The three leading principles which have determined the chief movements
of expression—Their inheritance—On the part which the will and
intention have played in the acquirement of various expressions—The
instinctive recognition of expression—The bearing of our subject on the
specific unity of the races of man—On the successive acquirement of
various expressions by the progenitors of man—The importance of
expression—Conclusion.
I have now described, to the best of my ability, the chief expressive
actions in man, and in some few of the lower animals. I have also
attempted to explain the origin or development of these actions through
the three principles given in the first chapter. The first of these
principles is, that movements which are serviceable in gratifying some
desire, or in relieving some sensation, if often repeated, become so
habitual that they are performed, whether or not of any service,
whenever the same desire or sensation is felt, even in a very weak
degree.
Our second principle is that of antithesis. The habit of voluntarily
performing opposite movements under opposite impulses has become firmly
established in us by the practice of our whole lives. Hence, if certain
actions have been regularly performed, in accordance with our first
principle, under a certain frame of mind, there will be a strong and
involuntary tendency to the performance of directly opposite actions,
whether or not these are of any use, under the excitement of an
opposite frame of mind.
Our third principle is the direct action of the excited nervous system
on the body, independently of the will, and independently, in large
part, of habit. Experience shows that nerve-force is generated and set
free whenever the cerebro-spinal system is excited. The direction which
this nerve-force follows is necessarily determined by the lines of
connection between the nerve-cells, with each other and with various
parts of the body. But the direction is likewise much influenced by
habit; inasmuch as nerve-force passes readily along accustomed
channels.
The frantic and senseless actions of an enraged man may be attributed
in part to the undirected flow of nerve-force, and in part to the
effects of habit, for these actions often vaguely represent the act of
striking. They thus pass into gestures included under our first
principle; as when an indignant man unconsciously throws himself into a
fitting attitude for attacking his opponent, though without any
intention of making an actual attack. We see also the influence of
habit in all the emotions and sensations which are called exciting; for
they have assumed this character from having habitually led to
energetic action; and action affects, in an indirect manner, the
respiratory and circulatory system; and the latter reacts on the brain.
Whenever these emotions or sensations are even slightly felt by us,
though they may not at the time lead to any exertion, our whole system
is nevertheless disturbed through the force of habit and association.
Other emotions and sensations are called depressing, because they have
not habitually led to energetic action, excepting just at first, as in
the case of extreme pain, fear, and grief, and they have ultimately
caused complete exhaustion; they are consequently expressed chiefly by
negative signs and by prostration. Again, there are other emotions,
such as that of affection, which do not commonly lead to action of any
kind, and consequently are not exhibited by any strongly marked outward
signs. Affection indeed, in as far as it is a pleasurable sensation,
excites the ordinary signs of pleasure.
On the other hand, many of the effects due to the excitement of the
nervous system seem to be quite independent of the flow of nerve-force
along the channels which have been rendered habitual by former
exertions of the will. Such effects, which often reveal the state of
mind of the person thus affected, cannot at present be explained; for
instance, the change of colour in the hair from extreme terror or
grief,—the cold sweat and the trembling of the muscles from fear,—the
modified secretions of the intestinal canal,—and the failure of certain
glands to act.
Notwithstanding that much remains unintelligible in our present
subject, so many expressive movements and actions can be explained to a
certain extent through the above three principles, that we may hope
hereafter to see all explained by these or by closely analogous
principles.
Actions of all kinds, if regularly accompanying any state of the mind,
are at once recognized as expressive. These may consist of movements of
any part of the body, as the wagging of a dog’s tail, the shrugging of
a man’s shoulders, the erection of the hair, the exudation of
perspiration, the state of the capillary circulation, laboured
breathing, and the use of the vocal or other sound-producing
instruments. Even insects express anger, terror, jealousy, and love by
their stridulation. With man the respiratory organs are of especial
importance in expression, not only in a direct, but in a still higher
degree in an indirect manner.
Few points are more interesting in our present subject than the
extraordinarily complex chain of events which lead to certain
expressive movements. Take, for instance, the oblique eyebrows of a man
suffering from grief or anxiety. When infants scream loudly from hunger
or pain, the circulation is affected, and the eyes tend to become
gorged with blood: consequently the muscles surrounding the eyes are
strongly contracted as a protection: this action, in the course of many
generations, has become firmly fixed and inherited: but when, with
advancing years and culture, the habit of screaming is partially
repressed, the muscles round the eyes still tend to contract, whenever
even slight distress is felt: of these muscles, the pyramidals of the
nose are less under the control of the will than are the others and
their contraction can be checked only by that of the central fasciae of
the frontal muscle: these latter fasciae draw up the inner ends of the
eyebrows, and wrinkle the forehead in a peculiar manner, which we
instantly recognize as the expression of grief or anxiety. Slight
movements, such as these just described, or the scarcely perceptible
drawing down of the corners of the mouth, are the last remnants or
rudiments of strongly marked and intelligible movements. They are as
full of significance to us in regard to expression, as are ordinary
rudiments to the naturalist in the classification and genealogy of
organic beings.
That the chief expressive actions, exhibited by man and by the lower
animals, are now innate or inherited,—that is, have not been learnt by
the individual,—is admitted by every one. So little has learning or
imitation to do with several of them that they are from the earliest
days and throughout life quite beyond our control; for instance, the
relaxation of the arteries of the skin in blushing, and the increased
action of the heart in anger. We may see children, only two or three
years old, and even those born blind, blushing from shame; and the
naked scalp of a very young infant reddens from passion. Infants scream
from pain directly after birth, and all their features then assume the
same form as during subsequent years. These facts alone suffice to show
that many of our most important expressions have not been learnt; but
it is remarkable that some, which are certainly innate, require
practice in the individual, before they are performed in a full and
perfect manner; for instance, weeping and laughing. The inheritance of
most of our expressive actions explains the fact that those born blind
display them, as I hear from the Rev. R. H. Blair, equally well with
those gifted with eyesight. We can thus also understand the fact that
the young and the old of widely different races, both with man and
animals, express the same state of mind by the same movements.
We are so familiar with the fact of young and old animals displaying
their feelings in the same manner, that we hardly perceive how
remarkable it is that a young puppy should wag its tail when pleased,
depress its ears and uncover its canine teeth when pretending to be
savage, just like an old dog; or that a kitten should arch its little
back and erect its hair when frightened and angry, like an old cat.
When, however, we turn to less common gestures in ourselves, which we
are accustomed to look at as artificial or conventional,—such as
shrugging the shoulders, as a sign of impotence, or the raising the
arms with open hands and extended fingers, as a sign of wonder,—we feel
perhaps too much surprise at finding that they are innate. That these
and some other gestures are inherited, we may infer from their being
performed by very young children, by those born blind, and by the most
widely distinct races of man. We should also bear in mind that new and
highly peculiar tricks, in association with certain states of the mind,
are known to have arisen in certain individuals, and to have been
afterwards transmitted to their offspring, in some cases, for more than
one generation.
Certain other gestures, which seem to us so natural that we might
easily imagine that they were innate, apparently have been learnt like
the words of a language. This seems to be the case with the joining of
the uplifted hands, and the turning up of the eyes, in prayer. So it is
with kissing as a mark of affection; but this is innate, in so far as
it depends on the pleasure derived from contact with a beloved person.
The evidence with respect to the inheritance of nodding and shaking the
head, as signs of affirmation and negation, is doubtful; for they are
not universal, yet seem too general to have been independently acquired
by all the individuals of so many races.
We will now consider how far the will and consciousness have come into
play in the development of the various movements of expression. As far
as we can judge, only a few expressive movements, such as those just
referred to, are learnt by each individual; that is, were consciously
and voluntarily performed during the early years of life for some
definite object, or in imitation of others, and then became habitual.
The far greater number of the movements of expression, and all the more
important ones, are, as we have seen, innate or inherited; and such
cannot be said to depend on the will of the individual. Nevertheless,
all those included under our first principle were at first voluntarily
performed for a definite object,—namely, to escape some danger, to
relieve some distress, or to gratify some desire. For instance, there
can hardly be a doubt that the animals which fight with their teeth,
have acquired the habit of drawing back their ears closely to their
heads, when feeling savage, from their progenitors having voluntarily
acted in this manner in order to protect their ears from being torn by
their antagonists; for those animals which do not fight with their
teeth do not thus express a savage state of mind. We may infer as
highly probable that we ourselves have acquired the habit of
contracting the muscles round the eyes, whilst crying gently, that is,
without the utterance of any loud sound, from our progenitors,
especially during infancy, having experienced, during the act of
screaming, an uncomfortable sensation in their eyeballs. Again, some
highly expressive movements result from the endeavour to cheek or
prevent other expressive movements; thus the obliquity of the eyebrows
and the drawing down of the corners of the mouth follow from the
endeavour to prevent a screaming-fit from coming on, or to cheek it
after it has come on. Here it is obvious that the consciousness and
will must at first have come into play; not that we are conscious in
these or in other such cases what muscles are brought into action, any
more than when we perform the most ordinary voluntary movements.
With respect to the expressive movements due to the principle of
antithesis, it is clear that the will has intervened, though in a
remote and indirect manner. So again with the movements coming under
our third principle; these, in as far as they are influenced by
nerve-force readily passing along habitual channels, have been
determined by former and repeated exertions of the will. The effects
indirectly due to this latter agency are often combined in a complex
manner, through the force of habit and association, with those directly
resulting from the excitement of the cerebro-spinal system. This seems
to be the case with the increased action of the heart under the
influence of any strong emotion. When an animal erects its hair,
assumes a threatening attitude, and utters fierce sounds, in order to
terrify an enemy, we see a curious combination of movements which were
originally voluntary with those that are involuntary. It is, however,
possible that even strictly involuntary actions, such as the erection
of the hair, may have been affected by the mysterious power of the
will.
Some expressive movements may have arisen spontaneously, in association
with certain states of the mind, like the tricks lately referred to,
and afterwards been inherited. But I know of no evidence rendering this
view probable.
The power of communication between the members of the same tribe by
means of language has been of paramount importance in the development
of man; and the force of language is much aided by the expressive
movements of the face and body. We perceive this at once when we
converse on an important subject with any person whose face is
concealed. Nevertheless there are no grounds, as far as I can discover,
for believing that any muscle has been developed or even modified
exclusively for the sake of expression. The vocal and other
sound-producing organs, by which various expressive noises are
produced, seem to form a partial exception; but I have elsewhere
attempted to show that these organs were first developed for sexual
purposes, in order that one sex might call or charm the other. Nor can
I discover grounds for believing that any inherited movement, which now
serves as a means of expression, was at first voluntarily and
consciously performed for this special purpose,—like some of the
gestures and the finger-language used by the deaf and dumb. On the
contrary, every true or inherited movement of expression seems to have
had some natural and independent origin. But when once acquired, such
movements may be voluntarily and consciously employed as a means of
communication. Even infants, if carefully attended to, find out at a
very early age that their screaming brings relief, and they soon
voluntarily practise it. We may frequently see a person voluntarily
raising his eyebrows to express surprise, or smiling to express
pretended satisfaction and acquiescence. A man often wishes to make
certain gestures conspicuous or demonstrative, and will raise his
extended arms with widely opened fingers above his head, to show
astonishment, or lift his shoulders to his ears, to show that he cannot
or will not do something. The tendency to such movements will be
strengthened or increased by their being thus voluntarily and
repeatedly performed; and the effects may be inherited.
