CHAPTER I

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THE HEART OF A WOMAN

BY BARONESS ORCZY

AUTHOR OF "THE SCARLET PIMPERNEL," "PETTICOAT RULE," ETC.

[Illustration]

HODDER & STOUGHTON

NEW YORK

GEORGE H. DORAN COMPANY

Copyright, 1911,

By George H. Doran Company

CONTENTS

CHAPTER PAGE

I.--WHICH TELLS OF A VERY COMMONPLACE INCIDENT 3

II.--ONCE MORE THE OBVIOUS 14

III.--AND NOW ALMOST LIKE A DREAM 17

IV.--NOTHING REALLY TANGIBLE 32

V.--JUST AN OBVIOUS DUTY 39

VI.--JUST A DISAGREEABLE OLD MAN 46

VII.--THE PART PLAYED BY A FIVE-POUND NOTE 50

VIII.--AND THUS THE SHADOW DESCENDED 59

IX.--WHICH TELLS OF THE INEVITABLE RESULT 65

X.--LIFE MUST GO ON JUST THE SAME 72

XI.--AND THERE ARE SOCIAL DUTIES TO PERFORM 84

XII.--SHALL A MAN ESCAPE HIS FATE? 92

XIII.--THEY HAVE NO HEART 95

XIV.--THE TALE HAD TO BE TOLD 105

XV.--AND MANY MUST BE QUESTIONED 112

XVI.--AND THE PUPPETS DANCED 120

XVII.--AND WHAT OF THE SECRET? 125

XVIII.--IT WOULD NOT DO, YOU KNOW 132

XIX.--NOT ALL ABOUT IT 138

XX.--AND THAT'S THE TRUTH 149

XXI.--HAVE ANOTHER CIGAR 156

XXII.--THEN THE MIRACLE WAS WROUGHT 167

XXIII.--WHY ALL THIS MYSTERY? 179

XXIV.--A HERD OF CACKLING GEESE 183

XXV.--THE FOG WAS DENSE, I COULDN'T RIGHTLY SEE 191

XXVI.--THE NEXT WITNESS, PLEASE 199

XXVII.--AND PEOPLE WENT OUT TO LUNCHEON 205

XXVII.--WHICH TELLS OF AN UNEXPECTED TURN OF EVENTS 216

XXIX.--THE WORLD IS SO LARGE 223

XXX.--AND THEN EVERY ONE WENT HOME 233

XXXI.--AND THERE ARE PEOPLE WHO DO NOT CARE 237

XXXII.--A MAN MUST ACT AS HE THINKS BEST 244

XXXIII.--IF YOU WOULD ONLY LET YOURSELF GO 249

XXXIV.--WHICH SPEAKS ONLY OF FAREWELLS 261

XXXV.--WHICH TELLS OF PICTURES IN THE FIRE 268

XXXVI.--PEOPLE DON'T DO THAT SORT OF THING 274

XXXVII.--IT IS ONE HUMAN LIFE AGAINST THE OTHER 287

XXXVIII.--THE HAND OF DEATH WAS ON HIM TOO 292

XXXIX.--A MERE WOMAN FIGHTING FOR THE THING SHE LOVED 300

XL.--AND THUS HER HOUR HAD COME 310

XLI.--WHICH TELLS OF THE CONTENTS OF THE NOTE BOOK 313

XLII.--WHICH TELLS ONCE MORE OF COMMONPLACE INCIDENTS 319

THE HEART OF A WOMAN

BARONESS ORCZY

CHAPTER I

WHICH TELLS OF A VERY COMMONPLACE INCIDENT

No! No! she was not going to gush!--Not even though there was nothing

in the room at this moment to stand up afterward before her as dumb

witness to a moment's possible weakness. Less than nothing in fact:

space might have spoken and recalled that moment . . . infinite

nothingness might at some future time have brought back the memory of

it . . . but these dumb, impassive objects! . . . the fountain pen

between her fingers! The dull, uninteresting hotel furniture covered

in red velvet--an uninviting red that repelled dreaminess and peace!

The ormolu clock which had ceased long ago to mark the passage of

time, wearied--as it no doubt was, poor thing--by the monotonous

burden of a bronze Psyche gazing on her shiny brown charms, in an

utterly blank and unreflective bronze mirror, while obviously

bemoaning the fracture of one of her smooth bronze thighs! Indeed

Louisa might well have given way to that overmastering feeling of

excitement before all these things. They would neither see nor hear.

They would never deride, for they could never remember.

