THE LAST OF THE MORANS

On my right rose a jagged wall of rock, hundreds of feet high and bare

of vegetation save for a few dwarfed and wind-swept pines. On my left

gaped the wide mouth of what seemed to be a bottomless ravine. Between

the two was a ledge not more than six feet wide, along which "Jef'son

Davis," my mountain horse, was slowly and thoughtfully making his

difficult way. Occasionally from the pit's depths a hawk or

turkey-buzzard rose, startling me with the flapping of its strong

wings, and several times the feet of Jef'son Davis dislodged a bit of

rock which rattled across the ledge, slipped over the side, and

started on a downward journey whose distance I dared not estimate.

For more than an hour I had not met a human being. I had not seen a

mountain cabin or even a nodding plume of smoke. I had not heard the

bark of a dog, the tinkle of a cow-bell, nor any other reassuring and

homely testimony that I was in a world of men. Yet I knew that

somewhere around me must be lurking figures and watchful eyes, for I

was in the stronghold of the Morans and the Tyrrells, and the Morans

and Tyrrells were on the war-path, and therefore incessantly on guard.

This journey through the Virginia mountains to "write up family feuds"

was the result of an inspiration recently experienced by Colonel

Cartwell, our editor-in-chief. He was sure I could uncover "good

dramatic stuff."

"They're potting at each other every minute down there," he explained

to me when he sent me off on the assignment. "Give their time to it.

Morans and Tyrrells are the worst. Tyrrell has killed six Morans. Get

his story before the Morans get him. See? And find out what it's all

about, anyway."

According to the map I had made that morning under the direction of

the postmaster of Jayne's Crossroads, I knew I must be even now within

a mile of the cabin of the Morans.

"'Tain't healthy travelin' fo' men," that gentleman had volunteered

languidly, "but I reckon a lady's safe 'nuff, 'specially ef yo' leave

the jou'ney to the hawse. Jef'son Davis, he knows ev'ry inch of that

thar trail. All yo' got t' do is t' give Jef'son his haid."

Jef'son Davis was having his head, and he had thus far been true to

his trust. At a certain point on the trail I was to look for huge

boulders in a strange position, with a big and lonely cedar standing

guard near them. At the right of this cedar was an almost hidden

trail, which, followed for twenty minutes, would lead me to the Moran

cabin. I was not to be alarmed if a bullet whispered its sinister

message in my ear. To kill women was no part of the Moran traditions,

and a fatality to me would be a regrettable incident, due wholly, if

it occurred at all, to the impulsive nature of Samuel Tyrrell, who had

formed the careless habit of firing at moving objects without pausing

to discover what they were. It was because of this eccentricity, I

gathered, that the sympathy of the mountain people lay largely with

Moran--who, moreover, though both men were the last of their

respective lines, was a boy of twenty-two, while Tyrrell was well on

in middle life.

I rode slowly along the trail, which, clear in the high lights of the

noonday sun, was now widening and turning to the right. The ravine

appeared to be growing more shallow. Flashes of red haw and scarlet

dogwood began to leap out at me from the edges. Presently, beyond the

turn, I discovered the boulders, silhouetted sharply against the soft

October sky. Near them was the lonely cedar, and after twice passing

it I found the side-trail, and rode peacefully down its dim corridor.

There was nothing to mark the Moran home, and that, too, I almost

passed before I noticed it, a strongly built log cabin, backed against

the side of a hill, and commanding from its three barred windows the

approaches on every side. As I rode up, the door opened and an old

woman in a homespun dress stood before me. Her shoulders sagged under

the burden of seventy-five years, but the flame of an unconquerable

spirit burned in the keen black eyes set bead-like in her withered

little brown face. This, I knew, was Betsy Moran, who had helped to

bury her husband, four sons, and a grandson, all killed by the

Tyrrells, and who was said finally to have seized a gun herself and

added at least one Tyrrell to the row in the family burial-lot.

