they all played round this map of fairyland he sought to reduce to the
scale of everyday life. They discussed thought, dreams, the
possibility of leaving the body in sleep, the artist temperament, the
source of inspiration as well as the process of the imaginative
faculty that created. They talked even of astronomy. Minks held that
the life of practical, daily work was the bed-rock of all sane
production, yet while preaching this he bubbled over with all the
wild, entrancing theories that were in the air to-day. They were
comical, but never dangerous--did not upset him. They were almost a
form of play.
And his master, listening, found these conversations an outlet somehow
for emotions in himself he could not manage--a scaffolding that
provided outlines for his awakening dreams to build upon. He found
relief. For Minks, with his delightful tact, asked no awkward
questions. He referred neither to the defunct Scheme, nor mentioned
the new one that held 'a beauty of the stars.' He waited. Rogers also
waited.
And, while he waited, he grew conscious more and more of an enormous
thing that passed, driving behind, _below_, his daily external life.
He could never quite get at it. In there, down out of sight somewhere,
he knew everything. His waking existence was fed invisibly from below.
In the daytime he now frequently caught himself attempting to recover
the memory of things that went on elsewhere, things he was personally
involved in, vital things. This daylight effort to recover them was as
irksome as the attempt to draw a loose hair that has wound about the
tongue. He spoke at length to Minks about it.
'Some part of you,' replied the imperturbable secretary, after
listening carefully to his master's vague description of the symptoms,
'is being engaged elsewhere--very actively engaged---'
'Eh?' asked Rogers, puzzled.
'Probably at night, sir, while your brain and body sleep,' Minks
elaborated, 'your energetic spirit is out--on the plane of causes---'
The other gasped slightly, 'While my body lies unconscious?'
'Your spirit may be busy at all kinds of things. _That_ can never be
unconscious,' was the respectful answer. 'They say---'
'Yes, what do they say?' He recognised a fairy theory, and jumped at
it.
'That in sleep,' continued the other, encouraged, 'the spirit knows a
far more concentrated life--dips down into the deep sea of being--our
waking life merely the froth upon the shore.'
Rogers stared at him. 'Yes, yes,' he answered slowly, 'that's very
pretty, very charming; it's quite delightful. What ideas you have, my
dear Minks! What jolly, helpful ideas!'
Minks beamed with pleasure.
'Not my own, Mr. Rogers, not my own,' he said, with as much pride as
if they _were_ his own, 'but some of the oldest in the world, just
coming into fashion again with the turn of the tide, it seems. Our
daily life--even the most ordinary--is immensely haunted, girdled
about with a wonder of incredible things. There are hints everywhere
to-day, though few can read the enormous script complete. Here and
there one reads a letter or a word, that's all. Yet the best minds
refuse to know the language, not even the ABC of it; they read another
language altogether---'
'The best minds!' repeated Rogers. 'What d'you mean by that!' It
sounded, as Minks said it, so absurdly like best families.
'The scientific and philosophical minds, sir. They think it's not
worth learning, this language. That's the pity of it--ah, the great
pity of it!' And he looked both eager and resentful--his expression
almost pathetic. He turned half beseechingly to his employer, as
though _he_ might alter the sad state of things. 'As with an iceberg,
Mr. Rogers,' he added, 'the greater part of everything--of ourselves
especially--is invisible; we merely know the detail banked against an
important grand Unseen.'
The long sentence had been suffered to its close because the audience
was busy with thoughts of his own instead of listening carefully.
Behind the wild language stirred some hint of meaning that, he felt,
held truth. For a moment, it seemed, his daylight searching was
explained--almost.
'Well and good, my dear fellow, and very picturesque,' he said
presently, gazing with admiration at his secretary's neat blue tie and
immaculate linen; 'but thinking, you know, is not possible without
matter.' This in a tone of '_Do_ talk a little sense.' 'Even if the
spirit does go out, it couldn't think apart from the brain, could it
now, eh?'
Minks took a deep breath and relieved himself of the following:
'Ah, Mr. Rogers'--as much as to say 'Fancy _you_ believing that!'--
'but it can experience and know _direct_, since it passes into the
region whence the material that feeds thought issues in the first
instance--causes, Mr. Rogers, causes.'
'Oho!' said his master, 'oho!'
'There is no true memory afterwards,' continued the little dreamer,
'because memory depends upon how much the spirit can bring back into
the brain, you see. We have vague feelings, rather than actual
recollection--feelings such as you were kind enough to confess to me
you had been haunted by yourself---'
'All-overish feelings,' Rogers helped him, seeing that he was losing
confidence a little, 'vague sensations of joy and wonder and--well--in
a word, strength.'
'Faith,' said Minks, with a decision of renewed conviction, 'which is
really nothing but unconscious knowledge--knowledge unremembered. And
it's the half-memory of what you do at night that causes
this sense of anticipation you now experience; for what is
anticipation, after all, but memory thrown forward?'
There was a pause then, during which Rogers lit a cigarette, while
Minks straightened his tie several times in succession.
'You are a greater reader than I, of course,' resumed his employer
presently; 'still, I have come across one or two stories which deal
with this kind of thing. Only, in the books, the people always
remember what they've done at night, out of the body, in the spirit,
or whatever you like to call it. Now, _I_ remember nothing whatever.
How d'you account for that, pray?'
Minks smiled a little sadly. 'The books,' he answered very softly,
'are wrong there--mere inventions--not written from personal
experience. There can be no detailed memory unless the brain has been
'out' too--which it hasn't. That's where inaccuracy and looseness of
thought come in. If only the best minds would take the matter up, you
see, we might---'
Rogers interrupted him. 'We shall miss the post, Minks, if we go on
dreaming and talking like this,' he exclaimed, looking at his watch
and then at the pile of letters waiting to be finished. 'It is very
delightful indeed, very--but we mustn't forget to be practical, too.'
And the secretary, not sorry perhaps to be rescued in time from the
depths he had floundered in, switched his mind in concentration upon
the work in hand again. The conversation had arisen from a chance
coincidence in this very correspondence--two letters that had crossed
after weeks of silence.
Work was instantly resumed. It went on as though it had never been
interrupted. Pride and admiration stirred the heart of Minks as he
noticed how keenly and accurately his master's brain took up the lost
threads again. 'A grand fellow!' he thought to himself, 'a splendid
man! He lives in both worlds at once, yet never gets confused, nor
lets one usurp his powers to the detriment of the other. If only I
were equally balanced and effective. Oh dear!' And he sighed.
And there were many similar conversations of this kind. London seemed
different, almost transfigured sometimes. Was this the beginning of
that glory which should prove it a suburb of Bourcelles?
Rogers found his thoughts were much in that cosy mountain village: the
children capered by his side all day; he smelt the woods and flowers;
he heard the leaves rustle on the poplar's crest; and had merely to
think of a certain room in the tumble-down old Citadelle for a wave of
courage and high anticipation to sweep over him like a sea. A new
feeling of harmony was taking him in hand. It was very delightful; and
though he felt explanation beyond his reach still, his talks with
Minks provided peep-holes through which he peered at the enormous
thing that brushed him day and night.
A great settling was taking place inside him. Thoughts certainly began
to settle. He realised, for one thing, that he had left the theatre
where the marvellous Play had been enacted. He stood outside now, able
to review and form a judgment. His mind loved order. Undue
introspection he disliked, as a form of undesirable familiarity; a
balanced man must not be too familiar with himself; it endangered
self-respect.
He had been floundering rather. After years of methodical labour the
freedom of too long a holiday was disorganising. He tried to steady
himself. And the Plan of Life, answering to control, grew smaller
instantly, reduced to proportions he could examine reasonably. This
was the beginning of success. The bewildering light of fairyland still
glimmered, but no longer so diffused. It focused into little definite
kernels he could hold steady while he scrutinised them.
And these kernels he examined carefully as might be: in the quiet,
starry evenings usually, while walking alone in St. James's Park after
his day of board meetings, practical work with Minks, and the like.
Gradually then, out of the close survey, emerged certain things that
seemed linked together in an intelligible sequence of cause and
effect. There was still mystery, for subconscious investigation ever
involves this background of shadow. Question and Wonder watched him.
But the facts emerged.
He jotted them down on paper as best he could. The result looked like
a Report drawn up by Minks, only less concise and--he was bound to
admit it--less intelligible. He smiled as he read them over....
'My thoughts and longings, awakened that night in the little Crayfield
garden,' he summed it up to himself, having read the Report so far,
'went forth upon their journey of realisation. I projected them--
according to Minks--vividly enough for that! I thought Beauty--and
this glorious result materialised! More--my deepest, oldest craving of
all has come to life again--the cry of loneliness that yearns to--that
seeks--er---'
At this point, however, his analysis grew wumbled; the transference of
thought and emotion seemed comprehensible enough; though magical, it
was not more so than wireless telegraphy, or that a jet of steam
should drive an express for a hundred miles. It was conceivable that
Daddy had drawn thence the inspiration for his wonderful story. What
baffled him was the curious feeling that another was mixed up in the
whole, delightful business, and that neither he nor his cousin were
the true sponsors of the fairy fabric. He never forgot the description
his cousin read aloud that night in the Den--how the Pattern of his
Story reached its climax and completeness when a little starry figure
with twinkling feet and amber eyes had leaped into the centre and made
itself at home there. From the Pleiades it came. The lost Pleiad was
found. The network of thought and sympathy that contained the universe
had trembled to its uttermost fastenings. The principal role was
filled at last.
It was here came in the perplexing thing that baffled him. His mind
sat down and stared at an enormous, shadowy possibility that he was
unable to grasp. It brushed past him overhead, beneath, on all sides.
He peered up at it and marvelled, unconvinced, yet knowing himself a
prisoner. Something he could not understand was coming, was already
close, was watching him, waiting the moment to pounce out, like an
invisible cat upon a bewildered mouse. The question he flung out
brought no response, and he recalled with a smile the verse that
described his absurd position:--
Like a mouse who, lost in wonder,
Flicks its whiskers at the thunder!
For, while sprites and yearning were decidedly his own, the
interpretation of them, if not their actual origin, seemed another's.
This other, like some dear ideal on the way to realisation, had taken
him prisoner. The queer sense of anticipation Bourcelles had fostered
was now actual expectation, as though some Morning Spider had borne
his master-longing, exquisitely fashioned by the Story, across the
Universe, and the summons had been answered-from the Pleiades. The
indestructible threads of thought and feeling tightened. The more he
thought about his cousin's interpretation the more he found in it a
loveliness and purity, a crystal spiritual quality, that he could
credit neither to the author's mind nor to his own. This soft and
starry brilliance was another's. Up to a point the interpretation came
through Daddy's brain, just as the raw material came through his own;
but there-after this other had appropriated both, as their original
creator and proprietor. Some shining, delicate hand reached down from
its starry home and gathered in this exquisite form built up from the
medley of fairy thought and beauty that were first its own. The owner
of that little hand would presently appear to claim it.
'We were but channels after all then--both of us,' was the idea that
lay so insistently in him. 'The sea of thought sends waves in all
directions. They roll into different harbours. I caught the feeling,
he supplied the form, but this other lit the original fire!'
And further than this wumbled conclusion he could not get. He went
about his daily work. however, with a secret happiness tugging at his
mind all day, and a sense of expectant wonder glancing brightly over
everything he thought or did. He was a prisoner in fairyland, and what
he called his outer and his inner world were, after all, but different
ways of looking at one and the same thing. Life everywhere was one.
CHAPTER XXXI
Es stehen unbeweglich
Die Sterne in der Hoh'
Viel tausend Jahr', und schauen
Sich an mit Liebesweh.
Sie sprechen eine Sprache,
Die ist so reich, so schon;
Doch keiner der Philologen
Kann diese Sprache verstehen.
Ich aber hab' sie gelernet,
Und ich vergesse sie nicht;
Mir diente als Grammatik
Der Herzallerliebsten Gesicht.
HEINE.