But a wood fire crackled on the small hearth . . . and . . . and those

citron-coloured carnations were favourite flowers of his . . . and his

picture did stand on the top of that ugly little Louis Philippe bureau

. . . No! No! it would never do to gush, for these things would see .

. . and, though they might not remember, they would remind.

And Louisa counted herself one of the strong ones of this earth. Just

think of her name. Have you ever known a Louisa who gushed? who called

herself the happiest woman on earth? who thought of a man--just an

ordinary man, mind you--as the best, the handsomest, the truest, the

most perfect hero of romance that ever threw a radiance over the

entire prosy world of the twentieth century?

Louisas, believe me, do no such things. The Mays and the Floras, the

Lady Barbaras and Lady Edithas, look beatific and charming when,

clasping their lily-white hands together and raising violet eyes to

the patterned ceiling paper above them, they exclaim: "Oh, my hero and

my king!"

But Louisas would only look ridiculous if they behaved like that . . .

Louisa Harris, too! . . . Louisa, the eldest of three sisters, the

daughter of a wealthy English gentleman with a fine estate in Kent, an

assured position, no troubles, no cares, nothing in her life to make

it sad, or sordid or interesting . . . Louisa Harris and romance! . .

. Why, she was not even pretty. She had neither violet eyes nor hair

of ruddy gold. The latter was brown and the former were gray. . . .

How could romance come in the way of gray eyes, and of a girl named

Louisa?

Can you conceive, for instance, one of those adorable detrimentals of

low degree and empty pocket who have a way of arousing love in the

hearts of the beautiful daughters of irascible millionaires, can you

conceive such an interesting personage, I say, falling in love with

Louisa Harris?

I confess that I cannot. To begin with, dear, kind Squire Harris was

not altogether a millionaire, and not at all irascible, and penniless

owners of romantic personalities were not on his visiting list.

Therefore Louisa, living a prosy life of luxury, got up every morning,

ate a copious breakfast, walked out with the dogs, hunted in the

autumn, skated in the winter, did the London season, and played tennis

in the summer, just as hundreds and hundreds of other well-born,

well-bred English girls of average means, average positions, average

education, hunt, dance, and play tennis throughout the length and

breadth of this country.

There was no room for romance in such a life, no time for it. . . .

The life itself was so full already--so full of the humdrum of daily

rounds, of common tasks, that the heart which beat with such ordinary

regularity in the seemingly ordinary breast of a very ordinary girl

did so all unconscious of the intense pathos which underlay this very

ordinary existence.

Vaguely Louisa knew that somewhere, beyond even the land of dreams,

there lay, all unknown, all mysterious, a glorious world of romance: a

universe peopled by girlish imaginings, and the sensitive, creating

thoughts of poets, by the galloping phantasies of super-excited

brains, and the vague longings of ambitious souls: a universe wherein

dwelt alike the memories of those who have loved and the hopes of

those who suffer. But when she thought of it all, she did so as one

who from the arid plain gazes on the cool streams and golden minarets

which the fairy Fata Morgana conjures on the horizon far away. She

looked on it as all unreal and altogether beyond her ken. She shut her

eyes to the beautiful mirage, her heart against its childish

yearnings.

Such things did not exist. They were not for her--Louisa Harris. The

little kitchenmaid at the court who, on Sunday evenings, went off

giggling, her chubby face glowing with pride and the result of recent

ablutions, on the arm of Jim the third gardener, knew more about that

world of romance than well-bred, well-born young ladies ever dreamed

of in their commonplace philosophy.

And Louisa Harris had always shut down the book which spoke of such

impossible things, and counted herself one of the strong ones of the

earth.

Therefore now, with Luke's letter in her hand, in which he tells her

in a very few words that he loves her beyond anything on earth, and

that he only waits the day when he can call her his own, his very own

dearly loved wife, why should Louisa--prosy, healthy-minded,

healthy-bodied Louisa--suddenly imagine that the whole world is

transfigured?--that the hotel room is a kind of ante-chamber to

heaven?--that the red velvet, uncompromising chairs are clouds of a

roseate hue and that the bronze Psyche with the broken thigh is the

elusive fairy who, with Morgana-like wand, hath conjured up this

mirage of glorious visions which mayhap would vanish again before

long?

She went up to the window and rested her forehead against the cool

pane. She might be ever so strong, she could not help her forehead

feeling hot and her eyes being full of tears--tears that did not hurt

as they fell.

