Chapter I

Produced by Chris Curnow, Michael, Mary Meehan and the

Online Distributed Proofreading Team at http://www.pgdp.net

THE THREE SAPPHIRES

BY W. A. FRASER

AUTHOR OF "FOOL'S GOLD," ETC.

ILLUSTRATED BY

ARTHUR HEMING

NEW YORK

GEORGE H. DORAN COMPANY

_Copyright, 1918,

By George H. Doran Company_

_Copyright, 1918, by Street & Smith Corporation_

_Printed in the United States of America_

[Illustration: THERE WAS A COUGHING ROAR AND A LEOPARD, TURNED BY THE

SHOT, BOUNDED INTO THE JUNGLE.]

ILLUSTRATIONS

THERE WAS A COUGHING ROAR AND A LEOPARD, TURNED BY THE SHOT, BOUNDED

INTO THE JUNGLE

PUNDIT BAGH SHOT INTO THE AIR A QUIVERING MASS OF GOLD AND BRONZE IN THE

SUNLIGHT

GREAT AS WAS THE ELEPHANT'S STRENGTH, SHE COULD NOT BREAK THE PYTHON'S

DEADLY CLASP

THE GRAY STALLION'S THUNDERING GALLOP ALL BUT DROWNING THE BLASPHEMOUS

REPROACH

THE THREE SAPPHIRES

PART ONE

Chapter I

From where they were on the marble terrace that reached from the palace

to a little lake--the Lake of the Golden Coin--Lord Victor Gilfain and

Captain Swinton could see the intricate maze of Darpore City's lights

down on the plain, six miles away.

Over the feather-topped sal forest behind the palace a gorgeous moon was

flooding the earth with light, turning to ribbons of gold the circling

ripples on the jade lake, where mahseer and burbel splashed in play.

Rajah Darpore was leaning lazily against the fretwork marble balustrade

just where the ghat steps dipped down under the water. He was really

Prince Ananda, the _shazada_, for down in the city of glittering lights

still lived his father, the maharajah; but it had become customary to

address the prince as rajah.

A servant came and took their empty sherry glasses.

Prince Ananda was saying in his soft Oriental voice that the Oxford

training had set to truer rhythm: "After that gallop up in the tonga I

always find it restful to come out here and have my sherry and bitters

before dinner."

"It's ripping; I mean that." And Lord Victor Gilfain stretched his slim

arm toward the blinking lights of Darpore.

"I hope you're comfortable in the bungalow," the prince said

solicitously. "I hadn't time when you arrived this morning to see just

how you were placed. I haven't any bungalows up here, either; they're

all in the cantonments."

"We're fitted up regal," Lord Victor answered; "horses,

servants--everything."

"Well, I'm very glad you came," Ananda said. "At Oxford we often talked

about the shooting you were to have here, didn't we?"

"Rather."

"But I never thought Earl Craig would let you come. Having lived in

India in his younger days, I fancied he'd be gun-shy of the country."

Lord Victor laughed. "I got marching orders from the gov'nor."

The prince tapped a cigarette on the marble rail, lighted it from the

fireball a watchful servant glided into range with, blew a puff of smoke

out toward the little lake, and, with a smile, murmured dreamily: "I

wonder if I knew the girl?"

"You didn't, old chap; though you've pipped the gov'nor's idea all

right. Swinton here is my keeper; he's supposed to be immune."

"Well, you're safe at Darpore. There's absolutely nobody here just now.

Everybody's in Calcutta."

"I fancy the gov'nor cabled out to ask about that before he packed me

off." And Gilfain chuckled, a tribute to his reputation for gallantry.

"I should say you're in good hands, too." Ananda's white teeth showed in

a smile that irritated Swinton. When Prince Ananda had met them at the

train Swinton had seen his black eyes narrow in a hard look. He had been

wondering if the prince knew his real position--that he was Captain

Herbert, of the secret service. But that was impossible. Probably the

prince was mistrustful of all Europeans.

Then Ananda resumed, in an introspective way: "That's England all over;

they're as much afraid of breaking caste by marrying lower down as we

are here. In fact"--Darpore raised his hand and pointed to the distant

city--"the maharajah is sitting yonder, probably in his glass prayer

room, listening to some wandering troubadour singing the amorous love

songs of 'Krishna and the Milkmaids,' and his mind is quite at rest,

knowing that the Brahman caste is so strong that it protects itself in

the way of misalliance."