One evening in particular the sense of expectation in him felt very
close upon delivery. All day he had been aware of it, and a letter
received that morning from his cousin seemed the cause. The story, in
its shorter version, had been accepted. Its reality, therefore, had
already spread; one other mind, at least, had judged it with
understanding. Two months from now, when it appeared in print,
hundreds more would read it. Its beauty would run loose in many
hearts. And Rogers went about his work that day as though the pleasure
was his own. The world felt very sweet. He saw the good in every one
with whom he came in contact. And the inner excitement due to
something going to happen was continuous and cumulative.
Yet London just then--it was August--was dull and empty, dusty, and
badly frayed at the edges. It needed a great cleaning; he would have
liked to pour sea water over all its streets and houses, bathed its
panting parks in the crystal fountains of Bourcelles. All day long his
thoughts, indeed, left London for holidays in little Bourcelles. He
was profoundly conscious that the Anticipation he first recognised in
that forest village was close upon accomplishment now. On the journey
back to England he recalled how urgent it had been. In London, ever
since, it had never really left him. But to-day it now suddenly became
more than expectation--he felt it in him as a certainty that
approached fulfilment. It was strange, it was bewildering; it seemed
to him as though something from that under-self he could never
properly reach within him, pushed upwards with a kind of aggressive
violence towards the surface. It was both sweet and vital. Behind the
'something' was the 'some one' who led it into action.
At half-past six he strolled down a deserted St. James's Street,
passed the door of his club with no temptation to go in, and climbed
the stairs slowly to his rooms. His body was languid though his mind
alert. He sank into an arm-chair beside the open window. 'I must
_do_ something to-night,' he thought eagerly; 'mere reading at the
club is out of the question. I'll go to a theatre or--or--.' He
considered various alternatives, deciding finally upon Richmond Park.
He loved long walks at night when his mind was restless thus; the air
in Richmond Park was peculiarly fresh and scented after dark. He knew
the little gate that was never closed. He would dine lightly, and go
for a ten-mile stretch among the oaks, surprise the deer asleep,
listen to the hum of distant London, and watch the fairy battle
between the lurid reflection of its million lights and the little
stars.... There were places in the bracken where....
The rumbling clatter of a railway van disturbed the picture. His mind
followed the noise instead. Thought flashed along the street to a
station. He saw trains...
'Come at once! You're wanted here--some one calls you!' sounded a
breathless merry voice beside him. 'Come quickly; aussi schnell que
moglich!'
There was a great gulp of happiness in him; his spirit plunged in joy.
He turned and looked about him swiftly. That singing voice, with its
impudent mingling of languages was unmistakable.
'From the Pleiades. Look sharp! You've been further off than ever
lately, and further is further than farther--much! Over the forests
and into the cave, that is the way we must all behave---!'
He opened an eye.
Between him and a great gold sunset ran the wind. It was a slender
violet wind. The sunset, however, was in the act of disappearing for
the Scaffolding of Dusk was passing through the air--he saw the slung
trellis-work about him, the tracery of a million lines, the guy-ropes,
uprights, and the feathery threads of ebony that trailed the Night
behind them like a mighty cloth. There was a fluttering as of
innumerable wings.
'You needn't tug like that,' he gasped. 'I'm coming all right. I'm
out!'
'But you're so slow and sticky,' she insisted. 'You've been sticky
like this for weeks now!'
He saw the bright brown eyes and felt the hair all over his face like
a bath of perfume. They rushed together. His heart beat faster....
'Who wants me in such a hurry?' he cried, the moment he was
disentangled. Laughter ran past him on every side from the world of
trees.
'As if you didn't know! What _is_ the good of pretending any longer!
You're both together in the Network, and you know it just as well as
she does!'
Pretending! Just as well as _she_ does!
As though he had eyes all over his body he saw the Net of Stars above
him. Below were forests, vineyards, meadows, and the tiny lights of
houses. In the distance shimmered the waters of a familiar lake. Great
purple mountains rolled against the sky line. But immediately over his
head, close yet also distant, filling the entire heavens, there hung a
glittering Pattern that he knew, grown now so vast that at first he
scarcely recognised its dazzling loveliness. From the painted western
horizon it stretched to other fastenings that dipped below the world,
where the East laid its gulfs of darkness to surprise the sun. It
swung proudly down, as though hung from the Pole Star towards the
north, and while the Great Bear 'pointers' tossed its embroidery
across Cassiopeia, the Pleiades, just rising, flung its further
fringes down to Orion, waiting in wonder to receive them far below the
horizon. Old Sirius wore one breadth of it across his stupendous
shoulder, and Aldebaran, with fingers of bronze and fire, drew it
delicately as with golden leashes over the sleeping world.
When first he saw it, there was this gentle fluttering as of wings
through all its intricate parts, but the same moment four shooting
stars pierced its outlying edges with flying nails of gold. It
steadied and grew taut.
'There she is!' cried Monkey, flashing away like a comet towards the
Cave. 'You'll catch it now--and you deserve to!' She turned a
brilliant somersault and vanished.
Then, somehow, the vast Pattern settled into a smaller scale, so that
he saw it closer, clearer, and without confusion. Beauty and wonder
focused for his sight. The perfected design of Daddy's fairy story
floated down into his heart without a hint of wumbling. Never had he
seen it so luminous and simple. For others, of course, meanwhile had
known and understood it. Others believed. Its reality was more
intense, thus, than before.
He rose from the maze of tree-tops where he floated, and stretched his
arms out, no fear or hesitation in him anywhere. Perched in the very
centre of the Pattern, seated like a new-born star upon its throne, he
saw that tiny figure who had thrilled him months ago when he caught it
in a passing instant, fluttering in the web of Daddy's story,--both
its climax and its inspiration. The twinkling feet were folded now. He
saw the soft little eyes that shone like starlight through clear
amber. The hands, palms upwards, were stretched to meet his own.
'You, of course, must come up--to me,' he heard.
And climbing the lace-like tracery of the golden web, he knelt before
her. But, almost before both knees were bent, her hands had caught
him--the touch ran like a sheath of fire through every nerve--and he
was seated beside her in that shining centre.
'But why did it suddenly grow small?' he asked at once. He felt
absolutely at home. It was like speaking to a child who loved him
utterly, and whom he, in his turn, knew intimately inside out.
'Because you suddenly understood,' was the silvery, tiny answer. 'When
you understand, you bring everything into yourself, small as a toy. It
is size that bewilders. Men make size. Fairy things, like stars and
tenderness, are always small.'
'Of course,' he said; 'as if I didn't know it already!'
'Besides,' she laughed, half closing her brilliant eyes and peering at
him mischievously, 'I like everything so tiny that you can find it
inside a shell. That makes it possible to do big things.'
'Am _I_ too big---?' he exclaimed, aware of clumsiness before this
exquisite daintiness.
'A little confused, that's all,' her laughter rippled. 'You want
smoothing down. I'll see to that.'
He had the feeling, as she said it, that his being included the entire
Pattern, even to its most distant edges where it fastened on to the
rim of the universe. From this huge sensation, he came back swiftly to
its tiny correspondence again. His eyes turned to study her. But she
seemed transparent somehow, so that he saw the sky behind her, and in
it, strangely enough--just behind her face--the distant Pleiades,
shining faintly with their tender lustre. They reached down into her
little being, it seemed, as though she emanated from them. Big
Aldebaran guided strongly from behind. For an instant he lost sight of
the actual figure, seeing in its place a radiant efflorescence,
purified as by some spiritual fire--the Spirit of a Star.
'I'm here, quite close beside you,' whispered the tiny voice. 'Don't
let your sight get troublesome like your size. Inside-sight, remember,
is the thing!'
He turned, or rather he focused sight again to find her. He was
startled a little. For a moment it seemed like his own voice speaking
deep down within himself.
'Make yourself at home,' it continued, 'you belong here--almost as
much as I do.' And at the sound of her voice all the perplexities of
his life lay down. It brushed him smooth, like a wind that sets rough
feathers all one way,
He remembered again where he was, and what was going on.
'I do,' he answered, happy as a boy. 'I am at home. It is perfect.'
'Do you, indeed! You speak as though this story were your own!'
And her laugh was like the tinkle of hare-bells in the wind.
'It is,' he said; 'at least I had--I _have_, rather, a considerable
hand in the making of it.'
'Possibly,' she answered, 'but the story belongs to the person who
first started it. And that person is myself. The story is mine
really!'
'Yours!' he gasped.
'Because--I am the story!'
He stared hard to find the face that said this thing. Thought stopped
dead a moment, blocked by a marvel that was impossible, yet true.
'You mean---?' he stammered.
'You heard perfectly what I said; you understood it, too. There's no
good pretending,' impatience as well as laughter in the little voice.
'I am the story,--the story that you love.'
A sudden joy burst over him in a flood. Struggle and search folded
their wings and slept. An immense happiness wrapped him into the very
woof of the pattern wherein they sat. A thousand loose and ineffective
moods of his life found coherence, as a thousand rambling strands were
gathered home and fastened into place.
And the Pattern quivered and grew brighter.
'I am the story because I thought of it first. You, as a version of
its beauty--a channel for its delivery--belong utterly to me. You can
no more resist me than a puddle can resist the stars' reflection. You
increase me. We increase each other.'
'You say you thought it first,' he cried, feeling the light he
radiated flow in and mingle with her own. 'But who are you? Where do
you come from?'
'Over there somewhere, I think,' she laughed, while a ray like fire
flashed out in the direction of the Pleiades that climbed the sky
towards the East. 'You ought to know. You've been hunting for me long
enough!'
'But who _are_ you?' he insisted again, 'for I feel it's you that have
been looking for me--I've so often heard you calling!'
She laughed again till the whole web quivered. Through her eyes the
softness of all the seven Pleiades poured deliciously into him.
'It's absurd that such a big thing as you could hide so easily,' she
said. 'But you'll never hide again. I've got you fast now. And you've
got me! It's like being reflected together in the same puddle, you
see!'
The dazzling radiance passed as she said it into a clearer glow, and
across the fire of it he caught her eyes steadily a moment, though he
could not see the face complete. Two brilliant points of amber shone
up at him, as stars that peep from the mirror of a forest pool. That
mental daylight-searching seemed all explained, only he could not
remember now that there was any such thing at all as either searching
or daylight. When 'out' like this, waking was the dream---the sunlight
world forgotten.
'This Pattern has always been my own,' she continued with infinite
softness, yet so clearly that his whole body seemed a single ear
against her lips, 'for I've thought it ever since I can remember. I've
lived it. This Network of Stars I made ages ago in a garden among far
bigger mountains than these hills, a garden I knew vividly, yet could
not always find--almost as though I dreamed it. The Net included the--
oh, included everything there is, and I fastened it to four big pines
that grew on the further side of the torrent in that mountain garden
of my dream--fastened it with nails of falling stars. And I made the
Pleiades its centre because I loved them best of all. Oh! Orion,
Orion, how big and comforting your arms are! Please hold me tight for
ever and ever!'
'But I know it, too, that lovely dream,' he cried. 'It all comes back
to me. I, too, have dreamed it with you then somewhere--somewhere---!'
His voice choked. He had never known that life could hold such
sweetness, wonder, joy. The universe lay within his arms.
'All the people I wanted to help I used to catch in my Net of Stars,'
she went on. 'There was a train that brought them up to its edges, and
once I got the passengers into the web, and hung them loose in it till
they were soaked with starlight, I could send them back happier and
braver than they came. It's been my story ever since I can remember
anything--my adventure, my dream, my life. And when the great Net
faded a little and wanted brightening, we knew an enormous cavern in
the mountains where lost starlight collected, and we used to gather
this in thousands of sacks, and wash and paint the entire web afresh.
That made it sticky, so that the passengers hung in it longer. Don't
you remember?
They came back with starlight in their hair and eyes and voices--and
in their hearts.'
'And the way you--_we_ got them into the Net,' he interrupted
excitedly, 'was by understanding them--by feeling with them---'
'Sympathy,' she laughed, 'of course! Only there were so many I could
not reach and could not understand, and so could never get in. In
particular there was some one who ought to have been there to help me.