It is perhaps worth consideration whether movements at first used only
by one or a few individuals to express a certain state of mind may not
sometimes have spread to others, and ultimately have become universal,
through the power of conscious and unconscious imitation. That there
exists in man a strong tendency to imitation, independently of the
conscious will, is certain. This is exhibited in the most extraordinary
manner in certain brain diseases, especially at the commencement of
inflammatory softening of the brain, and has been called the “echo
sign.” Patients thus affected imitate, without understanding every
absurd gesture which is made, and every word which is uttered near
them, even in a foreign language.[1401] In the case of animals, the
jackal and wolf have learnt under confinement to imitate the barking of
the dog. How the barking of the dog, which serves to express various
emotions and desires, and which is so remarkable from having been
acquired since the animal was domesticated, and from being inherited in
different degrees by different breeds, was first learnt we do not know;
but may we not suspect that imitation has had something to do with its
acquisition, owing to dogs having long lived in strict association with
so loquacious an animal as man?
In the course of the foregoing remarks and throughout this volume, I
have often felt much difficulty about the proper application of the
terms, will, consciousness, and intention. Actions, which were at first
voluntary, soon became habitual, and at last hereditary, and may then
be performed even in opposition to the will. Although they often reveal
the state of the mind, this result was not at first either intended or
expected. Even such words as that “certain movements serve as a means
of expression,” are apt to mislead, as they imply that this was their
primary purpose or object. This, however, seems rarely or never to have
been the case; the movements having been at first either of some direct
use, or the indirect effect of the excited state of the sensorium. An
infant may scream either intentionally or instinctively to show that it
wants food; but it has no wish or intention to draw its features into
the peculiar form which so plainly indicates misery; yet some of the
most characteristic expressions exhibited by man are derived from the
act of screaming, as has been explained.
Although most of our expressive actions are innate or instinctive, as
is admitted by everyone, it is a different question whether we have any
instinctive power of recognizing them. This has generally been assumed
to be the case; but the assumption has been strongly controverted by M.
Lemoine.[1402] Monkeys soon learn to distinguish, not only the tones of
voice of their masters, but the expression of their faces, as is
asserted by a careful observer.[1403] Dogs well know the difference
between caressing and threatening gestures or tones; and they seem to
recognize a compassionate tone. But as far as I can make out, after
repeated trials, they do not understand any movement confined to the
features, excepting a smile or laugh; and this they appear, at least in
some cases, to recognize. This limited amount of knowledge has probably
been gained, both by monkeys and dogs, through their associating harsh
or kind treatment with our actions; and the knowledge certainly is not
instinctive. Children, no doubt, would soon learn the movements of
expression in their elders in the same manner as animals learn those of
man. Moreover, when a child cries or laughs, he knows in a general
manner what he is doing and what he feels; so that a very small
exertion of reason would tell him what crying or laughing meant in
others. But the question is, do our children acquire their knowledge of
expression solely by experience through the power of association and
reason?
As most of the movements of expression must have been gradually
acquired, afterwards becoming instinctive, there seems to be some
degree of _a priori_ probability that their recognition would likewise
have become instinctive. There is, at least, no greater difficulty in
believing this than in admitting that, when a female quadruped first
bears young, she knows the cry of distress of her offspring, or than in
admitting that many animals instinctively recognize and fear their
enemies; and of both these statements there can be no reasonable doubt.
It is however extremely difficult to prove that our children
instinctively recognize any expression. I attended to this point in my
first-born infant, who could not have learnt anything by associating
with other children, and I was convinced that he understood a smile and
received pleasure from seeing one, answering it by another, at much too
early an age to have learnt anything by experience. When this child was
about four months old, I made in his presence many odd noises and
strange grimaces, and tried to look savage; but the noises, if not too
loud, as well as the grimaces, were all taken as good jokes; and I
attributed this at the time to their being preceded or accompanied by
smiles. When five months old, he seemed to understand a compassionate,
expression and tone of voice. When a few days over six months old, his
nurse pretended to cry, and I saw that his face instantly assumed a
melancholy expression, with the corners of the mouth strongly
depressed; now this child could rarely have seen any other child
crying, and never a grown-up person crying, and I should doubt whether
at so early an age he could have reasoned on the subject. Therefore it
seems to me that an innate feeling must have told him that the
pretended crying of his nurse expressed grief; and this through the
instinct of sympathy excited grief in him.
M. Lemoine argues that, if man possessed an innate knowledge of
expression, authors and artists would not have found it so difficult,
as is notoriously the case, to describe and depict the characteristic
signs of each particular state of mind. But this does not seem to me a
valid argument. We may actually behold the expression changing in an
unmistakable manner in a man or animal, and yet be quite unable, as I
know from experience, to analyse the nature of the change. In the two
photographs given by Duchenne of the same old man (Plate III. figs. 5
and 6), almost every one recognized that the one represented a true,
and the other a false smile; but I have found it very difficult to
decide in what the whole amount of difference consists. It has often
struck me as a curious fact that so many shades of expression are
instantly recognized without any conscious process of analysis on our
part. No one, I believe, can clearly describe a sullen or sly
expression; yet many observers are unanimous that these expressions can
be recognized in the various races of man. Almost everyone to whom I
showed Duchenne’s photograph of the young man with oblique eyebrows
(Plate II. fig. 2) at once declared that it expressed grief or some
such feeling; yet probably not one of these persons, or one out of a
thousand persons, could beforehand have told anything precise about the
obliquity of the eyebrows with their inner ends puckered, or about the
rectangular furrows on the forehead. So it is with many other
expressions, of which I have had practical experience in the trouble
requisite in instructing others what points to observe. If, then, great
ignorance of details does not prevent our recognizing with certainty
and promptitude various expressions, I do not see how this ignorance
can be advanced as an argument that our knowledge, though vague and
general, is not innate.
I have endeavoured to show in considerable detail that all the chief
expressions exhibited by man are the same throughout the world. This
fact is interesting, as it affords a new argument in favour of the
several races being descended from a single parent-stock, which must
have been almost completely human in structure, and to a large extent
in mind, before the period at which the races diverged from each other.
No doubt similar structures, adapted for the same purpose, have often
been independently acquired through variation and natural selection by
distinct species; but this view will not explain close similarity
between distinct species in a multitude of unimportant details. Now if
we bear in mind the numerous points of structure having no relation to
expression, in which all the races of man closely agree, and then add
to them the numerous points, some of the highest importance and many of
the most trifling value, on which the movements of expression directly
or indirectly depend, it seems to me improbable in the highest degree
that so much similarity, or rather identity of structure, could have
been acquired by independent means. Yet this must have been the case if
the races of man are descended from several aboriginally distinct
species. It is far more probable that the many points of close
similarity in the various races are due to inheritance from a single
parent-form, which had already assumed a human character.
It is a curious, though perhaps an idle speculation, how early in the
long line of our progenitors the various expressive movements, now
exhibited by man, were successively acquired. The following remarks
will at least serve to recall some of the chief points discussed in
this volume. We may confidently believe that laughter, as a sign of
pleasure or enjoyment, was practised by our progenitors long before
they deserved to be called human; for very many kinds of monkeys, when
pleased, utter a reiterated sound, clearly analogous to our laughter,
often accompanied by vibratory movements of their jaws or lips, with
the corners of the mouth drawn backwards and upwards, by the wrinkling
of the cheeks, and even by the brightening of the eyes.
We may likewise infer that fear was expressed from an extremely remote
period, in almost the same manner as it now is by man; namely, by
trembling, the erection of the hair, cold perspiration, pallor, widely
opened eyes, the relaxation of most of the muscles, and by the whole
body cowering downwards or held motionless.
Suffering, if great, will from the first have caused screams or groans
to be uttered, the body to be contorted, and the teeth to be ground
together. But our progenitors will not have exhibited those highly
expressive movements of the features which accompany screaming and
crying until their circulatory and respiratory organs, and the muscles
surrounding the eyes, had acquired their present structure. The
shedding of tears appears to have originated through reflex action from
the spasmodic contraction of the eyelids, together perhaps with the
eyeballs becoming gorged with blood during the act of screaming.
Therefore weeping probably came on rather late in the line of our
descent; and this conclusion agrees with the fact that our nearest
allies, the anthropomorphous apes, do not weep. But we must here
exercise some caution, for as certain monkeys, which are not closely
related to man, weep, this habit might have been developed long ago in
a sub-branch of the group from which man is derived. Our early
progenitors, when suffering from grief or anxiety, would not have made
their eyebrows oblique, or have drawn down the corners of their mouth,
until they had acquired the habit of endeavouring to restrain their
screams. The expression, therefore, of grief and anxiety is eminently
human.
Rage will have been expressed at a very early period by threatening or
frantic gestures, by the reddening of the skin, and by glaring eyes,
but not by frowning. For the habit of frowning seems to have been
acquired chiefly from the corrugators being the first muscles to
contract round the eyes, whenever during infancy pain, anger, or
distress is felt, and there consequently is a near approach to
screaming; and partly from a frown serving as a shade in difficult and
intent vision. It seems probable that this shading action would not
have become habitual until man had assumed a completely upright
position, for monkeys do not frown when exposed to a glaring light. Our
early progenitors, when enraged, would probably have exposed their
teeth more freely than does man, even when giving full vent to his
rage, as with the insane. We may, also, feel almost certain that they
would have protruded their lips, when sulky or disappointed, in a
greater degree than is the case with our own children, or even with the
children of existing savage races.
Our early progenitors, when indignant or moderately angry, would not
have held their heads erect, opened their chests, squared their
shoulders, and clenched their fists, until they had acquired the
ordinary carriage and upright attitude of man, and had learnt to fight
with their fists or clubs. Until this period had arrived the
antithetical gesture of shrugging the shoulders, as a sign of impotence
or of patience, would not have been developed. From the same reason
astonishment would not then have been expressed by raising the arms
with open hands and extended fingers. Nor, judging from the actions of
monkeys, would astonishment have been exhibited by a widely opened
mouth; but the eyes would have been opened and the eyebrows arched.
Disgust would have been shown at a very early period by movements round
the mouth, like those of vomiting,—that is, if the view which I have
suggested respecting the source of the expression is correct, namely,
that our progenitors had the power, and used it, of voluntarily and
quickly rejecting any food from their stomachs which they disliked. But
the more refined manner of showing contempt or disdain, by lowering the
eyelids, or turning away the eyes and face, as if the despised person
were not worth looking at, would not probably have been acquired until
a much later period.
Of all expressions, blushing seems to be the most strictly human; yet
it is common to all or nearly all the races of man, whether or not any
change of colour is visible in their skin. The relaxation of the small
arteries of the surface, on which blushing depends, seems to have
primarily resulted from earnest attention directed to the appearance of
our own persons, especially of our faces, aided by habit, inheritance,
and the ready flow of nerve-force along accustomed channels; and
afterwards to have been extended by the power of association to
self-attention directed to moral conduct. It can hardly be doubted that
many animals are capable of appreciating beautiful colours and even
forms, as is shown by the pains which the individuals of one sex take
in displaying their beauty before those of the opposite sex. But it
does not seem possible that any animal, until its mental powers had
been developed to an equal or nearly equal degree with those of man,
would have closely considered and been sensitive about its own personal
appearance. Therefore we may conclude that blushing originated at a
very late period in the long line of our descent.
