Also--

"The hues of bliss more brightly glow,

_Chastis'd_ by sabler tints of woe;

And blended form with artful strife,

The strength and harmony of life."

Gray, _On the Pleasure arising from Vicissitude_.

The word _chastised_ is similarly used by Cowley:

"From Saul his growth, and manly strength he took,

_Chastised_ by bright Ahinoam's gentler look."

_Davideidos_, lib. iv. p. 133.

The _idea_ of the whole passage may be found in Pope:

"Love, Hope, and Joy, fair Pleasure's smiling train;

Hate, Fear, and Grief, the family of Pain;

These mix'd with art, and to due bounds confin'd,

Make and maintain the balance of the mind;

_The lights and shades, whose well accorded strife,

Gives all the strength and colour of our life_."

_Essay on Man_, Epist. II.

Again:

"Amazement in his van with Flight combin'd,

And Sorrow's faded form, and Solitude behind."

Gray, _The Bard_.

"Victorious arms thro' Ammon's land it bore,

Ruin behind, and terror march'd before."

_Davideidos_, lib. iv. p. 135.

Wakefield mentions some parallel passages, but omits the best of all:

"A fire devoureth before them; and behind them a flame burneth:

the land is as the garden of Eden before them, and behind them a

desolate wilderness; Yea, and nothing shall escape them."--Joel,

ii. 3.

In the "Ode on the Installation" Gray says:

"Their tears, their little triumphs o'er

Their _human passions_ now no more."

Wakefield dwells enraptured on the expression _human passions_. Cowley

speaks of "_humana quies_" (_Davideidos_, lib. i. p. 3.). Horace says:

"---- Carminibus quae versant atque venenis

_Humanos animos_."--_Sat._ viii. 19. lib. i.

_Human passions_ is not, however, a _creation_ of Gray's; for, if not

anywhere else, he might have found the words very often in the writings

of William Law, as vigorous a prose writer as England can boast of since

the days of Dr. South. See his _answer_ to Dr. Trapp's _Not Righteous

overmuch_, p. 62., Lond. 1741; and his _Serious Call_, cap. xii. p.

137., and cap. xxi. p. 293., Lond. 1816.

To mention its use by modern writers would be endless. I selected these

few passages on reading Mr. Wakefield's laudations, for otherwise I

should not perhaps have remarked the words as unusual. Wakefield adduces

from Pope's _Eloisa to Abelard_:

"One _human tear_ shall drop, and be forgiven."

"Noble rage," Gray's _Elegy_. "Noble rage," Cowley's _Davideidos_, lib.

iv. p. 137. Again, in the _Elegy_:

"Save that from yonder ivy-mantled tower

The mopeing owl does to the moon complain

Of such as, wand'ring near her secret bower,

_Molest her ancient solitary reign_."

Cowley, in describing the palace of Lucifer, has some fine sentences;

and amongst them:

"Non hic gemmatis stillantia sidera guttis

_Impugnant saevae jus inviolabile noctis_."

_Davideidos_, lib. i. p. 3.

And in English:

"No gentle stars with their fair gems of light,

_Offend the tyrannous and unquestion'd night_."

_Davideidos_, lib. i. p. 6.

Akenside constantly used the adjective _human_ in different

conjunctions.

Notes and Queries, Vol. IV, Number 111, December 13, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 27 / 101 题