If I could find that some one I could do twice as much. I searched and
searched. I hunted through every corner of the garden, through forest,
cavern, sky, but never with success. Orion never overtook me! My
longing cried every where, but in vain. Oh, Orion, my lost Orion, I
have found you now at last!... The Net flashed messages in all
directions, but without response. This some one who could make my work
complete existed--that I _knew_--only he was hidden somewhere out of
sight--concealed in some corner or other, veiled by a darkness that he
wove about himself--as though by some funny kind of wrong thinking
that obscured the light I searched for and made it too dim to reach me
properly. His life or mind--his thought and feeling, that is--were
wumbled---'
'_Wumbled!_' he cried, as the certainty burst upon him with the
password. He stood close to her, opening his arms.
Instantly she placed her golden palm upon his mouth, with fingers that
were like soft star-rays. Her words, as she continued, were sweeter
than the footfalls of the Pleiades when they rise above the sea.
'Yet there were times when we were so close that we could feel each
other, and each wondered why the other did not actually appear. I have
been trying,' she whispered, oh so dearly, 'to find you always. And
you knew it, too, for I've felt you searching too....'
The outlying skirts of the Pattern closed in a little, till the edges
gathered over them like a tent of stars. Alone in the heart of the
universe they told their secret very softly....
'There are twin-stars, you know,' she whispered, when he released her,
'that circle so close about each other that they look like one. I
wonder, oh, I wonder, do they ever touch!'
'They are apart in order to see one another better,' he murmured.
'They watch one another more sweetly so. They play at separation for
the joy of coming together again.'
And once more the golden Pattern hid them for a moment from the other
stars.... The shafts of night-fire played round and above their secret
tent in space.... Most marvellously their beings found each other in
the great whispering galleries of the world where Thought and Yearning
know that first fulfilment which is the source of action later....
'So, now that I have found you,' her voice presently
went on, 'our Network shall catch everybody everywhere. For the
Pattern of my story, woven so long ago, has passed through you as
through a channel--to another who can give it forth. It will spread
across every sky. All, all will see it and climb up.'
'My scheme---' he cried, with eager delight, yet not quite certain
what he meant, nor whence the phrase proceeded.
'Was my thought first,' she laughed, 'when you were a little boy and I
was a little girl--somewhere in a garden very long ago. A ray from its
pattern touched you into beauty. Though I could do nothing with it
myself, one little ray shot into the mirror of your mind and instantly
increased itself. But then, you hid yourself; the channel closed---'
'It never died, though,' he interrupted; 'the ray, I mean.'
'It waited,' she went on, 'until you found children somewhere, and the
channel cleared instantly. Through you, opened up and cleaned by them,
my pattern rushed headlong into another who can use it. It could never
die, of course. And the long repression--I never ceased to live it--
made its power irresistible.'
'Your story!' he cried. 'It _is_ indeed your story.'
The eyes were so close against his own that he made a movement that
was like diving into a deep and shining sea to reach them.... The
Pleiades rushed instantly past his face.... Soft filaments of golden
texture stroked his very cheeks. That slender violet wind rose into
his hair. He saw other larger winds behind it, deeply coloured....
Something made him tremble all over like a leaf in a storm. He saw,
then, the crest of the sentinel poplar tossing between him and the
earth far, far below. A mist of confusion caught him, so that he knew
not where he was.... He made an effort to remember... a violent
effort.... Some strange sense of heaviness oppressed him.... He was
leaving her.
'Quick!' he tried to cry; 'be quick! I am changing. I am drowsy with
your voice and beauty. Your eyes have touched me, and I am--falling
asleep!' His voice grew weaker as he said it.
Her answer sounded faint, and far above him:
'Give me... your... hand. Touch me. Come away with me... to... my ...
garden ... in the mountains.... We may wake together ... You are
waking now...!'
He made an effort to find her little palm. But the wind swept coldly
between his opened fingers.
'Waking!--what is it?' he cried thinly. He thought swiftly of
something vague and muddy--something dull, disordered, incomplete.
Here it was all glass-clear. 'Where are you? I can't find you. I can't
see!'
A dreadful, searching pain shot through him. He was losing her, just
when he had found her. He struggled, clung, fought frantically to hold
her. But his fingers seized the air.
'Oh, I shall find you--even when you wake,' he heard far away among
the stars. 'Try and remember me--when I come. _Try and remember_....'
It dipped into the distance. He had lost her. He caught a glimpse of
the Pleiades as he fell at a fearful speed. Some one behind them
picked up stars and tossed them after him. They dimmed as they shot
by--from gold to white, from white to something very pale. Behind them
rose a wave of light that hurt his eyes.
'Look out! The Interfering Sun!' came a disappearing voice that was
followed by a peal of laughter. 'I hope you found her, and I hope you
caught it well. You deserved to....'
There was a scent of hair that he loved, a vision of mischievous brown
eyes, an idea that somebody was turning a somersault beside him--and
then he landed upon the solid earth with a noise like thunder.
The room was dark. At first he did not recognise it. Through the open
window came the clatter of lumbering traffic that passed heavily down
St. James's Street. He rose stiffly from his chair, vexed with himself
for having dozed. It was more than a doze, though; he had slept some
thirty minutes by his watch. No memory of any dreams was in him--
nothing but a feeling of great refreshing lightness and peace....
It was wonderful, he reflected, as he changed into country clothes for
his walk in Richmond Park, how even the shortest nap revives the brain
and body. There was a sense that an immense interval had elapsed, and
that something very big had happened or was going to happen to him
very soon....
And an hour later he passed through the Richmond Gate and found the
open spaces of the Park deserted, as they always were. The oaks and
bracken rustled in a gentle breeze. The swishing of his boots through
the wet grass was the only sound he heard, for the boom and purr of
distant London reached him more as touch than as something audible.
Seated on a fallen tree, he watched the stars and listened to the
wind. That hum and boom of the city seemed underground, the flare it
tossed into the sky rose from vast furnaces below the world. The stars
danced lightly far beyond its reach, secure and unafraid. He thought
of children dancing with twinkling feet upon the mountains....
And in himself there was hum and light as well. Too deep, too far
below the horizon for full discovery, he caught the echo, the faint,
dim flashings of reflection that are called by men a Mood. These,
rising to the surface, swept over him with the queer joy of
intoxicating wonder that only children know. Some great Secret he had
to tell himself, only he had kept it so long and so well that he could
not find it quite. He felt the thrill, yet had forgotten what it was.
Something was going to happen. A new footfall was coming across the
world towards him. He could almost hear its delicate, swift tread.
Life was about to offer him this delicious, thrilling secret--very
soon. Looking up he saw the Pleiades, and the single footfall became
many. He remembered that former curious obsession of the Pleiades...
and as Thought and Yearning went roaming into space, they met
Anticipation, who took them by the hand. It seemed, then, that
children came flocking down upon him from the sky, led by a little
figure with starry eyes of clearest amber, a pair of tiny twinkling
feet, and a voice quite absurdly soft and tender.
'Your time is coming,' he heard behind the rustling of the oak leaves
overhead, 'for the children are calling to you--children of your own.
And this is the bravest Scheme in all the world. There is no bigger.
How can there be? For all the world is a child that goes past your
windows crying for its lost Fairyland...!'
It was after midnight when at length he slipped through the Robin Hood
Gate, passed up Priory Lane, and walked rapidly by the shuttered
houses of Roehampton. And, looking a moment over Putney Bridge; he saw
the reflections of the stars in the muddy, dawdling Thames. Nothing
anywhere was thick enough to hide them. The Net of Stars, being in his
heart, was everywhere. No prisoner could be more securely caught than
he was.
CHAPTER XXXII
_Asia_. The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains: through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in the pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The AEolian music of her sea-green plumes
Winnowing the crimson dawn?
_Prometheus Unbound_, SHELLEY.
August had blazed its path into September, and September had already
trimmed her successor's gown with gold and russet before Henry Rogers
found himself free again to think of holidays. London had kept its
grip upon him all these weeks while the rest of the world was gay and
irresponsible. He was so absurdly conscientious. One of his Companies
had got into difficulties, and he was the only man who could save the
shareholders' money. The Patent Coal Dust Fuel Company, Ltd., had
bought his invention for blowing fine coal dust into a furnace whereby
an intense heat was obtainable in a few minutes. The saving in
material, time, and labour was revolutionary. Rogers had received a
large sum in cash, though merely a nominal number of the common
shares. It meant little to him if the Company collapsed, and an
ordinary Director would have been content with sending counsel through
the post in the intervals of fishing and shooting. But Henry Rogers
was of a different calibre. The invention was his child, born by hard
labour out of loving thought. The several thousand shareholders
believed in him: they were his neighbours. Incompetence and
extravagance threatened failure. He took a room in the village near
the Essex factories, and gave his personal energy and attention to
restoring economical working of every detail. He wore overalls. He put
intelligence into hired men and foremen; he spent his summer holiday
turning a system of waste into the basis of a lucrative industry. The
shareholders would never know whose faithfulness had saved them loss,
and at the most his thanks would be a formal paragraph in the Report
at the end of the year. Yet he was satisfied, and worked as though his
own income depended on success. For he knew--of late this certainty
had established itself in him, influencing all he did--that faithful
labour, backed by steady thinking, must reach ten thousand wavering
characters, merge with awakening tendencies in them, and slip thence
into definite daily action. Action was thought materialised. He helped
the world. A copybook maxim thus became a weapon of tempered steel.
His Scheme was bigger than any hospital for disabled bodies. It would
still be cumulative when bodies and bricks were dust upon the wind. It
must increase by geometrical progression through all time.
It was largely to little Minks that he owed this positive conviction
and belief, to that ridiculous, high-souled Montmorency Minks, who,
while his master worked in overalls, took the air himself on Clapham
Common, or pored with a wet towel round his brow beneath the oleograph
of Napoleon in the attempt to squeeze his exuberant emotion into
tripping verse. For Minks admired intensely from a distance. He
attended to the correspondence in the flat, and made occasional visits
down to Essex, but otherwise enjoyed a kind of extra holiday of his
own. For Minks was not learned in coal dust. The combustion was in his
eager brain. He produced an amazing series of lyrics and sonnets,
though too high-flown, alas, to win a place in print. Love and
unselfishness, as usual, were his theme, with a steady sprinkling of
'the ministry of Thought,' 'true success, unrecognised by men, yet
noted by the Angels,' and so forth. His master's labour seemed to him
a 'brilliant form of purity,' and 'the soul's security' came in
admirably to close the crowded, tortuous line. 'Beauty' and 'Duty'
were also thickly present, both with capitals, but the verse that
pleased him most, and even thrilled Albinia to a word of praise, was
one that ended--'Those active powers which are the Doves of Thought.'
It followed 'neither can be sold or bought,' and Mrs. Minks approved,
because, as she put it, 'there, now, is something you can _sell_; it's
striking and original; no editor could fail to think so.' The
necessities of Frank and Ronald were ever her standard of praise or
blame.
Thus, it was the first week in October before Rogers found himself
free to leave London behind him and think of a change of scene. No
planning was necessary.... Bourcelles was too constantly in his mind
all these weary weeks to admit of alternatives. Only a few days ago a
letter had come from Jinny, saying she was going to a Pension in
Geneva after Christmas, and that unless he appeared soon he would not
see her again as she 'was,' a qualification explained by the
postscript, 'My hair will be up by that time. Mother says I can put it
up on Xmas Day. So please hurry up, Mr. Henry Rogers, if you want to
see me as I am.'
But another thing that decided him was that the great story was at
last in print. It was published in the October number of the Review,
and the press had already paid considerable attention to it. Indeed,
there was a notice at the railway bookstall on the day he left, to the
effect that the first edition was exhausted, and that a large second
edition would be available almost immediately. 'Place your orders at
once' was added in bold red letters. Rogers bought one of these
placards for his cousin.
'It just shows,' observed Minks, whom he was taking out with him.
'Shows what?' inquired his master.
'How many more thoughtful people there are about, sir, than one had
any idea of,' was the reply. 'The public mind is looking for something
of that kind, expecting it even, though it hardly knows what it really
wants. That's a story, Mr. Rogers, that must change the point of view
of all who read it--with understanding. It makes the commonest man
feel he is a hero.'