"But you?" Lord Victor blurted out boyishly. "Damn it, prince, you put

your caste under the pillow at Oxford!"

Ananda laughed. "Personally it is still under the pillow. You see, when

I crossed the 'black water' I broke my caste. When the time comes that

it is necessary for the welfare of Darpore state that I take it on

again--well, I may. To tell you the truth, the maharajah is not a

Brahman at all; he's something very much greater, if he'd only think so;

he's a rajput of the Kshatri caste, the warrior caste."

Swinton, sitting back in his chair, had closed his eyes, experiencing a

curious pantomimic effect in listening to the English voice leisurely

drawling these curiously startling sentiments; then when he opened them

suddenly there was the lithe figure of the Oriental, the Indian prince.

It didn't ring true; there was a disturbing something about it that kept

his nerves tingling. Perhaps it was that he had come to delicately

investigate.

"And this," Ananda continued, indicating the palace and the sal forest

beyond. "I mean my desire for this and not that"--and the ruby point of

his cigarette enveloped with a sweeping gesture the city in the

plain--"is because of a Raj Gond cross away back. They were primitive

nature worshippers--tiger gods and all that. Listen!" He held up a

finger, his eyes tense, as from high up on the hills, deep in the

forest, came the hoarse, grating call of a leopard. Immediately from

just behind the palace the call was taken up and answered by another

leopard.

"By Jove!" Gilfain sprang to his feet.

The prince laughed. "That's one of my captives; I've got quite a

menagerie. We'll see them in the day, first time you're out. That's the

Raj Gond taint. I couldn't stand it down there, so the maharajah let me

build this bungalow up here. This whole plateau we're on contains a

buried city. Who built it or who lived in it nobody knows. The marble

you see in the palace was all taken from the buildings beneath the roots

of these sal trees. I'll show you something; we've got time before the

others arrive for dinner."

He led the two men down wide, marble steps to the water's edge, and

indicated a cable, the end of which, coming up out of the lake, crept

into the bank beneath a large marble slab.

"What's it attached to?" Lord Victor asked.

"This lake is artificial. If it were daylight, and we were up on the

bank, we could see seven of them. The story of this cable runs that when

the king of this city that is buried was dying he commanded that all his

jewels and weapons and his body be placed in a golden boat and sunk in

the centre of this lake. They say the boat is attached to the other end

of this cable; I don't know."

"Has anybody ever tried to pull it up?" Swinton asked, still feeling

that he was helping on the pantomime.

"Yes; once an avaricious nawab got together several elephants and many

men, and, fastening to the cable, started to pull the boat up. It came

easily at first, but just when they all got very careless and were

starting to rush it the magic thing slipped back, pulling them in, and

they were all drowned. There's a legend that if a holy man stands here

at midnight of a full moon when the mhowa tree is in bloom, with the

three sacred sapphires of our mythology in his hand, the king will rise

in his golden boat if the holy man has been ordained of the gods to be a

leader of his people."

Back on the terrace, Prince Ananda asked: "Were you in the service out

here, captain?" Very inconsequential was the tone of this query that was

so pointed in reality.

"I was on the Bombay side for a time; my health petered out, and I had

to go back to Belati."

"I see the lights of Major Finnerty's dogcart coming up the hill,"

Ananda announced.

"Coming to dinner with us--any ladies, prince?" Lord Victor queried.

"No; this is what I call a _pilkana_ or play dinner. After we've dined

I'm going to show you some Indian _tamasha_. I asked Finnerty because

he's great on these jungle friends of mine--should be able to find you

some tiger; I don't shoot."

The moon showed an apologetic smile curving the lips clear of his

brilliant white teeth as Ananda, turning to Swinton, added: "I never

kill any of them myself; I'm a Buddhist in that way."

"Do you believe in reincarnation, prince?" Gilfain questioned.

"I'm afraid I don't believe in anything that's not demonstrable; but I

do know that it is a good thing to not take life. Finnerty is the

government keddah sahib here, and I'm going to ask his help in giving

you some sport, Gilfain. My private archæologist, Doctor Boelke, is

coming for dinner also. The trouble about him is the more he drinks the

more Teutonically sombre he becomes."

The prince excused himself, saying: "I think they're pretty well coming

together."

The two men could hear a heavy tonga clatter up, followed by the light,

whirring grind of dogcart wheels and a medley of voices. As a group came

through the palace, Swinton could hear the heavy guttural of a German's

"_Ach, Gott!_" about something unpleasing.

