XV

As the pivot of events, Miss Lucilla van Tromp was beginning to feel the

responsibilities of her position. Only a woman with an inexhaustible

heart could have met as she did the demands for sympathy, of various

shades, made by the chief participants in the drama; while there was one

phase of the action which called for a heroic display of conscience.

It was impossible now to contemplate Marion Grimston's peril without a

grave sense of the duties imposed by friendship. Some people might stand

by and see a girl wreck her happiness by giving her heart to an unworthy

suitor, but Miss van Tromp was not among that number. It was, in fact,

one of those junctures at which all her good instincts prompted her to

say, "I ought to go and tell her." As a patriotic spinster, she held

decided views on the question of marriage between American heiresses and

impecunious foreign noblemen--and, in her eyes, all foreign noblemen

were impecunious--in any case; but to see Marion Grimston become the

victim of her parents' vulgar ambition gave to the subject a personal

bearing which made her duty urgent. If ever there was a moment when a

goddess in a machine could feel justified in descending, for active

intervention, it was now. She had the less hesitation in doing so, owing

to the fact that she had known Marion since her cradle; and between the

two there had always existed the subtle tie which not seldom binds the

widely diverse but essentially like-minded together. Accordingly, on a

bright May morning, within a few days of the last meeting between Derek

Pruyn and Diane Eveleth, she sallied forth to the fashionable quarter

where Mrs. Bayford dwelt, coming home, some two hours later, with a

considerably extended knowledge of the possibilities inherent in human

nature.

The tale Miss Lucilla told was that which had already been many times

repeated, each narrator lending to it the color imparted by his own

views of life. As now set forth, it became the story of a girl sought in

marriage by a man who has inflicted mortal wrong upon an innocent young

woman. With unconscious art Miss Lucilla placed Marion Grimston herself

in the centre of the piece, making the subsidiary characters revolve

around her. This situation brought with it a double duty: the one

explicit in righting the oppressed, the other implicit--for Miss Lucilla

balked at putting it too plainly into words--in punishing a wicked

marquis.

The girl sat with head slightly bowed and rich color deepening. If she

showed emotion at all, it was in her haughty stillness, as though she

voluntarily put all expression out of her face until the recital was

ended. The effect on Miss Lucilla, as they sat side by side on a sofa,

was slightly disconcerting, so that she came to her conclusion lamely.

"Of course, my dear, I don't know his side of the story, or what he may

have to say in self-defence. I'm only telling you what I've heard, and

just as I heard it."

"I dare say it's quite right."

The brevity and suggested cynicism of this reply produced in Miss

Lucilla a little shock.

"Oh! Then, you think--?"

"There would be nothing surprising in it. It's the sort of thing that's

always happening in Paris. It's one of the peculiarities of that society

that you can never believe half the evil you hear of any one--not even

if it's told you by the man himself. I might go so far as to say that,

when it's told you by himself you're least of all inclined to credit

it."

"But how dreadful!"

"Things are dreadful or not, according to the degree in which you're

used to them. I've grown up in that atmosphere, and so I can endure it.

In fact, any other atmosphere seems to me to lack some of the necessary

ingredients of air; just as to some people--to Napoleon, for instance--a

woman who isn't rouged isn't wholly dressed."

"I know that's only your way of talking, dear. Oh, you can't shock

_me_."

"At any rate, the way of talking shows you what I mean. I can quite

understand how Monsieur de Bienville might have said that of Mrs.

Eveleth."

Lucilla's look of pain induced Miss Grimston promptly to qualify her

statement.

"I said I could understand it; I didn't say I respected it. It's only

what's been said of hundreds of thousands of women in Paris by hundreds

of thousands of men, and in the place where they've said it it's taken

with the traditional grain of salt. If all had gone as it was going at

the time--if the Eveleths hadn't lost their money--if Mr. Eveleth hadn't

shot himself--if Mrs. Eveleth had kept her place in French society--the

story wouldn't have done her any harm. People would have shrugged their

shoulders at it, and forgotten it. It's the transferring of the scene

here, among you, that makes it grave. All your ideas are so different

that what's bad becomes worse, by being carried out of its milieu.