"How do you do?" I asked, cheerfully. "May I come in and rest for a

few moments?"

Her face did not soften, nor did she speak, but there was neither

suspicion nor fear in her steady regard; it held merely a

dispassionate curiosity. I slipped from the back of Jef'son Davis and

hesitated, looking around for a post or tree to tie him to, and the

old woman, stirred to a quick instinct of hospitality, looked

uncertainly behind her into the cabin. At the same instant a young

giant appeared behind her, pushed her lightly to one side, and strode

toward me with a nod of greeting. Then, taking the bridle-rein from my

hand, and still in silence, he led the horse away. Evidently the

Morans were not a talkative family.

Wholly forgetting the old woman, I stared after him. Here, obviously,

was young "Shep," the last of the Morans; and from the top of his

curly black hair to the boot-soles six feet two inches below it, he

looked extremely well able to take care of himself. He was powerfully

built, and he moved with the natural grace of the superb young animal

he was. He wore a rough homespun blue shirt, open at the neck, and a

pair of corduroy trousers tucked into high boots. From the swing of

his back as he strode off with Jef'son Davis I should hardly have been

surprised to see him throw that weary animal across his mighty

shoulders.

When he had disappeared I walked thoughtfully to the cabin door,

meeting again the level gaze of my hostess. A sudden gleam in her eyes

and a quick lift of her white head showed me she had caught my

unconscious tribute to the strength and beauty of the young man, who

was not only the last of her line, but, according to mountain

traditions, the "apple of her eye."

"Come 'long in," she said, quietly; and she added as I crossed her

threshold, "Ef yo' rid 'crost th' Gap, yo' mus' be mi-i-ghty ti'ed."

[Illustration: IT WAS YOUNG "SHEP," THE LAST OF THE MORANS]

She pushed a chair in front of the great fireplace which filled one

side of the cabin, and I dropped gladly into it and took off my hat,

while she bustled about with hospitable enterprise, heating water and

rattling tea-cups. Suddenly she disappeared, and in another instant I

heard the despairing, final squawk of an unfortunate hen. I knew that

within the hour it would be served to me in a strange dish in which

the flavors of burnt feathers and of tough, unseasoned meat would

struggle for recognition, and I sighed. But the great logs burning in

the old fireplace were good to watch, and their warmth was

comforting, for the sun had suddenly gone behind a cloud and an autumn

wind had begun to whine around the cabin and in the big chimney.

There were only five pieces of furniture in the room--a narrow,

home-made wooden bed occupying one corner, a large spinning-wheel, a

pine table, a rough log settle, and the chair in which I sat. At the

right of the fireplace a ladder led to a trap-door which evidently

opened into a low attic--young Moran's quarters, I assumed. Just

outside the open door stood a low, flat-topped tree-trunk, holding a

tin basin full of water; a homespun towel on a nail below it testified

mutely to its past usefulness. While I was regarding these, the master

of the house reappeared, plunged his black head into the basin, flung

the water in a spray over his face and hands, wiped them on the towel,

and entered the cabin, ready for dinner. His immediate impulse was to

attend to the fire, and as he approached it he cast a side glance at

me, as shy and curious as that of some half-tamed creature of the

open. When he had put on another log he spoke without looking at me,

his brown cheeks flushing with the effort.

"Done fed th' critter," he announced, laconically.

I thanked him, and mercifully kept my eyes on the fire. For a time he

remained there, too, with occasional darting glances at me, which

finally, as I seemed unaware of them, settled into a steady and close

inspection. I realized what a strange, new type I presented to him--a

young woman from New York, wearing a riding-habit and riding-boots,

trim and slim and tailor-made. His glance lingered a long time on my

hair and my hands. There was nothing offensive about it. At first

merely curious, it had finally become reflective and friendly. At last

I began to talk to him, and after several false starts he was able to

respond, sprawling opposite me on the big settle, his hands clasped

behind his curly head, his legs extended toward the fire, while I told

him of New York and answered his extraordinary questions.