There was a brief introduction and an immediate departure to the dining

room.

After dinner, as they sat at little tables on the moonlit terrace over

their coffee and cheroots, Major Finnerty, taking from his pocket an

oval stone the size of a hen's egg, said: "I've got a curiosity, prince;

I wonder if you can read the inscription on it."

"What is it, major?" Darpore asked as he held it toward an electric lamp

on the table.

"It's a very fine sapphire in the rough. Where the end has been cut it

is of the deepest pigeon blue."

"I can't read the characters because they are Persian, and I only know

the Devanagari, but Professor Boelke can," and Ananda passed it to the

German.

"Yes, it is Persian," Doctor Boelke said. With a pencil he wrote on a

piece of paper some strange-looking characters. "It means _Rikaz_, and

is nothing of mystery."

Swinton, who was watching the German's eyes, felt that they were passing

some hidden meaning to the prince.

"_Rikaz_ means a mine," Doctor Boelke continued; "a place vhere stones

or metal are found; dot's all."

Swinton intercepted the stone on its way back, and after examining it

passed it on.

"Dot is a big sapphire, major," Boelke said; "vhere did you get it? And

for vat is der hole on der other end from der inscription?"

"It's a curious story," Finnerty answered. "A jungle _hethni_--female

elephant--came down out of the forest and walked right in on us, by

Jove! I'll describe Burra Moti; that's what we call her, the Big Pearl.

She's a female with large tusks; she has four toes on each hind foot,

and I haven't another elephant that has more than three. She's different

in other ways; has two fingers on the end of her trunk instead of one;

she has immense ears and a hollow back; she never lies down."

Doctor Boelke leaned forward, adjusted his big glasses, and said: "My

friend, you haf described an African elephant."

"Yes," the major answered; "that's what Burra Moti is."

"I admit it's some mystery," Finnerty said slowly; "it has bothered me.

All I know is that Burra Moti, who is undoubtedly an African, came down

out of the jungle to the keddah because she was going to calve. What

taught her that she'd be safe with her calf in the keddah I don't know;

where she came from I don't know. Around her neck was a strap of sambur

skin to which was attached a bell, and morning and evening, at a certain

hour, Burra Moti would reach up with her trunk and ring the bell. Last

evening the mahout didn't hear it at the usual hour--eight o'clock--so

he went down to where Burra Moti stood under a big tamarind tree and

found a native--looked to be a hillman--crushed flat where she had put

her big foot on him. Beside him lay the bell, and the strap had been cut

with a sharp knife. The bell was flattened out of shape, Moti in her

rage evidently having stepped on it. The clapper of that bell was this

sapphire, hung by the little hole in the end."

"By Jove!" Lord Victor ejaculated. "My gov'nor would give a few sovs for

that Sapphire; he's entirely daffy on the subject of Indian curios."

"If it's for sale I'll give a thousand rupees for it, major," the prince

added.

"I've got to fix that bell up again for Burra Moti," Finnerty answered;

"she's been in a towering rage all day--keeps slipping her trunk up to

her neck like a woman looking for a necklace she has lost."

"Oh, I say!" Gilfain expostulated. "Rather tallish order, old chap,

don't you think? Almost too deuced human, what?"

Major Finnerty turned in his leisurely way to Gilfain: "If a chap spends

several years with elephants he'll come devilish near believing in

reincarnation, my young friend." Then, addressing Darpore more

particularly, he added: "I want to tell you one extraordinary thing

Burra Moti did when her calf was born. The little one was as though it

were dead, not breathing. With her front foot the mother pressed the

calf's chest in and out gently--artificial respiration if you like,

gentlemen--and kept it up until the calf breathed naturally. But I'm

sorry to say the little one died next day."

Swinton waited for some comment on the sapphire-clappered bell. He now

asked: "Do you suppose, major, it was just a bell that the thief

wanted?"

"No; that native had never been seen around the lines before. It's not

likely he would slip into a strange place and take chances of being

killed for a thing of not much value--a bell."

"Perhaps it's one of those bally sacred things," Lord Victor

interjected.

Swinton saw Ananda's eyes send a swift glance to the German's face.

"Well," Finnerty said meditatively, "I think the thief knew of the

sapphire stone in that bell, and it may have belonged to some temple; I

mean Burra Moti may have been a sacred elephant."

