CHAPTER XXVI.

NGARAKI’S HOUR OF TRIUMPH.

On the floor of the abyss was a mighty wreck. The falling spar had

snapped the heads from the shoulders of the vile brood, and here and

there a granite torso, topping the ruins, indicated the semicircle

where they had once stood looking up at the moon, each nursing his

stomach and curling his lips in that everlasting smile of calm

disdain. One image alone was spared--and he stood apart facing the

white gleam of the cataract and looking up through the dark with his

back turned upon the colossal débris: the Twelfth Tohunga remained

untouched, and, at his feet, not far from the abyss below the abyss,

was the great round stone, still unbroken.

About the more open spaces of the floor between the shattered ruins

and the sheer wall of the abyss moved Ngaraki--a tall figure clad only

in his undergarment of tasselated flax, girded fast about his waist

with a warrior’s belt. As he paced to and fro he chanted. Then,

whirling his _meré_ round his head, he danced and yelled like a very

savage. His voice rose high with jubilant rage; it was his hour of

triumph, and the fury of it was appalling. The blazing torch in one

hand, the green flashing _meré_ in the other, and his wild,

illustrative gestures from the war-dance invested him with all the

terrors of savagery. But always there was the dignity and masterly

movement of the chief. To me, who loved this great Tohunga, it was a

grand spectacle; to me, who feared him, it was awe-inspiring,

terrible. And through it all, yet heard only in the pauses of the

chant, there came the wailing shrieks and gnashing cries of the wizard

standing far up there in the darkness on the basin’s rim.

In the midst of his wild vehemence the chief espied one of the heads

lying face uppermost on the floor. Its glaring red eyes and the sneer

upon its lips infuriated him on a sudden. In one spring he was upon

it, and, with two mighty blows, each accompanied by a terrific yell,

he brought red sparks from that Vile Tohunga’s eyes, and then broke

forth in a wilder strain than ever. To my wrought mind the whole thing

suggested a symphonic music scored by some Grand Devil of a Master,

whose gamut ran from hell to heaven, whose instruments went raving mad

in the rendering, whose world was earthquake and eclipse, with the

lightning flashing through the dark, and the thunder of the storm gods

roaring round him. Built on a bass of gloom, the triumphant strain of

Ngaraki, the ghoul-motive of the shrieking wizard, the sad murmur of

the rising wind in the giants’ window, and, above all, the unheard

part called up here and there in the chief’s chanting: his love-strain

of Hinauri--these were running through my prosaic soul in a way which

hinted that perhaps the fate in store for me was to go forth from that

awful place madder than that “some Grand Devil of a Master” himself.

After a full half-hour at this initial outburst, the fierce tohunga

became more coherent. He calmed his wild gesticulations and paced to

and fro striving to reduce his feelings to poetry--the poetry of a

life’s labour and final triumph. There was a clear ring in his voice

as he began his more ordered chant. His soul swelled with his voice,

and I knew he felt like a whole victorious army marching steadily in

column. His words came “straight from his breast” with that fluency so

wonderful in the Maori tongue:

“Ngha! none can stand.

Headlong have they fallen.

The Vile _Tohunga_ eat the dust

Their cursing power is gone.

They thought to bind the Bright One--

With a Stone they thought to bind her,

But she arose in all her beauty:

Hinauri, Rival of the Dawn,

Lovely as the mountain lily.

See! she leaps above the darkness.

Lo! the stone rolls from its place.

Down it falls, in anger roaring

Like the voice of Tongariro,

Like the waves that crash in thunder

On the cliffs of Waitariki.

Now it strikes the Vile _Tohunga_;

Snaps their heads from off their bodies--

Grinds them into many pieces.

Ngha! the magic of Hinauri!

Ngha! the cursing of Ngaraki!”

