THE TRAIN FROM PALERMO

The train from Palermo was late. Already long, shadowy fingers were

reaching down the valleys across which the railroad track meandered.

Far to the left, out of an opalescent sea, rose the fairy-like Lipari

Islands, and in the farthest distance Stromboli lifted its smoking cone

above the horizon. On the landward side of the train, as it reeled and

squealed along its tortuous course, were gray and gold Sicilian

villages perched high against the hills or drowsing among fields of

artichoke and sumac and prickly pear.

To one familiar with modern Sicilian railway trains the journey

eastward from Palermo promises no considerable discomfort, but

twenty-five years ago it was not to be lightly undertaken--not to be

undertaken at all, in fact, without an unusual equipment of patience

and a resignation entirely lacking in the average Anglo-Saxon. It was

not surprising, therefore, that Norvin Blake, as the hours dragged

along, should remark less and less upon the beauties of the island and

more and more upon the medieval condition of the rickety railroad coach

in which he was shaken and buffeted about. He shifted himself to an

easier position upon the seat and lighted a cheroot; for although this

was his first glimpse of Sicily, he had watched the same villages come

and go all through a long, hot afternoon, had seen the same groves of

orange and lemon and dust-green olive-trees, the same fields of Barbary

figs, the same rose-grown garden spots, until he was heartily tired of

them all. He felt at liberty to smoke, for the only other occupant of

the compartment was a young priest in flowing mantle and silk beaver

hat.

Finding that Blake spoke Italian remarkably well for a foreigner, the

priest had shown an earnest desire for closer acquaintance and now

plied him eagerly with questions, hanging upon his answers with a

childlike intensity of gaze which at first had been amusing.

"And so the Signore has traveled all the way from Paris to attend the

wedding at Terranova. Veramente! That is a great journey. Many

wonderful adventures befell you, perhaps. Eh?" The priest's little eyes

gleamed from his full cheeks, and he edged forward until his knees

crowded Blake's. It was evident that he anticipated a thrilling tale

and did not intend to be disappointed.

"It was very tiresome, that's all, and the beggars at Naples nearly

tore me asunder."

"Incredible! You will tell me about it?"

"There's nothing to tell. These European trains cannot compare with

ours."

Evidently discouraged at this lack of response, the questioner tried a

new line of approach.

"The Signore is perhaps related to our young Conte?" he suggested. "And

yet that can scarcely be, for you are Inglese--"

"Americano."

"Indeed?"

"Martel and I are close friends, however. We met in Paris. We are

almost like brothers."

"Truly! I have heard that he spends much time studying to be a great

painter. It is very strange, but many of our rich people leave Sicily

to reside elsewhere. As for me, I cannot understand it."

"Martel left when his father was killed. He says this country is behind

the times, and he prefers to be out in the world where there is life

and where things progress."

But the priest showed by a blank stare that he did not begin to grasp

the meaning of this statement. He shook his head. "He was always a wild

lad. Now as to the Signorina Ginini, who is to be his beautiful

Contessa, she loves Sicily. She has spent most of her life here among

us."

With a flash of interest Blake inquired: "What is she like? Martel has

spoken of her a great many times, but one can't place much dependence

on a lover's description."

"Bellissima!" the priest sighed, and rolled his eyes eloquently. "You

have never seen anything like her, I assure you. She is altogether too

beautiful. If I had my way all the beautiful women would be placed in a

convent where no man could see them. Then there would be no fighting

and no flirting, and the plain women could secure husbands. Beautiful

women are dangerous. She is rich, too."

"Of course! That's what Martel says, and that is exactly the way he

says it. But describe her."

"Oh, I have never seen her! I merely know that she is very rich and

very beautiful." He went off into a number of rapturous "issimas!" "Now

as for the Conte, I know him like a book. I know his every thought."

"But Martel has been abroad for ten years, and he has only returned

within a month."

"To be sure, but I come from the village this side of San Sebastiano,

and my second cousin Ricardo is his uomo d'affare--his overseer. It is

a very great position of trust which Ricardo occupies, for I must tell

you that he attends to the leasing of the entire estate during the

Conte's absence in France, or wherever it is he draws those marvelous

pictures. Ricardo collects the rents." With true Sicilian naivete the

priest added: "He is growing rich! Beato lui! He for one will not need

to go to your golden America. Is it true, Signore, that in America any

one who wishes may be rich?"