"If that were the case," Darpore objected, "they'd come and claim the

elephant."

"The stone being in the rough, there must be a mine near where the

elephant was equipped with the bell," Swinton suggested.

"I had an idea," Finnerty said, "that if I rode Burra Moti off into the

jungle and let her drift she might go back to where she came from; I

might find the mine that way."

As Finnerty ceased speaking the high-pitched voice of a woman singing

floated down to them from higher up on the hill. Ananda clapped his

hands; a servant slipped from a door in the palace, and, salaaming

deeply, listened to an order from the prince. When he re-entered the

palace the row of lights that had illumined the terrace went out,

leaving the sitters in the full glamour of a glorious moon.

Ananda made a gesture toward the hill from which the weird chant came.

"That is the Afghan love song," he explained. "The girl represents a

princess who was in love with a common soldier. After a great battle she

went out on the plain, searching for him among the wounded and slain; so

now this girl will come down in her singing search."

The listeners could now make out the weird music of the many-stringed

fiddle that a companion played as accompaniment to the girl's voice. The

prince swept his hand toward the great disk of silver that had lifted

above the sal trees, saying: "My people believe that luminous, dead

planet up there is the soul, _purusha_, of Brahm the Creator; fitting

light for the path of a princess who is singing out of the desolation of

her soul."

Nearer and nearer came the wailing plaint of the girl looking for her

dead soldier. Once its vibrant tone stirred the leopard in his cage, and

he called: "Wough-wa, wough-wa, wah!"

"That's 'Pard's' mating call," the prince explained. "Even he, jungle

devil, feels something in that love song--in the sorrowing voice that

does not anger him."

A peacock, wakened from his sleep by the leopard, sent out a warning

call to jungle dwellers that a killer was afoot. "Meough, meough,

meough!" he cried in shrill discordancy.

The song of love-search drifted in from the sal trees, through the mango

tope beyond the palace, along the banks of the Lake of the Golden Coin,

and up the ghat steps to the terrace.

In the moonlight the girl's face, as she came slowly up the steps, was

beautiful; her grace of movement was exquisite. Followed by the

musician, she passed along the terrace with no notice of the prince or

his guests. At the far end, she dropped to her knees beside a figure

that had lain there--her slain soldier lover. She lifted his head into

her lap, and the song rose in an intensity of lament; then it died down

to a croon; the desolate woman's head drooped until her luxuriant hair

shrouded the soldier's face. Suddenly the crooning chant was stilled;

the girl's face thrust up through its veil of hair, and the eyes,

showing a gleam of madness in the moonlight, swept the vault above.

"She has become crazed by the death of her lover," the prince explained

softly. As the girl commenced a low chant he added: "She now asks of the

gods what she must do to receive back his life. She thinks, in her

madness, they answer that if she dances so that it pleases Krishna the

soldier will be restored to life."

Tenderly the girl laid the head of her lover down, kissing him on the

staring eyes, and then commenced a slow, sinuous dance, the violin, with

its myriad wire strings, pulsating with sobs. The soft, enveloping moon

shimmer lent a mystic touch of unreality to the elfin form that seemed

to float in rhythmic waves against the dark background of the sal

forest. Faster and faster grew the dance, more and more weird the wail

of the violin, and the plaint from the girl for her lover's life became

a frenzied cry. Now she had failed; her strength was gone; death still

held in its cold fingers the heart of her lover; she reeled in exhausted

delirium, but, as she would have fallen, the lover rose from death and

caught her to his breast.

But the gift of the gods--his life--had been but transitional--a bitter

mockery--for the princess lay dead against his pulsing heart. Smothering

the unresponsive eyes and lips with kisses, he gently placed the girl

upon the ground, and, standing erect, defied the gods--called them to

combat.

Prince Ananda interpreted the words and gestures of the gladiator as the

moonlight painted in gold and copper his bronze form.

In answer to his challenge a sinister form glided from the shadow of the

wall.

"Bhairava, the evil black god, who rides abroad at night," Ananda

explained, adding, as the combat began: "They are two Punjabi wrestlers.

The lover is Balwant Singh, which means 'Strong Lion;' Bhairava, whom

you see is so grotesquely painted black, is Jai Singh, 'Lion of

Victory.'"