Monsieur de Bienville must be made to understand that, and repair the

wrong."

"You seem to think there's no question but that--there _is_ a wrong?"

"Oh, I suppose there isn't. There are so many cases of the kind. Mrs.

Eveleth is probably neither more nor less than one of the many

Frenchwomen of her rank in life who like to skate out on the thin edge

of excitement without any intention of going through. There are always

women like my aunt Bayford to think the worst of people of that sort,

and to say it."

"And yet I don't see how that justifies Monsieur de Bienville."

"It doesn't justify; it only explains. Responsibility presses less

heavily on the individual when it's shared."

"But wouldn't the person--you'll forgive me, dear, won't you, if I'm

going too far?--wouldn't the person who has to take his part in that

kind of responsibility be a doubtful keeper of one's happiness?"

Miss Grimston, half lowering her eyes, looked at her visitor with

slumberous suspension of expression, and made no reply.

"If a man isn't good--" Miss Lucilla began again, tremblingly.

"No man is perfect."

"True, dear; and yet are there not certain qualities which we ought to

consider as essentials--?"

"Monsieur de Bienville has those qualities for me."

"But surely, dear, you can't mean--?"

"Yes, I do mean."

The avowal was made quietly, with the still bearing of one who gives a

few drops of confession out of deep oceans of reserve. Miss Lucilla

gazed at her in astonishment. That her parents should sacrifice her was

not surprising; but that she should be willing to sacrifice herself went

beyond the limits of thought. The revelation that Marion could actually

love the man was so startling that it shocked her out of her timidity,

loosening the strings of her eloquence and unsealing the sources of her

maternal tenderness. There was nothing original in Miss Lucilla's

subsequent line of argument. It was the old, oft-uttered, futile appeal

to the head, when the heart has already spoken. It premised the

possibility of placing one's affections where one cannot give one's

respect, regardless of the fact that the thing is done a thousand times

a day. It reasoned, it predicted, it implored, with an effect no more

disintegrating on the girl's decision than moonbeams make upon a

mountain. Through it all, she sat and listened with the veiled eyes and

mysterious impassivity which gave to her personality a curiously

incalculable quality, as of a force presenting none of the ordinary

phenomena by which to measure or compute it.

It was not till Miss Lucilla touched on the subject of honor that she

obtained any sign of the effect she was producing. It was no more, on

Marion's part, than an uneasy movement, but it betrayed its cause. Miss

Lucilla pressed her point with renewed insistence, and presently two big

tears hung on the long, black lashes and rolled down.

"I should like to see Mrs. Eveleth."

Like the hasty raising and dropping of a curtain on some jealously

guarded view, the words gave to Miss Lucilla but a fleeting glimpse of

what was passing in the obscure recesses of the girl's heart; but she

determined to make the most of it by fixing, there and then, the day and

hour when, without apparently forcing the event, the two might come face

to face on the neutral ground of Gramercy Park.

It was a meeting that, when it took place, would have been attended with

embarrassment had not both young women been practised in the ways of

their little world. Progress in mutual understanding was made the easier

by the existence, on both sides, of the European view of life, with its

fusion of interests, its softness of outline, its give and take of

toleration, in contradistinction to the sharp, clear, insistent American

demands for a certain line of conduct and no other. Five minutes had not

gone by in talk before each found in the other's presence that sense of

repose which comes from similar habits of thought and a common native

idiom. Whatever grounds for difference they might find, they were, at

least, ranged on the same side in that battle which the two hemispheres

half unconsciously wage upon each other as to the main purposes of life.

Thus they were able to approach their subject without that first

preliminary shock which makes it difficult for races to agree; and thus,

too, Marion Grimston found herself, before she was aware of it, pouring

out to Diane Eveleth that heart which, in response to Miss Lucilla's

tender pleading, had been dumb.

