From the shadows, Hoskins said, "A mouse."

"Nonsense."

"I can't stand things that scuttle and slither and crawl," said Ives.

His voice was suddenly womanish. "Don't let anything like that in here!"

From the quarters aft came a faint scratching, a squeak. Ives turned

pale. His wattles quivered.

"Snap out of it, Ives," said Paresi coldly. "There isn't so much as a

microbe on this ship that I haven't inventoried. Don't sit there like

little Miss Muffet."

"I know what I saw," said Ives. He rose suddenly, turned to the black

wall, and bellowed, "Damn you, send something I can fight!"

Two mice emerged from under the couch. One of them ran over Ives' foot.

They disappeared aft, squeaking. Ives leapt straight up and came down

standing on the couch. Anderson stepped back against the inboard

bulkhead and stood rigid. Paresi walked with great purpose to the

medical chest, took out a small black case and opened it.

Ives cowered down to his knees and began to blubber openly, without

attempting to hide it, without any articulate speech. Paresi approached

him, half-concealing a small metal tube in his hand.

A slight movement on the deck caught Anderson's eye. He was unable to

control a shrill intake of breath as an enormous spider, hairy and

swift, darted across to the couch and sprang. It landed next to Ives'

knee, sprang again. Paresi swung at it and missed, his hand catching

Ives heavily just under the armpit. The spider hit the deck, skidded,

righted itself and, abruptly, was gone. Ives caved in around the impact

point of Paresi's hand and curled up silently on the couch. Anderson ran

to him.

"He'll be all right now," said Paresi. "Forget it."

"Don't tell me he fainted! Not Ives!"

"Of course not." Paresi held up the little cylinder.

"Anesthox! Why did you use that on him?"

Paresi said irritably, "For the reason one usually uses anesthox. To

knock a patient out for a couple of hours without hurting him."

"Suppose you hadn't?"

"How much more of that scuttle-and-slither treatment do you think he

could have taken?"

Anderson looked at the unconscious communications man. "Surely more than

that." He looked up suddenly. "Where the hell _did_ that vermin come

from?"

"Ah. Now you have it. He dislikes mice and spiders. But there was

something special about these. They couldn't be here, and they were. He

felt that it was a deliberate and personal attack. He couldn't have

handled much more of it."

"Where did they come from?" demanded the Captain again.

"_I_ don't know!" snapped Paresi. "Sorry, skipper ... I'm a little

unnerved. I'm not used to seeing a patient's hallucinations. Not that

clearly, at any rate."

"They were Ives' hallucinations?"

"Can you recall what was said just before they appeared?"

"Uh ... something scuttled. A mouse."

"It wasn't a mouse until someone said it was." The doctor turned and

looked searchingly at Hoskins, who still sat quietly over his chess.

"By God, it was Hoskins. Hoskins--what made you say that?"

The engineer did not move nor answer. Paresi shook his head hopelessly.

"Another retreat. It's no use, Captain."

Anderson took a single step toward Hoskins, then obviously changed his

mind. He shrugged and said, "All right. Something scuttled and Hoskins

defined it. Let's accept that without reasoning it out. So who called up

the spider?"

"You did."

"_I_ did?"

In a startling imitation of the Captain's voice, Paresi quoted, "Don't

sit there like Miss Muffet!"

"I'll be damned," said Anderson. "Maybe we'd all be better off saying

nothing."

Paresi said bitterly, "You think it makes any difference if we _say_

what we think?"

"Perhaps...."

"Nup," said Paresi positively. "Look at the way this thing works. First

it traps us, and then it shows us a growing darkness. Very basic. Then

it starts picking on us, one by one. Johnny gets machines that don't

work, when with his whole soul he worships machines that do. Ives gets a

large charge of claustrophobia from the black stuff over there and goes

into a flat spin."

"He came out of it."

"Johnny woke up too. In another subjective time-track. Quite harmless

to--to Them. So they left him alone. But they lowered the boom on Ives

when he showed any resilience. It's breaking point they're after,

Captain. Nothing less."

"Hoskins?"

"I guess so," said Paresi tiredly. "Like Johnny he escaped from a

problem he couldn't handle to one he could. Only instead of regressing

he's turned to chess. I hope Johnny doesn't bounce back for awhile, yet.

He's too--Captain! He's gone!"

They turned and stared at Johnny's bunk. Or--where the bunk had been

before the black wall had swelled inwards and covered it.

V

"_... and there I was, Doctor, in the lobby of the hotel at

noon, stark naked!_"

"_Do you have these dreams often?_"

"_I'm afraid so, Doctor. Am I--all right? I mean_ ..."

"_Let me ask you this question: Do you believe that these

experiences are real?_"

"_Of course not!_"

"_Then, Madam, you are, by definition, sane; for insanity, in

the final analysis, is the inability to distinguish the real

from the unreal._"

Paresi and the Captain ran aft together, and together they stopped four

paces away from the bulging blackness.

"_Johnny!_" The Captain's voice cracked with the agonized effort of his

cry. He stepped to the black wall, pounded it with the heel of his hand.

"He won't hear you," said Paresi bleakly. "Come back, Captain. Come

back."

"Why him? Why Johnny? They've done everything they could to Johnny; you

said so yourself!"

"Come back," Paresi said again, soothing. Then he spoke briskly: "Can't

you see they're not doing anything to him? They're doing it to us!"