The struggle was Homeric, as Balwant Singh, the muscles on his back

rising in ridges, strove to conquer the black god. In vain his strength,

for the god, sinuous as a serpent, slipped from the lover's grasp with

ease. At last Jai Singh's black arm lay across the lover's throat,

anchored to the shoulder by a hand grip; there was a quick twist to the

arm, a choking gasp from Balwant Singh, and, with startling suddenness,

he was on his back, both shoulders pinned to the mat.

The tragic drama was at an end. The lover, slain by the gods he had

defied, lay beside his dead princess.

"Ripping!" Lord Victor cried. "In Drury Lane that would cause no end of

a sensation as a pantomime. Hello! By Jove! I say!"

For even as the young man cackled, some heavy shadow, some mystic trick

of the Orient, had faded from their eyes the three figures of the drama.

Prince Ananda, with a soft laugh at Gilfain's astonishment, said:

"Bharitava, the evil god, has spirited the lover and the princess away."

"My friends, dot to me brings of importance a question," Doctor Boelke

commented. "How is it dot a few Englishmen rule hundreds of millions,

and we see dot der Hindus are stronger as der white man; no Englishman

could wrestle those men."

"I fancy it's hardly a question of what we call brute force where

England governs," Swinton claimed.

"Oh, of course!" And Doctor Boelke laughed. "England alvays ruling

people because of philanthropy. Ah, yes, I hear dot!"

"Do you mean to say, sir"--and Lord Victor's voice was pitched to a high

treble of indignation--"that we have no wrestlers at home as good as

these Hindu chaps? Damn it, sir, it's rot! A man like Fitzalban, who was

at Oxford in my last year, would simply disjoint these chaps like wooden

dolls."

The doctor puffed his billowy cheeks in disdain, and Finnerty

contributed: "Don't underrate these Punjabi wrestlers, my young friend;

there are devilish few professionals even who can take a fall out of

them."

"The major should know," and Darpore nodded pleasantly; "he has grappled

with the best that come out of the Punjab."

Gilfain, his spirit still ruffled by the Prussian's sneer at England,

declared peevishly: "I wish there was a chance to test the bally thing;

I'd bet a hundred pounds on the Englishman, even if I'd never seen him

wrestle."

Boelke, with a sibilant smack of his lips, retorted: "You are quite

safe, my young frient, with your hundred pounds, because, you see, there

is no Englishman here to put der poor Hindu on his back."

"I'm not quite so sure about that, Herr Doctor."

Boelke turned in his chair at the deliberate, challenging tone of

Finnerty's voice. He looked at the major, then gave vent to an

unpleasant laugh.

"There is one thing a Britisher does not allow to pass--a sneer at

England by a German." Finnerty hung over the word "German."

"Vell," the doctor asked innocently, "you vil prove I am wrong by

wrestling der Punjabi, or are we to fight a duel?" And again came the

disagreeable laugh.

"If the prince has no objection, I don't know why I shouldn't take a

fall out of one of these chaps. It's a game I'm very fond of."

"And, Herr Doctor, I'll have you on for the hundred," Lord Victor cried

eagerly.

"Just as you like, major," the prince said. "There'll be no loss of

caste, especially if we sit on our sporting friend over there and curb

his betting propensities."

"Right you are, rajah," Finnerty concurred. "We wrestle just to prove

that Britain is not the poor old effete thing the Herr Doctor thinks she

is."

Prince Ananda sent for his secretary, Baboo Chunder Sen, and when the

baboo came said: "Ask Jai Singh if he would like to try a fall with the

major sahib."

Balwant Singh came back with the baboo when he had delivered this

message. Salaaming, he said: "Huzoor, the keddah sahib has his name in

our land, the Land of the Five Rivers. We who call men of strength

brothers say that he is one of us. No one from my land has come back

boasting that he has conquered the sahib. Jai Singh, in the favor of the

gods, has achieved to victory over me, so Jai Singh will meet with the

sahib."

"Fine!" Finnerty commented. "I'll need wrestling togs, prince."

"The baboo will take you to my room and get a suit for you."

Finnerty put the sapphire in a silver cigarette box that was on the

table, saying: "I'll leave this here," and followed Chunder Sen into the

palace.

"Devilish sporting, I call it; Finnerty is Irish, but he's a Britisher,"

Gilfain proclaimed. "He'll jolly well play rugby with your friend, Herr

Boelke."

"In my country ve do not shout until der victory is obtained; ve vill

see," and the doctor puffed noisily at his cheroot.