"Quite true," smiled the young man. "Even our beggars are rich."

The priest wagged his head knowingly. "My mother's cousin, Alfio Amato,

he is an American. You know him?"

"I'm afraid not."

"But surely--he has been in America these five years. A tall, dark

fellow with fine teeth. Think! He is such a liar any one would remember

him. Ebbene! _He_ wrote that there were poor people in America as here,

but we knew him too well to believe him."

"I suppose every one knows about the marriage?"

"Oh, indeed! It will unite two old families--two rich families. You

know the Savigni are rich also. Even before the children were left as

orphans it was settled that they should be married. What a great

fortune that will make for Ricardo to oversee! Then, perhaps, he will

be more generous to his own people. He is a hard man in money matters,

and a man of action also; he does not allow flies to sit upon his nose.

He sent his own daughter Lucrezia to Terranova when the Contessa was

still a child, and what is the result? Lucrezia is no longer a servant.

Indeed no, she is more like a sister to the Signorina. At the marriage

no doubt she will receive a fine present, and Ricardo as well. He is as

silent as a Mafioso, but he thinks."

Young Blake stretched his tired muscles, yawning.

"I'm sorry Martel couldn't marry in France; this has been a tedious

trip."

"It was the Contessa's wish, then, to be wed in Sicily?"

"I believe she insisted. And Martel agreed that it was the proper thing

to do, since they are both Sicilians. He was determined also that I

should be present to share his joy, and so here I am. Between you and

me, I envy him his lot so much that it almost spoils for me the

pleasure of this unique journey."

"You are an original!" murmured the priest, admiringly, but it was

evident that his thirst for knowledge of the outside world was not to

be so easily quenched, for he began to question his traveling companion

closely regarding America, Paris, the journey thence, the ship which

bore him to Palermo, and a dozen other subjects upon which his active

mind preyed. He was full of the gossip of the countryside, moreover,

and Norvin learned much of interest about Sicily and the disposition of

her people. One phenomenon to which the good man referred with the

extremest wonder was Blake's intimacy with a Sicilian nobleman. How an

American signore had become such a close friend of the illustrious

Conte, who was almost a stranger, even to his own people, seemed very

puzzling indeed, until Norvin explained that they had been together

almost constantly during the past three years.

"We met quite by chance, but we quickly became friends--what in my

country we call chums--and we have been inseparable ever since."

"And you, then, are also a great artist?"

Blake laughed at the indirect compliment to his friend.

"I am not an artist at all. I have been exiled to Europe for three

years, upon my mother's orders. She has her own ideas regarding a man's

education and wishes me to acquire a Continental polish. My ability to

tell you all this shows that I have at least made progress with the

languages, although I have doubts about the practical value of anything

else I have learned. Martel has taught me Italian; I have taught him

English. We use both, and sometimes we understand each other. My three

years are up now, and once I have seen my good friend safely married I

shall return to America and begin the serious business of life."

"You are then in business? My mother's cousin, Alfio Amato, is likewise

a business man. He deals in fruit. Beware of him, for he would sell you

rotten oranges and swear by the saints that they were excellent."

"Like Martel, I have land which I lease. I am, or I will be, a

cotton-planter."

This opened a new field of inquiry for the priest, who was making the

most of it when the train drew into a station and was stormed by a

horde of chattering country folk. The platform swarmed with vividly

dressed women, most of whom carried bundles wrapped up in variegated

handkerchiefs, and all of whom were tremendously excited at the

prospect of travel. Lean-visaged, swarthy men peered forth from the

folds of shawls or from beneath shapeless caps of many colors; a pair

of carabinieri idled past, a soldier in jaunty feathered hat posed

before the contadini. Dogs, donkeys, fowls added their clamor to the

high-pitched voices.

Twilight had settled and lights were kindling in the village, while the

heights above were growing black against a rose-pink and

mother-of-pearl sky. The air was cool and fragrant with the odor of

growing things and the open sea glowed with a subdued, pulsating fire.