And so he went on, until he had fashioned their teeth into fish-hooks

and their bones into darts to shoot rats; until he had plucked out

their eyes and boiled their heads and eaten them in the course of a

chant in which he summoned all his Maori ancestors by name to come and

partake of the feast. Then he sought out each available head and

triumphed over it separately, smiting with his _meré_ until the

sparks came again. After that he seemed searching for a head that was

missing. For a long time he wandered about with his _meré_ ready. At

last he found what he was looking for--a head that had rolled away to

the brink of the abyss below the abyss--the head of his most hated

foe, the chief of the Vile Tohungas. He looked at it with high

contempt; then crash! and crash! and the red eyes flashed for the last

time. Crash! again, and the leering lips spat blood of fire.

He paused. An idea had occurred to him. He glanced at the awful pit

that yawned hard by, then at his enemy’s head, and then at the great

round stone

[image: images/img301.jpg

caption: “HE ROCKED IT BACKWARDS AND FORWARDS UNTIL AT LAST HE RAISED

IT ON ITS SIDE, AND THERE, WITH A FIRM HAND, HE HELD IT POISED UPON

THE VERY BRINK.”]

some little distance behind. I saw plainly that he would hurl the Vile

One’s head into the bottomless pit, to be boiled and eaten in Porawa,

and, when he had done that, he would roll the great stone on top of it

to keep it down for ever and ever and ever. Having thrown aside his

_meré_, and set his torch against the base of the Twelfth Tohunga, he

placed his shoulder to the gigantic head, and put forth all his

strength. Slowly it moved; for some time he rocked it backwards and

forwards until at last he raised it on its side, and there, with a

firm hand, he held it poised upon the very brink.

It was a great day for Ngaraki. It was not a day for beating his

_meré_ on the ground, but for plucking the very eyes and boiling the

very heads of the gaunt images which were his hated foes. And now in a

supreme moment he stood on the brink of Porawa with his arch enemy’s

head in his hand. He looked into the awful depths, and would have

chanted his crowning triumph. But words would not come. How could he

chant on such a theme without striding up and down? All he could do

was to express his utmost and fiercest contempt for the head of the

Degrader of Women and all his brood.

“Ngha! Upokokohua!” and with his foot he spurned the head from him.

Down, down it went into the silent darkness, and the chief, always

willing to give his enemy the right of reply, leaned over the brink

and listened. A minute passed, but there was no answer. All was as

silent as the everlasting grave of things forgotten, save for the

unfolding of the falling water, save for the wailing shrieks, now

growing fainter, of the wizard far away above. I could see from

Ngaraki’s listening attitude that no sound came up from the

unfathomable gloom.

“_Upokokohua!_”[27] This is the final word of Maori invective--an

insult invocative of the utmost depths of everlasting shame. And it

was in a terrible voice of cursing that Ngaraki hurled it down a

second time after his fallen enemy. Then he turned to the round stone.

A glance showed that it would be a tremendous task, but his face and

manner told plainly that he would roll that stone upon his enemy’s

head if it took till sunrise to do it. The floor was level; if

anything it sloped a little in the desired direction, and if once he

could start the stone he would probably accomplish his object.

He went down into the shadows of the gulf, and soon returned with a

long jade-tipped spear in his hand. With this he made two rough places

in the granite in which to place his heels for a better purchase.

Then, setting his back against the stone, he put forth the strength of

a giant, but the stone did not move. He sprang up with a shout,

snatched up his spear, and paced swiftly to and fro, chanting a

karakia, naming the Samsons of his race, and telling of their mighty

exploits.

Again he returned to the task and bent himself against the stone. By

the light of the flaring torches I saw his face distinctly, the veins

standing out upon his forehead, his nostrils distended. For a full

minute he put forth his utmost strength, adding the power of will to

that of sinew. The great stone began to move. It rolled slightly and

stopped. Ngaraki straightened himself again, panting, and paced the

floor to chant for the strength of a thousand men.

But the strength of a thousand is nothing compared to the power of one

who knows the way. It might have been this idea that struck him, for

he dropped his pacing and walked round the huge mass taking thought.