From the various facts just alluded to, and given in the course of this
volume, it follows that, if the structure of our organs of respiration
and circulation had differed in only a slight degree from the state in
which they now exist, most of our expressions would have been
wonderfully different. A very slight change in the course of the
arteries and veins which run to the head, would probably have prevented
the blood from accumulating in our eyeballs during violent expiration;
for this occurs in extremely few quadrupeds. In this case we should not
have displayed some of our most characteristic expressions. If man had
breathed water by the aid of external branchiae (though the idea is
hardly conceivable), instead of air through his mouth and nostrils, his
features would not have expressed his feelings much more efficiently
than now do his hands or limbs. Rage and disgust, however, would still
have been shown by movements about the lips and mouth, and the eyes
would have become brighter or duller according to the state of the
circulation. If our ears had remained movable, their movements would
have been highly expressive, as is the case with all the animals which
fight with their teeth; and we may infer that our early progenitors
thus fought, as we still uncover the canine tooth on one side when we
sneer at or defy any one, and we uncover all our teeth when furiously
enraged.
The movements of expression in the face and body, whatever their origin
may have been, are in themselves of much importance for our welfare.
They serve as the first means of communication between the mother and
her infant; she smiles approval, and thus encourages her child on the
right path, or frowns disapproval. We readily perceive sympathy in
others by their expression; our sufferings are thus mitigated and our
pleasures increased; and mutual good feeling is thus strengthened. The
movements of expression give vividness and energy to our spoken words.
They reveal the thoughts and intentions of others more truly than do
words, which may be falsified. Whatever amount of truth the so-called
science of physiognomy may contain, appears to depend, as Haller long
ago remarked,[1404] on different persons bringing into frequent use
different facial muscles, according to their dispositions; the
development of these muscles being perhaps thus increased, and the
lines or furrows on the face, due to their habitual contraction, being
thus rendered deeper and more conspicuous. The free expression by
outward signs of an emotion intensifies it. On the other hand, the
repression, as far as this is possible, of all outward signs softens
our emotions.[1405] He who gives way to violent gestures will increase
his rage; he who does not control the signs of fear will experience
fear in a greater degree; and he who remains passive when overwhelmed
with grief loses his best chance of recovering elasticity of mind.
These results follow partly from the intimate relation which exists
between almost all the emotions and their outward manifestations; and
partly from the direct influence of exertion on the heart, and
consequently on the brain. Even the simulation of an emotion tends to
arouse it in our minds. Shakespeare, who from his wonderful knowledge
of the human mind ought to be an excellent judge, says:—
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit,
That, from her working, all his visage wann’d;
Tears in his eyes, distraction in ’s aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
_Hamlet_, act ii. sc. 2.
We have seen that the study of the theory of expression confirms to a
certain limited extent the conclusion that man is derived from some
lower animal form, and supports the belief of the specific or
sub-specific unity of the several races; but as far as my judgment
serves, such confirmation was hardly needed. We have also seen that
expression in itself, or the language of the emotions, as it has
sometimes been called, is certainly of importance for the welfare of
mankind. To understand, as far as possible, the source or origin of the
various expressions which may be hourly seen on the faces of the men
around us, not to mention our domesticated animals, ought to possess
much interest for us. From these several causes, we may conclude that
the philosophy of our subject has well deserved the attention which it
has already received from several excellent observers, and that it
deserves still further attention, especially from any able
physiologist.
FOOTNOTES:
1 (return) [ J. Parsons, in his paper in the Appendix to the
‘Philosophical Transactions’ for 1746, p. 41, gives a list of forty-one
old authors who have written on Expression.]
2 (return) [ Conférences sur l’expression des différents Caractères des
Passions.’ Paris, 4to, 1667. I always quote from the republication of
the ‘Conférences’ in the edition of Lavater, by Moreau, which appeared
in 1820, as given in vol. ix. p. 257.]
3 (return) [ ‘Discours par Pierre Camper sur le moyen de représenter
les diverses passions,’ &c. 1792. 1844]
4 (return) [ I always quote from the third edition, 1844, which was
published after the death of Sir C. Bell, and contains his latest
corrections. The first edition of 1806 is much inferior in merit, and
does not include some of his more important views.]
5 (return) [ ‘De la Physionomie et de la Parole,’ par Albert Lemoine,
1865, p. 101.]
6 (return) [ ‘L’Art de connaître les Hommes,’ &c., par G. Lavater. The
earliest edition of this work, referred to in the preface to the
edition of 1820 in ten volumes, as containing the observations of M.
Moreau, is said to have been published in 1807; and I have no doubt
that this is correct, because the ‘Notice sur Lavater’ at the
commencement of volume i. is dated April 13, 1806. In some
bibliographical works, however, the date of 1805—1809 is given, but it
seems impossible that 1805 can be correct. Dr. Duchenne remarks
(‘Mécanisme de la Physionomie Humaine,’-8vo edit. 1862, p. 5, and
‘Archives Générales de Médecine,’ Jan. et Fév. 1862) that M. Moreau “_a
composé pour son ouvrage un article important_,” &c., in the year 1805;
and I find in volume i. of the edition of 1820 passages bearing the
dates of December 12, 1805, and another January 5, 1806, besides that
of April 13, 1806, above referred to. In consequence of some of these
passages having thus been _composed_ in 1805, Dr. Duchenne assigns to
M. Moreau the priority over Sir C. Bell, whose work, as we have seen,
was published in 1806. This is a very unusual manner of determining the
priority of scientific works; but such questions are of extremely
little importance in comparison with their relative merits. The
passages above quoted from M. Moreau and from Le Brun are taken in this
and all other cases from the edition of 1820 of Lavater, tom. iv. p.
228, and tom. ix. p. 279.]
7 (return) [ ‘Handbuch der Systematischen Anatomie des Menschen.’ Band
I. Dritte Abtheilung, 1858.]
8 (return) [ ‘The Senses and the Intellect,’ 2nd edit. 1864, pp. 96 and
288. The preface to the first edition of this work is dated June, 1855.
See also the 2nd edition of Mr. Bain’s work on the ‘Emotions and
Will.’]
9 (return) [ ‘The Anatomy of Expression,’ 3rd edit. p. 121.]
10 (return) [ ‘Essays, Scientific, Political, and Speculative,’ Second
Series, 1863, p. 111. There is a discussion on Laughter in the First
Series of Essays, which discussion seems to me of very inferior value.]
11 (return) [ Since the publication of the essay just referred to, Mr.
Spencer has written another, on “Morals and Moral Sentiments,” in the
‘Fortnightly Review,’ April 1, 1871, p. 426. He has, also, now
published his final conclusions in vol. ii. of the second edit. of the
‘Principles of Psychology,’ 1872, p. 539. I may state, in order that I
may not be accused of trespassing on Mr. Spencer’s domain, that I
announced in my ‘Descent of Man,’ that I had then written a part of the
present volume: my first MS. notes on the subject of expression bear
the date of the year 1838.]
12 (return) [ ‘Anatomy of Expression,’ 3rd edit. pp. 98, 121, 131.]
13 (return) [ Professor Owen expressly states (Proc. Zoolog. Soc. 1830,
p. 28) that this is the case with respect to the Orang, and specifies
all the more important muscles which are well known to serve with man
for the expression of his feelings. See, also, a description of several
of the facial muscles in the Chimpanzee, by Prof. Macalister, in
‘Annals and Magazine of Natural History,’ vol. vii. May, 1871, p. 342.]
14 (return) [ ‘Anatomy of Expression,’ pp. 121, 138.]
15 (return) [ ‘De la Physionomie,’ pp. 12, 73.]
16 (return) [ ‘Mécanisme de la Physionomie Humaine,’ 8vo edit. p. 31.]
17 (return) [ ‘Elements of Physiology,’ English translation, vol. ii.
p. 934.]
18 (return) [ ‘Anatomy of Expression,’ 3rd edit. p. 198.]
19 (return) [ See remarks to this effect in Lessing’s ‘Lacooon,’
translated by W. Ross, 1836, p. 19.]
20 (return) [ Mr. Partridge in Todd’s ‘Cyclopædia of Anatomy and
Physiology,’ vol. ii. p. 227.]
21 (return) [ ‘La Physionomie,’ par G. Lavater, tom. iv. 1820, p. 274.
On the number of the facial muscles, see vol. iv. pp. 209-211.]
22 (return) [ ‘Mimik und Physiognomik,’ 1867, s. 91.]
101 (return) [ Mr. Herbert Spencer (‘Essays,’ Second Series, 1863, p.
138) has drawn a clear distinction between emotions and sensations, the
latter being “generated in our corporeal framework.” He classes as
Feelings both emotions and-sensations.]
102 (return) [ Müller, ‘Elements of Physiology,’ Eng. translat. vol.
ii. p. 939. See also Mr. H. Spencer’s interesting speculations on the
same subject, and on the genesis of nerves, in his ‘Principles of
Biology,’ vol. ii. p. 346; and in his ‘Principles of Psychology,’ 2nd
edit. pp. 511-557.]
103 (return) [ A remark to much the same effect was made long ago by
Hippocrates and by the illustrious Harvey; for both assert that a young
animal forgets in the course of a few days the art of sucking, and
cannot without some difficulty again acquire it. I give these
assertions on the authority of Dr. Darwin, ‘Zoonomia,’ 1794, vol. i. p.
140.]
104 (return) [ See for my authorities, and for various analogous facts,
‘The Variation of Animals and Plants under Domestication,’ 1868, vol.
ii. p. 304.]
105 (return) [ ‘The Senses and the Intellect,’ 2nd edit. 1864, p. 332.
Prof. Huxley remarks (‘Elementary Lessons in Physiology,’ 5th edit.
1872, p. 306), “It may be laid down as a rule, that, if any two mental
states be called up together, or in succession, with due frequency and
vividness, the subsequent production of the one of them will suffice to
call up the other, and that whether we desire it or not.”]
106 (return) [ Gratiolet (‘De la Physionomie,’ p. 324), in his
discussion on this subject, gives many analogous instances. See p. 42,
on the opening and shutting of the eyes. Engel is quoted (p. 323) on
the changed paces of a man, as his thoughts change.]
107 (return) [ ‘Mécanisme de la Physionomie Humaine,’ 1862, p. 17.]
108 (return) [ ‘The Variation of Animals and Plants under
Domestication,’ vol. ii. p. 6. The inheritance of habitual gestures is
so important for us, that I gladly avail myself of Mr. F. Galton’s
permission to give in his own words the following remarkable case:—“The
following account of a habit occurring in individuals of three
consecutive generations {footnote continues:} is of peculiar interest,
because it occurs only during sound sleep, and therefore cannot be due
to imitation, but must be altogether natural. The particulars are
perfectly trustworthy, for I have enquired fully into them, and speak
from abundant and independent evidence. A gentleman of considerable
position was found by his wife to have the curious trick, when he lay
fast asleep on his back in bed, of raising his right arm slowly in
front of his face, up to his forehead, and then dropping it with a
jerk, so that the wrist fell heavily on the bridge of his nose. The
trick did not occur every night, but occasionally, and was independent
of any ascertained cause. Sometimes it was repeated incessantly for an
hour or more. The gentleman’s nose was prominent, and its bridge often
became sore from the blows which it received. At one time an awkward
sore was produced, that was long in healing, on account of the
recurrence, night after night, of the blows which first caused it. His
wife had to remove the button from the wrist of his night-gown as it
made severe scratches, and some means were attempted of tying his arm.