But the fish eyes of the professor were conveying to Prince Ananda

malevolent messages, Swinton fancied. The whole thing had left a

disturbing impression on his mind; Boelke's manner suggested a

pre-arrangement with the prince.

The doctor's unpleasing physical contour would have furnished strong

evidence against him on any charge of moral obliquity. He sat on the

chair like a large-paunched gorilla, his round head topping the fatty

mound like a coconut. His heavy-jowled face held a pair of cold, fishy

eyes; coarse hair rose in an aggressive hedge from the seamed, low

forehead, and white patches showed through the iron-grey thatch where

little nicks had been made in the scalp by duelling swords at

Heidelberg. He was a large man, but the suggestion of physical strength

was destroyed by a depressing obeseness.

A tall, fine-looking rajput came across the terrace toward Darpore.

"Ah, Darna Singh," the prince greeted, rising; "you are just in time to

see a _kushti_ that will delight your warrior heart. This is my

brother-in-law, Nawab Darna Singh," he continued, turning to Swinton and

Gilfain and repeating their entitled names.

The rajput salaamed with grave dignity, saying the honour pleased him.

"Have a seat," Ananda proffered.

"I have intruded, rajah," Darna Singh explained, "because there is

trouble at the temple. The mahanta is at the gate----"

"Show him in, Darna. I can't see him privately just now; the keddah

sahib and Jai Singh are going to make _kushti_."

While the rajput went to the gate for the mahanta, Prince Ananda said

apologetically: "Even a prince must show deference to the keeper of the

temple."

Darna Singh returned, accompanied by an animated skeleton of mummy hue.

Draping the skin-covered bones was a loin cloth and a thread that hung

diagonally from one shoulder to the waist.

With a deep salaam, the mahanta, trembling with indignation, panted:

"Dharama comes in the morning with his Buddhistic devils to desecrate

the temple by placing in it that brass Buddha--accursed image!--he has

brought from the land of Japan."

"Ah!" The exclamation was from Lord Victor as Finnerty appeared.

"Here, Darna," Ananda cried, "hold the mahanta till this is over; I

don't want to miss it."

Darna Singh led the Brahmin beyond the table at which the sahibs were

grouped, explaining that Prince Ananda would speak to him presently.

Now Finnerty, coming into the light, slipped a robe from his shoulders

and stood beside Jai Singh, looking like a sculptured form of ivory.

Swinton caught his breath in a gasp of admiration; he had never seen

such a superb being. Jai Singh, that a moment before had seemed of

matchless mould, now suffered by comparison. Each move of the Irishman

was like the shifting of a supple gladiator. The shoulders, the loins,

the overlapping muscles of his arms were like those of Hercules.

Lord Victor was muttering: "My word! Poor old decadent England--what!"

Several times as he sat there Swinton had felt vibrant thrills, as if

eyes that blazed with intensity were on him, and always as he had turned

in answer to the unseen influence he had instinctively looked to a

jalousied balcony above them. Now he caught the glint of white fingers

between the leaves of the lattice as if a hand vibrated them. He could

have sworn Finnerty's erect head had drooped in recognition.

From the first grapple there was evident savagery on the part of Jai

Singh. He had toyed leisurely with Balwant; now he bore in like a savage

beast.

"By gad!" Lord Victor growled once, "that Hindu bounder is fighting

foul!"

Finnerty had gone to his hands and knees in defence. The Punjabi, lying

along the arched back, thrust his right hand under the major's armpit as

if seeking for a half-Nelson; but his hand, creeping up to the neck,

straightened out to thrust two fingers into Finnerty's nostrils, the big

thumb wedged against the latter's windpipe. In a flash the white man was

in a vise, for Jai Singh had gripped the wrist of his fouling arm with

his left hand, and was pressing the forearm upon the back of his

opponent's neck.

In his foul endeavour Jai Singh had lost defence. A hand took him by the

left wrist, a corkscrew twist broke his hold, and he commenced to go

over forward in tortured slowness, drawn by the wracking pain of his

twisted joints. One of his shoulder blades lay against the mat when, by

a mighty wrench, he freed his wrist and pirouetted on his round bullet

head clear of Finnerty's clutch.

Again, as they stood hand to shoulder, making a feint as if to grapple,

Jai Singh tried a foul. The heel of Finnerty's palm, thrust with dynamic

force upward, caught him under the chin with such power that he all but

turned a complete somersault backward.