There was a space of six or seven yards between the stone and the

brink of the gulf, and this space, like all the rest, was strewn with

the dust and grit of ages. Eagerly he set to work, and, with one tool

and another, he scraped and polished the granite floor. At last the

way was fairly smooth, and he seemed satisfied, but, instead of

placing his back to the stone as before, he went off to search for

something he had seen among the _débris_ of the spar. It was the

sprit that had snapped on the rocky ledge far above, and was now lying

on the top of the ruins. It was still long enough for Ngaraki’s

purpose. His ideas were enlarged. The sprit and the spar, with which

he had controlled the round stone in its movements above the abyss,

were still to his hand for a lever. And, to his mind--and mine--it was

a fit and mystic thing that such symbols of his conquest and

adaptation of the giants’ handiwork should now be used to roll the

stone--their image of the ancient world--upon the already parboiled

head of their mighty one.

So with a fragment of spar for fulcrum, he used the remains of the

sprit as a lever against the stone, toiling at it steadfastly, until

at last the great round mass rolled over the brink and disappeared for

ever in the awful depths. Standing on the brink, the Maori hurled the

fragment of the spar after it, and the sprit also; then, not satisfied

with that, he took his spear and _meré_ and sent them hurtling down

with a cry of farewell--almost of lament--to each.

It was over, and he turned to take his torch. As his hand closed over

it he gave a sudden start. There, on a ledge of the pedestal of the

Twelfth Tohunga, something was looking at him. By the horror-struck

face of the chief I guessed it was something of a terrible nature that

he saw there. Then, by an exclamation of his, I knew that it was one

of the little green lizards that run upon the rocks. The chief and the

lizard remained motionless, face to face, and their eyes met. That was

a death summons according to the Maori lore--a call to Reinga distinct

and clear. I knew how it filled him with serious thoughts, which the

excitement of triumph had banished from his mind, how Hinauri’s words

recurred to him, and, finally, how a nameless foreboding took

possession of him as he recalled his own part in the fight--a

foreboding lest the vague alternative mentioned by the Bright One

should have been realised, and he should be doomed to look for her in

vain. Alas! he had not stayed the violence. He had left war and knife

behind him at her feet, and had snatched them up again in the _pa_.

With one gesture of despair the whole tide of his thought and feeling

turned from his late triumph to the person of his goddess. He would go

and search for her. It was at that moment the shrieking of the wizard

suddenly died away. His hour of punishment was over. Ngaraki’s had

just begun.

Driven by a vague fear, the fierce _ariki_ hastened up out of the

abyss, and I, going before, remained in the shadow of one of the

crags, where the path turned back upon itself, until he had passed me.

On, past the giants’ window, along the level path, and by the place

where the spar had stood, he went with long strides, his movements

quickening with a growing anxiety. When he came to the lake he mounted

the stone near the rim, flung his torch away behind him, and plunged

into the depths. I reached the spot and took up the torch and waited.

Again the lake heaved and twisted with the movement of great things

below, and again the black head of the stone under water rose above

the surface. Then the hollow thunder reverberated above, and the

cascade came roaring down from the darkness overhead. He had gone by

the ‘way of the winged fish,’ and I would follow by the rope.

I found it without trouble, and unhitched it from the rock, but the

tube which I still held in my hand was a difficulty in the way of

climbing. What should I do with it? From that my thoughts wandered to

the wizard; what should I do with _him_? I passed round the lake to

see if he was still there, thinking as I went that it would simplify

matters if he had fallen forward over the brink. But when I gained the

basin’s rim he was still standing as I had left him.

I stopped. It was enough. He might be dead, he might be living--I

would leave it at that. If dead, his wickedness was over; if living,

it was not safe to free him from the poisonous spell which held his

will in an iron grip. Besides, after my eerie experience of the voice

in my brain, I was disinclined to have anything more to do with him.

When the poison had lost its power, no doubt he could fall forward

into the abyss and add one item to the lumber of ages on the granite

floor below.