“Many years after his death, his son married a lady who had never heard
of the family incident. She, however, observed precisely the same
peculiarity in her husband; but his nose, from not being particularly
prominent, has never as yet suffered from the blows. The trick does not
occur when he is half-asleep, as, for example, when dozing in his
arm-chair, but the moment he is fast asleep it is apt to begin. It is,
as with his father, intermittent; sometimes ceasing for many nights,
and sometimes almost incessant during a part of every night. It is
performed, as it was by his father, with his right hand.
“One of his children, a girl, has inherited the same trick. She
performs it, likewise, with the right hand, but in a slightly modified
form; for, after raising the arm, she does not allow the wrist to drop
upon the bridge of the nose, but the palm of the half-closed hand falls
over and down the nose, striking it rather rapidly. It is also very
intermittent with this child, not occurring for periods of some months,
but sometimes occurring almost incessantly.”]
109 (return) [ Prof. Huxley remarks (‘Elementary Physiology,’ 5th edit.
p. 305) that reflex actions proper to the spinal cord are _natural_;
but, by the help of the brain, that is through habit, an infinity of
_artificial_ reflex actions may be acquired. Virchow admits (‘Sammlung
wissenschaft. Vorträge,’ &c., “Ueber das Rückenmark,” 1871, ss. 24, 31)
that some reflex actions can hardly be distinguished from instincts;
and, of the latter, it may be added, some cannot be distinguished from
inherited habits.]
110 (return) [ Dr. Maudsley, ‘Body and Mind,’ 1870, p. 8.]
111 (return) [ See the very interesting discussion on the whole subject
by Claude Bernard, ‘Tissus Vivants,’ 1866, p. 353-356.]
112 (return) [ ‘Chapters on Mental Physiology,’ 1858, p. 85.]
113 (return) [ Müller remarks (‘Elements of Physiology,’ Eng. tr. vol.
ii. p. 1311) on starting being always accompanied by the closure of the
eyelids.]
114 (return) [ Dr. Maudsley remarks (‘Body and Mind,’ p. 10) that
“reflex movements which commonly effect a useful end may, under the
changed circumstances of disease, do great mischief, becoming even the
occasion of violent suffering and of a most painful death.”]
115 (return) [ See Mr. F. H. Salvin’s account of a tame jackal in ‘Land
and Water,’ October, 1869.]
116 (return) [ “Dr. Darwin, ‘Zoonomia,’ 1794, vol. i. p. 160. I find
that the fact of cats protruding their feet when pleased is also
noticed (p. 151) in this work.]
117 (return) [ Carpenter, ‘Principles of Comparative Physiology,’ 1854,
p. 690, and Müller’s ‘Elements of Physiology,’ Eng. translat. vol. ii.
p. 936.]
118 (return) [ Mowbray on ‘Poultry,’ 6th edit. 1830, p. 54.]
119 (return) [ See the account given by this excellent observer in
‘Wild Sports of the Highlands,’ 1846, p. 142.]
120 (return) [ ‘Philosophical Translations,’ 1823, p. 182.]
201 (return) [ ‘Naturgeschichte der Säugethiere von Paraguay,’ 1830, s.
55.]
202 (return) [ Mr. Tylor gives an account of the Cistercian
gesture-language in his ‘Early History of Mankind’ (2nd edit. 1870, p.
40), and makes some remarks on the principle of opposition in
gestures.]
203 (return) [ See on this subject Dr. W. R. Scott’s interesting work,
‘The Deaf and Dumb,’ 2nd edit. 1870, p. 12. He says, “This contracting
of natural gestures into much shorter gestures than the natural
expression requires, is very common amongst the deaf and dumb. This
contracted gesture is frequently so shortened as nearly to lose all
semblance of the natural one, but to the deaf and dumb who use it, it
still has the force of the original expression.”]
301 (return) [ See the interesting cases collected by M. G. Pouchet in
the ‘Revue des Deux Mondes,’ January 1, 1872, p. 79. An instance was
also brought some years ago before the British Association at Belfast.]
302 (return) [ Müller remarks (‘Elements of Physiology,’ Eng. translat.
vol. ii. p. 934) that when the feelings are very intense, “all the
spinal nerves become affected to the extent of imperfect paralysis, or
the excitement of trembling of the whole body.”]
303 (return) [ ‘Leçons sur les Prop. des Tissus Vivants,’ 1866, pp.
457-466.]
304 (return) [ Mr. Bartlett, “Notes on the Birth of a Hippopotamus,”
Proc. Zoolog. Soc. 1871, p. 255.]
305 (return) [ See, on this subject, Claude Bernard, ‘Tissus Vivants,’
1866, pp. 316, 337, 358. Virchow expresses himself to almost exactly
the same effect in his essay “Ueber das Rückenmark” (Sammlung
wissenschaft. Vorträge, 1871, s. 28).]
306 (return) [ Müller (‘Elements of Physiology,’ Eng. translat. vol.
ii. p. 932) in speaking of the nerves, says, “any sudden change of
condition of whatever kind sets the nervous principle into action.” See
Virchow and Bernard on the same subject in passages in the two works
referred to in my last foot-note.]
307 (return) [ H. Spencer, ‘Essays, Scientific, Political,’ &c., Second
Series, 1863, pp. 109, 111.]
308 (return) [ Sir H. Holland, in speaking (‘Medical Notes and
Reflexions,’ 1839, p. 328) of that curious state of body called the
_fidgets_, remarks that it seems due to “an accumulation of some cause
of irritation which requires muscular action for its relief.”]
309 (return) [ I am much indebted to Mr. A. H. Garrod for having
informed me of M. Lorain’s work on the pulse, in which a sphygmogram of
a woman in a rage is given; and this shows much difference in the rate
and other characters from that of the same woman in her ordinary
state.]
310 (return) [ How powerfully intense joy excites the brain, and how
the brain reacts on the body, is well shown in the rare cases of
Psychical Intoxication. Dr. J. Crichton Browne (‘Medical Mirror,’ 1865)
records the case of a young man of strongly nervous temperament, who,
on hearing by a telegram that a fortune had been bequeathed him, first
became pale, then exhilarated, and soon in the highest spirits, but
flushed and very restless. He then took a walk with a friend for the
sake of tranquillising himself, but returned staggering in his gait,
uproariously laughing, yet irritable in temper, incessantly talking,
and singing loudly in the public streets. It was positively ascertained
that he had not touched any spirituous liquor, though every one thought
that he was intoxicated. Vomiting after a time came on, and the
half-digested contents of his stomach were examined, but no odour of
alcohol could be detected. He then slept heavily, and on awaking was
well, except that he suffered from headache, nausea, and prostration of
strength.]
311 (return) [ Dr. Darwin, ‘Zoonomia,’ 1794, vol. i. p. 148.]
312 (return) [ Mrs. Oliphant, in her novel of ‘Miss Majoribanks,’ p.
362. All this reacts on the brain, and prostration soon follows with
collapsed muscles and dulled eyes. As associated habit no longer
prompts the sufferer to action, he is urged by his friends to voluntary
exertion, and not to give way to silent, motionless grief. Exertion
stimulates the heart, and this reacts on the brain, and aids the mind
to bear its heavy load.]
401 (return) [ See the evidence on this head in my ‘Variation of
Animals and Plants under Domestication,’ vol. i. p. 27. On the cooing
of pigeons, vol. i. pp. 154, 155.]
402 (return) [ ‘Essays, Scientific, Political, and Speculative,’ 1858.
‘The Origin and Function of Music,’ p. 359.]
403 (return) [ ‘The Descent of Man,’ 1870, vol. ii. p. 332. The words
quoted are from Professor Owen. It has lately been shown that some
quadrupeds much lower in the scale than monkeys, namely Rodents, are
able to produce correct musical tones: see the account of a singing
Hesperomys, by the Rev. S. Lockwood, in the ‘American Naturalist,’ vol.
v. December, 1871, p. 761.]
404 (return) [ Mr. Tylor (‘Primitive Culture,’ 1871, vol. i. p. 166),
in his discussion on this subject, alludes to the whining of the dog.]
405 (return) [ ‘Naturgeschichte der Säugethiere von Paraguay,’ 1830, s.
46.]
406 (return) [ Quoted by Gratiolet, ‘De la Physionomie,’ 1865, p. 115.]
407 (return) [ ‘Théorie Physiologique de la Musique,’ Paris, 1868, P.
146. Helmholtz has also fully discussed in this profound work the
relation of the form of the cavity of the mouth to the production of
vowel-sounds.]
408 (return) [ I have given some details on this subject in my ‘Descent
of Man,’ vol. i. pp. 352, 384.]
409 (return) [ As quoted in Huxley’s ‘Evidence as to Man’s Place in
Nature,’ 1863, p. 52.]
410 (return) [ Illust. Thierleben, 1864, B. i. s. 130.]
411 (return) [ The Hon. J. Caton, Ottawa Acad. of Nat. Sciences, May,
1868, pp. 36, 40. For the _Capra, Ægagrus_, ‘Land and Water,’ 1867, p.
37.]
412 (return) [ ‘Land and Water,’ July 20, 1867, p. 659.]
413 (return) [ _Phaeton rubricauda_: ‘Ibis,’ vol. iii. 1861, p. 180.]
414 (return) [ On the _Strix flammea_, Audubon, ‘Ornithological
Biography,’ 1864, vol. ii. p. 407. I have observed other cases in the
Zoological Gardens.]
415 (return) [ _Melopsittacus undulatus_. See an account of its habits
by Gould, ‘Handbook of Birds of Australia,’ 1865, vol. ii. p. 82.]
416 (return) [ See, for instance, the account which I have given
(‘Descent of Man,’ vol. ii. p. 32) of an Anolis and Draco.]
417 (return) [ These muscles are described in his well-known works. I
am greatly indebted to this distinguished observer for having given me
in a letter information on this same subject.]
418 (return) [ ‘Lehrbuch der Histologie des Menschen,’ 1857, s. 82. I
owe to Prof. W. Turner’s kindness an extract from this work.]
419 (return) [ ‘Quarterly Journal of Microscopical Science,’ 1853, vol.
i. p. 262.]
420 (return) [ ‘Lehrbuch der Histologie,’ 1857, s. 82.]
421 (return) [ ‘Dictionary of English Etymology,’ p. 403.]
422 (return) [ See the account of the habits of this animal by Dr.
Cooper, as quoted in ‘Nature,’ April 27, 1871, p. 512.]
423 (return) [ Dr. Günther, ‘Reptiles of British India,’ p. 262.]
424 (return) [ Mr. J. Mansel Weale, ‘Nature,’ April 27, 1871, p. 508.]