It had seemed somehow fitting that the sun should go behind a cloud

when I entered this tragic home; but for a long time there was no

intimation in our talk of the other shadows that lay over the cabin,

of the bloody trail that led to it, of the tragic row of graves on the

hill beside it, or of the bullets that had whispered the failure of

their mission in this boy's ears. We were a fairly cheerful company as

we drew up to the pine table when the old woman announced dinner, and

even the stoic calm of her face relaxed over the story of some of my

experiences on the trail with Jef'son Davis. She did the honors of her

house a little stiffly, but with dignity; and always, except when she

was thus engaged, her black eyes focused on the face of her grandson

and clung there, fixed. Her contribution to our talk consisted of two

eloquent sentences:

"Sometimes we got but'r," she remarked, as we sat down, "sometimes we

hain't. T'day we hain't."

We had, however, the expected chicken, with corn bread and tea, and in

the perfect flowering of his hospitality, young Shep Moran heaped

these high upon my plate, and mourned when I refused to devour the

entire repast. He was chatting now with much self-possession, while

under his talk and his occasional shy but brilliant smile his

grandmother expanded like a thirsty plant receiving water. He had, he

told me proudly, learned to read, and he owned two books--the Bible

and some poems by a man named Whittier. He knew most of the poems "by

hea't." He had never ridden on a railroad-train, but he could ride any

animal that traveled on four legs, and he had heard a fiddle played

upon during his one expedition out into the great world--his solitary

visit to Jayne's Crossroads, two years before.

When dinner was over he smoked a clay pipe before the fire, and

gradually his talk grew more intimate. He and his grandmother were

going to leave the cabin, he said, and live on the other side of the

mountain. A man had offered him a job in some coal-mines that were

being opened up. But he could not go yet--there was something he had

to do first. The shadow over the cabin seemed to deepen as he spoke. I

knew what he had to do--he had to kill Samuel Tyrrell, who had killed

his father. His uncles, his brother, and Samuel Tyrrell's sons had

killed one another. There were only himself and Samuel Tyrrell left.

He turned and looked at me. His whole expression had changed--his brow

was somber, his eyes brooding, his lips drawn back from his teeth in

an odd, unconscious snarl. Quite naturally he took it for granted that

I knew of him and his feud.

"Sam Tyrrell, he'd--" he hesitated, then added under his breath, as he

glanced at the old woman moving toward the cupboard with her

dishes--"he'd even shoot at gran ef he ketched 'er on the trail."

I rose and put on my hat. Before my eyes my mountain demigod had

suddenly been transformed into a young beast, lusting for blood. I

felt that I must get away from the oppression of the place. He made no

comment, but picked up his hat and went for my horse. When he returned

he was leading Jef'son Davis and riding his own horse, a rough-coated

mountain animal which, powerful though it was, seemed hardly up to the

huge bulk astride it. With a jerk of his head, he checked my protest

and the little cry that broke from his grandmother's lips.

"I'm jes' gwine ter th' bend," he told her, "t' p'int aout th' trail

t' Clapham's. She's gwine t' stay all night thar. Look fo' me home

'fore sundown."

The grandmother cast a quick glance at me, then dropped her eyes. The

fire seemed to have flickered and died out. Her steps dragged. In an

instant she had become a feeble, apprehensive old woman.

"Don't you take Shep no furder 'n th' bend," she quavered. "Will yuh?"

I met her look squarely. "You may be sure I will not," I promised, and

we rode away.