With these thoughts I left him and hurried after Ngaraki. When I had

succeeded in throwing my torch up on to the vantage ground above, I

climbed the rope, and then drew it up after me, for where that wizard

thing was concerned I was certain of nothing. I was anxious to

overtake Ngaraki, and ran on and on through the lofty tunnels, until

at length I came to the Place-of-Many-Chambers.

Just as I was passing through into the tunnel beyond, I stopped, for I

saw, through the opening of one of the side chambers, two figures

standing together. They were Kahikatea and Hinauri. Her hands were

clasped in his, and she was looking up at him, while he, with drooped

head, was speaking to her. They were both oblivious of all else but

each other. Even my flickering torchlight did not rouse them.

“Till death do us part?” he said.

“Nay, Kahikatea,” she returned, “for ever and ever. Here, in this very

place, in an age gone by did I plight my troth to you, and here

again----”

I dashed on, the light of my torch blurred before my eyes, up through

the tunnel towards the marble cave, whither I knew the chief had gone.

When I came to the hewn steps I saw him striding before me; I flung

aside my torch and followed, gaining the uncertain border of daylight

and darkness, whence I could see into the cave, just as he reached the

entrance.

There before him stood the statue of Hinauri, immovable, silent, all

white, with arms outstretched. With a quick step he stood before her

and looked into her eyes. There was no colour there. The living hues

had fled. The tohunga’s lips quivered. He stretched forth a hand and

touched her reverently upon the arm. It was cold stone.

Then despair crowded in upon his heart, and a terrible sorrow came

upon his face. Anguish drew deep lines beneath his eyes, and the power

of his presence dropped from him. His great chest shook convulsively,

and he gave way to a grief as awful to behold as his savage triumph in

the abyss. He prostrated himself at her feet and mingled the tears of

his agony with the white dust of the floor. Raising himself upon his

knees, he held up his arms and implored her to come back. With

bitterness he reproached himself as the cause of this sad end to all

his hopes. His words grew fierce against himself. He raved wildly, and

addressed heart-broken appeals to the statue; but Hinauri answered

not, nor pitied the Maori in his grief.

At last it was driven home into his tortured soul that the end had

come. He had failed to do her bidding, and she was changed again to

stone for ever. He stayed his wild woe and stood motionless, his face

calm, his form erect, and in his eyes the splendid sadness of a god in

pain. As he stood there the aspect of Zun the Terrible deepened on

him. The sorrowful longing on the face of the Twelfth Tohunga was his

again.

I could not stand there and look calmly on when a word of mine might

explain the trick that had been unwittingly played upon him. My foot

was on the step before me, and I was about to rush forward, when again

a cold blast of air struck me in the face, again the thrill darted

down my spine; my flesh crept and my hair rose. I was rooted to the

spot. Then, far within my brain, the Great Tohungas of the Earth spoke

a second time: “Let him alone! It is our will--the will of the One

above us. This man is worthy of correction--may you be as worthy in

your sin. In ages past, to trick the giants of evil, he substituted

the False for the True, to protect the True; and now it comes back

upon him in like manner, and he is tricked. Let him alone!”

Such words as these took shape within me, and I could neither speak to

him nor move to his aid. As I stood shuddering helplessly, his mood

changed, and he began to pace fiercely up and down the cave, passing

and re-passing through the broad flood of twilight that came through

the opening, and fell upon the face of the marble image.

“Ngha! she has withdrawn into the sky,” he said. “I will go to her,

and she shall not return when I am one. It is but a stone that is

here. It shall not remain. The world shall see the Bright One no more.

It is the end; it is the end.”

He disappeared in the darkness of the inner cave, and came out again

with a weapon, a heavy _meré_ of the broad-leaf kind. Whirling this

above his head, he paced to and fro, again chanting the long toil of

his life. Now he stopped before the image and whirled the weapon

within an inch of the lovely face.

“None other shall chant your loveliness,” he cried fiercely, and yet

there was worship in his aspect; “none other shall say, ‘She came

again at my bidding.’ Oh! Hine-tu-a-hoanga--sacred stone on which I

sharpened my curses to cleave the heads of the Vile Ones--you are as a

house that shall not stand. And this great house that holds your house

shall be closed for ever.”