425 (return) [ ‘Journal of Researches during the Voyage of the
“Beagle,”’ 1845, p. 96. I have compared the rattling thus produced with
that of the Rattle-snake.]
426 (return) [ See the account by Dr. Anderson, Proc. Zool. Soc. 1871,
p. 196.]
427 (return) [ The ‘American Naturalist,’ Jan. 1872, p. 32. I regret
that I cannot follow Prof. Shaler in believing that the rattle has been
developed, by the aid of natural selection, for the sake of producing
sounds which deceive and attract birds, so that they may serve as prey
to the snake. I do not, however, wish to doubt that the sounds may
occasionally subserve this end. But the conclusion at which I have
arrived, viz. that the rattling serves as a warning to would-be
devourers, appears to me much more probable, as it connects together
various classes of facts. If this snake had acquired its rattle and the
habit of rattling, for the sake of attracting prey, it does not seem
probable that it would have invariably used its instrument when angered
or disturbed. Prof. Shaler takes nearly the same view as I do of the
manner of development of the rattle; and I have always held this
opinion since observing the Trigonocephalus in South America.]
428 (return) [ From the accounts lately collected, and given in the
‘Journal of the Linnean Society,’ by Airs. Barber, on the habits of the
snakes of South Africa; and from the accounts published by several
writers, for instance by Lawson, of the rattle-snake in North
America,—it does not seem improbable that the terrific appearance of
snakes and the sounds produced by them, may likewise serve in procuring
prey, by paralysing, or as it is sometimes called fascinating, the
smaller animals.]
429 (return) [ See the account by Dr. R. Brown, in Proc. Zool. Soc.
1871, p. 39. He says that as soon as a pig sees a snake it rushes upon
it; and a snake makes off immediately on the appearance of a pig.]
430 (return) [ Dr. Günther remarks (‘Reptiles of British India,’ p.
340) on the destruction of cobras by the ichneumon or herpestes, and
whilst the cobras are young by the jungle-fowl. It is well known that
the peacock also eagerly kills snakes.]
431 (return) [ Prof. Cope enumerates a number of kinds in his ‘Method
of Creation of Organic Types,’ read before the American Phil. Soc.,
December 15th, 1871, p. 20. Prof. Cope takes the same view as I do of
the use of the gestures and sounds made by snakes. I briefly alluded to
this subject in the last edition of my ‘Origin of Species.’ Since the
passages in the text above have been printed, I have been pleased to
find that Mr. Henderson (‘The American Naturalist,’ May, 1872, p. 260)
also takes a similar view of the use of the rattle, namely “in
preventing an attack from being made.”]
432 (return) [ Mr. des Vœux, in Proc. Zool. Soc. 1871, p. 3.]
433 (return) [ ‘The Sportsman and Naturalist in Canada,’ 1866, p. 53.
p. 53.{sic}]
434 (return) [ ‘The Nile Tributaries of Abyssinia,’ 1867, p. 443.]
501 (return) [ ‘The Anatomy of Expression,’ 1844, p. 190.]
502 (return) [ ‘De la Physionomie,’ 1865, pp. 187, 218.]
503 (return) [ ‘The Anatomy of Expression,’ 1844, p. 140.]
504 (return) [ Many particulars are given by Gueldenstädt in his
account of the jackal in Nov. Comm. Acad. Sc. Imp. Petrop. 1775, tom.
xx. p. 449. See also another excellent account of the manners of this
animal and of its play, in ‘Land and Water,’ October, 1869. Lieut.
Annesley, R. A., has also communicated to me some particulars with
respect to the jackal. I have made many inquiries about wolves and
jackals in the Zoological Gardens, and have observed them for myself.]
505 (return) [ ‘Land and Water,’ November 6, 1869.]
506 (return) [ Azara, ‘Quadrupèdes du Paraquay,’ 1801, tom. 1. p. 136.]
507 (return) [ ‘Land and Water,’ 1867, p. 657. See also Azara on the
Puma, in the work above quoted.]
508 (return) [ Sir C. Bell, ‘Anatomy of Expression,’ 3rd edit. p. 123.
See also p. 126, on horses not breathing through their mouths, with
reference to their distended nostrils.]
509 (return) [ ‘Land and Water,’ 1869, p. 152.]
510 (return) [ ‘Natural History of Mammalia,’ 1841, vol. 1. pp. 383,
410.]
511 (return) [ Rengger (‘Sagetheire von Paraquay’, 1830, s. 46) kept
these monkeys in confinement for seven years in their native country of
Paraguay.]
512 (return) [ Rengger, ibid. s. 46. Humboldt, ‘Personal Narrative,
Eng. translat. vol. iv. p. 527.]
513 (return) [ Nat. Hist. of Mammalia, 1841, p. 351.]
514 (return) [ Brehm, ‘Thierleben,’ B. i. s. 84. On baboons striking
the ground, s. 61.]
515 (return) [ Brehm remarks (‘Thierleben,’ s. 68) that the eyebrows of
the _Inuus ecaudatus_ are frequently moved up and down when the animal
is angered.]
516 (return) [ G. Bennett, ‘Wanderings in New South Wales,’ &c. vol.
ii. 1834, p. 153. FIG. 18.-Chimpanzee disappointed and sulky. Drawn
from life by Mr. Wood.]
517 (return) [ W. L. Martin, Nat. Hist. of Mamm. Animals, 1841, p.
405.]
518 (return) [ Prof. Owen on the Orang, Proc. Zool. Soc. 1830, p. 28.
On the Chimpanzee, see Prof. Macalister, in Annals and Mag. of Nat.
Hist. vol. vii. 1871, p. 342, who states that the _corrugator
supercilii_ is inseparable from the _orbicularis palpebrarum_.]
519 (return) [ Boston Journal of Nat. Hist. 1845—-47, vol. v. p. 423.
On the Chimpanzee, ibid. 1843-44, vol. iv. p. 365.]
520 (return) [ See on this subject, ‘Descent of Man,’ vol. i. p. 20.]
521 (return) [ ‘Descent of Man,’ vol, i. p, 43.]
522 (return) [ ‘Anatomy of Expression,’ 3rd edit. 1844, pp. 138, 121.]
601 (return) [ The best photographs in my collection are by Mr.
Rejlander, of Victoria Street, London, and by Herr Kindermann, of
Hamburg. Figs. 1, 3, 4, and 6 are by the former; and figs. 2 and 5, by
the latter gentleman. Fig. 6 is given to show moderate crying in an
older child.]
602 (return) [ Henle (‘Handbuch d. Syst. Anat. 1858, B. i. s. 139)
agrees with Duchenne that this is the effect of the contraction of the
_pyramidalis nasi_.]
603 (return) [ These consist of the _levator labii superioris alaeque
nasi_, the _levator labii proprius_, the _malaris_, and the
_zygomaticus minor_, or little zygomatic. This latter muscle runs
parallel to and above the great zygomatic, and is attached to the outer
part of the upper lip. It is represented in fig. 2 (I. p. 24), but not
in figs. 1 and 3. Dr. Duchenne first showed (‘Mécanisme de la
Physionomie Humaine,’ Album, 1862, p. 39) the importance of the
contraction of this muscle in the shape assumed by the features in
crying. Henle considers the above-named muscles (excepting the
_malaris_) as subdivisions of the _quadratus labii superioris_.]
604 (return) [ Although Dr. Duchenne has so carefully studied the
contraction of the different muscles during the act of crying, and the
furrows on the face thus produced, there seems to be something
incomplete in his account; but what this is I cannot say. He has given
a figure (Album, fig. 48) in which one half of the face is made, by
galvanizing the proper muscles, to smile; whilst the other half is
similarly made to begin crying. Almost all those (viz. nineteen out of
twenty-one persons) to whom I showed the smiling half of the face
instantly recognized the expression; but, with respect to the other
half, only six persons out of twenty-one recognized it,—that is, if we
accept such terms as “grief,” “misery,” “annoyance,” as
correct;—whereas, fifteen persons were ludicrously mistaken; some of
them saying the face expressed “fun,” “satisfaction,” “cunning,”
“disgust,” &c. We may infer from this that there is something wrong in
the expression. Some of the fifteen persons may, however, have been
partly misled by not expecting to see an old man crying, and by tears
not being secreted. With respect to another figure by Dr. Duchenne
(fig. 49), in which the muscles of half the face are galvanized in
order to represent a man beginning to cry, with the eyebrow on the same
side rendered oblique, which is characteristic of misery, the
expression was recognized by a greater proportional number of persons.
Out of twenty-three persons, fourteen answered correctly, “sorrow,”
“distress,” “grief,” “just going to cry,” “endurance of pain,” &c. On
the other hand, nine persons either could form no opinion or were
entirely wrong, answering, “cunning leer,” “jocund,” “looking at an
intense light,” “looking at a distant object,” &c.]
605 (return) [ Mrs. Gaskell, ‘Mary Barton,’ new edit. p. 84.]
606 (return) [ ‘Mimik und Physiognomik,’ 1867, s. 102. Duchenne,
Mécanisme de la Phys. Humaine, Album, p. 34.]
607 (return) [ Dr. Duchenne makes this remark, ibid. p. 39.]
608 (return) [ ‘The Origin of Civilization,’ 1870, p. 355.]
609 (return) [ See, for instance, Mr. Marshall’s account of an idiot in
Philosoph. Transact. 1864, p. 526. With respect to cretins, see Dr.
Piderit, ‘Mimik und Physiognomik,’ 1867, s. 61.]
610 (return) [ ‘New Zealand and its Inhabitants,’ 1855, p. 175.]
611 (return) [ ‘De la Physionomie,’ 1865, p. 126.]
612 (return) [ ‘The Anatomy of Expression,’ 1844, p. 106. See also his
paper in the ‘Philosophical Transactions,’ 1822, p. 284, ibid. 1823,
pp. 166 and 289. Also ‘The Nervous System of the Human Body,’ 3rd edit.
1836, p. 175.]
613 (return) [ See Dr. Brinton’s account of the act of vomiting, in
Todd’s Cyclop. of Anatomy and Physiology, 1859, vol. v. Supplement, p.
318.]
614 (return) [ I am greatly indebted to Mr. Bowman for having
introduced me to Prof. Donders, and for his aid in persuading this
great physiologist to undertake the investigation of the present
subject. I am likewise much indebted to Mr. Bowman for having given me,
with the utmost kindness, information on many points.]
615 (return) [ This memoir first appeared in the ‘Nederlandsch Archief
voor Genees en Natuurkunde,’ Deel 5, 1870. It has been translated by
Dr. W. D. Moore, under the title of “On the Action of the Eyelids in
determination of Blood from expiratory effort,” in ‘Archives of
Medicine,’ edited by Dr. L. S. Beale, 1870, vol. v. p. 20.]
616 (return) [ Prof. Donders remarks (ibid. p. 28), that, “After injury
to the eye, after operations, and in some forms of internal
inflammation, we attach great value to the uniform support of the
closed eyelids, and we increase this in many instances by the
application of a bandage. In both cases we carefully endeavour to avoid
great expiratory pressure, the disadvantage of which is well known.”