'You've put our things into a non-smoker, Minks,' the other
interrupted him. 'What in the world are you thinking about?'
'I beg your pardon, I'm sure, sir; so I have,' said Minks, blushing,
and bundling the bags along the platform to another empty carriage,
'but that story has got into my head. I sat up reading it aloud to
Mrs. Minks all night. For it says the very things I have always longed
to say. Sympathy and the transference of thought--to say nothing of
the soul's activity when the body is asleep--have always seemed to
me---'
He wandered on while his companion made himself comfortable in a
corner with his pipe and newspaper. But the first thing Rogers read,
as the train went scurrying through Kent, was a summary of the
contents of this very Review. Two-thirds of the article was devoted to
the 'Star Story' of John Henry Campden, whose name 'entitled his work
to a high standard of criticism.' The notice was well written by some
one evidently of intelligence and knowledge; sound judgment was
expressed on style and form and general execution, but when it came to
the matter itself the criticism was deplorably misunderstanding. The
writer had entirely missed the meaning. While praising the
'cleverness' he asked plainly between the lines of his notice 'What
does it mean?' This unconscious exposure of his own ignorance amused
his reader while it also piqued him. The critic, expert in dealing
with a political article, was lamentably at sea over an imaginative
story.
'Inadequate receiving instrument,' thought Rogers, smiling audibly.
Minks, deep in a mysterious looking tome in the opposite corner,
looked up over his cigarette and wondered why his employer laughed. He
read the article the other handed to him, thinking how much better he
could have done it himself. Encouraged by the expression in Mr.
Rogers's eyes, he then imparted what the papers call 'a genuine
contribution to the thought upon the subject.'
'The writer quarrels with him,' he observed, 'for not giving what is
expected of him. What he has thought he must go on thinking, or be
condemned. He must repeat himself or be uncomprehended.
Hitherto'--Minks prided himself upon the knowledge--'he has written
studies of uncommon temperaments. Therefore to indulge in fantasy now
is wrong.'
'Ah, you take it that way, do you?'
'Experience justifies me, Mr. Rogers,' the secretary continued. 'A
friend of mine, or rather of Mrs. Minks's, once wrote a volume of
ghost stories that, of course, were meant to thrill. His subsequent
book, with no such intention, was judged by the object of the first--
as a failure. It must make the flesh creep. Everything he wrote must
make the flesh creep. One of the papers, the best--a real thunderer,
in fact--said "Once or twice the desired thrill comes close, but
never, alas, quite comes off."'
'How wumbled,' exclaimed his listener.
'It is indeed,' said Minks, 'in fact, one of the thorns in the path of
literature. The ordinary clever mind is indeed a desolate phenomenon.
And how often behind the "Oxford manner" lurks the cultured prig, if I
may put it so.'
'Indeed you may,' was the other's rejoinder, 'for you put it
admirably.'
They laughed a little and went on with their reading in their
respective corners. The journey to Paris was enlivened by many similar
discussions, Minks dividing his attentions between his master, his
volume of philosophy, and the needs of various old ladies, to whom
such men attach themselves as by a kind of generous, manly instinct.
Minks was always popular and inoffensive. He had such tact.
'Ah! and that reminds me, Minks,' said Rogers, as they paced the banks
of the Seine that evening, looking at the starry sky over Paris. 'What
do you know about the Pleiades? Anything--eh?'
Minks drew with pride upon his classical reading.
'The seven daughters of Atlas, Mr. Rogers, if I remember correctly,
called therefore the Atlantides. They were the virgin companions of
Artemis. Orion, the great hunter, pursued them in Boeotia, and they
called upon the gods for help.'
'And the gods turned 'em into stars, wasn't it?'
'First into doves, sir--Peleiades means doves--and then set them among
the Constellations, where big Orion still pursues, yet never overtakes
them.'
'Beautiful, isn't it? What a memory you've got, Minks. And isn't one
of 'em lost or something?'
'Merope, yes,' the delighted Minks went on. He knew it because he had
looked it up recently for his lyric about 'the Doves of Thought.' 'She
married a mortal, Sisyphus, the son of Aeolus, and so shines more
dimly than the rest. For her sisters married gods. But there is one
who is more luminous than the others---'
'Ah! and which was that?' interrupted Rogers.
'Maia,' Minks told him pat. 'She is the most beautiful of the seven.
She was the Mother, too, of Mercury, the Messenger of the gods. She
gave birth to him in a cave on Mount Cyllene in Arcadia. Zeus was the
father---'
'Take care; you'll get run over,' and Rogers pulled him from the path
of an advancing taxi-cab, whose driver swore furiously at the pair of
them. 'Charming, all that, isn't it?'
'It is lovely, sir. It haunts the mind. I suppose,' he added, 'that's
why your cousin, Mr. Campden, made the Pleiades the centre of his Star
Net in the story--a cluster of beautiful thoughts as it were.'
'No doubt, no doubt,' his tone so brusque suddenly that Minks decided
after all not to mention his poem where the Pleiades made their
appearance as the 'doves of thought.'
'What a strange coincidence,' Rogers said as they turned towards the
hotel again.
'Subconscious knowledge, probably, sir,' suggested the secretary,
scarcely following his meaning, if meaning indeed there was.
'Possibly! One never knows, does one?'
'Never, Mr. Rogers. It's all very wonderful.'
And so, towards six o'clock in the evening of the following day,
having passed the time pleasantly in Paris, the train bore them
swiftly beyond Pontarlier and down the steep gradient of the Gorges de
l'Areuse towards Neuchatel. The Val de Travers, through which the
railway slips across the wooded Jura into Switzerland, is like a
winding corridor cleft deep between savage and precipitous walls.
There are dizzy glimpses into the gulf below. With steam shut off and
brakes partly on, the train curves sharply, hiding its eyes in many
tunnels lest the passengers turn giddy. Strips of bright green meadow-
land, where the Areuse flows calmly, alternate with places where the
ravine plunges into bottomless depths that have been chiselled out as
by a giant ploughshare. Rogers pointed out the chosen views, while his
secretary ran from window to window, excited as a happy child. Such
scenery he had never known. It changed the entire content of his mind.
Poetry he renounced finally before the first ten minutes were past.
The descriptions that flooded his brain could be rendered only
by the most dignified and stately prose, and he floundered among a
welter of sonorous openings that later Albinia would read in Sydenham
and retail judiciously to the elder children from 'Father's foreign
letters.'
'We shall pass Bourcelles in a moment now! Look out! Be ready with
your handkerchief!' Rogers warned him, as the train emerged from the
final tunnel and scampered between thick pine woods, emblazoned here
and there with golden beeches. The air was crystal, sparkling. They
could smell the forests.
They took their places side by side at the windows. The heights of
Boudry and La Tourne, that stand like guardian sentries on either side
of the mountain gateway, were already cantering by. The precipices
flew past. Beyond lay the smiling slopes of vineyard, field, and
orchard, sprinkled with farms and villages, of which Bourcelles came
first. The Areuse flowed peacefully towards the lake. The panorama of
the snowy Alps rolled into view along the farther horizon, and the
slanting autumn sunshine bathed the entire scene with a soft and ruddy
light. They entered the Fairyland of Daddy's story.
'Voila la sentinelle deja!' exclaimed Rogers, putting his head out to
see the village poplar. 'We run through the field that borders the
garden of the Pension. They'll come out to wave to us. Be ready.'
'Ah, oui,' said Minks, who had been studying phrase books, 'je vwa.'
But in reality he saw with difficulty, for a spark had got into his
eye, and its companion optic, wandering as usual, was suffused with
water too.
The news of their arrival had, of course, preceded them, and the row
of waving figures in the field gave them a welcome that went straight
to Minks's heart. He felt proud for his grand employer. Here was a
human touch that would modify the majesty of the impersonal mountain
scenery in his description. He waved his handkerchief frantically as
the train shot past, and he hardly knew which attracted him most--the
expression of happiness on Mr. Rogers's face, or the line of
nondescript humanity that gesticulated in the field as though they
wished to stop the Paris 'Rapide.'
For it was a _very_ human touch; and either Barnum's Circus or the
byeways and hedges of Fairyland had sent their picked representatives
with a dance seen usually only in shy moonlit glades. His master named
them as the carriage rattled by. The Paris Express, of course, did not
stop at little Bourcelles. Minks recognised each one easily from the
descriptions in the story.
The Widow Jequier, with garden skirts tucked high, and wearing big
gauntlet gloves, waved above her head a Union Jack that knocked her
bonnet sideways at every stroke, and even enveloped the black triangle
of a Trilby hat that her brother-in-law held motionless aloft as
though to test the wind for his daily report upon the condition of le
barometre. The Postmaster never waved. He looked steadily before him
at the passing train, his small, black figure more than usually
dwarfed by a stately outline that rose above the landscape by his
side, and was undoubtedly the Woman of the Haystack. Telling lines
from the story's rhymes flashed through Minks's memory as, chuckling
with pleasure, he watched the magnificent, ample gestures of Mother's
waving arms. She seemed to brush aside the winds who came a-courting,
although wide strokes of swimming really described her movements best.
A little farther back, in the middle distance, he recognised by his
peaked cap the gendarme, Gygi, as he paused in his digging and looked
up to watch the fun; and beyond him again, solid in figure as she was
unchanging in her affections, he saw Mrs. Postmaster, struggling with
a bed sheet the _pensionnaires des Glycines_ helped her shake in the
evening breeze. It was too close upon the hour of _souper_ for her to
travel farther from the kitchen. And beside her stood Miss Waghorn,
waving an umbrella. She was hatless. Her tall, thin figure, dressed in
black, against the washing hung out to dry, looked like a note of
exclamation, or, when she held the umbrella up at right angles, like a
capital L the fairies had set in the ground upon its head.
And the fairies themselves, the sprites, the children! They were
everywhere and anywhere. Jimbo flickered, went out, reappeared, then
flickered again; he held a towel in one hand and a table napkin in the
other. Monkey seemed more in the air than on the solid earth, for one
minute she was obviously a ball, and the next, with a motion like a
somersault, her hair shot loose across the sunlight as though she
flew. Both had their mouths wide open, shouting, though the wind
carried their words all away unheard. And Jane Anne stood apart. Her
welcome, if the gesture is capable of being described at all, was a
bow. She moved at the same time sedately across the field, as though
she intended to be seen separately from the rest. She wore hat and
gloves. She was evidently in earnest with her welcome. But Mr. John
Henry Campden, the author and discoverer of them all, Minks did not
see.
'But I don't see the writer himself!' he cried. 'I don't see Mr.
Campden.'
'You can't,' explained Rogers, 'he's standing behind his wife.'
And the little detail pleased the secretary hugely. The true artist,
he reflected, is never seen in his work.
It all was past and over--in thirty seconds. The spire of the church,
rising against a crimson sky, with fruit trees in the foreground and a
line of distant summits across the shining lake, replaced the row of
wonderful dancing figures. Rogers sank back in his corner, laughing,
and Minks, saying nothing, went across to his own at the other end of
the compartment. It all had been so swift and momentary that it seemed
like the flash of a remembered dream, a strip of memory's pictures, a
vivid picture of some dazzling cinematograph. Minks felt as if he had
just read the entire story again from one end to the other--in thirty
seconds. He felt different, though wherein exactly the difference lay
was beyond him to discover. 'It must be the spell of Bourcelles,' he
murmured to himself. 'Mr. Rogers warned me about it. It is a Fairyland
that thought has created out of common things. It is quite wonderful!'
He felt a glow all over him. His mind ran on for a moment to another
picture his master had painted for him, and he imagined Albinia and
the family out here, living in a little house on the borders of the
forest, a strip of vineyards, sunlight, mountains, happy scented
winds, and himself with a writing-table before a window overlooking
the lake... writing down Beauty.
CHAPTER XXXIII
We never meet; yet we meet day by day
Upon those hills of life, dim and immense:
The good we love, and sleep-our innocence.
O hills of life, high hills! And higher than they,
Our guardian spirits meet at prayer and play.
Beyond pain, joy, and hope, and long suspense,
Above the summits of our souls, far hence,
An angel meets an angel on the way.
