STRIKE HANDS, YOUNG MEN!

Strike hands, young men!

We know not when

Death or disaster comes,

Mightier than battle-drums

To summon us away.

Death bids us say farewell

To all we love, nor stay

For tears;--and who can tell

How soon misfortune's hand

May smite us where we stand,

Dragging us down, aloof,

Under the swift world's hoof?

Strike hands for faith, and power

To gladden the passing hour;

To wield the sword, or raise a song;--

To press the grape; or crush out wrong.

And strengthen right.

Give me the man of sturdy palm

And vigorous brain;

Hearty, companionable, sane,

'Mid all commotions calm,

Yet filled with quick, enthusiastic fire;--

Give me the man

Whose impulses aspire,

And all his features seem to say, "I can!"

Strike hands, young men!

'Tis yours to help rebuild the State,

And keep the Nation great.

With act and speech and pen

'Tis yours to spread

The morning-red

That ushers in a grander day:

To scatter prejudice that blinds,

And hail fresh thoughts in noble minds;

To overthrow bland tyrannies

That cheat the people, and with slow disease

Change the Republic to a mockery.

Your words can teach that liberty

Means more than just to cry "We're free"

While bending to some new-found yoke.

So shall each unjust bond be broke,

Each toiler gain his meet reward,

And life sound forth a truer chord.

Ah, if we so have striven,

And mutually the grasp have given

Of brotherhood,

To work each other and the whole race good;

What matter if the dream

Come only partly true,

And all the things accomplished seem

Feeble and few?

At least, when summer's flame burns low

And on our heads the drifting snow

Settles and stays,

We shall rejoice that in our earlier days

We boldly then

Struck hands, young men!

"O JAY!"

O jay--

Blue-jay!

What are you trying to say?

I remember, in the spring

You pretended you could sing;

But your voice is now still queerer,

And as yet you've come no nearer

To a song.

In fact, to sum the matter,

I never heard a flatter

Failure than your doleful clatter.

Don't you think it's wrong?

It was sweet to hear your note,

I'll not deny,

When April set pale clouds afloat

O'er the blue tides of sky,

And 'mid the wind's triumphant drums

You, in your white and azure coat,

A herald proud, came forth to cry,

"The royal summer comes!"

But now that autumn's here,

And the leaves curl up in sheer

Disgust,

And the cold rains fringe the pine,

You really must

Stop that supercilious whine---

Or you'll be shot, by some mephitic

Angry critic.

You don't fulfill your early promise:

You're not the smartest

Kind of artist,

Any more than poor Blind Tom is.

Yet somehow, still,

There's meaning in your screaming bill.

What _are_ you trying to say?

Sometimes your piping is delicious,

And then again it's simply vicious;

Though on the whole the varying jangle

Weaves round me an entrancing tangle

Of memories grave or joyous:

Things to weep or laugh at;

Love that lived at a hint, or

Days so sweet, they'd cloy us;

Nights I have spent with friends;--

Glistening groves of winter,

And the sound of vanished feet

That walked by the ripening wheat;

With other things.... Not the half that

Your cry familiar blends

Can I name, for it is mostly

Very ghostly;--

Such mixed-up things your voice recalls,

With its peculiar quirks and falls.

Possibly, then, your meaning, plain,

Is that your harsh and broken strain

Tallies best with a world of pain.

Well, I'll admit

There's merit in a voice that's truthful:

Yours is not honey-sweet nor youthful,

But querulously fit.

And if we cannot sing, we'll say

Something to the purpose, jay!

Dreams and Days: Poems · 第 58 / 157 题