VI

One’s search after the truth in subjective matters is more or

less a search after one’s self, after what is agreeable to one’s

constitutional bias or innate partialities. We do not see the thing

as it is in itself so much as we see it as it stands related to our

individual fragment of existence. The lesson we are slowest to learn

and to act upon is the relativity of truth in all these matters, or

that it is what we make it. It is a product of the mind, as the apple

is of the tree. We get one kind of truth from Renan, another from

Taine, still another from Ruskin or Carlyle or Arnold. The quality

differs according as the minds or spirits differ whence the truth

proceeds. Do we expect all the apples in the orchard to be alike? In

general qualities, but not in particular flavors; and in literature

it is the particular flavor that is most precious. It is the quality

imparted to the truth by the conceiving mind that we prize.

It is a long while before we rise to the perception that opposites

are true, that contrary types equally serve. “One supreme does

not contradict another supreme,” says Whitman, “any more than one

eyesight contravenes another eyesight, or one hearing contravenes

another hearing.” Great men have been radical and great men have

been conservative; great men have been orthodox and they have been

heterodox; they have been forces of expansion and they have been

forces of contraction. In literature, it is good to be a realist, and

it is good to be a romanticist; it is good to be a Dumas, and it is

good to be a Zola; it is good to be a Carlyle, and it is good to be a

Mazzini,--always provided that one is so from the inside and not from

without, from original conviction and not from hearsay or conformity.

A man makes his way in the world amid opposing forces; he becomes

something only by overcoming something; there is always a struggle for

survival, and always merit in that which survives. Let each be perfect

after its kind. We do not object to the Gothic type of mind because

it is not the classic, nor to the Englishman because he is not the

Frenchman. We look for the measure of nature or natural force and

authority in these types. Nature is of all types; she is of to-day

as well as of yesterday; she is of this century as well as of the

first; she was with Burns as well as with Pindar. Because the Greek

was natural, shall we say therefore nature is Greek? She is Asiatic,

Icelandic, Saxon, Celtic, American, as well. She is all things to all

men; and without her nothing is that is.

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