Chelsea, London, 19 November, 1841

Dear Emerson,--Since that going down of the American Timber-ship

on one of the Banks of the Solway under my window, I do not

remember that you have heard a word of me. I only added that the

men were all saved, and the beach all in agitation, certain women

not far from hysterics;--and there ended. I did design to send

you some announcement of our return hither; but fear there is no

chance that I did it! About ten days ago the Signor Gambardella

arrived, with a Note and Books from you: and here now is your

Letter of October 30th; which, arriving at a moment when I have

a little leisure, draws forth an answer almost instantly.

The Signor Gambardella, whom we are to see a second time tonight

or tomorrow, amuses and interests us not a little. His face is

the very image of the Classic God Pan's; with horns, and cloven

feet, we feel that he would make a perfect wood-god;--really,

some of Poussin's Satyrs are almost portraits of this brave

Gambardella. I will warrant him a right glowing mass of

Southern-Italian vitality,--full of laughter, wild insight,

caricature, and every sort of energy and joyous savagery: a most

profitable element to get introduced (in moderate quantity), I

should say, into the general current of your Puritan blood over

in New England there! Gambardella has behaved with magnanimity

in that matter of the Portrait: I have already sat, to men in

the like case, some four times, and Gambardella knows it is a

dreadful weariness; I directed him, accordingly, to my last

painter, one Laurence, a man of real parts, whom I wished

Gambardella to know,--and whom I wished to know Gambardella

withal, that he might tell me whether there was any probability

of a _good_ picture by him in case one did decide on encountering

the weariness. Well: Gambardella returns with a magnanimous

report that Laurence's picture far transcends any capability of

his; that whoever in America or elsewhere will have a likeness

of the said individual must apply to Laurence, not to

Gambardella,--which latter artist heroically throws down his

brush, and says, Be it far from me! The brave Gambardella! if I

can get him this night to dilate a little farther on his Visit to

the _Community of Shakers,_ and the things he saw and felt there,

it will be a most true benefit to me. Inextinguishable laughter

seemed to me to lie in Gambardella's vision of that Phenomenon,--

the sight and the seer, but we broke out too loud all at once,

and he was afraid to continue.--Alas! there is almost no laughter

going in the world at present. True laughter is as rare as any

other truth,--the sham of it frequent and detestable, like all

other shams. I know nothing wholesomer; but it is rarer even

than Christmas, which comes but once a year, and does always

come once.

Your satisfactions and reflections at sight of your English Book

are such as I too am very thankful for. I understand them well.

May worse guest never visit the Drawing-room at Concord than that

bound Book. Tell the good Wife to rejoice in it: she has all

the pleasure;--to her poor Husband it will be increase of pain

withal: nay, let us call it increase of valiant labor and

endeavor; no evil for a man, if he be fit for it! A man must

learn to digest praise too, and not be poisoned with it: some of

it _is_ wholesome to the system under certain circumstances; the

most of it a healthy system will learn by and by to throw into

the slop-basin, harmlessly, without any _trial_ to digest it. A

thinker, I take it, in the long run finds that essentially he

must ever be and continue _alone;--alone:_ "silent, rest over

him the stars, and under him the graves"! The clatter of the

world, be it a friendly, be it a hostile world, shall not

intermeddle with him much. The Book of _Essays,_ however, does

decidedly "speak to England," in its way, in these months; and

even makes what one may call a kind of appropriate "sensation"

here. Reviews of it are many, in all notes of the gamut;--of

small value mostly; as you might see by the two Newspaper

specimens I sent you. (Did you get those two Newspapers?) The

worst enemy admits that there are piercing radiances of perverse

insight in it; the highest friends, some few, go to a very high

point indeed. Newspapers are busy with extracts;--much

complaining that it is "abstruse," neological, hard to get the

meaning of. All which is very proper. Still better,--though

poor Fraser, alas, is dead, (poor Fraser!), and no help could

come from industries of the Bookshop, and Books indeed it seems

were never selling worse than of late months,--I learn that the

"sale of the Essays goes very steadily forward," and will wind

itself handsomely up in due time, we may believe! So Emerson

henceforth has a real Public in Old England as well as New. And

finally, my Friend, do _not_ disturb yourself about turning

better, &c., &c.; write as it is given you, and not till it be

given you, and never mind it a whit.

The new _Adelphi_ piece seems to me, as a piece of Composition,

the best _written_ of them all. People cry over it: "Whitherward?

What, What?" In fact, I do again desiderate some _concretion_ of

these beautiful _abstracta._ It seems to me they will never be

_right_ otherwise; that otherwise they are but as prophecies yet,

not fulfilments.

The Dial too, it is all spirit-like, aeriform, aurora-borealis

like. Will no _Angel_ body himself out of that; no stalwart

Yankee _man,_ with color in the cheeks of him, and a coat on his

back! These things I _say:_ and yet, very true, you alone can

decide what practical meaning is in them. Write you always _as_

it is given you,_ be it in the solid, in the aeriform, or

whatsoever way. There is no other rule given among men.--I have

sent the criticism on Landor* to an Editorial Friend of L.'s, by

whom I expect it will be put into the Newspapers here, for the

benefit of Walter Savage; he is not often so well praised among

us, and deserves a little good praise.

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* From the Dial for October, 1841.

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You propose again to send me Moneys,--surprising man! I am glad

also to hear that that beggarly misprinted _French Revolution_ is

nearly out among you. I only hope farther your Booksellers will

have an eye on that rascal Appleton, and not let _him_ reprint

and deface, if more copies of the Book turn out to be wanted.

Adieu, dear Emerson! Good speed to you at Boston, and in all

true things. I hope to write soon again.

Yours ever,

T. Carlyle

The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol. I · 第 143 / 151 题