Mr. Bowman informs me that in the excessive photophobia, accompanying
what is called scrofulous ophthalmia in children, when the light is so
very painful that during weeks or months it is constantly excluded by
the most forcible closure of the lids, he has often been struck on
opening the lids by the paleness of the eye,—not an unnatural paleness,
but an absence of the redness that might have been expected when the
surface is somewhat inflamed, as is then usually the case; and this
paleness he is inclined to attribute to the forcible closure of the
eyelids.]
617 (return) [ Donders, ibid. p. 36.]
618 (return) [ Mr. Hensleigh Wedgwood (Dict. of English Etymology,
1859, vol. i. p. 410) says, “the verb to weep comes from Anglo-Saxon
_wop_, the primary meaning of which is simply outcry.”]
619 (return) [ ‘De la Physionomie,’ 1865, p. 217.]
620 (return) [ ‘Ceylon,’ 3rd edit. 1859, vol. ii. pp. 364, 376. I
applied to Mr. Thwaites, in Ceylon, for further information with
respect to the weeping of the elephant; and in consequence received a
letter from the Rev. Mr Glenie, who, with others, kindly observed for
me a herd of recently captured elephants. These, when irritated,
screamed violently; but it is remarkable that they never when thus
screaming contracted the muscles round the eyes. Nor did they shed
tears; and the native hunters asserted that they had never observed
elephants weeping. Nevertheless, it appears to me impossible to doubt
Sir E. Tennent’s distinct details about their weeping, supported as
they are by the positive assertion of the keeper in the Zoological
Gardens. It is certain that the two elephants in the Gardens, when they
began to trumpet loudly, invariably contracted their orbicular muscles.
I can reconcile these conflicting statements only by supposing that the
recently captured elephants in Ceylon, from being enraged or
frightened, desired to observe their persecutors, and consequently did
not contract their orbicular muscles, so that their vision might not be
impeded. Those seen weeping by Sir E. Tennent were prostrate, and had
given up the contest in despair. The elephants which trumpeted in the
Zoological Gardens at the word of command, were, of course, neither
alarmed nor enraged.]
621 (return) [ Bergeon, as quoted in the ‘Journal of Anatomy and
Physiology,’ Nov. 1871, p. 235.]
622 (return) [ See, for instance, a case given by Sir Charles Bell,
‘Philosophical Transactions,’ 1823, p. 177.]
623 (return) [ See, on these several points, Prof. Donders ‘On the
Anomalies of Accommodation and Refraction of the Eye,’ 1864, p. 573.]
624 (return) [ Quoted by Sir J. Lubbock, ‘Prehistoric Times,’ 1865, p.
458.]
701 (return) [ The above descriptive remarks are taken in part from my
own observations, but chiefly from Gratiolet (‘De la Physionomie,’ pp.
53, 337; on Sighing, 232), who has well treated this whole subject.
See, also, Huschke, ‘Mimices et Physiognomices, Fragmentum
Physiologi-cum,’ 1821, p. 21. On the dulness of the eyes, Dr. Piderit,
‘Mimik und Physiognomik,’ 1867, s. 65.]
702 (return) [ On the action of grief on the organs of respiration, see
more especially Sir C. Bell, ‘Anatomy of Expression,’ 3rd edit. 1844,
p. 151.]
703 (return) [ In the foregoing remarks on the manner in which the
eyebrows are made oblique, I have followed what seems to be the
universal opinion of all the anatomists, whose works I have consulted
on the action of the above-named muscles, or with whom I have
conversed. Hence throughout this work I shall take a similar view of
the action of the corrugator supercilii, orbicularis, pyramidalis nasi,
and frontalis muscles. Dr. Duchenne, however, believes, and every
conclusion at which he arrives deserves serious consideration, that it
is the corrugator, called by him the sourcilier, which raises the inner
corner of the eyebrows and is antagonistic to the upper and inner part
of the orbicular muscle, as well as to the pyramidalis nasi (see
Mécanisme de la Phys. Humaine, 1862, folio, art. v., text and figures
19 to 29: octavo edit. 1862, p. 43 text). He admits, however, that the
corrugator draws together the eyebrows, causing vertical furrows above
the base of the nose, or a frown. He further believes that towards the
outer two-thirds of the eyebrow the corrugator acts in conjunction with
the upper orbicular muscle; both here standing in antagonism to the
frontal muscle. I am unable to understand, judging from Henle’s
drawings (woodcut, fig. 3), how the corrugator can act in the manner
described by Duchenne. See, also, on this subject, Prof. Donders’
remarks in the ‘Archives of Medicine,’ 1870, vol. v. p. 34. Mr. J.
Wood, who is so well known for his careful study of the muscles of the
human frame, informs me that he believes the account which I have given
of the action of the corrugator to be correct. But this is not a point
of any importance with respect to the expression which is caused by the
obliquity of the eyebrows, nor of much importance to the theory of its
origin.]
704 (return) [ I am greatly indebted to Dr. Duchenne for permission to
have these two photographs (figs. 1 and 2) reproduced by the heliotype
process from his work in folio. Many of the foregoing remarks on the
furrowing of the skin, when the eyebrows are rendered oblique, are
taken from his excellent discussion on this subject.]
705 (return) [ Mécanisme de la Phys. Humaine, Album, p. 15.]
706 (return) [ Henle, Handbuch der Anat. des Menschen, 1858, B. i. s.
148, figs. 68 and 69.]
707 (return) [ See the account of the action of this muscle by Dr.
Duchenne, ‘Mécanisme de la Physionomie Humaine, Album (1862), viii. p.
34.]
801 (return) [ Herbert Spencer, ‘Essays Scientific,’ &c., 1858, p.
360.]
802 (return) [ F. Lieber on the vocal sounds of L. Bridgman,
‘Smithsonian Contributions,’ 1851, vol. ii. p. 6.]
803 (return) [ See, also, Mr. Marshall, in Phil. Transact. 1864, p.
526.]
804 (return) [ Mr. Bain (‘The Emotions and the Will,’ 1865, p. 247) has
a long and interesting discussion on the Ludicrous. The quotation above
given about the laughter of the gods is taken from this work. See,
also, Mandeville, ‘The Fable of the Bees,’ vol. ii. p. 168.]
805 (return) [ ‘The Physiology of Laughter,’ Essays, Second Series,
1863, p. 114.]
806 (return) [ J. Lister in ‘Quarterly Journal of Microscopical
Science,’ 1853, vol. 1. p. 266.]
807 (return) [ ‘De la Physionomie,’ p. 186.]
808 (return) [ Sir C. Bell (Anat. of Expression, p. 147) makes some
remarks on the movement of the diaphragm during laughter.]
809 (return) [ ‘Mécanisme de la Physionomie Humaine,’ Album, Légende
vi.]
810 (return) [ Handbuch der System. Anat. des Menschen, 1858, B. i. s.
144. See my woodcut (H. fig. 2).]
811 (return) [ See, also, remarks to the same effect by Dr. J. Crichton
Browne in ‘Journal of Mental Science,’ April, 1871, p. 149.]
812 (return) [ C. Vogt, ‘Mémoire sur les Microcéphales,’ 1867, p. 21.]
813 (return) [ Sir C. Bell, ‘Anatomy of Expression,’ p. 133.]
814 (return) [ ‘Mimik und Physiognomik,’ 1867, s. 63-67.]
815 (return) [ Sir T. Reynolds remarks (‘Discourses,’ xii. p. 100), “it
is curious to observe, and it is certainly true, that the extremes of
contrary passions are, with very little variation, expressed by the
same action.” He gives as an instance the frantic joy of a Bacchante
and the grief of a Mary Magdalen.]
816 (return) [ Dr. Piderit has come to the same conclusion, ibid. s.
99.]
817 (return) [ ‘La Physionomie,’ par G. Lavater, edit. of 1820, vol.
iv. p. 224. See, also, Sir C. Bell, ‘Anatomy of Expression,’ p. 172,
for the quotation given below.]
818 (return) [ A ‘Dictionary of English Etymology,’ 2nd edit. 1872,
Introduction, p. xliv.]
819 (return) [ Crantz, quoted by Tylor, ‘Primitive Culture,’ 1871, Vol.
i. P. 169.]
820 (return) [ F. Lieber, ‘Smithsonian Contributions,’ 1851, vol. ii.
p. 7.]
821 (return) [ Mr. Bain remarks (‘Mental and Moral Science,’ 1868, p.
239), “Tenderness is a pleasurable emotion, variously stimulated, whose
effort is to draw human beings into mutual embrace.”]
822 (return) [ Sir J. Lubbock, ‘Prehistoric Times,’ 2nd edit. 1869, p.
552, gives full authorities for these statements. The quotation from
Steele is taken from this work.]
823 (return) [ See a full acount,{sic} with references, by E. B. Tylor,
‘Researches into the Early History of Mankind,’ 2nd edit. 1870, p. 51.]
824 (return) [ ‘The Descent of Man,’ vol. ii. p. 336.]
825 (return) [ Dr. Mandsley has a discussion to this effect in his
‘Body and Mind,’ 1870, p. 85.]
826 (return) [ ‘The Anatomy of Expression,’ p. 103, and ‘Philosophical
Transactions,’ 1823, p. 182.]
827 (return) [ ‘The Origin of Language,’ 1866, p. 146. Mr. Tylor
(‘Early History of Mankind,’ 2nd edit. 1870, p. 48) gives a more
complex origin to the position of the hands during prayer.]
901 (return) [ ‘Anatomy of Expression,’ pp. 137, 139. It is not
surprising that the corrugators should have become much more developed
in man than in the anthropoid apes; for they are brought into incessant
action by him under various circumstances, and will have been
strengthened and modified by the inherited effects of use. We have seen
how important a part they play, together with the orbiculares, in
protecting the eyes from being too much gorged with blood during
violent expiratory movements. When the eyes are closed as quickly and
as forcibly as possible, to save them from being injured by a blow, the
corrugators contract. With savages or other men whose heads are
uncovered, the eyebrows are continually lowered and contracted to serve
as a shade against a too strong light; and this is effected partly by
the corrugators. This movement would have been more especially
serviceable to man, as soon as his early progenitors held their heads
erect. Lastly, Prof. Donders believes (‘Archives of Medicine,’ ed. by
L. Beale, 1870, vol. v. p. 34), that the corrugators are brought into
action in causing the eyeball to advance in accommodation for proximity
in vision.]
902 (return) [ ‘Mécanisme de la Physionomie Humaine,’ Album, Légende
iii.]
903 (return) [ ‘Mimik und Physiognomik,’ s. 46.]
904 (return) [ ‘History of the Abipones,’ Eng. translat. vol. ii. p.
59, as quoted by Lubbock, ‘Origin of Civilisation,’ 1870, p. 355.]
905 (return) [ ‘De la Physionomie,’ pp. 15, 144, 146. Mr. Herbert
Spencer accounts for frowning exclusively by the habit of contracting
the brows as a shade to the eyes in a bright light: see ‘Principles of
Physiology,’ 2nd edit. 1872, p. 546.]
906 (return) [ Gratiolet remarks (De la Phys. p. 35), “Quand
l’attention est fixee sur quelque image interieure, l’oeil regarde dons
le vide et s’associe automatiquement a la contemplation de l’esprit.”
But this view hardly deserves to be called an explanation.]