Beyond all good I ever believed of thee
Or thou of me, these always love and live.
And though I fail of thy ideal of me,
My angel falls not short. They greet each other.
Who knows, they may exchange the kiss we give,
Thou to thy crucifix, I to my mother.
ALICE MCYNELL.
The arrival at the station interrupted the reverie in which the
secretary and his chief both were plunged.
'How odd,' exclaimed Minks, ever observant, as he leaped from the
carriage, 'there are no platforms. Everything in Switzerland seems on
one level, even the people--everything, that is, except the
mountains.'
'Switzerland _is_ the mountains,' laughed his chief.
Minks laughed too. 'What delicious air!' he added, filling his lungs
audibly. He felt half intoxicated with it.
After some delay they discovered a taxi-cab, piled the luggage on to
it, and were whirled away towards a little cluster of lights that
twinkled beneath the shadows of La Tourne and Boudry. Bourcelles lay
five miles out.
'Remember, you're not my secretary here,' said Rogers presently, as
the forests sped by them. 'You're just a travelling companion.'
'I understand,' he replied after a moment's perplexity. 'You have a
secretary here already.'
'His name is Jimbo.'
The motor grunted its way up the steep hill above Colombier. Below
them spread the vines towards the lake, sprinkled with lights of farms
and villages. As the keen evening air stole down from forest and
mountain to greet them, the vehicle turned into the quiet village
street. Minks saw the big humped shoulders of La Citadelle, the
tapering church spire, the trees in the orchard of the Pension.
Cudrefin, smoking a cigar at the door of his grocery shop, recognised
them and waved his hand. A moment later Gygi lifted his peaked hat and
called 'bon soir, bonne nuit,' just as though Rogers had never gone
away at all. Michaud, the carpenter, shouted his welcome as he
strolled towards the Post Office farther down to post a letter, and
then the motor stopped with a jerk outside the courtyard where the
fountain sang and gurgled in its big stone basin. Minks saw the plane
tree. He glanced up at the ridged backbone of the building. What a
portentous looking erection it was. It seemed to have no windows. He
wondered where the famous Den was. The roof overlapped like a giant
hood, casting a deep shadow upon the cobbled yard. Overhead the stars
shone faintly.
Instantly a troop of figures shot from the shadow and surrounded them.
There was a babel of laughter, exclamations, questions. Minks thought
the stars had fallen. Children and constellations were mingled all
together, it seemed. Both were too numerous to count. All were rushing
with the sun towards Hercules at a dizzy speed.
'And this is my friend, Mr. Minks,' he heard repeated from time to
time, feeling his hand seized and shaken before he knew what he was
about. Mother loomed up and gave him a stately welcome too.
'He wears gloves in Bourcelles!' some one observed audibly to some one
else.
'Excuse me! This is Riquette!' announced a big girl, hatless like the
rest, with shining eyes. 'It's a she.'
'And this is my secretary, Mr. Jimbo,' said Rogers, breathlessly,
emerging from a struggling mass. Minks and Jimbo shook hands with
dignity.
'Your room is over at the Michauds, as before.'
'And Mr. Mix is at the Pension--there was no other room to be had---'
'Supper's at seven---'
'Tante Jeanne's been _grand-cieling_ all day with excitement. She'll
burst when she sees you!'
'She's read the story, too. Elle dit que c'est le bouquet!'
'There's new furniture in the salon, and they've cleaned the sink
while you've been away!...'
The author moved forward out of the crowd. At the same moment another
figure, slight and shadowy, revealed itself, outlined against the
white of the gleaming street. It had been hidden in the tangle of the
stars. It kept so quiet.
'Countess, may I introduce him to you,' he said, seizing the momentary
pause. There was little ceremony in Bourcelles. 'This is my cousin I
told you about--Mr. Henry Rogers. You must know one another at once.
He's Orion in the story.'
He dragged up his big friend, who seemed suddenly awkward, difficult
to move. The children ran in and out between them like playing
puppies, tumbling against each in turn.
'They don't know which is which,' observed Jinny, watching the
introduction. Her voice ran past him like the whir of a shooting star
through space--far, far away. 'Excuse me!' she cried, as she cannoned
off Monkey against Cousinenry. 'I'm not a terminus! This is a regular
shipwreck!'
The three elder ones drew aside a little from the confusion.
'The Countess,' resumed Daddy, as soon as they were safe from
immediate destruction, 'has come all the way from Austria to see us.
She is staying with us for a few days. Isn't it delightful? We call
her the little Grafin.' His voice wumbled a trifle thickly in his
beard. 'She was good enough to like the story--our story, you know--
and wrote to me---'
'My story,' said a silvery, laughing voice.
And Rogers bowed politely, and with a moment's dizziness, at two
bright smiling eyes that watched him out of the little shadow standing
between him and the children. He was aware of grandeur.
He stood there, first startled, then dazed. She was so small. But
something about her was so enormous. His inner universe turned over
and showed its under side. The hidden thing that so long had brushed
his daily life came up utterly close and took him in its gigantic
arms. He stared like an unmannered child.
_Something had lit the world_....
'This _is_ delicious air,' he heard Minks saying to his cousin in the
distance--to his deaf side judging by the answer:
'Delicious here--yes, isn't it?'
_Something had lit the stars._...
Minks and his cousin continued idly talking. Their voices twittered
like birds in empty space. The children had scattered like marbles
from a spinning-top. Their voices and footsteps sounded in the cobbled
yard of La Citadelle, as they scampered up to prepare for supper.
Mother sailed solemnly after them, more like a frigate than ever. The
world, on fire, turned like a monstrous Catherine wheel within his
brain.
_Something had lit the universe._...
He stood there in the dusk beneath the peeping stars, facing the
slender little shadow. It was all he saw at first--this tiny figure.
Demure and soft, it remained motionless before him, a hint of
childhood's wonder in its graceful attitude. He was aware of something
mischievous as well--that laughed at him.... He realised then that she
waited for him to speak. Yet, for the life of him, he could find no
words, because the eyes, beneath the big-brimmed hat with its
fluttering veil, looked out at him as though some formidable wild
creature watched him from the opening of its cave. There was a glint
of amber in them. The heart in him went thumping. He caught his
breath. Out, jerked, then, certain words that he tried hard to make
ordinary---
'But surely--we have met before--I think I know you---'
He just said it, swallowing his breath with a gulp upon the unfinished
sentence. But he said it--somewhere else, and not here in the twilight
street of little Bourcelles. For his sight swam somehow far away, and
he was giddy with the height. The roofs of the houses lay in a sea of
shadow below him, and the street wound through them like a ribbon of
thin lace. The tree-tops waved very softly in a wind that purred and
sighed beneath his feet, and this wind was a violet little wind, that
bent them all one way and set the lines and threads of gold a-quiver
to their fastenings. For the fastenings were not secure; any minute he
might fall. And the threads, he saw, all issued like rays from two
central shining points of delicate, transparent amber, radiating forth
into an exquisite design that caught the stars. Yet the stars were not
reflected in them. It was they who lit the stars....
He _was_ dizzy. He tried speech again.
'I told you I _should_--' But it was not said aloud apparently.
Two little twinkling feet were folded. Two hands, he saw, stretched
down to draw him close. These very stars ran loose about him in a
cloud of fiery sand. Their pattern danced in flame. He picked out
Sirius, Aldebaran--the Pleiades! There was tumult in his blood, a wild
and exquisite confusion. What in the world had happened to him that he
should behave in this ridiculous fashion? Yet he was doing nothing. It
was only that, for a passing instant, the enormous thing his life had
been dimly conscious of so long, rose at last from its subterranean
hiding-place and overwhelmed him. This picture that came with it was
like some far-off dream he suddenly recovered. A glorious excitement
caught him. He felt utterly bewildered.
'Have we?' he heard close in front of him. 'I do not think I have had
the pleasure'--it was with a slightly foreign accent--'but it is so
dim here, and one cannot see very well, perhaps.'
And a ripple of laughter passed round some gigantic whispering gallery
in the sky. It set the trellis-work of golden threads all trembling.
He felt himself perched dizzily in this shaking web that swung through
space. And with him was some one whom he knew.... He heard the words
of a song:
'Light desire With their fire.'
_Something had lit his heart._...
He lost himself again, disgracefully. A mist obscured his sight,
though with the eyes of his mind he still saw crystal-clear. Across
this mist fled droves and droves of stars. They carried him out of
himself--out, out, out!... His upper mind then made a vehement effort
to recover equilibrium. An idea was in him that some one would
presently turn a somersault and disappear. The effort had a result, it
seemed, for the enormous thing passed slowly away again into the
caverns of his under-self, ... and he realised that he was conducting
himself in a foolish and irresponsible manner, which Minks, in
particular, would disapprove. He was staring rudely--at a shadow, or
rather, at two eyes in a shadow. With another effort--oh, how it
hurt!--he focused sight again upon surface things. It seemed his turn
to say something.
'I beg your pardon,' he stammered, 'but I thought--it seemed to me for
a moment--that I--remembered.'
The face came close as he said it. He saw it clear a moment. The
figure grew defined against the big stone fountain--the little hands
in summer cotton gloves, the eyes beneath the big brimmed hat, the
streaming veil. Then he went lost again--more gloriously than before.
Instead of the human outline in the dusky street of Bourcelles, he
stared at the host of stars, at the shimmering design of gold, at the
Pleiades, whose fingers of spun lustre swung the Net loose across the
world....
'Flung from huge Orion's hand...'
he caught in a golden whisper,
'Sweetly linking
All our thinking....'
His cousin and Minks, he was aware vaguely, had left him. He was alone
with her. A little way down the hill they turned and called to him. He
made a frantic effort--there seemed just time--to plunge away into
space and seize the cluster of lovely stars with both his hands.
Headlong, he dived off recklessly... driving at a fearful speed, ...
when--the whole thing vanished into a gulf of empty blue, and he found
himself running, not through the sky to clutch the Pleiades, but
heavily downhill towards his cousin and Minks.
It was a most abrupt departure. There was a curious choking in his
throat. His heart ran all over his body. Something white and sparkling
danced madly through his brain. What must she think of him?
'We've just time to wash ourselves and hurry over to supper,' his
cousin said, as he overtook them, flustered and very breathless. Minks
looked at him--regarded him, rather--astonishment, almost disapproval,
in one eye, and in the other, apparently observing the vineyards, a
mild rebuke.
He walked beside them in a dream. The sound of Colombier's bells
across Planeyse, men's voices singing fragments of a Dalcroze song
floated to him, and with them all the dear familiar smells:--
Le coeur de ma mie
Est petit, tout petit petit,
J'en ai l'ame ravie....
It was Minks, drawing the keen air noisily into his lungs in great
draughts, who recalled him to himself.
'I could find my way here without a guide, Mr. Campden,' he was saying
diffidently, burning to tell how the Story had moved him. 'It's all so
vivid, I can almost see the Net. I feel in it,' and he waved one hand
towards the sky.
The other thanked him modestly. 'That's your power of visualising
then,' he added. 'My idea was, of course, that every mind in the world
is related with every other mind, and that there's no escape--we are
all prisoners. The responsibility is vast.'
'Perfectly. I've always believed it. Ah! if only one could _live_ it!'
Rogers heard this clearly. But it seemed that another heard it with
him. Some one very close beside him shared the hearing. He had
recovered from his temporary shock. Only the wonder remained. Life was
sheer dazzling glory. The talk continued as they hurried along the
road together. Rogers became aware then that his cousin was giving
information--meant for himself.
'... A most charming little lady, indeed. She comes from over there,'
and he pointed to where the Pleiades were climbing the sky towards the
East, 'in Austria somewhere. She owns a big estate among the
mountains. She wrote to me--I've had _such_ encouraging letters, you
know, from all sorts of folk--and when I replied, she telegraphed to
ask if she might come and see me. She seems fond of telegraphing,
rather.' And he laughed as though he were speaking of an ordinary
acquaintance.
'Charming little lady!' The phrase was like the flick of a lash.
Rogers had known it applied to such commonplace women.
'A most intelligent face,' he heard Minks saying, 'quite beautiful,
_I_ thought--the beauty of mind and soul.'