They sat in the big, sombre library where, only a few days before, Diane

had seen Derek Pruyn turn his back on her, without even a gesture of

farewell. On the long mahogany table the red azalea was in almost

passionate luxuriance of blossom; while through the open window faint

odors of lilac came from Miss Lucilla's bit of garden.

"I don't want you to think him worse than you're obliged to," Marion

said, as though in defence of the stand her heart had taken. "I've been

told that very few men possess the two kinds of courage--the moral and

the physical. Savonarola had the one and Nelson had the other; but

neither of them had both. And of the two, for me, the physical is the

essential. I can't help it. If I had to choose between a soldier and a

saint, I'd take the soldier. When the worst is said of Monsieur de

Bienville, it must be admitted that he's brave."

"I've always understood that he was a good rider and a good shot," Diane

admitted. "I've no doubt that in battle he would conduct himself like a

hero."

The girl's head went up proudly, and from the languorous eyes there came

one splendid flash before the lids fell over them again.

"I know he would; and when a man has that sort of courage he's worth

saving."

"You admit, then, that he needs to be--saved?" Again the heavy lids were

lifted for one brief, search-light glance.

"Yes; I admit that. I believe he has wronged you. I can't tell you how I

know it; but I do. It's to tell you so that I've asked you to come here.

I hoped to make you see, as I do, that he's capable of doing it without

appreciating the nature of his crime. If we could get him to see that--"

"Then--what?"

"He'd make you reparation."

"Are you so sure?"

"I'm very sure. If he didn't--" The consequences of that possibility

being difficult of expression, she hung upon her words.

"I should be sorry to have you brought to so momentous a decision on my

account."

"It wouldn't be on your account; it would be on my own. I understand

myself well enough to see that I could love a dishonorable man; but I

couldn't marry him."

"You have, of course, your own idea as to what makes a man

dishonorable."

"What makes a man dishonorable is to persist in dishonor after he has

become aware of it. Any one may speak thoughtlessly, or boastfully, or

foolishly, and be forgiven for it. But he can't be forgiven if he keeps

it up, especially when by his doing so a woman has to suffer."

The movement with which Diane pushed back her chair and rose betrayed a

troubled rather than an impatient spirit.

"Miss Grimston," she said, standing before the girl and looking down

upon her, "I should almost prefer not to have you take my affairs into

your consideration. I doubt if they're worth it. I can't deny that I

shrink from becoming a factor in your life, as well as from feeling that

you must make your decisions, or unmake them, with reference to me."

"I'm not making my decisions, or unmaking them, with reference to you;

it's with reference to Monsieur de Bienville. He has my father's consent

to his asking me to be his wife. I understand that, according to the

formal French fashion, he's going to do it to-morrow. Before I give him

an answer I must know that he is such a man as I could marry."

"You would have thought him so if you hadn't heard this about me."

"Even so, it's better for me to have heard it. Any prudent person would

tell you that. What I'm going to ask you to do now will not be for your

sake; it will be for mine."

"You're going to ask me to do something?"

"Yes; to see Monsieur de Bienville."

Diane recoiled with an expression of dismay.

"I know it will be hard for you," Miss Grimston pursued, "and I wouldn't

ask you to do it if it were not the straightest way out of a perplexing

situation. I've confidence enough in him to believe that when he has

seen you and heard your story, he'll act according to the dictates of a

nature which I know to be essentially honorable, even if it's weak. You

can see what that will mean to us all. It will not only clear you and

rehabilitate him, but it will bring happiness to me."

There was something in the way in which these brief statements were made

that gave them the nature of an appeal. The very difficulty of the

reserved heart in speaking out, the shame-flushed cheek--the subdued

voice--the halting breath--had on Diane a more potent effect than

eloquence. What was left of her own hope, too, at once put forth its

claim at the possibility of getting justice. It was a matter of taking

her courage in both hands, in one tremendous effort, but the fact that

this girl believed in her was a stimulus to making the attempt. Before

they parted--with stammering expressions of mutual sympathy--she had

given her word to do it.

The Inner Shrine · 第 17 / 30 题