IX

At Cypress Hill, Julia Shane and her elder daughter returned, when the

door had closed on their guests, to the drawing-room to discuss after a

custom of long standing the entertainment of the evening. They agreed

that Mrs. Harrison had grown much too stout, that she was indeed on the

verge of apoplexy; that Miss Abercrombie became steadily more fidgety

and affected.

“A woman should marry,” said Julia Shane, “even if she can do no better

than a day laborer.”

Two candles by the side of the tall mirror and one by the flaming Venice

of Mr. Turner guttered feebly and expired. Now that she was alone, the

old woman lighted a cigarette and blew the smoke quietly into the still

air. It was Lily who interrupted the silence.

“Willie proposed to me again,” she said presently.

The mother made no answer but regarded the girl quietly with a curious

questioning look in her tired eyes. Lily, seated in the glow of light

from the majolica lamp, must have understood what was passing in her

mind.

“No,” she said, “if I had wanted to marry, I could have had a man ... a

real man.” For a second her eyes grew dark with emotion and her red lips

curved as if she remembered suddenly and with a shameless pleasure the

embraces of her lover. “No,” she continued, “I wouldn’t play such a

trick, even on a poor thing like Willie.”

The old woman knocked the ashes from her cigarette. The rings flashed

and glittered in the candle light. “Sometimes,” she said softly, “I

think you are hopeless ... altogether abandoned.”

There was a note of melancholy in her voice, so poignant that the girl

suddenly sprang from her chair, crossed the little space between them

and embraced her mother impulsively. “I’m sorry for your sake, Mama,”

she said. “I’m sorry....” She kissed the hard, handsome face and the

mother returned the embrace with a sudden fierce burst of unaccustomed

passion.

“It’s all right, Lily dear. I’m only thinking of you. I don’t think

anything can really hurt me any longer. I’m an old warrior, tough and

well-armored.” For a second she regarded the girl tenderly and then

asked, “but aren’t you afraid?”

“No!” The answer was quiet and confident.

“You’re a strange, strange girl,” said the mother.

X

Madame Gigon with Fifi lived in a tiny apartment in the Rue de la

Assomption. In the summer she went to live at Germigny l’Evec in a curve

of the Marne after it has passed Meaux and Trilport, wandering its soft

and amiable way between sedges and wild flags under rows of tall plane

trees with bark as green and spotted as the backs of salamanders. Here

she occupied the lodge of the château belonging to her cousin, a

gentleman who inherited his title from a banker of the First Empire and

lent the lodge rent free to Madame Gigon, whose father, also a banker,

was ruined by the collapse of the Second Empire. M. Gigon, a scholar and

antiquarian, one of the curators of the Cluny Museum, was long since

dead--an ineffectual little man with a stoop and a squint, who lived his

life gently and faded out of it with so little disturbance that even

Madame Gigon sometimes examined her conscience and her respectability

because there were long periods when she forgot that he had ever existed

at all. Fifi was to her far more of a personality--Fifi with her fat

waddle, her black and tan coat, and her habit of yapping for gateaux at

tea time.

Although Madame Gigon was not English at all, tea was a fixed rite in

her life. She came by the custom at the boarding school of Mademoiselle

Violette de Vaux at St. Cloud on the edge of Paris where tea was a

regular meal because there was always a score of English girls among

Mademoiselle’s _pensionnaires_. On the passing of Monsieur Gigon she had

taken, under the stress of bitter necessity, a place as instructress in

art and history at the establishment of the aging Mademoiselle de Vaux,

who, like herself was a Bonapartist, a _bourgeoise_ and deeply

respectable. She saved from her small salary a comfortable little

fortune, and at length retired with Fifi to the little flat in the Rue

de la Assomption to live upon her interest and the bounty of her cousin

the Baron. But above even her respectability and her small fortune, she

honored her position, an element which she had preserved through a

lifetime of adversity. She was respected still as the daughter of a man

who had ruined himself to support Napoleon the Little. She still

attended the salons of the Bonapartist families in the houses and

apartments of Passy, of the Boulevard Flandrin, and the new Paris of the

Place de l’Etoile. She was respected still in the circles which moved

about the aging figure of the Prince Bonaparte and, greatest of all, she

received a card of admission signed by his own hand whenever the Prince

addressed the Geographical Society.

Madame Gigon was in the act of closing her tiny apartment in the Rue de

la Assomption for the summer when the letter of Julia Shane arrived. At

the news it contained, she suspended the operations necessary to her

departure for the lodge of Germigny l’Evec and settled herself to await

the arrival of pretty Lily Shane, contenting herself meanwhile with

taking Fifi for airings in the Bois de Boulogne, a suitable distance

away for one of Madame’s age and infirmities. And when the day came, she

managed to meet Lily in a fiacre at the Gare du Nord.

There was something touching in Madame Gigon’s reception of the girl,

something even more touching in Lily’s reception by the fat and wheezing

Fifi. The shrewd old dog remembered her as the girl who had been

generous with gateaux, and when Lily, dressed smartly in a purple suit

with a large hat covered with plumes, climbed into the fiacre, the plump

Fifi shouted and leapt about with all the animation of a puppy.

Throughout the journey to Meaux and on the succeeding trip by carriage

along the Marne to Germigny, the pair made no mention of Julia Shane’s

letter. They talked of the heat, of the beauty of the countryside, of

Mademoiselle de Vaux, who was past ninety and very feeble, of the new

girls at the school ... until the peasant coachman drew up his fat horse

before the gate of the lodge and carried their luggage into the vine

covered cottage.

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