'... Mother and the children took to her at once,' his cousin's voice
went on. 'She and her maid have got rooms over at the Beguins. And, do
you know, a most singular coincidence,' he added with some excitement,
'she tells me that ever since childhood she's had an idea like this--
like the story, I mean--an idea of her own she always wanted to write
but couldn't-----'
'Of course, of course,' interrupted Rogers impatiently; and then he
added quickly, 'but how _very_ extraordinary!'
'The idea that Thought makes a network everywhere about the world in
which we all are caught, and that it's a positive duty, therefore, to
think beauty--as much a duty as washing one's face and hands, because
what you think _touches_ others all day long, and all night long too--
in sleep.'
'Only she couldn't write it?' asked Rogers. His tongue was like a
thick wedge of unmanageable wood in his mouth. He felt like a man who
hears another spoil an old, old beautiful story that he knows himself
with intimate accuracy.
'She can telegraph, she says, but she can't write!'
'An expensive talent,' thought the practical Minks.
'Oh, she's very rich, apparently. But isn't it odd? You see, she
thought it vividly, played it, lived it. Why, she tells me she even
had a Cave in her mountains where lost thoughts and lost starlight
collected, and that she made a kind of Pattern with them to represent
the Net. She showed me a drawing of it, for though she can't write,
she paints quite well. But the odd thing is that she claims to have
thought out the main idea of my own story years and years ago with the
feeling that some day her idea was bound to reach some one who
_would_ write it---'
'Almost a case of transference,' put in Minks.
'A fairy tale, yes, isn't it!'
'Married?' asked Rogers, with a gulp, as they reached the door. But
apparently he had not said it out loud, for there was no reply.
He tried again less abruptly. It required almost a physical effort to
drive his tongue and frame the tremendous question.
'What a fairy story for her children! How _they_ must love it!' This
time he spoke so loud that Minks started and looked up at him.
'Ah, but she has no children,' his cousin said.
They went upstairs, and the introductions to Monsieur and Madame
Michaud began, with talk about rooms and luggage. The mist was over
him once more. He heard Minks saying:--
'Oui, je comprongs un poo,' and the clatter of heavy boots up and down
the stairs, ... and then found himself washing his hands in stinging
hot water in his cousin's room.
'The children simply adore her already,' he heard, 'and she won
Mother's confidence at the very start. They can't manage her long
name. They just call her the Little Countess--die kleine Grafin. She's
doing a most astonishing work in Austria, it seems, with children...
the Montessori method, and all that....'
'By George, now; is it possible? Bourcelles accepted her at once
then?'
'She accepted Bourcelles rather--took it bodily into herself--our
poverty, our magic boxes, our democratic intimacy, and all the rest;
it was just as though she had lived here with us always. And she kept
asking who Orion was--that's you, of course--and why you weren't
here---'
'And the Den too?' asked Rogers, with a sudden trembling in his heart,
yet knowing well the answer.
'Simply appropriated it--came in naturally without being asked; Jimbo
opened the door and Monkey pushed her in. She said it was her Star
Cave. Oh, she's a remarkable being, you know, rather,' he went on more
gravely, 'with unusual powers of sympathy. She seems to feel at once
what you are feeling. Takes everything for granted as though she knew.
I think she _does_ know, if you ask me---'
'Lives the story in fact,' the other interrupted, hiding his face
rather in the towel, 'lives her belief instead of dreaming it, eh?'
'And, fancy this!' His voice had a glow and softness in it as he said
it, coming closer, and almost whispering, 'she wants to take Jinny and
Monkey for a bit and educate them.' He stood away to watch the effect
of the announcement. 'She even talks of sending Edward to Oxford,
too!' He cut a kind of wumbled caper in his pleasure and excitement.
'She loves children then, evidently?' asked the other, with a coolness
that was calculated to hide other feelings. He rubbed his face in the
rough towel as though the skin must come off. Then, suddenly dropping
the towel, he looked into his cousin's eyes a moment to ensure a
proper answer.
'Longs for children of her own, I think,' replied the author; 'one
sees it, feels it in all she says and does. Rather sad, you know,
that! An unmarried mother---'
'In fact,' put in Rogers lightly, 'the very character you needed to
play the principal role in your story. When you write the longer
version in book form you'll have to put her in.'
'And find her a husband too--which is a bore. I never write love
stories, you see. She's finer as she is at present--mothering the
world.'
Rogers's face, as he brushed his hair carefully before the twisted
mirror, was not visible.
There came a timid knock at the door.
'I'm ready, gentlemen, when you are,' answered the voice of Minks
outside.
They went downstairs together, and walked quickly over to the Pension
for supper. Rogers moved sedately enough so far as the others saw, yet
inwardly he pranced like a fiery colt in harness. There were golden
reins about his neck. Two tiny hands directed him from the Pleiades.
In this leash of sidereal fire he felt as though he flew. Swift
thought, flashing like a fairy whip, cut through the air from an
immense distance, and urged him forwards. Some one expected him and he
was late--years and years late. Goodness, how his companions crawled
and dawdled!
'... she doesn't come over for her meals,' he heard, 'but she'll join
us afterwards at the Den. You'll come too, won't you, Mr. Minks?'
'Thank you, I shall be most happy--if I'm not intruding,' was the
reply as they passed the fountain near the courtyard of the Citadelle.
The musical gurgle of its splashing water sounded to Rogers like a
voice that sang over and over again, 'Come up, come up, come up! You
must come up to me!'
'How brilliant your stars are out here, Mr. Campden,' Minks was saying
when they reached the door of La Poste. He stood aside to let the
others pass before him. He held the door open politely. 'No wonder you
chose them as the symbol for thought and sympathy in your story.' And
they climbed the narrow, creaking stairs and entered the little hall
where the entire population of the Pension des Glycines awaited them
with impatience.
The meal dragged out interminably. Everybody had so much to say.
Minks, placed between Mother and Miss Waghorn, talked volubly to the
latter and listened sweetly to all her stories. The excitement of the
Big Story, however, was in the air, and when she mentioned that she
looked forward to reading it, he had no idea, of course, that she had
already done so at least three times. The Review had replaced her
customary Novel. She went about with it beneath her arm. Minks,
feeling friendly and confidential, informed her that he, too,
sometimes wrote, and when she noted the fact with a deferential phrase
about 'you men of letters,' he rose abruptly to the seventh heaven of
contentment. Mother meanwhile, on the other side, took him bodily into
her great wumbled heart. 'Poor little chap,' her attitude said
plainly, 'I don't believe his wife half looks after him.' Before the
end of supper she knew all about Frank and Ronald, the laburnum tree
in the front garden, what tea they bought, and Albinia's plan for
making coal last longer by mixing it with coke.
Tante Jeanne talked furiously and incessantly, her sister-in-law told
her latest dream, and the Postmaster occasionally cracked a solemn
joke, laughing uproariously long before the point appeared. It was a
merry, noisy meal, and Henry Rogers sat through it upon a throne that
was slung with golden ropes from the stars. He was in Fairyland again.
Outside, the Pleiades were rising in the sky, and somewhere in
Bourcelles--in the rooms above Beguin's shop, to be exact--some one
was waiting, ready to come over to the Den. His thoughts flew wildly.
Passionate longing drove behind them. 'You must come up to me,' he
heard. They all were Kings and Queens.
He played his part, however; no one seemed to notice his
preoccupation. The voices sounded now far, now near, as though some
wind made sport with them; the faces round him vanished and
reappeared; but he contrived cleverly, so that none remarked upon his
absent-mindedness. Constellations do not stare at one another much.
'Does your Mother know you're "out"?' asked Monkey once beside him--it
was the great joke now, since the Story had been read--and as soon as
she was temporarily disposed of, Jimbo had serious information to
impart from the other side. 'She's a real Countess,' he said, speaking
as man to man. 'I suppose if she went to London she'd know the King--
visit him, like that?'
Bless his little heart! Jimbo always knew the important things to talk
about.
There were bursts of laughter sometimes, due usually to statements
made abruptly by Jane Anne--as when Mother, discussing the garden with
Minks, reviled the mischievous birds:--
'They want thinning badly,' she said.
'Why don't they take more exercise, then?' inquired Jinny gravely.
And in these gusts of laughter Rogers joined heartily, as though he
knew exactly what the fun was all about. In this way he deceived
everybody and protected himself from discovery. And yet it seemed to
him that he shouted his secret aloud, not with his lips indeed, but
with his entire person. Surely everybody knew it...! He was self-
conscious as a schoolgirl.
'You must come up--to me,' rang continuously through his head like
bells. 'You must come up to me.'
CHAPTER XXXIV
How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new fall'n year,
Whose white and sable hours appear
The latest flake of Eternity:--
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravelled from the tumbling main,
And threading the eye of a yellow star:--
So many times do I love again.
THOMAS LOVELL BEDDOES.
A curious deep shyness settled upon Henry Rogers as they all trooped
over to the Den. The others gabbled noisily, but to him words came
with difficulty. He felt like a boy going up for some great test,
examination, almost for judgment. There was an idea in him that he
must run and hide somewhere. He saw the huge outline of Orion tilting
up above the Alps, slanting with the speed of his eternal hunt to
seize the Pleiades who sailed ever calmly just beyond his giant arms.
Yet what that old Hunter sought was at last within his reach. He knew
it, and felt the awe of capture rise upon him.
'You've eaten so much supper you can't speak,' said Monkey, whose hand
was in his coat-pocket for loose chicken-feed, as she called centimes.
'The Little Countess will _regler ton affaire_ all right. Just wait
till she gets at you.'
'You love her?' he asked gently, feeling little disposed to play.
The child's reply was cryptic, yet uncommonly revealing:--
'She's just like a relation. It's so funny she didn't know us long,
long ago--find us out, I mean.'
'Mother likes her awfully,' added Jimbo, as though that established
the matter of her charm for ever. 'It's a pity she's not a man'--just
to show that Cousinenry's position was not endangered.
They chattered on. Rogers hardly remembers how he climbed the long
stone steps. He found himself in the Den. It came about with a sudden
jump as in dreams. _She_ was among them before the courtyard was
crossed; she had gone up the steps immediately in front of him....
Jinny was bringing in the lamp, while Daddy struggled with a load of
peat for the fire, getting in everybody's way. Riquette stood
silhouetted against the sky upon the window sill. Jimbo used the
bellows. A glow spread softly through the room. He caught sight of
Minks standing rather helplessly beside the sofa talking to Jane Anne,
and picking at his ear as he always did when nervous or slightly ill
at ease. He wondered vaguely what she was saying to him. He looked
everywhere but at the one person for whose comfort the others were so
energetic.
His eyes did not once turn in her direction, yet he knew exactly how
she was dressed, what movements she made, where she stood, the very
words, indeed, she used, and in particular the expression of her face
to each in turn. For he was guilty of a searching inner scrutiny he
could not control. And, above all, he was aware, with a divine,
tumultuous thrill, that she, for her part, also neither looked at him
nor uttered one sentence that he could take as intended for himself.
Because, of course, all she said and did and looked _were_ meant for
him, and her scrutiny was even closer and more searching than his own.
In the Den that evening there was one world within another, though
only these two, and probably the intuitive and diabolically observant
Minks, perceived it. The deep furnaces of this man's inner being,
banked now so long that mere little flames had forgotten their way
out, lay open at last to that mighty draught before whose fusing power
the molten, fluid state becomes inevitable.
'You must come up to me' rang on in his head like a chime of bells. 'O
think Beauty: it's your duty....'
The chairs were already round the open fireplace, when Monkey pushed
him into the big one with the broken springs he always used, and
established herself upon his knee. Jimbo was on the other in a
twinkling. Jane Anne plumped down upon the floor against him. Her hair
was up, and grown-ups might sit as they pleased. Minks in a hard,
straight-backed chair, firmly assured everybody that he was
exceedingly comfortable and really preferred stiff chairs. He found
safety next to Mother who, pleased and contented, filled one corner of
the sofa and looked as though she occupied a pedestal. Beyond her
perched Daddy, on the music stool, leaning his back against the
unlighted fourneau. The Wumble Book was balanced on his knees, and
beside him sat the little figure of the visitor who, though at the
end, was yet somehow the true centre of the circle. Rogers saw her
slip into her unimportant place. She took her seat, he thought, as
softly as a mouse. For no one seemed to notice her. She was so
perfectly at home among them. In her little folded hands the Den and
all its occupants seemed cared for beyond the need of words or
definite action. And, although her place was the furthest possible
remove from his own, he felt her closer to him than the very children
who nestled upon his knees.