This was too much for Lord Victor. With a cry of "Well bowled, old top!"

he sprang to his feet, in his excitement careening his glass of whisky

and soda, the liquid splashing across the fat legs of Doctor Boelke.

Like a hippopotamus emerging from a pool, Boelke reared upward; the

table, at a thrust from his hand, reeled groggily on its frail legs and

then volplaned, shooting its contents over the marble floor.

"Never mind," Prince Ananda admonished; "leave it to the servants."

Finnerty was wrestling with caution--waiting for the inevitable careless

chance that would give him victory.

Jai Singh's foul tactics confirmed Swinton's suspicion that the bout was

a prearranged plot; the Punjabi was acting under orders. The captain had

served in the Punjab and knew that native wrestlers were not given to

such practices. He watched Prince Ananda, but the latter's immobile face

gave no sign of disapproval.

A startled gasp from Lord Victor caused him to look at the wrestlers. He

had seen enough of wrestling to know what had happened. Jai Singh's

weight rested on one leg he had crooked behind Finnerty's knee joint,

and he was pulling up against this wedge the major's foot by a hold on

the big toe. It was a barred hold in amateur wrestling; a chance to

administer pain, instead of an exhibition of strength or agility. The

captain felt, with a sense of defeat, that Finnerty must yield to the

pain or have his leg broken.

There was a hideous grin of triumph on the face of Jai Singh. Then,

almost before Swinton's brain could register these startling things, the

leer of victory vanished; the Punjabi's lips framed some startled cry;

his hands fell to his side; his torso drooped forward, and he collapsed

as though his legs were paralysed.

Finnerty half rose and turned the Punjabi over on his back, pressing his

shoulders to the mat; then he took the black nose between finger and

thumb and tweaked it.

"Topping! Ripping!" Gilfain shouted the words. "It was coming to the

cad!"

The others sat numbed to silence by the extraordinary suddenness of the

collapse. Each one understood the debasing retribution the keddah sahib

had meted out to his foul-fighting opponent.

Swinton, watching, saw consternation pall the heavy-jowled face of the

Prussian. The debonair air had fallen away from the prince. To hide his

chagrin he called Darna Singh to bring the mahanta to him. He spoke

rapidly in a low voice to the priest, and when he had finished, the

latter departed, accompanied by Darna Singh.

When Finnerty came back to them Prince Ananda had regained his

sangfroid; he smiled a greeting, holding out his hand, and said: "You

deserve to win."

"I should say so!" Gilfain added. "That rotter would have been mobbed at

a bout in London."

Boelke mumbled: "You are very strong, major."

Finnerty, peeping into the silver box that had been replaced by the

servants on the table, asked: "Any of you chaps got that bell clapper? I

left it here."

Nobody had; nobody knew anything about it. Instinctively each one felt

his pockets to be sure that, in the excitement of the struggle, he

hadn't put it away; then each one remembered that he hadn't seen it

since the major deposited it in the silver box.

"The table was upset," Swinton said. "Look on the floor."

Even Prince Ananda joined in the search. Then the servants were

questioned. They knew nothing of its whereabouts; all denied that they

had seen the keddah sahib put it in the box.

A little constraint crept into the search. Prince Ananda's

brother-in-law and the temple priest had been there and had departed;

the prince's servants had been going and coming.

"It may have rolled off the terrace into the water," Prince Ananda

suggested. "In the morning I'll have the lake searched at this point."

"It doesn't matter," Finnerty declared.

"It does, my dear major," Ananda objected. "I'll put pressure on the

servants, for I'm very much afraid one of them has stolen it. At any

rate, you've been looted in my house, and if I don't find your sapphire

you shall have the finest jewel Hamilton Company can send up from

Calcutta."

"My young friend was too enthusiastic," Doctor Boelke said with a

mirthless grin; "he has also soaked my legs."

The savage wrestling bout and the mysterious loss of the sapphire

brought a depressing vacuity of speech. The guests were soon waiting in

the courtyard for the tonga.

Swinton stepped over to where Finnerty waited in his dogcart while a

servant lighted the lamps, saying: "Prince Ananda has arranged that we

are to call on the maharajah at ten o'clock to-morrow, and I'd like to

ride over to see your elephants later on."

"Come for tiffin," the major invited.

As the tonga carrying Lord Victor and Swinton was starting, Ananda said:

"I've told the driver to show you the Maha Bodhi Temple and a pagoda on

your way; it is there that Prince Sakya Singha attained to the Buddha.

