TREADING AMONG SHADOWS.

The house was found very dirty and neglected. It contained but little

furniture. Dust lay thickly upon everything. The windows, I was almost

tempted to think, had not been opened since Sir Charles had last lived

there three years ago. There was also a damp, earthy smell in the hall.

As I went slowly up the stairs, bare of carpet or any other covering,

they creaked and groaned in a way that was astonishing, for the houses

in Belgrave Street are not so very old. The noises the stairs made

echoed higher up.

I had decided to enter the rooms on the ground floor last of all. The

first floor looked strangely unfamiliar. When last I had been here the

house had been luxuriously furnished, and somehow the landing, in its

naked state, seemed larger than when I remembered it.

Ah! What fun we had had in that house long ago!

My friends the Thorolds had entertained largely, and their acquaintances

had all been bright, amusing people, so different, as I had sometimes

told my friends, from the colourless, stupid folk whose company one so

often has to endure when staying in the houses of acquaintances. I

often think, when mixing with such people, of the story of the two women

discussing a certain "impossible" young man, of a type one meets

frequently.

"How deadly dull Bertie Fairbairn is," one of them said. "He never

talks at all."

"Oh, he is better than his brother Reggie," the other answered.

"Whenever you speak to Bertie he says, `Right O!'"

The door of the apartment that had been the large drawing-room was

locked. On the bunch of keys, I soon found the key that fitted, and I

entered.

Phew, what a musty smell! Most oppressive. The blinds were drawn

half-way down the windows and, by the look of them, had been so for some

considerable time. The furniture that remained was all hidden under

holland sheets, and the pictures on the walls, draped in dust-proof

coverings, looked like the slabs of salted beef, and the sides of

smoke-cured pork one sees hung in some farmhouses. The carpets were

dusty, moth-eaten and rotten.

Gingerly, with thumb and forefinger, I picked up the corners of some of

the furniture coverings. There was nothing but the furniture

underneath, except in one instance, where I saw, upon an easy-chair, a

plate with some mouldy remnants of food upon it. No wonder the

atmosphere was foetid.

I was about to leave the room, glad to get out of it, when I noticed in

a corner of the ceiling a dark, yellow-brown stain, about a yard in

circumference. This struck me as curious, and I went over and stood

under it, and gazed up at it, endeavouring to discover its origin. Then

I saw that it was moist. I pulled up one of the blinds in order to see

better, but my scrutiny failed to give me any inkling as to the origin

of the stain.

I went out, shut and locked the door, and entered several other rooms,

the doors of all of which I found locked. One room was very like

another, the only difference being that the smell in some was closer and

nastier than the smell in others, though all the smells had, what I may

call the same "flavour"--a "taste" of dry rot. I wondered if Sir

Charles knew how his house was being neglected, how dirt and dust were

being allowed to accumulate.

This was Lady Thorold's boudoir, if I remembered aright. The inside of

the lock was so rusty that I had difficulty in turning the key.

Everything shrouded, as elsewhere, but, judging from the odd projections

in the coverings, I concluded that ornaments and bric-a-brac had been

left upon the tables.

Nor was I mistaken. As I lifted the cloths and dust sheets, objects

that I remembered seeing set about the room in the old days, became

revealed. There were several beautiful statues, priceless pieces of

antique furniture from Naples and Florence, curious carved wooden

figures that Sir Charles had collected during his travels in the

Southern Pacific, cloisonne vases from Tokio and Osaka, a barely decent

sculpture bought by Sir Charles from a Japanese witch-doctor who lived a

hermit's life on an island in the Inland Sea--how well I remembered Lady

Thorold's emphatic disapproval of this figure, and her objection to her

husband's displaying it in the way he did--treasures from different

parts of China, from New Guinea, Burmah, the West Indies and elsewhere.

Another cloth I lifted. Beneath it were a number of photographs in

frames, piled faces downward in heaps. I picked up some of them, and

took them out to look at. A picture of Vera in a short frock, with a

teddy-bear tucked under her arm, interested me; so did a portrait of

Lady Thorold dressed in a fashion long since past; and so did a portrait

of my old father in his Guards uniform. The rest were portraits of

people I didn't know. I looked at one or two more, and was about to

replace the frames where I had found them, when I turned up one that

startled me.

It was a cabinet, in a bog-oak frame, of the man whose likeness had

caused the commotion at Houghton, the man who had called himself

Smithson. But it was not a portrait similar to the one I had taken

away. The same man, undoubtedly, but in a different attitude, and

apparently many years younger.

Closely I scrutinised it.

The enigma presented was complete. I am not a pilferer, but I

considered that I should be justified in putting the portrait into my

pocket, and I did so without another thought. Then I replaced all the

frames where I had found them, and resumed my ramble over the house.

In the rest of the rooms on that floor, I found nothing further of

interest. On the floor above, however, a surprise was in store for me.

The first two rooms were bedrooms, neglected-looking and very dusty.

There were fewer coverings here. Dust was upon the floor, on the beds,

on the chairs and tables, on the window-sills, on the wash-stands, on

the chests of drawers, on the mantelpiece--everywhere. In the next

room, the door of which I was surprised to find unlocked, just the same.

A table of dark mahogany was thickly coated with dust.

Hullo! Why, what was this? I thought at once of a detective friend of

mine, and wondered what he would have said, what opinion he would have

formed and what conclusion he would have come to, had he been in my

place at that moment. For on the table, close to the edge of it, was

the clear outline of a hand. Someone had quite recently--apparently

within the last few hours, and certainly since the previous day--put his

hand upon that dusty table. I scanned the outline closely; then

suddenly I started.

There could be no doubt whatever--it was not the outline of Taylor's

hand. The fingers that had rested there were long and tapering. This

was not the impression of a man's hand, but of a woman's--of a woman's

left hand.

Evidently some one had been in this room recently. From point to point

I walked, looking for further traces, but there were none that I could

see. What woman could have been in here so lately? And did the old man

asleep downstairs know of her entry? He must have, for she could not

have entered the house, had he not admitted her. I felt I was becoming

quite a clever detective, with an exceptional gift for deduction from

the obvious. Another gleam of intelligence led me to conclude that this

woman's presence in the house probably accounted for Taylor's

determination not to let me go over the house.

I thought I heard a sound. I held my breath and stood still, listening

intently, but the only sound that came to me was the distant shrill

whistle of some one summoning a taxi. Outside in the passage, all was

still as death. I walked to the end of the passage, peeped into other

bedrooms, then returned to the room with the table bearing the imprint

of the hand.

The windows overlooked Belgrave Street--double windows, which made the

sound of the traffic down below inaudible. Carelessly I watched for

some moments the vehicles and passers-by, unconsciously striving to

puzzle out, meanwhile, the problem of the hand. Suddenly, two figures

approaching along the pavement from the direction of Wilton Street,

arrested my attention. They seemed familiar to me. As they came

nearer, a strange feeling of excitement possessed me, for I recognised

the burly form of Davies, or "Smithson," and as he had called himself,

and, walking beside him, Sir Charles Thorold. The two appeared to be

engaged in earnest conversation.

They disappeared where the street turned, and as I came away from the

window I noticed, for the first time, that the room had another door, a

door leading presumably into a dressing-room. I went over to it. It

was locked.

I tried a key on the bunch, but at once discovered that a key was in the

door. The door was locked on the inside!

I knocked. There was no answer. And just then I distinctly heard a

sound inside the room.

"Who's there?" I called out. "Let me in!"

A sound, resembling a sob, reached me faintly. I heard light footfalls.

The key turned slowly, and the lock clicked.

The Mysterious Three · 第 28 / 119 题