Riquette then finally, when all were settled, stole in to complete the
circle. She planted herself in the middle of the hearth before them
all, looked up into their faces, decided that all was well, and began
placidly to wash her face and back. A leg shot up, from the middle of
her back apparently, as a signal that they might talk. A moment later
she composed herself into that attitude of dignified security possible
only to the feline species. She made the fourth that inhabited this
world within a world. Rogers, glancing up suddenly from observing her,
caught---for the merest fraction of an instant--a flash of starfire in
the air. It darted across to him from the opposite end of the horse-
shoe. Behind it flickered the tiniest smile a human countenance could
possibly produce.
'Little mouse who, lost in wonder,
Flicks its whiskers at the thunder.'
It was Jane Anne repeating the rhyme for Minks's benefit. How
appropriately it came in, he thought. And voices were set instantly in
motion; it seemed that every one began to speak at once.
Who finally led the conversation, or what was actually said at first,
he has no more recollection than the man in the moon, for he only
heard the silvery music of a single voice. And that came rarely. He
felt washed in glory from head to foot. In a dream of happy starlight
he swam and floated. He hid his face behind the chair of Monkey, and
his eyes were screened below the welcome shelter of Jimbo's shoulder.
The talk meanwhile flowed round the horse-shoe like a river that
curves downhill. Life ran past him, while he stood on the banks and
watched. He reconstructed all that happened, all that was said and
done, each little movement, every little glance of the eye. These
common things he recreated. For, while his body sat in the Den before
a fire of peat, with children, a cat, a private secretary, three very
ordinary people and a little foreign visitor, his spirit floated high
above the world among the immensities of suns and starfields. He was
in the Den, but the Den was in the universe, and to the scale of the
universe he set the little homely, commonplace picture. Life, he
realised, _is_ thought and feeling; and just then he thought and felt
like a god. He was Orion, and Orion had at last overtaken the
Pleiades. The fairest of the cluster lay caught within his giant arms.
The Enormous Thing that so long had haunted him with hints of its
approach, rose up from his under-self, and possessed him utterly. And,
oh, the glory of it, the splendour, the intoxication!
In the dim corner where _she_ sat, the firelight scarcely showed her
face, yet every shade of expression that flitted across her features
he saw unobscured. The sparkling, silvery sentences she spoke from
time to time were volumes that interpreted life anew. For years he had
pored over these thick tomes, but heavily and without understanding.
The little things she said now supplied the key. Mind and brain played
no part in this. It was simply that he heard--and knew. He re-
discovered her from their fragments, piece by piece....
The general talk flowed past him in a stream of sound, cut up into
lengths by interrupting consonants, and half ruined by this arbitrary
division; but what _she_ said always seemed the living idea that lay
behind the sound. He could not explain it otherwise. With herself,
and with Riquette, and possibly with little, dreaming Minks, he sat
firmly at the centre of this inner world. The others, even the
children, hovered about its edges, trying to get in. That tiny smile
had flashed its secret, ineffable explanation into him. Starlight was
in his blood....
Mother, for instance, he vaguely knew, was speaking of the years they
all had lived in Bourcelles, of the exquisite springs, of the fairy,
gorgeous summers. It was the most ordinary talk imaginable, though it
came sincerely from her heart.
'If only you had come here earlier,' she said, 'when the forest was so
thick with flowers.' She enumerated them one by one. 'Now, in the
autumn, there are so few!'
The little sparkling answer lit the forest glades afresh with colour,
perfume, wonder:--
'But the autumn flowers, I think, are the sweetest; for they have the
beauty of all the summer in them.'
A slight pause followed, and then all fell to explaining the shining
little sentence until its lustre dimmed and disappeared beneath the
smother of their words. In himself, however, who heard them not, a new
constellation swam above the horizon of his inner world. Riquette
looked slyly up and blinked. She purred more deeply, but she made no
stupid sign....
And Daddy mentioned then the forest spell that captured the entire
village with its peace and softness--'all so rough and big and
tumbled, and yet every detail so exquisitely finished and thought out,
you know.'
Out slipped the softest little fairy phrase imaginable from her dim
corner then:--
'Yes, like hand-made things--you can almost see the hand that made
them.'
And Rogers started so perceptibly that Jimbo shifted his weight a
little, thinking he must be uncomfortable. He had surely used that
very phrase himself! It was familiar. Even when using it he remembered
wondering whence its sweetness had dropped into his clumsier mind.
Minks uncrossed his legs, glanced up at him a moment, then crossed
them again. He made this sign, but, like Riquette, he said nothing....
The stream flowed on and on. Some one told a story. There was hushed
attentive listening, followed suddenly by bursts of laughter and
delight. Who told it, or what it was about, Rogers had no notion.
Monkey dug him in the ribs once because apparently he grunted at the
wrong moment, and Jimbo chided her beneath his breath--'Let him have a
nap if he wants to; a man's always tired after a long journey like
that...!' Some one followed with another story--Minks, was it, this
time?--for Rogers caught his face, as through a mist, turning
constantly to Mother for approval. It had to do with a vision of great
things that had come to a little insignificant woman on a bed of
sickness. He recognised the teller because he knew the tale of old.
The woman, he remembered, was Albinia's grandmother, and Minks was
very proud of it.
'That's a _very_ nice story,' rippled from the dim corner when it was
over. 'For I like everything so tiny that you can find it inside a
shell. That's the way to understand big things and to do them.'
And again the phrase was as familiar to him as though he had said it
himself--heard it, read it, dreamed it, even. Whatever its fairy
source, he knew it. His bewilderment increased absurdly. The things
she said were so ordinary, yet so illuminating, though never quite
betraying their secret source. Where had he heard them? Where had he
met this little foreign visitor? Whence came the singular certainty
that she shared this knowledge with him, and might presently explain
it, all clear as daylight and as simple? He had the odd impression
that she played with him, delayed purposely the moment of revelation,
even expected that _he_ would be the first to make it known. The
disclosure was to come from himself! She provided him with
opportunities--these little sparkling sentences! But he hid in his
corner, silent and magically excited, afraid to take the lead. These
sentences were addressed to him. There was conversation thus between
the two of them; but his replies remained inaudible. Thought makes no
sound; its complete delivery is ever wordless.... He felt very big,
and absurdly shy.
It was gesture, however, that infallible shorthand of the mind, which
seemed the surest medium of this mute delightful intercourse. For each
little gesture that she made--unconsciously, of course--expressed more
than the swiftest language could have compassed in an hour. And he
noted every one: the occasional flourish of the little hands, the
bending of the graceful neck, the shadowy head turned sideways, the
lift of one shoulder, almost imperceptible, and sometimes the attitude
of the entire body. To him they were, one and all, eloquently
revealing. Behind each little gesture loomed a yet larger one, the
scale increasing strangely, till his thoughts climbed up them as up a
ladder into the region where her ideas lay naked before casual
interpretation clothed them. Those, he reflected, who are rich in
ideas, but find words difficult, may reveal themselves prodigally in
gesture. Expression of one kind or another there must be; yet lavish
action, the language of big souls, seems a man's expression rather
than a woman's.... He built up swiftly, surely, solidly his
interpretation of this little foreign visitor who came to him thus
suddenly from the stars, whispering to his inmost thought, 'You must
come up to me.' The whole experience dazed him. He sat in utter
dumbness, shyer than a boy, but happier than a singing star!... The
Joy in his heart was marvellous.
Yet how could he know all this?
In the intervals that came to him like breathing spaces he asked
himself this childish question. How could he tell that this little
soft being with the quiet unobtrusive manners had noble and great
beauty of action in her anywhere? A few pretty phrases, a few
significant gestures, these were surely a slight foundation to build
so much upon! Was there, then, some absolute communion of thought
between the two of them such as his cousin's story tried to show? And
had their intercourse been running on for years, neither of them aware
of it in the daytime? Was this intimate knowledge due to long
acquaintance? Had her thought been feeding him perhaps since childhood
even?
In the pause of his temporary lunacy he asked himself a dozen similar
questions, but before the sign of any answer came he was off again,
sweeping on outstretched wings among the stars. He drank her in. He
knew. What was the good of questions? A thirsty man does not stop
midway in his draught to ask when his thirst began, its cause, or why
the rush of liquid down his throat is satisfying. He knows, and
drinks. It seemed to Henry Rogers, ordinary man of business and
practical affairs, that some deep river which so long had flowed deep
out of sight, hidden below his daily existence, rose now grandly at
the flood. He had heard its subterranean murmurs often. Here, in the
Den, it had reached his lips at last. And he quenched his thirst....
His thought played round her without ceasing, like flowing water....
This idea of flux grew everywhere about him. There was fluid movement
in this world within a world. All life was a flowing past of ceaseless
beauty, wonder, splendour; it was doubt and question that dammed the
rush, causing that stoppage which is ugly, petty, rigid. His being
flowed out to mingle with her own. It was all inevitable, and he never
really doubted once. Only before long he would be compelled to act--to
speak--to tell her what he felt, and hear her dear, dear answer....
The excitement in him became more and more difficult to control.
Already there was strain and tension below his apparent outer
calmness. Life in him burst forward to a yet greater life than he had
ever known....
The others--it was his cousin's voice this time--were speaking of the
Story, and of his proposed treatment of it in its larger version as a
book. Daddy was saying, apparently, that it must fail because he saw
no climax for it. The public demanded a cumulative interest that
worked up to some kind of thrilling denouement that they called a
climax, whereas his tale was but a stretch of life, and of very
ordinary life. And Life, for the majority, knew no such climax. How
could he manage one without inventing something artificial?
'But the climax of life comes every day and every minute,' he heard
her answer--and how her little voice rang out above the others like a
bell!--'when you deny yourself for another, and that other does not
even know it. A day is lost that does not pin at least one sweet
thought against each passing hour.'
And his inner construction took a further prodigious leap, as the
sentence showed him the grand and simple motive of her being. It had
been his own as well, though he had stupidly bungled it in his search
to find something big enough to seem worth doing. She, he divined,
found neighbours everywhere, losing no time. He had known a few rare,
exquisite souls who lived for others, but here, close beside him at
last, was one of those still rarer souls who seem born to--die for
others.... They give so unsparingly of their best.... To his
imaginative interpretation of her he gave full rein.... And it was
instantaneous as creation....
The voices of Minks and Mother renewed the stream of sound that swept
by him then, though he caught no words that were comparable in value
to these little singing phrases that she used from time to time.
Jimbo, bored by the grown-up talk that took the place of expected
stories, had fallen asleep upon his shoulder; Monkey's hair, as usual,
was in his eyes; he sat there listening and waiting with a heart that
beat so loudly he thought the children must feel it and ask him what
was the matter. Jinny stirred the peat from time to time. The room was
full of shadows. But, for him, the air grew brighter every minute, and
in this steady brilliance he saw the little figure rise and grow in
grandeur till she filled all space.
'You called it "getting out" while the body is asleep,' came floating
through the air through the sound of Jimbo's breathing, 'whereas
_I_ called it getting away from self while personal desire is asleep.
But the idea is the same....'
His cousin's words that called forth this criticism he had not heard.
It was only her sentence that seemed to reach him.
From the river of words and actions men call life she detained, it
seemed to him, certain that were vital and important in some
symbolical sense; she italicised them, made them her own--then let
them go to join the main stream again. This selection was a kind of
genius. The river did not overwhelm her as it overwhelms most, because
the part of it she did not need for present action she ignored, while
yet she swam in the whole of it, shirking nothing.