Young Moran's horse proved better than he looked. With the greatest

ease and lightness he carried his rider along the trail, a little in

advance of me where it was narrow, and close beside me when it widened

out. As we rode, the young man became all boy again. He knew every

mountain tree and shrub, every late plant that had raised a brave head

above the pall of autumn leaves, every bird whose note sounded near us

or which winged its flight above us. He pointed out the bright yellow

blossoms of the evening primrose, the bursting pods of the milkweed,

the "purty look" of asters, gentian, and white everlasting against the

somber background of the hills. He was delighted when we flushed a

covey of quail, and at one point he stopped abruptly to show me the

old swimming-hole which he and his brother had used, and on the banks

of which, he added grimly, his brother had been killed by Tyrrell's

eldest son. At this memory the shadow fell upon him again, and it was

while we were riding on in a silence broken only by the padded

hoof-beats of the horses that we heard a shot. Something from the

underbrush at our right went humming past me, clipped a leaf from an

overhanging bough above my companion's head, and sped onward to its

harmless finish. Moran's horse, jerked back on its haunches by the

rider's powerful grip on the bridle, stopped, trembling. Jef'son Davis

shied violently, only to be caught and steadied by the instantaneous

grasp of Moran's right hand. In the same second the young man himself

was transformed from the simple, gentle nature-lover of the trail to a

half-human spirit of hatred and revenge.

"The polecat!" he hissed. "I know whar he is. I'll _git_ him this

time!" With a quick swing he turned his horse. "Thar's your trail," he

called back over his shoulder. "Straight on tuh th' bend--then go

left."

He put his horse at a low but sharp incline on the right, and the

animal scrambled up it with straining muscles and tearing hoofs that

sent back a shower of stones and earth. In another moment horse and

rider were out of sight.

It had all happened so suddenly that I had felt no fear. Now, left

alone, it seemed incredible that it should have happened at all.

Outwardly, everything was as it had been a moment before. The soft

haze of the October atmosphere still lay over the silent hills; the

reassuring whir of crickets was in the air. Jef'son Davis, happy in

the comfort of a lax bridle, was eagerly cropping the leaves from an

overhanging tree-branch. Yet within pistol-shot of this spot an

assassin had crouched. Even now he and his enemy were perhaps having

their last struggle.

With a deep breath, I gathered up the bridle and rode back at full

speed along the trail over which I had come. When I drew near the

Moran cabin I checked Jef'son Davis's pace and proceeded at a gentle

canter. I did not wish to alarm Betsy Moran, but the door flew open

while I was still some distance away, and the old woman hurried to

meet me. Almost as soon as I had jumped from the saddle she was beside

me, her eyes staring into mine with the question she dared not ask.

"Nothing serious has happened," I said, quickly, "but--" As I

hesitated, she finished the sentence.

"They're arfter each othe'?" she said, dully. "They're shootin'?"

I nodded. Without another word, she turned and entered the cabin. I

tethered my horse to a tree and followed her. There was nothing of

helpless age about her now. Instead there was something horrible in

her silence, something appalling in the preparations she at once began

to make. She had gone through it all before--many, many times. She was

ready to go through it again whenever the hour struck, and she had

developed a terrible efficiency.

She filled the great kettle with water. She turned down the covers of

the bed. From a closet in the wall she brought out linen and bandages,

a few bottles, and several bundles of herbs, of which she began to

make some sort of brew. At last she came and sat by the fire, crouched

over it, waiting and listening. Occasionally she rose, went to the

door, and looked out. Once or twice she whimpered a little, but she

did not speak.

Darkness came. Several times I rose and put fresh logs on the fire. I

found and lit a candle, to help out the firelight. It had become

impossible to sit longer in that dim room, with its shadows and its

memories, watching the terrible patience of the mountain woman and

picturing a dead man, or a wounded one, lying helpless near the trail.

"Can't I ride somewhere and get some one?" I suggested once.

"No," the old woman answered, curtly. Half an hour later she added,

more gently, and as if there had been no interval between her words:

"They ain't no doctor in thirty miles. Ef Shep gits home, I kin tend

t' him."