907 (return) [ ‘Miles Gloriosus,’ act ii. sc. 2.]
908 (return) [ The original photograph by Herr Kindermann is much more
expressive than this copy, as it shows the frown on the brow more
plainly.]
909 (return) [ ‘Mécanisme de la Physionomie Humaine,’ Album, Légende
iv. figs. 16-18.]
910 (return) [ Hensleigh Wedgwood on ‘The Origin of Language,’ 1866, p.
78.]
911 (return) [ Müller, as quoted by Huxley, ‘Man’s Place in Nature,’
1863, p. 38.]
912 (return) [ I have given several instances in my ‘Descent of Man,’
vol. i. chap. iv.]
913 (return) [ ‘Anatomy of Expression.’ p. 190.]
914 (return) [ ‘De la Physionomie,’ pp. 118-121.]
915 (return) [ ‘Mimik und Physiognomik,’ s. 79.]
1001 (return) [ See some remarks to this effect by Mr. Bain, ‘The
Emotions and the Will,’ 2nd edit. 1865, p. 127.]
1002 (return) [ Rengger, Naturgesch. der Säugethiere von Paraguay,
1830, s. 3.]
1003 (return) [ Sir C. Bell, ‘Anatomy of Expression,’ p. 96. On the
other hand, Dr. Burgess (‘Physiology of Blushing,’ 1839, p. 31) speaks
of the reddening of a cicatrix in a negress as of the nature of a
blush.]
1004 (return) [ Moreau and Gratiolet have discussed the colour of the
face under the influence of intense passion: see the edit. of 1820 of
Lavater, vol. iv. pp. 282 and 300; and Gratiolet, ‘De la Physionomie,’
p. 345.]
1005 (return) [ Sir C. Bell ‘Anatomy of Expression,’ pp. 91, 107, has
fully discussed this subject. Moreau remarks (in the edit. of 1820 of
‘La Physionomie, par G. Lavater,’ vol. iv. p. 237), and quotes Portal
in confirmation, that asthmatic patients acquire permanently expanded
nostrils, owing to the habitual contraction of the elevatory muscles of
the wings of the nose. The explanation by Dr. Piderit (‘Mimik und
Physiognomik,’ s. 82) of the distension of the nostrils, namely, to
allow free breathing whilst the mouth is closed and the teeth clenched,
does not appear to be nearly so correct as that by Sir C. Bell, who
attributes it to the sympathy (_i. e_. habitual co-action) of all the
respiratory muscles. The nostrils of an angry man may be seen to become
dilated, although his mouth is open.]
1006 (return) [ Mr. Wedgwood, ‘On the Origin of Language,’ 1866, p. 76.
He also observes that the sound of hard breathing “is represented by
the syllables _puff, huff, whiff_, whence a _huff_ is a fit of
ill-temper.”]
1007 (return) [ Sir C. Bell ‘Anatomy of Expression,’ p. 95) has some
excellent remarks on the expression of rage.]
1008 (return) [ ‘De la Physionomie,’ 1865, p. 346.]
1009 (return) [ Sir C. Bell, ‘Anatomy of Expression,’ p. 177. Gratiolet
(De la Phys. p. 369) says, ‘les dents se découvrent, et imitent
symboliquement l’action de déchirer et de mordre.’I If, instead of
using the vague term _symboliquement_, Gratiolet had said that the
action was a remnant of a habit acquired during primeval times when our
semi-human progenitors fought together with their teeth, like gorillas
and orangs at the present day, he would have been more intelligible.
Dr. Piderit (‘Mimik,’ &c., s. 82) also speaks of the retraction of the
upper lip during rage. In an engraving of one of Hogarth’s wonderful
pictures, passion is represented in the plainest manner by the open
glaring eyes, frowning forehead, and exposed grinning teeth.]
1010 (return) [ ‘Oliver Twist,’ vol. iii. p. 245.]
1011 (return) [ ‘The Spectator,’ July 11, 1868, p. 810.]
1012 (return) [ ‘Body and Mind,’ 1870, pp. 51-53.]
1013 (return) [ Le Brun, in his well-known ‘Conference sur
l’Expression’ (‘La Physionomie, par Lavater,’ edit. of 1820, vol. lx.
p. 268), remarks that anger is expressed by the clenching of the fists.
See, to the same effect, Huschke, ‘Mimices et Physiognomices,
Fragmentum Physiologicum,’ 1824, p. 20. Also Sir C. Bell, ‘Anatomy of
Expression,’ p. 219.]
1014 (return) [ Transact. Philosoph. Soc., Appendix, 1746, p. 65.]
1015 (return) [ ‘Anatomy of Expression,’ p. 136. Sir C. Bell calls (p.
131) the muscles which uncover the canines the snarling muscles.]
1016 (return) [ Hensleigh Wedgwood, ‘Dictionary of English Etymology,’
1865, vol. iii. pp. 240, 243.]
1017 (return) [ ‘The Descent of Man,’ 1871, vol. L p. 126.]
1101 (return) [ ‘De In Physionomie et la Parole,’ 1865, p. 89.]
1102 (return) [ ‘Physionomie Humaine,’ Album, Légende viii. p. 35.
Gratiolet also speaks (De la Phys. 1865, p. 52) of the turning away of
the eyes and body.]
1103 (return) [ Dr. W. Ogle, in an interesting paper on the Sense of
Smell (‘Medico-Chirurgical Transactions,’ vol. liii. p. 268), shows
that when we wish to smell carefully, instead of taking one deep nasal
inspiration, we draw in the air by a succession of rapid short sniffs.
If “the nostrils be watched during this process, it will be seen that,
so far from dilating, they actually contract at each sniff. The
contraction does not include the whole anterior opening, but only the
posterior portion.” He then explains the cause of this movement. When,
on the other hand, we wish to exclude any odour, the contraction, I
presume, affects only the anterior part of the nostrils.]
1104 (return) [ ‘Mimik und Physiognomik,’ ss. 84, 93. Gratiolet (ibid.
p. 155) takes nearly the same view with Dr. Piderit respecting the
expression of contempt and disgust.]
1105 (return) [ Scorn implies a strong form of contempt; and one of the
roots of the word ‘scorn’ means, according to Mr. Wedgwood (Dict. of
English Etymology, vol. iii. p. 125), ordure or dirt. A person who is
scorned is treated like dirt.]
1106 (return) [ ‘Early History of Mankind,’ 2nd edit. 1870, p. 45.]
1107 (return) [ See, to this effect, Mr. Hensleigh Wedgwood’s
Introduction to the ‘Dictionary of English Etymology,’ 2nd edit. 1872,
p. xxxvii.]
1108 (return) [ Duchenne believes that in the eversion of the lower
lip, the corners are drawn downwards by the _depressores anguli oris_.
Henle (Handbuch d. Anat. des Menschen, 1858, B. i. s. 151) concludes
that this is effected by the _musculus quadratus menti_.]
1109 (return) [ As quoted by Tylor, ‘Primitive Culture,’ 1871, vol. i.
p. 169.]
1110 (return) [ Both these quotations are given by Mr. H. Wedgwood, ‘On
the Origin of Language,’ 1866, p. 75.]
1111 (return) [ This is stated to be the case by Mr. Tylor (Early Hist.
of Mankind, 2nd edit. 1870, p. 52); and he adds, “it is not clear why
this should be so.”]
1112 (return) [ ‘Principles of Psychology,’ 2nd edit. 1872, p. 552.]
1113 (return) [ Gratiolet (De la Phys. p. 351) makes this remark, and
has some good observations on the expression of pride. See Sir C. Bell
(‘Anatomy of Expression,’ p. 111) on the action of the _musculus
superbus_.]
1114 (return) [ ‘Anatomy of Expression,’ p. 166.]
1115 (return) [ ‘Journey through Texas,’ p. 352.]
1116 (return) [ Mrs. Oliphant, ‘The Brownlows,’ vol. ii. p. 206.]
1117 (return) [ ‘Essai sur le Langage,’ 2nd edit. 1846. I am much
indebted to Miss Wedgwood for having given me this information, with an
extract from the work.]
1118 (return) [ ‘On the Origin of Language,’ 1866, p. 91.]
1119 (return) [ ‘On the Vocal Sounds of L. Bridgman;’ Smithsonian
Contributions, 1851, vol. ii. p. 11.]
1120 (return) [ ‘Mémoire sur les Microcéphales,’ 1867, p. 27.]
1121 (return) [ Quoted by Tylor, ‘Early History of Mankind,’ 2nd edit.
1870, p. 38.]
1122 (return) [ Mr. J. B. Jukes, ‘Letters and Extracts,’ &c. 1871, p.
248.]
1123 (return) [ F. Lieber, ‘On the Vocal Sounds,’ &c. p. 11. Tylor,
ibid. p. 53.]
1124 (return) [ Dr. King, Edinburgh Phil. Journal, 1845, p. 313.]
1125 (return) [ Tylor, ‘Early History of Mankind,’ 2nd edit. 1870, p.
53.]
1126 (return) [ Lubbock, ‘The Origin of Civilization,’ 1870, p. 277.
Tylor, ibid. p. 38. Lieber (ibid. p. 11) remarks on the negative of the
Italians.]
1201 (return) [ ‘Mécanisme de la Physionomie,’ Album, 1862, p. 42.]
1202 (return) [ ‘The Polyglot News Letter,’ Melbourne, Dec. 1858, p.
2.]
1203 (return) [ ‘The Anatomy of Expression,’ p. 106.]
1204 (return) [ Mécanisme de la Physionomie,’ Album, p. 6.]
1205 (return) [ See, for instance, Dr. Piderit (‘Mimik und
Physiognomik,’ s. 88), who has a good discussion on the expression of
surprise.]
1206 (return) [ Dr. Murie has also given me information leading to the
same conclusion, derived in part from comparative anatomy.]
1207 (return) [ ‘De la Physionomie,’ 1865, p. 234.]
1208 (return) [ See, on this subject, Gratiolet, ibid. p. 254.]
1209 (return) [ Lieber, ‘On the Vocal Sounds of Laura Bridgman,’
Smithsonian Contributions, 1851, vol. ii. p. 7.]
1210 (return) [ ‘Wenderholme,’ vol. ii. p. 91.]
1211 (return) [ Lieber, ‘On the Vocal Sounds,’ &c., ibid. p. 7.]
1212 (return) [ Huschke, ‘Mimices et Physiognomices,’ 1821, p. 18.
Gratiolet (De la Phys. p. 255) gives a figure of a man in this
attitude, which, however, seems to me expressive of fear combined with
astonishment. Le Brun also refers (Lavater, vol. ix. p. 299) to the
hands of an astonished man being opened.]
1213 (return) [ Huschke, ibid. p. 18.]
1214 (return) [ ‘North American Indians,’ 3rd edit. 1842, vol. i. p.
105.]
1215 (return) [ H. Wedgwood, Dict. of English Etymology, vol. ii. 1862,
p. 35. See, also, Gratiolet (‘De la Physionomie,’ p. 135) on the
sources of such words as ‘terror, horror, rigidus, frigidus,’ &c.]
