And so I'm a drab, eh? Say at once that I'm a creature to

be driven away from all respectable houses."

She went on in this style, coming at last to vile words, the abominable

words which, in moments of anger, always ended by returning to her

innocent-looking lips. The Baron, who well knew that a syllable from him

would only increase the foulness of the overflow, vainly turned an

imploring glance on the Count to solicit his intervention. Gerard, with

his keen desire for peace and quietness, often brought about a

reconciliation, but this time he did not stir, feeling too lazy and

sleepy to interfere. And Silviane all at once came to a finish, repeating

her trenchant, severing words: "Well, manage as you can, secure my

_debut_, or I'll have nothing more to do with you, nothing!"

"All right! all right!" Duvillard at last murmured, sneering, but in

despair, "we'll arrange it all."

However, at that moment a servant came in to say that M. Duthil was

downstairs and wished to speak to the Baron in the smoking-room.

Duvillard was astonished at this, for Duthil usually came up as though

the house were his own. Then he reflected that the deputy had doubtless

brought him some serious news from the Chamber which he wished to impart

to him confidentially at once. So he followed the servant, leaving Gerard

and Silviane together.

In the smoking-room, an apartment communicating with the hall by a wide

bay, the curtain of which was drawn up, Pierre stood with his companion,

waiting and glancing curiously around him. What particularly struck him

was the almost religious solemnness of the entrance, the heavy hangings,

the mystic gleams of the stained-glass, the old furniture steeped in

chapel-like gloom amidst scattered perfumes of myrrh and incense. Duthil,

who was still very gay, tapped a low divan with his cane and said: "She

has a nicely-furnished house, eh? Oh! she knows how to look after her

interests."

Then the Baron came in, still quite upset and anxious. And without even

perceiving the priest, desirous as he was of tidings, he began: "Well,

what did they do? Is there some very bad news, then?"

"Mege interpellated and applied for a declaration of urgency so as to

overthrow Barroux. You can imagine what his speech was."

"Yes, yes, against the _bourgeois_, against me, against you. It's always

the same thing--And then?"

"Then--well, urgency wasn't voted, but, in spite of a very fine defence,

Barroux only secured a majority of two votes."

"Two votes, the devil! Then he's down, and we shall have a Vignon

ministry next week."

"That's what everybody said in the lobbies."

The Baron frowned, as if he were estimating what good or evil might

result to the world from such a change. Then, with a gesture of

displeasure, he said: "A Vignon ministry! The devil! that would hardly be

any better. Those young democrats pretend to be virtuous, and a Vignon

ministry wouldn't admit Silviane to the Comedie."

This, at first, was his only thought in presence of the crisis which made

the political world tremble. And so the deputy could not refrain from

referring to his own anxiety. "Well, and we others, what is our position

in it all?"

This brought Duvillard back to the situation. With a fresh gesture, this

time a superbly proud one, he expressed his full and impudent confidence.

"We others, why we remain as we are; we've never been in peril, I

imagine. Oh! I am quite at ease. Sagnier can publish his famous list if

it amuses him to do so. If we haven't long since bought Sagnier and his

list, it's because Barroux is a thoroughly honest man, and for my part I

don't care to throw money out of the window--I repeat to you that we fear

nothing."

Then, as he at last recognised Abbe Froment, who had remained in the

shade, Duthil explained what service the priest desired of him. And

Duvillard, in his state of emotion, his heart still rent by Silviane's

sternness, must have felt a covert hope that a good action might bring

him luck; so he at once consented to intervene in favour of Laveuve's

admission. Taking a card and a pencil from his pocket-book he drew near

to the window. "Oh! whatever you desire, Monsieur l'Abbe," he said, "I

shall be very happy to participate in this good work. Here, this is what

I have written: 'My dear, please do what M. l'Abbe Froment solicits in

favour of this unfortunate man, since our friend Fonsegue only awaits a

word from you to take proper steps.'"

At this moment through the open bay Pierre caught sight of Gerard, whom

Silviane, calm once more, and inquisitive no doubt to know why Duthil had

called, was escorting into the hall. And the sight of the young woman

filled him with astonishment, so simple and gentle did she seem to him,

full of the immaculate candour of a virgin. Never had he dreamt of a lily

of more unobtrusive yet delicious bloom in the whole garden of innocence.

"Now," continued Duvillard, "if you wish to hand this card to my wife at

once, you must go to the Princess de Harn's, where there is a

_matinee_--"

"I was going there, Monsieur le Baron."

"Very good. You will certainly find my wife there; she is to take the

children there." Then he paused, for he too had just seen Gerard; and he

called him: "I say, Gerard, my wife said that she was going to that

_matinee_, didn't she? You feel sure--don't you?--that Monsieur l'Abbe

will find her there?"