Outside the weather was indeed prosy and commonplace. Rain was coming

down in torrents and beating against the newspaper kiosk over the way,

on the roofs of tramways and taxi-autos, making the electric light

peep dimly through the veil of wet, drowning, by its incessant patter,

to which the gusts of a November gale made fitful if loud

accompaniment, the shouts of the _cochers_ on their boxes, the rattle

of wheels on the stone pavement, even at times the shrill whistle for

cabs emanating from the porch of the brilliantly lighted Palace Hotel.

It was close on half-past six by the clock of the Gare du Nord

opposite. The express from Ostend had just come in--very late of

course, owing to the gale which had delayed the mail boat. Louisa,

straining her eyes, watched the excited crowd pouring out of the

station in the wake of porters and of piles of luggage, jabbering,

shouting, and fussing like an army of irresponsible pigmies: men in

blouses, and men in immaculate bowler hats, women wrapped in furs,

clinging to gigantic headgear that threatened to leave the safe refuge

of an elaborate coiffure or of well fixed gargantuan hatpins,

midinettes in fashionable skirts and high-heeled shoes, country women

in wool shawls that flapped round their bulky forms like the wings of

an overfed bat, all hurrying and jostling one another in a mad

endeavour to avoid the onrush of the innumerable taxi-autos which in

uncountable numbers wound in and out of the slower moving traffic like

the erratic thread of some living, tangled skein.

Just the every-day prosy life of a small but ambitious capital

struggling in the midst of an almost overpowering sense of

responsibility toward the whole of Europe in view of its recent great

Colonial expansion.

Louisa gave an impatient sigh.

Even the strong ones of the earth get wearied of the daily round, the

common task at times. She and aunt were due to dine at the British

Embassy at eight o'clock; it was only half-past six now and obviously

impossible to sit another two hours in this unresponsive hotel room in

the company of red velvet chairs and the bronze Psyche.

Aunt, in conjunction with her maid Annette, was busy laying the

foundations of an elaborate toilette. Louisa was free to do as she

pleased. She got a serviceable ulster and a diminutive hat and sallied

forth into the streets. She did not want to think or to dream, nor

perhaps did she altogether wish to work off that unusual feeling of

excitement which had so unaccountably transformed her ever since

Luke's letter had come.

All she wanted was to be alone, and to come out of herself for awhile.

She had been alone all the afternoon, save for that brief half hour

when aunt discussed the obvious over a badly brewed cup of tea: it was

not that kind of "alone-ness" which Louisa wanted now, but rather the

solitude which a crowded street has above all the power to give.

There is a kind of sociability in any room, be it ever so

uncompromising in the matter of discomfort, but a crowded street can

be unutterably lonely, either cruelly so or kindly as the case may be.

To Louisa Harris, the commonplace society girl, accustomed to tea

fights, to dances and to dinner parties, the loneliness of this

crowded little city was eminently welcome. With her dark ulster

closely buttoned to the throat, the small hat tied under her chin,

with everything on her weather-proof and unfashionable, she attracted

no notice from the passers-by.

Not one head was turned as, with a long breath of delight, she sallied

forth from under the portico of the hotel out into the muddy, busy

street; not one glance of curiosity or interest so freely bestowed in

the streets of foreign capitals on a solitary female figure, if it be

young and comely, followed this very ordinary-looking English miss.

To the crowd she was indifferent. These men and women hurrying along,

pushing, jostling, and scurrying knew nothing of Luke, nor that she,

Louisa Harris, was the happiest woman on earth.

She turned back toward the Boulevard, meaning to take a brisk walk all

along the avenue of trees which makes a circuit round the inner part

of the town and which ultimately would lead her back to the Gare du

Nord and the Palace Hotel. It was a walk she had often done before:

save for one or two busy corners on the way, it would be fairly

solitary and peaceful.

Louisa stepped out with an honest British tread, hands buried in the

pockets of her serviceable ulster, head bent against the sudden gusts

of wind. She did not mind the darkness of the ill-lighted, wide

boulevard, and had every intention of covering the two miles in a

little more than half an hour.

How the time sped! It seemed as if she had only just left the hotel,

and already surely not a quarter of a mile away she could see

glimmering the lights of the Place Namur, the half-way point of her

walk.

She was in the Boulevard Waterloo where private houses with closed

porte-cochères add nothing to the municipal lighting of the

thoroughfare.

Trams had been rushing past her in endless succession: but now there

was a lull. Close by her a taxi-auto whizzed quickly past and came to

a standstill some hundred yards away, near the pavement, and not far

from an electric light standard.

Louisa, with vacant eyes attached on that cab, but with her mind fixed

on a particular room in a particular house in Grosvenor Square where

lived a man of the name of Luke de Mountford, continued her walk.