1216 (return) [ Mr. Bain (‘The Emotions and the Will,’ 1865, p. 54)
explains in the following manner the origin of the custom “of
subjecting criminals in India to the ordeal of the morsel of rice. The
accused is made to take a mouthful of rice, and after a little time to
throw it out. If the morsel is quite dry, the party is believed to be
guilty,—his own evil conscience operating to paralyse the salivating
organs.”]
1217 (return) [ Sir C. Bell, Transactions of Royal Phil. Soc. 1822, p.
308. ‘Anatomy of Expression,’ p. 88 and pp. 164-469.]
1218 (return) [ See Moreau on the rolling of the eyes, in the edit. of
1820 of Lavater, tome iv. p. 263. Also, Gratiolet, De la Phys. p. 17.]
1219 (return) [ ‘Observations on Italy,’ 1825, p. 48, as quoted in ‘The
Anatomy of Expression,’ p. 168.]
1220 (return) [ Quoted by Dr. Maudsley, ‘Body and Mind,’ 1870, p. 41.]
1221 (return) [ ‘Anatomy of Expression,’ p. 168.]
1222 (return) [ Mécanisme de la Phys. Humaine, Album, Légende xi.]
1223 (return) [ Ducheinne takes, in fact, this view (ibid. p. 45), as
he attributes the contraction of the platysma to the shivering of fear
(_frisson de la peur_); but he elsewhere compares the action with that
which causes the hair of frightened quadrupeds to stand erect; and this
can hardly be considered as quite correct.]
1224 (return) [ ‘De la Physionomie,’ pp. 51, 256, 346.]
1225 (return) [ As quoted in White’s ‘Gradation in Man,’ p. 57.]
1226 (return) [ ‘Anatomy of Expression,’ p. 169.]
1227 (return) [ ‘Mécanisme de la Physionomie,’ Album, pl. 65, pp. 44,
45.]
1228 (return) [ See remarks to this effect by Mr. Wedgwood, in the
Introduction to his ‘Dictionary of English Etymology,’ 2nd edit. 1872,
p. xxxvii. He shows by intermediate forms that the sounds here referred
to have probably given rise to many words, such as _ugly, huge_, &c.]
1301 (return) [ ‘The Physiology or Mechanism of Blushing,’ 1839, p.
156. I shall have occasion often to quote this work in the present
chapter.]
1302 (return) [ Dr. Burgess, ibid. p. 56. At p. 33 he also remarks on
women blushing more freely than men, as stated below.]
1303 (return) [ Quoted by Vogt, ‘Mémoire sur les Microcéphales,’ 1867,
p. 20. Dr. Burgess (ibid. p. 56) doubts whether idiots ever blush.]
1304 (return) [ Lieber ‘On the Vocal Sounds,’ &c.; Smithsonian
Contributions, 1851, vol. ii. p. 6.]
1305 (return) [ Ibid. p. 182.]
1306 (return) [ Moreau, in edit. of 1820 of Lavater, vol. iv. p. 303.]
1307 (return) [ Burgess. ibid. p. 38, on paleness after blushing, p.
177.]
1308 (return) [ See Lavater, edit. of 1820, vol. iv. p. 303.]
1309 (return) [ Burgess, ibid. pp. 114, 122. Moreau in Lavater, ibid.
vol. iv. p. 293.]
1310 (return) [ ‘Letters from Egypt,’ 1865, p. 66. Lady Gordon is
mistaken when she says Malays and Mulattoes never blush.]
1311 (return) [ Capt. Osborn (‘Quedah,’ p. 199), in speaking of a
Malay, whom he reproached for cruelty, says he was glad to see that the
man blushed.]
1312 (return) [ J. R. Forster, ‘Observations during a Voyage round the
World,’ 4to, 1778, p. 229. Waitz gives (‘Introduction to Anthropology,’
Eng. translat. 1863, vol. i. p. 135) references for other islands in
the Pacific. See, also, Dampier ‘On the Blushing of the Tunquinese’
(vol. ii. p. 40); but I have not consulted this work. Waitz quotes
Bergmann, that the Kalmucks do not blush, but this may be doubted after
what we have seen with respect to the Chinese. He also quotes Roth, who
denies that the Abyssinians are capable of blushing. Unfortunately,
Capt. Speedy, who lived so long with the Abyssinians, has not answered
my inquiry on this head. Lastly, I must add that the Rajah Brooke has
never observed the least sign of a blush with the Dyaks of Borneo; on
the contrary under circumstances which would excite a blush in us, they
assert “that they feel the blood drawn from their faces.”]
1313 (return) [ Transact. of the Ethnological Soc. 1870, vol. ii. p.
16.]
1314 (return) [ Humboldt, ‘Personal Narrative,’ Eng. translat. vol.
iii. p. 229.]
1315 (return) [ Quoted by Prichard, Phys. Hist. of Mankind, 4th edit
1851, vol. i. p. 271.]
1316 (return) [ See, on this head, Burgess, ibid. p. 32. Also Waitz,
‘Introduction to Anthropology,’ Eng. edit. vol. i. p. 139. Moreau gives
a detailed account (‘Lavater,’ 1820, tom. iv. p. 302) of the blushing
of a Madagascar negress-slave when forced by her brutal master to
exhibit her naked bosom.]
1317 (return) [ Quoted by Prichard, Phys. Hist. of Mankind, 4th edit.
1851, vol. i. p. 225.]
1318 (return) [ Burgess, ibid. p. 31. On mulattoes blushing, see p. 33.
I have received similar accounts with respect to, mulattoes.]
1319 (return) [ Barrington also says that the Australians of New South
Wales blush, as quoted by Waitz, ibid. p. 135.]
1320 (return) [ Mr. Wedgwood says (Dict. of English Etymology, vol.
iii. 1865, p. 155) that the word shame “may well originate in the idea
of shade or concealment, and may be illustrated by the Low German
_scheme_, shade or shadow.” Gratiolet (De la Phys. pp. 357-362) has a
good discussion on the gestures accompanying shame; but some of his
remarks seem to me rather fanciful. See, also, Burgess (ibid. pp. 69,
134) on the same subject.]
1321 (return) [ Burgess, ibid. pp. 181, 182. Boerhaave also noticed (as
quoted by Gratiolet, ibid. p. 361) the tendency to the secretion of
tears during intense blushing. Mr. Bulmer, as we have seen, speaks of
the “watery eyes” of the children of the Australian aborigines when
ashamed.]
1322 (return) [ See also Dr. J. Crichton Browne’s Memoir on this
subject in the ‘West Riding Lunatic Asylum Medical Report,’ 1871, pp.
95-98.]
1323 (return) [ In a discussion on so-called animal magnetism in ‘Table
Talk,’ vol. i.]
1324 (return) [ Ibid. p. 40.]
1325 (return) [ Mr. Bain (‘The Emotions and the Will,’ 1865, p. 65)
remarks on “the shyness of manners which is induced between the
sexes.... from the influence of mutual regard, by the apprehension on
either side of not standing well with the other.”]
1326 (return) [ See, for evidence on this subject, ‘The Descent of
Man,’ &c., vol. ii. pp. 71, 341.]
1327 (return) [ H. Wedgwood, Dict. English Etymology, vol. iii. 1865,
p. 184. So with the Latin word _verecundus_.]
1328 (return) [ Mr. Bain (‘The Emotions and the Will,’ p. 64) has
discussed the “abashed” feelings experienced on these occasions, as
well as the _stage-fright_ of actors unused to the stage. Mr. Bain
apparently attributes these feelings to simple apprehension or dread.]
1329 (return) [ ‘Essays on Practical Education,’ by Maria and R. L.
Edgeworth, new edit. vol. ii. 1822, p. 38. Dr. Burgess (ibid. p. 187)
insists strongly to the same effect.]
1330 (return) [ ‘Essays on Practical Education,’ by Maria and R. L.
Edgeworth, new edit. vol. ii. 1822, p. 50.]
1331 (return) [ Bell, ‘Anatomy of Expression,’ p. 95. Burgess, as
quoted below, ibid. p. 49. Gratiolet, De la Phys. p. 94.]
1332 (return) [ On the authority of Lady Mary Wortley Montague; see
Burgess, ibid. p. 43.]
1333 (return) [ In England, Sir H. Holland was, I believe, the first to
consider the influence of mental attention on various parts of the
body, in his ‘Medical Notes and Reflections,’ 1839 p. 64. This essay,
much enlarged, was reprinted by Sir H. Holland in his ‘Chapters on
Mental Physiology,’ 1858, p. 79, from which work I always quote. At
nearly the same time, as well as subsequently, Prof. Laycock discussed
the same subject: see ‘Edinburgh Medical and Surgical Journal,’ 1839,
July, pp. 17-22. Also his ‘Treatise on the Nervous Diseases of Women,’
1840, p. 110; and ‘Mind and Brain,’ vol. ii. 1860, p. 327. Dr.
Carpenter’s views on mesmerism have a nearly similar bearing. The great
physiologist Müller treated (‘Elements of Physiology,’ Eng. translat.
vol. ii. pp. 937, 1085) of the influence of the attention on the
senses. Sir J. Paget discusses the influence of the mind on the
nutrition of parts, in his ‘Lectures on Surgical Pathology,’ 1853, vol.
i. p. 39: 1 quote from the 3rd edit. revised by Prof. Turner, 1870, p.
28. See, also, Gratiolet, De la Phys. pp. 283-287.]
1334 (return) [ De la Phys. p. 283.]
1340 (return) [ Dr. Maudsley has given (‘The Physiology and Pathology
of Mind,’ 2nd edit. 1868, p. 105), on good authority, some curious
statements with respect to the improvement of the sense of touch by
practice and attention. It is remarkable that when this sense has thus
been rendered more acute at any point of the body, for instance, in a
finger, it is likewise improved at the corresponding point on the
opposite side of the body.]
1341 (return) [ The Lancet,’ 1838, pp. 39-40, as quoted by Prof.
Laycock, ‘Nervous Diseases of Women,’ 1840, p. 110.]
1342 (return) [ ‘Chapters on Mental Physiology,’ 1858, pp. 91-93.]
1343 (return) [ ‘Lectures on Surgical Pathology,’ 3rd edit. revised by
Prof. Turner, 1870, pp. 28, 31.]
1344 (return) [ ‘Elements of Physiology,’ Eng. translat. vol. ii. p.
938.]
1345 (return) [ Prof. Laycock has discussed this point in a very
interesting manner. See his ‘Nervous Diseases of Women,’ 1840, p. 110.]
1346 (return) [ See, also, Mr. Michael Foster, on the action of the
vaso-motor system, in his interesting Lecture before the royal
Institution, as translated in the ‘Revue des Cours Scientifiques,’
Sept. 25, 1869, p. 683.]
1401 (return) [ See the interesting facts given by Dr. Bateman on
‘Aphasia,’ 1870, p. 110.]
1402 (return) [ ‘La Physionomie et la Parole,’ 1865, pp. 103, 118.]
1403 (return) [ Rengger, ‘Naturgeschichte der Säugethiere von
Paraguay,’ 1830, s. 55.]
1404 (return) [ Quoted by Moreau, in his edition of Lavater, 1820, tom.
iv. p. 211.]
1405 (return) [ Gratiolet (‘De la Physionomie,’ 1865, p. 66) insists on
the truth of this conclusion.]