Good night."

Halfway down the tonga stopped, and their eyes picked up, off to the

right, a ravishing sight. A gloomed hill, rising like a plinth of black

marble, held on its top a fairy-lined structure. Like a gossamer web or

a proportioned fern, a wooden temple lay against the moonlit sky; beside

it, towering high to a slender spire, was the pagoda, its gold-leafed

wall softened to burnished silver by the gentling moon. A breeze stirred

a thousand bells that hung in a golden umbrella above the spire, and the

soft tinkle-tinkle-tinkle of their many tongues was like the song of

falling waters on a pebbled bed till hushed by a giant gong that sent

its booming notes reverberating across the hills as some temple priest

beat with muffled club its bronzed side.

"Devilish serene sort of thing, don't you think?" Lord Victor managed to

put his poetic emotions into that much prose banality.

The driver, not understanding the English words, said in Hindustani:

"There will be much war there to-morrow when they fight over their

gods."

As if his forecast had wakened evil genii of strife up in the hills, the

fierce blare of a conch shell, joined in clamour by clanging temple

bells, came across the valley, shattering its holy calm.

"My aunt! What a beastly din!" Lord Victor exclaimed.

"War," the driver announced indifferently.

Human voices pitched to the acute scale of contending demons now sat

astride the sound waves.

"Gad! Dharama has stolen a march on the mahanta and is sneaking in his

Buddha by moonlight," Swinton declared.

The tumult grew in intensity; torches flashed and dimmed in and out

about the temple like evil eyes.

"Shall we take a peep, old top?" Lord Victor asked, eagerness in his

voice.

Swinton spoke to the driver, asking about the road, and learned that,

turning off to the right at that point, it wound down the mountainside

and up the other hill to the temple.

Just at that instant there came from down the road the clatter of

galloping hoofs and the whirling bang of reckless wheels. In seconds the

keddah sahib's dogcart swirled into view; he reined up, throwing his

horse almost on his haunches.

"That mongrel Buddhist, Dharama, is up to his deviltry; I've got to stop

him!"

He was gone.

At a sharp order from Swinton the tonga followed, the driver, eager to

see the fray, carrying them along at perilous speed. At each sharp turn,

with its sheer drop of a hundred feet or more on the outside, the tonga

swung around, careening to one of its two wheels, the other spinning

idly in the air. The little ruby eyes in the back of the dogcart's lamps

twinkling ahead seemed to inspire their driver with reckless rivalry.

When they arrived at the temple the battle had reached its climax. The

brass Buddha, its yellow face with the sightless eyes of meditation

staring up in oblivious quietude to the skies, was lying all alone just

within the temple gate. Without, Dharama and his Buddhists battled the

smaller force of the mahanta, who led it with fanatical fervour.

They saw the keddah sahib towering above the fighting mob, his spread

arms raised as if exhorting them to desist from strife. The combatants

broke against his body like stormy waves, his words were drowned by the

tumult of the passion cries.

Swinton and Lord Victor dropped from the tonga, and as they ran toward

the riot something happened. A native close to Dharama struck at

Finnerty with a long fighting staff, the blow falling on an arm the

Irishman thrust forward as guard. Like an enraged bull bison, the keddah

sahib charged. Dharama and the man who had struck were caught by the

throats and their heads knocked together as though they were puppets;

then Dharama was twisted about, and the foot of the big Irishman lifted

him with a sweeping kick. He catapulted out of the fray. Then the keddah

sahib's fists smote here and there, until, discouraged by the fate of

their leader and the new re-enforcements--for Lord Victor and Captain

Swinton were now busy--the Buddhists broke and fled.

"Faith, it's a busy night, captain!" Finnerty exclaimed as he wiped

perspiration from his forehead. He turned to the mahanta, and, pointing

to the yellow god, said: "Roll that thing down the hill!"

In a frenzy of delight the temple adherents laid hands upon the brass

Buddha. It took their united strength to drag and roll it to the edge of

the sloping hillside a hundred feet away. The sahibs stood on the brink,

watching the image that glinted in the moonlight as it tumbled

grotesquely over and over down the declivity till it plunged into the

muddy waters of Gupti Nala.

"There'll be no more trouble over installing that idol in the temple for

some time," Finnerty chuckled.

Then they climbed into tonga and dogcart, and sped homeward.

The Three Sapphires · 第 1 / 23 章