The Captain stood rigidly, staring at the featureless intrusion. He

turned presently. "To us," he parroted. Then he stumbled blindly to the

doctor, who put a firm hand on his biceps and walked with him to the

forward acceleration couch.

The Captain sat down heavily with his back to this new invasion. Paresi

stood by him reflectively, then walked silently to Hoskins.

The engineer sat over his chessboard in deep concentration. The far edge

of the board seemed to be indefinite, lost partially in the mysterious

sable curtain which covered the bulkhead.

"Hoskins."

No answer.

Paresi put his hand on Hoskins' shoulder. Hoskins' head came up slowly.

He did not turn it. His gaze was straight ahead into the darkness. But

at least it was off the board.

"Hoskins," said Paresi, "why are you playing chess?"

"Chess is chess," said Hoskins quietly. "Chess may symbolize any

conflict, but it is chess and it will remain chess."

"Who are you playing with?"

No answer.

"Hoskins--we need you. Help us."

Hoskins let his gaze travel slowly downward again until it was on the

board. "The word is not the thing," he said. "The number is not the

thing. The picture, the ideograph, the symbol--these are not the thing.

Conversely ..."

"Yes, Hoskins."

Paresi waited. Hoskins did not move or speak. Paresi put his hand on the

man's shoulder again, but now there was no response. He cursed suddenly,

bent and brought up his hand with a violent smash and sent board and

pieces flying.

When the clatter had died down Hoskins said pleasantly, "The pieces are

not the game. The symbols are not the thing." He sat still, his eyes

fixed on the empty chair where the board had been. He put out a hand and

moved a piece where there was no piece to a square which was no longer

there. Then he sat and waited.

Paresi, breathing heavily, backed off, whirled, and went back to the

Captain.

Anderson looked up at him, and there was the glimmer of humor in his

eyes. "Better sit down and talk about something different, Doctor."

Paresi made an animal sound, soft and deep, far back in his throat,

plumped down next to the Captain, and kneaded his hands together for a

moment. Then he smiled. "Quite right, skipper. I'd better."

They sat quietly for a moment. Then the Captain prompted, "About the

different breaking point...."

"Yes, Captain?"

"Perhaps you can put your finger on the thing that makes different men

break in different ways, for different reasons. I mean, Johnny's case

seemed pretty clear cut, and what you haven't explained about Hoskins,

Hoskins has demonstrated pretty clearly. About Ives, now--we can skip

that for the time he'll be unconscious. But if you can figure out where

you and I might break, why--we'd know what to look for."

"You think that would help?"

"We'd be prepared."

Paresi looked at him sharply. "Let's hypothesize a child who is afraid

of the dark. Ask him and he might say that there's a _something_ in dark

places that will jump out at him. Then assure him, with great authority,

that not only is he right but that it's about to jump any minute, and

what have you done?"

"Damage," nodded the Captain. "But you wouldn't say that to the child.

You'd tell him there was nothing there. You'd _prove_ there wasn't."

"So I would," agreed the doctor. "But in our case I couldn't do anything

of the kind. Johnny broke over machines that really didn't work. Hoskins

broke over phenomena that couldn't be measured nor understood. Ives

broke over things that scuttled and crawled. Subjectively real

phenomena, all of them. Whatever basic terrors hide in you and in me

will come to face us, no matter how improbable they might be. And you

want me to tell you what they are. No, skipper. Better leave them in

your subconscious, where you've buried them."

"I'm not afraid," said the Captain. "Tell me, Paresi! At least I'll

know. I'd rather know. I'd so _damn_ much rather know!"

"You're sure I can tell you?"

"Yes."

"I haven't psychoanalyzed you, you know. Some of these things are very

hard to--"

"You do know, don't you?"

"Damn you, yes!" Paresi wet his lips. "All right, then. I may be doing a

wrong thing here.... You've cuddled up to the idea that I'm a very

astute character who automatically knows about things like this, and

it's been a comfort to you. Well, I've got news for you. I didn't figure

all these things out. I was told."

"Told?"

"Yes, told," said Paresi angrily. "Look, this is supposed to be

restricted information, but the Exploration Service doesn't rely on

individual aptitude tests alone to make up a crew. There's another

factor--call it an inaptitude factor. In its simplest terms, it comes to

this: that a crew can't work together only if each member is the most

efficient at his job. He has to _need_ the others, each one of the

others. And the word _need_ predicates _lack_. In other words, none of

us is a balanced individual. And the imbalances are chosen to match and

blend, so that we will react as a balanced unit. Sure I know Johnny's

bugaboos, and Hoskins', and yours. They were all in my indoctrination

treatments. I know all your case histories, all your psychic

push-buttons."

"And yours?" demanded the Captain.

"Hoskins, for example," said Paresi. "Happily married, no children.

Physically inferior all his life. Repressed desire for pure science

which produced more than a smattering of a great many sciences and made

him a hell of an engineer. High idealistic quotient; self sacrifice.

Look at him playing chess, making of this very real situation a

theoretical abstraction ... like leaving a marriage for deep space.

"Johnny we know about. Brought up with never failing machines. Still

plays with them as if they were toys, and like any imaginative child,

turns to his toys for reassurance. He needs to be a hero, hence the

stars....

"Ives ... always fat. Learned to be easy-going, learned to laugh _with_

when others were laughing _at_, and bottling up pressures every time it

happened. A large appetite. He's here to satisfy it; he's with us so he

can eat up the galaxies...."

Breaking Point · 第 25 / 38 题