It was after ten o'clock before we heard a sound outside. I jumped to

my feet, but the old woman was before me. Hurrying to the door, she

flung it wide, and, shielding the candle with her hand, peered out

into the blackness. Then, with a little cry, she handed the candle to

me and ran forward. In the darkness something was crawling toward us,

something that stumbled and rose and stumbled again. It collapsed just

as it reached us, and fell near the threshold.

Someway, together, we dragged the last of the Morans into his home,

and closed the door between him and his mountain world. His great body

seemed to fill the cabin as it lay upon the floor, the arms and legs

sprawling in incredible helplessness, the boots and trousers covered

with mud, the blue shirt torn and blood-stained. Seizing one of her

bottles, the old woman forced some of its contents between the boy's

teeth, and as she did so he opened his eyes. For a moment he stared at

her, at me, and around the cabin, dim in the flickering light of logs

and candle. Then a gleam lit up his black eyes. His lips drew back

over his teeth in a hideous, wolflike grin.

"He's done daid, gran," he choked out. "I got 'im!"

The old woman, who had been bending above him, dropped the bottle and

sat back suddenly, flinging her lean arms above her head in a movement

of wild exultation. A high cackle of joy broke from her. Then,

remembering his need, she bent over him again and tried to force him

to take more of the liquor; but he frowned it away, his stiff tongue

seeking to form words.

"I--watched--him--die," he finally articulated,

"'fo'--ever--I--tho't--o'--home!"

He closed his eyes and lapsed into unconsciousness. The old woman

rocked above him.

"He's daid," she crooned. "He's daid, daid, daid!"

For a moment I thought it was her grandson she meant, but I saw that

she was continuing her ministrations, accompanying them with this

reassurance to those deaf ears. For a long time the hideous lullaby

went on, while she washed the wound in the boy's breast and checked

its flow of blood, bandaging it as skilfully as any surgeon could have

done the work. She let me help her now--keeping cold compresses on

his hot head, for he was moaning with pain and fever, and giving him

from time to time the medicine she had brewed. We could not move his

great body, but we made him as comfortable as we could on the floor,

and worked over him there while the night wore on, and the cries of

prowling animals came to us from the mountainside.

Toward dawn the fever subsided. The boy's high color faded, and he

hardly seemed to breathe. In my inexperience I was not sure whether

these were good or bad signs, and I had no indication from Betsy

Moran, whose face never changed as she hung above him. At sunrise she

rose and went to the door, motioning to me to accompany her. There,

following the direction indicated by her pointing, shaking old finger,

I saw on the side of the hill, at the left of the cabin, six low

mounds marked by six great boulders. For a long time the mountain

woman looked at them in silence. Then she turned to me.

"He's daid," she whispered, with a kind of fierce delight. "_Tyrrell's

daid._ Here's the e-end."

She leaned against the jamb of the door, staring up at the row of

mounds defined against the desolate mountain by the first clear rays

of the sun. A light breeze lifted the loose locks of her white hair

and blew them about her face. In her eyes shone the wild exultation

that had burned there the night before, when her boy had gasped out

his message.

"Mrs. Moran," I asked, quietly, "how many Tyrrell graves are there?"

She answered me somberly, almost absently. "Five," she said. Then, on

a sudden memory, her shriveled arm went up in a gesture of triumph.

"_Six!_" she corrected herself, exultantly. "Be six in th' Tyrrell lot

t'-morrer."

Six in the Tyrrell lot to-morrow. Six in the Moran lot to-day--perhaps

seven there to-morrow. And why? Unconsciously I uttered the word

aloud, and the hills seemed to fling back the ironic question. Beside

me the old woman stirred, thinking I was speaking to her. As if the

words had touched a hidden spring, her confidence gushed forth, and as

she talked she lifted her hands and began to twist into the tiny knob

of hair at the back of her head the white locks that blew about her

eyes.