This was the way he saw her--immediately. And, whether it was his own
invention, or whether it was the divination of a man in the ecstasy of
sudden love, it was vital because he felt it, and it was real because
he believed it. Then why seek to explain the amazing sense of
intimacy, the certainty that he had known her always? The thing was
_there_; explanation could bring it no nearer. He let the explanations
go their way; they floated everywhere within reach; he had only to
pocket them and take them home for study at his leisure afterwards--
with her.
'But, we _shall_ come to it in time,' he caught another flying
sentence that reached him through the brown tangle of Monkey's hair.
It was spoken with eager emphasis. 'Does not every letter you write
begin with _dear_?....'
All that she said added something to life, it seemed, like poetry
which, he remembered, 'enriches the blood of the world.' The
selections were not idle, due to chance, but belonged to some great
Scheme, some fairy edifice she built out of the very stuff of her own
life. Oh, how utterly he understood and knew her. The poison of
intellectuality, thank heaven, was not in her, yet she created
somehow; for all she touched, with word or thought or gesture, turned
suddenly alive in a way he had never known before. The world turned
beautiful and simple at her touch....
Even the commonest things! It was miraculous, at least in its effect
upon himself. Her simplicity escaped all signs of wumbling. She had no
favourite and particular Scheme for doing good, but did merely what
was next her at the moment to be done. She _was_ good. In her little
person glowed a great enthusiasm for life. She created neighbours.
And, as the grandeur of her insignificance rose before him, his own
great Scheme for Disabled Thingumabobs that once had filled the
heavens, shrank down into the size of a mere mouse-trap that would go
into his pocket. In its place loomed up another that held the beauty
of the Stars. How little, when announcing it to Minks weeks and weeks
ago, had he dreamed the form it was to take!
And so, wrapped in this glory of the stars, he dreamed on in his
corner, fashioning this marvellous interpretation of a woman he had
never seen before, and never spoken with. It was all so different to
ordinary falling in love at sight, that the phrase never once occurred
to him. It was consummated in a moment--out there, beside the fountain
when he saw her first, shadowy, with brilliant, peering eyes. It
seemed perfect instantly, a recovery of something he had always known.
And who shall challenge the accuracy of his vision, or call its sudden
maturity impossible? For where one sees the surface only, another sees
the potentialities below. To believe in these is to summon them into
activity, just as to think the best of a person ever brings out that
best. Are we not all potential splendours?
Swiftly, in a second, he reviewed the shining sentences that revealed
her to him: The 'autumn flowers'--she lived, then, in the Present,
without that waste of energy which is regret! In 'a little shell' lay
the pattern of all life,--she saw the universe in herself and lived,
thus, in the Whole! To be 'out' meant forgetting self; and life's
climax is at every minute of the day--she understood, that is, the
growth of the soul, due to acceptance of what every minute brings,
however practical, dull, uninteresting. By recreating the commonest
things, she found a star in each. And her world was made up of
neighbours--for 'every letter that one writes begins with
_dear_!'
The Pattern matured marvellously before his eyes; and its delicate
embroideries, far out of sight, seemed the arabesques that yearnings,
hitherto unfulfilled, had traced long long ago with the brush of
tender thinking. Together, though at opposite ends of the world, these
two had woven the great Net of sympathy, thought, and longing in which
at last they both were prisoners ... and with them all the earth.
The figure of Jane Anne loomed before him like an ogress suddenly.
'Cousinenry, _will_ you answer or will you _not_? Daddy's already
asked you twenty times at least!' Then, below her breath, as she bent
over him, 'The Little Countess will think you awf'ly rude if you go to
sleep and snore like this.'
He looked up. He felt a trifle dazed. For a moment he had forgotten
where he was. How dark the room had grown! Only--he was sure he had
not snored.
'I beg your pardon,' he stammered, 'but I was only thinking--how
wonderful you--how wonderful it all is, isn't it? I was listening. I
heard perfectly.'
'You were dozing,' whispered Monkey. 'Daddy wants the Countess to tell
you how she knew the story long ago, or something. _Ecoute un peu, man
vieux_!'
'I should love to hear it,' he said, louder, sitting up so abruptly in
his chair that Jimbo tilted at a dangerous angle, though still without
waking. 'Please, please go on.'
And he listened then to the quiet, silvery language in which the
little visitor described the scenery of her childhood, when, without
brothers or sisters, she was forced to play alone, and had amused
herself by imagining a Net of Constellations which she nailed by
shooting stars to four enormous pine trees that grew across the
torrent. She described the great mountains that enclosed her father's
estate, her loneliness in this giant garden, due to his morose
severity of character, her yearnings to escape and see the big world
beyond the ridges. All her thought and longing went to the fashioning
of this Net, and every night she flung it far across the peaks and
valleys to catch companions with whom she might play. The characters
in her fairy books came out of the pages to help her, and sometimes
when they drew it in, it was so heavy with the people entangled in its
meshes that they could scarcely move it. But the moment all were out,
the giant Net, relieved of their weight, flew back into the sky. The
Pleiades were its centre, because she loved the Pleiades best of all,
and Orion pursued its bright shape with passion, yet could never quite
come up with it.
'And these people whom you caught,' whispered Rogers from his corner,
listening to a tale he knew as well as she did, 'you kept them
prisoners?'
'I first put into them all the things I longed to do myself in the big
world, and then flung them back again into their homes and towns and
villages---'
'Excepting one,' he murmured.
'Who was so big and clumsy that he broke the meshes and so never got
away.' She laughed, while the children stared at their cousin,
wondering how he knew as much as she did. 'He stayed with me, and
showed me how to make our prisoners useful afterwards by painting them
all over with starlight which we collected in a cave. Then they went
back and dazzled others everywhere by their strange, alluring
brilliance. We made the whole world over in this way---'
'Until you lost him.'
'One cloudy night he disappeared, yes, and I never found him again.
There was a big gap between the Pleiades and Orion where he had
tumbled through. I named him Orion after that; and I would stand at
night beneath the four great pine trees and call and call, but in
vain. "You must come up to me! You must come up to me!" I called, but
got no answer---'
'Though you knew quite well where he had fallen to, and that he was
only hiding---'
'Excuse me, but _how_ did she know?' inquired Jinny abruptly.
The Little Countess laughed. 'I suppose--because the threads of the
Net were so sensitive that they went on quivering long after he
tumbled out, and so betrayed the direction---'
'And afterwards, when you got older, Grafin,' interrupted Daddy, who
wished his cousin to hear the details of the extraordinary
coincidence, 'you elaborated your idea---'
'Yes, that thought and yearning always fulfil themselves somewhere,
somehow, sooner or later,' she continued. 'But I kept the imagery of
my Star Net in which all the world lies caught, and I used starlight
as the symbol of that sympathy which binds every heart to every other
heart. At my father's death, you see, I inherited his property. I
escaped from the garden which had been so long my prison, and I tried
to carry out in practical life what I had dreamed there as a child. I
got people together, where I could, and formed Thinkers' Guilds--
people, that is, who agreed to think beauty, love, and tolerance at
given hours in the day, until the habit, once formed, would run
through all their lives, and they should go about as centres of light,
sweetening the world. Few have riches, fewer still have talent, but
all can think. At least, one would _think_ so, wouldn't one?'--with a
smile and a fling of her little hands.
She paused a moment, and then went on to describe her failure. She
told it to them with laughter between her sentences, but among her
listeners was one at least who caught the undertone of sadness in the
voice.
'For, you see, that was where I made my mistake. People would do
anything in the world rather than think. They would work, give money,
build schools and hospitals, make all manner of sacrifices--only--they
would not think; because, they said, there was no visible result.' She
burst out laughing, and the children all laughed too.
'I should think not indeed,' ventured Monkey, but so low that no one
heard her.
'And so you went on thinking it all alone,' said Rogers in a low
voice.
'I tried to write it first as a story,' she answered softly, 'but
found that was beyond me; so I went on thinking it all alone, as you
say---'
'Until the Pattern of your thought floated across the world to me,'
said Daddy proudly. 'I imagined I was inspired; instead I was a
common, unoriginal plagiarist!'
'Like all the rest of us,' she laughed.
'Mummie, what _is_ a plagiarist?' asked Jinny instantly; and as
Rogers, her husband, and even Minks came hurriedly to her aid, the
spell of the strange recital was broken, and out of the turmoil of
voices the only thing distinctly heard was Mother exclaiming with
shocked surprise:--
'Why, it's ten o'clock! Jimbo, Monkey, please plagiarise off to bed at
once!'--in a tone that admitted of no rejoinder or excuses.
'A most singular thing, isn't it, Henry?' remarked the author, coming
across to his side when the lamp was lit and the children had said
their good-nights.
'I really think we ought to report it to the Psychical Society as a
genuine case of thought-transference. You see, what people never
properly realise is---'
But Henry Rogers lost the remainder of the sentence even if he heard
the beginning, for his world was in a state of indescribable turmoil,
one emotion tumbling wildly upon the heels of another. He was elated
to intoxication. The room spun round him. The next second his heart
sank down into his boots. He only caught the end of the words she was
saying to Mother across the room:--
'... but I must positively go to-morrow, I've already stayed too long.
So many things are waiting at home for me to do. I must send a
telegram and....'
His cousin's wumbling drowned the rest. He was quite aware that Rogers
was not listening to him.
'... your great kindness in writing to him, and then coming yourself,'
Mother was saying. 'It's such an encouragement. I can't tell you how
much he--we---'
'And you'll let me write to you about the children,' she interrupted,
'the plans we discussed, you know....'
Rogers broke away from his cousin with a leap. It felt at least like a
leap. But he knew not where to go or what to say. He saw Minks
standing with Jane Anne again by the fourneau, picking at his ear. By
the open window with Mother stood the little visitor. She was leaving
to-morrow. A torturing pain like twisting knives went through him. The
universe was going out!... He saw the starry sky behind her. Daddy
went up and joined them, and he was aware that the three of them
talked all at once for what seemed an interminable time, though all he
heard was his cousin's voice repeating at intervals, 'But you _can't_
send a telegram before eight o'clock to-morrow morning in any case;
the post is closed....'
And then, suddenly, the puzzle reeled and danced before his eyes. It
dissolved into a new and startling shape that brought him to his
senses with a shock. There had been a swift shuffling of the figures.
Minks and his cousin were helping her into her cloak. She _was_ going.
One of them--he knew not which--was offering politely to escort her
through the village.
It sounded like his own sentence of exile, almost of death. Was he
forty years of age, or only fifteen? He felt awkward, tongue-tied,
terrified.
They were already in the passage. Mother had opened the door into the
yard.
'But your way home lies down the hill,' he heard the silver voice,
'and to go with me you must come up. I can easily---'
Above the leaves of the plane tree he saw the stars. He saw Orion and
the Pleiades. The Fairy Net flung in and caught him. He found his
voice.
In a single stride he was beside her. Minks started at his sudden
vehemence and stepped aside.
'_I_ will take you home, Countess, if I may,' and his tone was so
unnecessarily loud and commanding that Mother turned and stared. 'Our
direction lies together. I will come up--with you.'
She did not even look at him. He saw that tiny smile that was like the
flicker of a star--no more. But he heard her answer. It seemed to fill
the sky.
'Thank you. I might lose my way alone.'
And, before he realised how she managed it, they had crossed the
cobbled yard, Daddy was swinging away downhill towards the
carpenter's, and Minks behind them, at the top of the stone steps, was
saying his last good-night to Mother. With the little visitor beside
him, he passed the singing fountain and led her down the deserted
village street beneath the autumn stars.
Three minutes later they were out of sight... when Minks came down the
steps and picked his way among the shadows after Daddy, who had the
latch-key of the carpenter's house. He ran to overtake him.
And he ran upon his toes
As softly as a saying does,
For so the saying goes!
His thoughts were very active, but as clear as day. He was thinking
whether German was a difficult language to acquire, and wondering
whether a best man at a wedding ought to wear white gloves or not. He
decided to ask Albinia. He wrote the letter that very night before he
went to sleep.
And, while he slept, Orion pursued the Pleiades across the sky, and
numerous shooting stars fastened the great Net of thought and sympathy
close over little Bourcelles.
THE END
End of Project Gutenberg's A Prisoner in Fairyland, by Algernon Blackwood