Although the young man was then going to the Rue Matignon, there to wait

for Eve, it was in the most natural manner possible that he replied: "If

Monsieur l'Abbe makes haste, I think he will find her there, for she was

certainly going there before trying on a corsage at Salmon's."

Then he kissed Silviane's hand, and went off with the air of a handsome,

indolent man, who knows no malice, and is even weary of pleasure.

Pierre, feeling rather embarrassed, was obliged to let Duvillard

introduce him to the mistress of the house. He bowed in silence, whilst

she, likewise silent, returned his bow with modest reserve, the tact

appropriate to the occasion, such as no _ingenue_, even at the Comedie,

was then capable of. And while the Baron accompanied the priest to the

door, she returned to the _salon_ with Duthil, who was scarcely screened

by the door-curtain before he passed his arm round her waist.

When Pierre, who at last felt confident of success, found himself, still

in his cab, in front of the Princess de Harn's mansion in the Avenue

Kleber, he suddenly relapsed into great embarrassment. The avenue was

crowded with carriages brought thither by the musical _matinee_, and such

a throng of arriving guests pressed round the entrance, decorated with a

kind of tent with scallopings of red velvet, that he deemed the house

unapproachable. How could he manage to get in? And how in his cassock

could he reach the Princess, and ask for a minute's conversation with

Baroness Duvillard? Amidst all his feverishness he had not thought of

these difficulties. However, he was approaching the door on foot, asking

himself how he might glide unperceived through the throng, when the sound

of a merry voice made him turn: "What, Monsieur l'Abbe! Is it possible!

So now I find you here!"

It was little Massot who spoke. He went everywhere, witnessed ten sights

a day,--a parliamentary sitting, a funeral, a wedding, any festive or

mourning scene,--when he wanted a good subject for an article. "What!

Monsieur l'Abbe," he resumed, "and so you have come to our amiable

Princess's to see the Mauritanians dance!"

He was jesting, for the so-called Mauritanians were simply six Spanish

dancing-girls, who by the sensuality of their performance were then

making all Paris rush to the Folies-Bergere. For drawing-room

entertainments these girls reserved yet more indecorous dances--dances of

such a character indeed that they would certainly not have been allowed

in a theatre. And the _beau monde_ rushed to see them at the houses of

the bolder lady-entertainers, the eccentric and foreign ones like the

Princess, who in order to draw society recoiled from no "attraction."

But when Pierre had explained to little Massot that he was still running

about on the same business, the journalist obligingly offered to pilot

him. He knew the house, obtained admittance by a back door, and brought

Pierre along a passage into a corner of the hall, near the very entrance

of the grand drawing-room. Lofty green plants decorated this hall, and in

the spot selected Pierre was virtually hidden. "Don't stir, my dear

Abbe," said Massot, "I will try to ferret out the Princess for you. And

you shall know if Baroness Duvillard has already arrived."

What surprised Pierre was that every window-shutter of the mansion was

closed, every chink stopped up so that daylight might not enter, and that

every room flared with electric lamps, an illumination of supernatural

intensity. The heat was already very great, the atmosphere heavy with a

violent perfume of flowers and _odore di femina_. And to Pierre, who felt

both blinded and stifled, it seemed as if he were entering one of those

luxurious, unearthly Dens of the Flesh such as the pleasure-world of

Paris conjures from dreamland. By rising on tiptoes, as the drawing-room

entrance was wide open, he could distinguish the backs of the women who

were already seated, rows of necks crowned with fair or dark hair. The

Mauritanians were doubtless executing their first dance. He did not see

them, but he could divine the lascivious passion of the dance from the

quiver of all those women's necks, which swayed as beneath a great gust

of wind. Then laughter arose and a tempest of bravos, quite a tumult of

enjoyment.

"I can't put my hand on the Princess; you must wait a little," Massot

returned to say. "I met Janzen and he promised to bring her to me. Don't

you know Janzen?"

Then, in part because his profession willed it, and in part for

pleasure's sake, he began to gossip. The Princess was a good friend of

his. He had described her first _soiree_ during the previous year, when

she had made her _debut_ at that mansion on her arrival in Paris. He knew

the real truth about her so far as it could be known. Rich? yes, perhaps

she was, for she spent enormous sums. Married she must have been, and to

a real prince, too; no doubt she was still married to him, in spite of

her story of widowhood. Indeed, it seemed certain that her husband, who

was as handsome as an archangel, was travelling about with a vocalist. As

for having a bee in her bonnet that was beyond discussion, as clear as

noonday. Whilst showing much intelligence, she constantly and suddenly

shifted. Incapable of any prolonged effort, she went from one thing that

had awakened her curiosity to another, never attaching herself anywhere.

After ardently busying herself with painting, she had lately become

impassioned for chemistry, and was now letting poetry master her.