The capo stazione rushed madly back and forth striving by voice and

gesture to hasten the movements of his passengers.

"Partenza! Pronto!" he cried, then blew furiously upon his bugle.

After a series of shudders and convulsions the train began to hiss and

clank and finally crept on into the twilight, while the priest sat knee

to knee with his companion and resumed his endless questioning.

It was considerably after dark when Norvin Blake alighted at San

Sebastiano, to be greeted effusively by a young man of about his own

age who came charging through the gloom and embraced him with a great

hug.

"So! At last you come!" Savigno cried. "I have been here these three

hours eating my heart out, and every time I inquired of that head of a

cabbage in yonder he said, 'Pazienza! The world was not made in a day!'

"'But when? When?' I kept repeating, and he could only assure me that

your train was approaching with the speed of the wind. The saints in

heaven--even the superintendent of the railway himself--could not tell

the exact hour of its arrival, which, it seems, is never twice the

same. And now, yourself? You are well?"

"Never better. And you? But there is no need to ask. You look

disgustingly contented. One would think you were already married."

Martel Savigno showed a row of even, white teeth beneath his military

mustache and clapped his friend affectionately on the back.

"It is good to be among my own people. I find, after all, that I am a

Sicilian. But let me tell you, that train is not always late. Once,

seven years ago, it arrived upon the moment. There were no passengers

at the station to meet it, however, so it was forced to wait, and now,

in order to keep our good-will it always arrives thus."

The Count was a well-set-up youth of an alert and active type, tall,

dark, and vivacious, with a skin as smooth as a girl's. He had an

impulsive, energetic nature that seldom left him in repose, and hence

the contrast between the two men was marked, for Blake was of a more

serious cast of features and possessed a decidedly Anglo-Saxon reserve.

He was much the heavier in build, also, which detracted from his height

and robbed him of that elegance which distinguished the young Sicilian.

Yet the two made a fine-looking pair as they stood face to face in the

yellow glare of the station lights.

"What the deuce made me agree to this trip, I don't know," the American

declared. "It was vile. I've been carsick, seasick, homesick--"

"And all for poor, lovesick Martel!" The Count laughed. "Ah, but if you

knew how glad I am to see you!"

"Really? Then that squares it." Blake spoke with that indefinable

undernote which creeps into men's voices when friend meets friend.

"I've been lost without you, too. I was quite ashamed of myself."

The Count turned to a middle-aged man who had remained in the shadows,

saying: "This is Ricardo Ferara, my good right hand, of whom you have

heard me speak." The overseer raised his hat, and Blake took his hand,

catching a glimpse of a grizzled face and a stiff mop of iron-gray

hair. "You will see to Signore Blake's baggage, Ricardo. Michele!

Ippolito!" the Count called. "The carretta, quickly! And now, caro

Norvin, for the last leg of your journey. Will you ride in the cart or

on horseback? It is not far, but the roads are steep."

"Horseback, by all means. My muscles need exercise."

The young men mounted a pair of compact Sicilian horses, which were

held by still another man in the street behind the depot, and set off

up the winding road which climbed to the village above. Blake regretted

the lateness of the hour, which prevented him from gaining an adequate

idea of his surroundings. He could see, however, that they were

picturesque, for San Sebastiano lay in a tiny step hewed out of the

mountain-side and was crowded into one street overlooking the railway

far below and commanding a view of the sea toward the Calabrian coast.

As the riders clattered through the poorly lighted village, Blake saw

the customary low-roofed houses, the usual squalid side-streets, more

like steep lanes than thoroughfares, and heard the townspeople

pronouncing the name of the Count of Martinello, while the ever-present

horde of urchins fled from their path. A beggar appeared beside his

stirrup, crying, "I die of hunger, your worship." But the fellow ran

with surprising vigor and manifested a degree of endurance quite

unexampled in a starving man. A glimpse of these, and then the lights

were left behind and they were moving swiftly upward and into the

mountains, skirting walls of stone over which was wafted the perfume of

many flowers, passing fragrant groves of orange and lemon trees, and

less fragrant cottages, the contents of which were bared to their eyes

with utter lack of modesty. They disturbed herds of drowsy cattle and

goats lying at the roadside, and all the time they continued to climb,

until their horses heaved and panted.