"'Twas fo'ty yeahs back," she said, at last, almost to herself. "Come

Christmas, hit's fo'ty yeahs back. Er yearlin' o' ourn had tooken up

with neighbor cattle, an' Tyrrell, he done claimed hit. They was

always polecats, th' Tyrrells. Words come o' that, an' licks follered

clost. At las' Tyrrell, he shot Amos--my man. 'Twa'n't long fo' Jep,

my oldest, Shep's father, he killed Tyrrell. That's th' sta't of it.

Now we've come t' th' e-end," she finished, and drew a long breath.

"He's daid--Tyrrell's daid. Shep, he seen 'um die."

She led the way back into the cabin, and stopped at the foot of the

ladder. "Go up thar," she said, almost gently. "Git some sleep. I

reckon ye're perished fo' it."

I protested, but in vain. It finally became plain that for some reason

she wished to be rid of me. She brought me a cup of some dark liquid

and urged me to drink it. It was not tempting in appearance or flavor,

but I drank it down. Then, as she still waited, I ascended the ladder

and found myself in Shep's room--a tiny attic, its rafters hung with

drying herbs, its pallet on the floor surprisingly clean, its one

narrow window covering the Tyrrell trail. I had not expected to sleep,

but I did--slept while the day mounted to high noon and waned to a

gorgeous autumnal sunset.

I was awakened by the sound of hoof-beats, of men's voices, of many

steps on the floor of the room below. For an instant I lay in puzzled

silence, staring at the rafters above my head. Then, as memory

awakened in its turn, I rose hurriedly and began to dress, my fingers

shaking with excitement and nervousness. I understood the meaning of

those pawing hoofs, of those heavy steps and rough voices, and as I

dressed I listened. But all I caught was the tramp of feet, the scrape

of furniture dragged across the floor, the whinnying of horses,

impatient in the rising evening wind. Once I heard the old woman's

voice, but I could distinguish only the word "sheriff." Soon I heard

the heavy steps pass out of the house, and the creak and rattle of

saddles and bridles as the visitors mounted their horses and rode

away. They went slowly. They had arranged, I assumed, some sort of

litter for the wounded man. In the room below there was absolutely no

sound.

For a moment I hesitated. How could I go down and face that stricken

old creature to whom life had just given this final turn of its

relentless screw? Then, very slowly, I descended the ladder, my back

to the room, afraid to move my eyes for fear of the scene they might

rest upon. It was not until I stood on the cabin floor that I dared to

look around me.

The living-room was swept and in perfect order. The last reflection of

the setting sun lay in a brilliant line across its immaculate floor.

The door was open, affording a view of the long trail, along which the

horsemen could be seen, riding slowly in single file. The kettle hung

on the crane, the table was set for supper, and in the center of this

peaceful scene my hostess sat alone, knitting a blue yarn sock.

Slowly she looked up at me. "Ef yo' slep' well," she said, quietly,

"mou't be yer ready t' eat?"

She rose, laid down the blue sock, and began to move about the room.

Speechless, I stared at her. I had thought the night before that,

coming from her, no evidence of self-control could surprise me. But

this uncanny poise filled me with a sort of awe. I dared not even ask

a question. She had erected between us the barrier of her primitive

dignity, her terrible courage. I could no more pass it than I could

have broken through the thick walls of her cabin.

She placed the chair at the table, and in silence I sat down. She

poured tea for me, and cut a wedge of corn bread, but I could not eat.

After a few moments I gave up the effort, rose, and took my hat from

the nail on which it hung. She watched me as I drew on my gloves. The

action seemed to recall something to her.

"Shep," she said, casually, "he had t' borry yo' critter. Ye'll git it

back soon's he kin send it."

"Oh!" I exclaimed, startled. "But--but was he able to ride--with his

wound?"

She looked at me, her eyes showing the scorn of the primitive woman

for such softness. "Lordy! Hawseback's same's a cradle to Shep," she

muttered.

May Iverson's Career · 第 40 / 66 题