"And so you don't know Janzen," continued Massot. "It was he who threw

her into chemistry, into the study of explosives especially, for, as you

may imagine, the only interest in chemistry for her is its connection

with Anarchism. She, I think, is really an Austrian, though one must

always doubt anything she herself says. As for Janzen, he calls himself a

Russian, but he's probably German. Oh! he's the most unobtrusive,

enigmatical man in the world, without a home, perhaps without a name--a

terrible fellow with an unknown past. I myself hold proofs which make me

think that he took part in that frightful crime at Barcelona. At all

events, for nearly a year now I've been meeting him in Paris, where the

police no doubt are watching him. And nothing can rid me of the idea that

he merely consented to become our lunatic Princess's lover in order to

throw the detectives off the scent. He affects to live in the midst of

_fetes_, and he has introduced to the house some extraordinary people,

Anarchists of all nationalities and all colours--for instance, one

Raphanel, that fat, jovial little man yonder, a Frenchman he is, and his

companions would do well to mistrust him. Then there's a Bergaz, a

Spaniard, I think, an obscure jobber at the Bourse, whose sensual,

blobber-lipped mouth is so disquieting. And there are others and others,

adventurers and bandits from the four corners of the earth! . . . Ah! the

foreign colonies of our Parisian pleasure-world! There are a few spotless

fine names, a few real great fortunes among them, but as for the rest,

ah! what a herd!"

Rosemonde's own drawing-room was summed up in those words: resounding

titles, real millionaires, then, down below, the most extravagant medley

of international imposture and turpitude. And Pierre thought of that

internationalism, that cosmopolitanism, that flight of foreigners which,

ever denser and denser, swooped down upon Paris. Most certainly it came

thither to enjoy it, as to a city of adventure and delight, and it helped

to rot it a little more. Was it then a necessary thing, that

decomposition of the great cities which have governed the world, that

affluxion of every passion, every desire, every gratification, that

accumulation of reeking soil from all parts of the world, there where, in

beauty and intelligence, blooms the flower of civilisation?

However, Janzen appeared, a tall, thin fellow of about thirty, very fair

with grey, pale, harsh eyes, and a pointed beard and flowing curly hair

which elongated his livid, cloudy face. He spoke indifferent French in a

low voice and without a gesture. And he declared that the Princess could

not be found; he had looked for her everywhere. Possibly, if somebody had

displeased her, she had shut herself up in her room and gone to bed,

leaving her guests to amuse themselves in all freedom in whatever way

they might choose.

"Why, but here she is!" suddenly said Massot.

Rosemonde was indeed there, in the vestibule, watching the door as if she

expected somebody. Short, slight, and strange rather than pretty, with

her delicate face, her sea-green eyes, her small quivering nose, her

rather large and over-ruddy mouth, which was parted so that one could see

her superb teeth, she that day wore a sky-blue gown spangled with silver;

and she had silver bracelets on her arms and a silver circlet in her pale

brown hair, which rained down in curls and frizzy, straggling locks as

though waving in a perpetual breeze.

"Oh! whatever you desire, Monsieur l'Abbe," she said to Pierre as soon as

she knew his business. "If they don't take your old man in at our asylum,

send him to me, I'll take him, I will; I will sleep him somewhere here."

Still, she remained disturbed, and continually glanced towards the door.

And on the priest asking if Baroness Duvillard had yet arrived, "Why no!"

she cried, "and I am much surprised at it. She is to bring her son and

daughter. Yesterday, Hyacinthe positively promised me that he would

come."

There lay her new caprice. If her passion for chemistry was giving way to

a budding taste for decadent, symbolical verse, it was because one

evening, whilst discussing Occultism with Hyacinthe, she had discovered

an extraordinary beauty in him: the astral beauty of Nero's wandering

soul! At least, said she, the signs of it were certain.

And all at once she quitted Pierre: "Ah, at last!" she cried, feeling

relieved and happy. Then she darted forward: Hyacinthe was coming in with

his sister Camille.

On the very threshold, however, he had just met the friend on whose

account he was there, young Lord George Eldrett, a pale and languid

stripling with the hair of a girl; and he scarcely condescended to notice

the tender greeting of Rosemonde, for he professed to regard woman as an

impure and degrading creature. Distressed by such coldness, she followed

the two young men, returning in their rear into the reeking, blinding

furnace of the drawing-room.

Massot, however, had been obliging enough to stop Camille and bring her

to Pierre, who at the first words they exchanged relapsed into despair.

"What, mademoiselle, has not madame your mother accompanied you here?"

The girl, clad according to her wont in a dark gown, this time of

peacock-blue, was nervous, with wicked eyes and sibilant voice. And as

she ragefully drew up her little figure, her deformity, her left shoulder

higher than the right one, became more apparent than ever. "No," she

rejoined, "she was unable. She had something to try on at her

dressmaker's. We stopped too long at the Exposition du Lis, and she

requested us to set her down at Salmon's door on our way here."

The Three Cities Trilogy: Paris, Volume 1 · 第 7 / 10 段