Those same vacant eyes of hers presently saw the chauffeur of the

taxi-auto get down from his box and open the door of the cab, and then

her absent mind was suddenly brought back from Grosvenor Square,

London, to the Boulevard Waterloo in Brussels, by a terrible cry of

horror which had broken from that same chauffeur's lips. Instinctively

Louisa hurried on, but, even as she did so, a small crowd which indeed

seemed to have sprung from nowhere had already gathered round the

vehicle.

Murmurs of "What is it? What is it?" mingled with smothered groans of

terror, as curiosity caused one or two of the more bold to peer into

the gloomy depths of the cab. Shrill calls brought a couple of

_gardiens_ to the spot. In a moment Louisa found herself a unit in an

eager, anxious crowd, asking questions, conjecturing, wondering,

horror-struck as soon as a plausible and graphic explanation came from

those who were in the fore-front and were privileged to see.

"A man--murdered----"

"But how?"

"The chauffeur got down from his box . . . and looked in . . . ah,

_mon Dieu_!"

"What did he see?"

"A man . . . he is quite young . . . only about twenty years of age."

"Stabbed through the neck----"

"Stabbed?--Bah?"

"Right through the neck I tell you . . . just below the ear. I can see

the wound, quite small as if done with a skewer."

"_Allons! Voyons! Voyons!_" came the gruff accents from the two portly

_gardiens_ who worked vigorously with elbows and even feet to keep the

crowd somewhat at bay.

Louisa was on the fringe of the crowd. She could see nothing of

course--she did not wish to see that which the chauffeur saw when

first he opened the door of his cab--but she stood rooted to the spot,

feeling that strange, unexplainable fascination which one always

feels, when one of those great life dramas of which one reads so often

and so indifferently happens to be enacted within the close range of

one's own perception.

She gleaned a phrase here and there--saw the horror-stricken faces of

those who had seen, the placid, bovine expression of the two

_gardiens_, more inured to such sights and calmly taking notes by the

light of the electric standard.

"But to think that I drove that rascally murderer in my cab, and put

him down safe and sound not ten minutes ago!" came with the adjunct of

a loud oath from the irate chauffeur.

"How did it all occur?"

The _gardiens_ tried to stem the flow of the driver's eloquence; such

details should first be given to the police. _Voyons!_ But what were

two fat _mouchards_ against twenty stalwart idlers all determined to

hear--and then there were the women--they were determined to know

more.

Louisa bent her ear to listen. She was just outside the crowd--not a

part of it--and there was no really morbid curiosity in her. It was

only the call of the imagination which is irresistible on these

occasions--the prosy, matter-of-fact, high-bred girl could not, just

then, tear herself away from that cab and the tragedy which had been

enacted therein, in the mysterious darkness whilst the unconscious

driver sped along, ignorant of the gruesome burden which he was

dragging to its destination.

"_Voila!_" he was saying with many ejaculations and expletives, and a

volley of excited gestures. "Outside the _Parc_ near the theatre two

bourgeois hailed me, and one of them told me to draw up at the top of

the Galerie St. Hubert, which I did. The same one--the one who had

told me where to go--got out, clapped the door to and spoke a few

words to his friend who had remained inside."

"What did he say?"

"Oh! I couldn't hear and I didn't listen. But after that he told me to

drive on to Boulevard Waterloo No. 34 and here I am."

"You suspected nothing?"

"Nothing, how should I? Two bourgeois get into my cab; I see nothing;

I hear nothing. One of them gets out and tells me to drive on farther.

How should I think there's anything wrong?"

"What was the other man like? The one who spoke to you?"

"_Ma foi!_ I don't know. . . . It was raining so fast and pitch dark

just outside the _Parc_ lights--and he did seem to keep in the

shadow--now I come to think of it--and his cap--he wore a cap--was

pulled well over his face--and the collar of his coat was up to his

nose. It was raining so, I didn't really see him properly. I saw the

other one better--the one who has been murdered."

But the rotund _gardiens_ had had enough of this. Moreover, they would

hear all about it at full length presently. As for the crowd--it had

no business to know too much.

They hustled the excited driver back on to his box, and themselves got

into the cab beside it--the dead man, stabbed in the neck from ear to

ear--the wound quite small as if it had been done with a skewer.

The _gardiens_ ordered the chauffeur to drive to the commissariat, and

Louisa turned away with a slight shiver down her spine and her throat

choked with the horror of what she had only guessed.

The Heart of a Woman · 第 1 / 42 章