LIGHT IN LANDS OF DARKNESS: A Record of Mission Work in

GREENLAND, LABRADOR,

EGYPT, SOUTH AMERICA,

SYRIA, ARMENIA,

PERSIA, ETC., ETC.

By ROBERT YOUNG, Author of “Modern Missions.” With an Introduction by

the RT. HON. THE EARL OF SHAFTESBURY, K.G. Illustrated. Crown 8vo.,

cloth extra. Second edition. 6s.

This volume may be considered as a second series of Modern Missions (see

page 11). It has been issued in response to the general demand for a

completion of the record of _all_ Protestant Missions throughout the

world.

HALF-HOURS WITH FAMOUS AMBASSADORS. By G. BARNETT SMITH, Author of “The

Life of Gladstone,” &c. Crown 8vo., cloth extra, with Steel Portrait.

7s. 6d.

*** Including Talleyrand, Sir R. M. Keith, Gondomar, The Chevalier D’Eon,

Metternich, Harley, Alberoni, and Lord Malmesbury.

“More entertaining than many a sensational novel.”—_Echo_.

* * * * *

_The Gift Book of the Season_.

THE ADVENTURES OF ROBINSON CRUSOE. By DANIEL DEFOE. Newly Edited after

the Original Editions. With Twenty Illustrations, by KAUFFMAN, printed

in colours. Fcap. 4to., cloth extra. 7s. 6d.

“This is irrefutably the edition of ‘Robinson Crusoe’ of the season.

It is charmingly got up and illustrated. The type and printing are

excellent.”—_Standard_.

* * * * *

MOLINOS.—Golden Thoughts from “The Spiritual Guide” of MIGUEL DE MOLINOS,

the Quietist. With a Preface by J. HENRY SHORT-HOUSE, Author of “John

Inglesant.” 136 pp., large Fcap. 8vo., cloth extra or parchment. 2s.

6s.

Readers of “John Inglesant” will be glad to have the opportunity of

renewing their acquaintance with this Spanish Mystic of the Seventeenth

Century, through the medium of a careful selection and translation of the

best things in his “Guide.”

* * * * *

PILGRIM SORROW. By CARMEN SYLVA (The Queen of Roumania). Translated by

HELEN ZIMMERN, Author of “The Epic of Kings.” With Portrait-etching by

LALAUZE. Square Crown 8vo., cloth extra. 5s.

“For this nature of literature the Queen appears to have a special

gift. . . . And never has she been happier than in her _Leidens

Erdengang_, which lies before us to-day. The fundamental idea of

this cycle of stories is wholly symbolical. . . . The next story . .

. is a piece of exquisite writing . . . It is said that for the very

charming motherly figure of Patience, the Queen’s own mother, the

wise and good Princess of Wied, has furnished the prototype. . . .

The last story of the cycles, called _A Life_, changes into an

elegiac tone, and depicts an existence spent in the search of Truth.

Though slightly veiled, it is impossible to ignore its autobiographic

character. We have here the soul of the Queen laid bare before

us.”—_Literary World_ (Review of the German edition).

“If to write poetry upon a throne be rare of itself, it is certainly

still rarer to find Queens giving artistic form to those moments of

existence that approach the mysteries of human life. Already, in her

‘Sappho,’ the German poetess, who now occupies a throne, has treated

of the relationship of man to the eternal, but the antique garb

somewhat veiled her purpose, while here (in ‘Pilgrim Sorrow’) she

moves amid modern as well as universal life, and is thus able to

reveal the whole depth of her feeling and lament. For what has

inspired her poetic phantasy is the ever-unanswered question:

Wherefore and whence is sorrow in the world? The treatment is

throughout symbolical. . . . It deserves to be counted among the

modern monuments of our literature.”—Review of the first German

edition in the _Augsburger Allgemeine Zeitung_, _Nov._ 2, 1882.

* * * * *

OTTILIE: an Eighteenth Century Idyl. By VERNON LEE, Author of “Belcaro,”

“Prince of the Hundred Soups,” &c. Square 8vo, cloth extra. 3s. 6d.

“A graceful little sketch. . . . Drawn with full insight into the

period described.”—_Spectator_.

“Pleasantly and carefully written. . . . The author lets the reader

have a glimpse of Germany in the ‘Sturm und Drang’

period.”—_Athenæum_.

“Ottilie von Craussen is a charming character.”—_Leeds Mercury_.

“A graceful little picture. . . . Charming all through.”—_Academy_.

“Of exquisite literary workmanship; it is full of

interest.”—_Galignani’s Messenger_.

“It is a prose-poem which cannot fail to exercise on most readers a

refining and purifying influence.”—_Scotsman_.

“To all who relish a simple, natural, and most pathetic story,

admirably told, we recommend this eighteenth century idyl.”—_St.

James’ Gazette_.

* * * * *

THE EPIC OF KINGS. Stories retold from the Persian Poet Firdusi. By

HELEN ZIMMERN, Author of “Stories in Precious Stones,” “Life of Lessing,”

&c. With Etchings by L. ALMA TADEMA, R.A, and Prefatory Poem by E. W.

GOSSE. Popular Edition, Crown 8vo., cloth extra. 7s.

“Charming from beginning to end. . . . Miss Zimmern deserves all

credit for her courage in attempting the task, and for her marvellous

success in carrying it out. . . . Miss Zimmern has indeed mastered a

pure simple English which fits the antiquity of her subject, and the

stories are told in a manner which must provoke the envy and

admiration of all who have attempted this singularly difficult style

of composition.”—_Saturday Review_.

“The carefulness and intelligence she displays in her selections from

the ‘Shāh Nāmeh,’ no less than in her graceful renderings of them,

are deserving of high praise. . . . Miss Zimmern’s translations in

this volume can be read with great pleasure. . . . A striking

feature of the volume is Mr. Gosse’s narrative poem, ‘Firdusi in

Exile,’ in which is told, in charming verse, the picturesque story of

the poet’s exile and death.”—_Athenæum_.

“Miss Zimmern has succeeded to admiration. . . . The result appears

in a language at once dignified and simple, free from affectation,

and at the same time sufficiently antiquated to carry one into the

atmosphere of the stories themselves. . . . The choice of legends is

a wise one.”—_S. Lane-Poole_, _in The Academy_.

“Miss Zimmern has been well advised in attempting to paraphrase this

work. In one volume she presents her readers with the essence and

the gist of Firdusi’s Epic, carrying the story down as far as the

death of Rustem—that is, as far as the end of the purely poetical

portion of the poet’s work. She has selected well, and written the

stories in a vivid style. Firdusi’s stories may have a chance of

becoming really popular in England.”—_The Times_.

“Of Miss Zimmern’s fitness for writing stories of this kind there

need be no question. She has in other fields of literature shown how

well she could adapt the productions of foreign writers to British

tastes.”—_Scotsman_.

_Also an Édition de luxe_, on Dutch Hand-made Paper, Super Roy. Quarto,

limited to 200 copies. Artist’s Proofs on Japanese Paper, signed and

numbered, bound in Parchment extra. £3 3s.

Later Impressions, limited to 300 copies, on English Super Roy. 4to., the

Etchings on India Paper, unsigned, bound in Cloth extra. £2 2s.

*** A limited number of these editions may still be had.

* * * * *

I've been a Gipsying or, Rambles among our Gipsies and their children in their tents and vans · 第 22 / 54 题