The American's impressions of this entire journey, from the time of his

leaving Paris up to the present moment, had been hurried and unreal,

for he had made close connections at Rome, at Naples, and at Palermo.

Having the leisurely deliberateness of the American Southerner, he

disliked haste and confusion above all things. He had an intense

desire, therefore, to come to anchor and to adjust himself to his

surroundings.

As Martel chattered along, telling of his many doings, Blake noted that

Ricardo and the man who had held the horses were following closely.

Then, as the cavalcade paused at length to breathe their mounts, he saw

that both men carried rifles.

"Why! We look like an American sheriff's posse, Martel," said he. "Do

all Sicilian bridegrooms travel with an armed escort?"

Savigno showed a trace of hesitation. "The nights are dark; the country

is wild."

"But, my dear boy, this country is surely old enough to be safe. Why,

Sicily was civilized long before my country was even heard of. All

sorts of ancient gods and heroes used to live here, I am told, and I

supposed Diana had killed all the game long ago."

He laughed, but Savigno did not join him, and a moment later they were

under way again.

After a brief gallop they drew up at a big, dark house, hidden among

the deeper shadows of many trees, and in answer to Martel's shout a

wide door was flung back; then by the light which streamed forth from

it they dismounted and made their way up a flight of stone steps. Once

inside, Savigno exclaimed:

"Welcome to my birthplace! A thousand welcomes!" Seizing Norvin by the

shoulders, he whirled him about. "Let me see you once. Ah! I am glad

you made this sacrifice for me, for I need you above all men." His

eyes, though bright with affection, were grave--something unusual in

him--and the other inquired, quickly:

"There's nothing wrong, I hope?"

Savigno tossed his head and smiled.

"Wrong! What could be wrong with me now that you are here? No! All is

quite right, but I have been accursed with lonesomeness. Something was

lacking, It was you, caro mio. Now, however, I am the most contented of

mortals. But you must be famished, so I will show you to your room at

once. Francesca has provided a feast for us, I assure you."

"Give me a moment to look around. So this is the castello? Jove! It's

ripping!"

Blake found himself in a great hall similar to many he had seen in his

European wanderings, but ruder and older by far. He judged the castello

to be of Norman build, but remodeled to suit the taste of the Savigni.

To the right, through an open door, he saw a large room where a fat

Sicilian woman was laying the table; to the left was a drawing-room

lighted only by a fire of fagots in a huge, black fireplace, the

furniture showing curiously distorted in the long shadows. Other rooms

opened towards the rear, and he realized that the old place was very

large. It was unkempt also, and showed the lack of a woman's hand.

"You exaggerate!" said Savigno. "After Paris the castello will seem

very mean. We Siciliani do not live in grand style, and, besides, I

have spent practically no time here, since my father (may the saints

receive him) left me free to wander. The place has been closed; the old

servants have gone; it is dilapidated."

"On the contrary, it's just the sort of place it should be--venerable

and overflowing with romance. You must rule like a medieval baron. Why,

you could sell this woodwork to some millionaire countryman of mine for

enough to realize a fortune."

"Per Dio! If taxes are not reduced I shall be forced to some such

expedient," the Count laughed. "It was my mother's home, it is my

birthplace, so I love it--even though I neglect it. As you perceive, it

is high time I took a wife. But enough! If you are lacking in appetite,

I am not, and Francesca is an unbearable tyrant when her meals grow

cold."

He led his friend up the wide stairs and left him to prepare for supper.

"And so this ends it all," said Blake, as the two young men lounged in

the big, empty drawing-room later that evening. They had dined and

gossiped as only friends of their age can gossip, had relived their

adventures of the past three years, and still were loath to part, even

for sleep.

"How so?" queried Savigno. "You speak of marriage as if it were

dissolution."

"It might as well be, so far as the other fellow is concerned."

"Nonsense! I shall not change."

"Oh, yes, you will! Besides, I am returning to America."

"Even so, we are rich; we shall travel; we shall meet frequently. You

will come to Sicily. Perhaps the Contessa and I may even go to America.

Friendship such as ours laughs at the leagues."

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