At this point I was sure of his purpose, and resolved to go in search

of Hinauri herself in the Place-of-Many-Chambers. She would stay his

hand if I could not.

The thrall that held my feet relaxed as I turned to descend. More

fierce and high the chant of Ngaraki sounded behind me as I went. My

torch was still burning where I had left it, and I picked it up to

hurry on through the tunnels, sick with a vague fear that, as Hinauri

had said, she and the stone had but one spirit between them; that the

tohunga’s ancient magic, which had glanced from the granite Cazotl to

the real, might--I fled on, striving to run away from the terrible

thought. The chanting voice still reached me faintly through the high

tunnels as I emerged into the Place-of-Many-Chambers. My God! What was

that? A crash! and a yell! and another crash! echoing down through the

tunnels from the marble cave above. My God! What was this? A woman’s

shriek! a moan! and another shriek! coming from the chamber towards

which I was hastening.

As I staggered forward I saw Kahikatea supporting the form of Hinauri

drooping on his arm. Her face was as white as the stone image I had

left in the marble cave. Yet another yell and another crash echoed

faintly down the tunnels, and a tremor ran through the fair form, as

Kahikatea sank upon a rock and supported her head upon his knee.

“She is dying, Warnock,” he said, in a voice of anguish, gazing down

into her lovely face, while I held the torch so that the light fell

upon it. The long lashes showed very black against the pale cheek, and

her whole face and neck, to her cross-girt, white-robed bosom, showed

too deadly white against the enveloping cloud of her hair. It was not

a mere swoon.

“Yes,” I replied hoarsely, and the torchlight trembled as it fell on

the rocks of the chamber, “it is death.”

As we gazed in too great agony for words, Hinauri’s dark eyes opened,

her bosom rose and fell, and a sweet smile rested upon her lips as she

looked up into Kahikatea’s face.

“Be patient, my lord!” she said, raising one arm and placing her hand

against his cheek, “it is but a little time since we planned our work

in this world, and now I have to go. It is hard, my love--but raise me

up--it is sweet even to die upon your breast.” He raised her while she

placed her arms about his neck and nestled to him.

“When I am gone,” she murmured, “take this poor body out on to the

roof of the mountain, and there, on the shore of the crystal lake that

stands against the sky----”

A low groan of agony came from Kahikatea, and she ceased!

“Be patient, my lord,” she said again, drawing his head down and

raising her lips to his. “Hasten the world on to the brighter day when

we shall meet again--kiss me, love, I am going.”

Their lips met. A shiver of joy ran through her last breath. Her head

drooped forward and lay on Kahikatea’s shoulder, shrouded in her hair.

Hinauri had withdrawn into the sky, and at that moment I stood like a

stone among the everlasting stones, and asked myself, What is this

world of many shows, of glimpses, and flitting shadows? And the answer

came from the depths of my despair: A desolation of nothingness, a

barren waste where the bright dead moon smiles down on the sapless

ruin of things once living as herself; where the wild wind wails like

a planetary spirit come back to view the scene of its buried hopes. To

me this was a world where nothing mattered, and I scarcely know why I

moved forward to Kahikatea and placed my hand upon his arm. Perhaps it

was with a confused consciousness that his sorrow was even greater

than mine. I strove to speak his name, but a throb of grief choked it

back. My friend sat with his dead love in his arms, gazing straight

before him. I shook him gently, and he looked up with speechless agony

on his face. I saw his desire to be left alone with his pain, and

stood away.

At that moment I caught sight of a light descending through the

tunnels. It drew near, and I saw Ngaraki striding down. He came on and

emerged into the Place-of-Many-Chambers. I almost barred his passage

as I stood there with my torch, but he did not see me. His flashing

eyes were too bright for the calmness of his bearing. Despair was on

his face; a quick thought told me that I might increase it, but that

thought passed away, and the feeling that nothing mattered was

stronger than ever upon me. I stood and watched him like one

sleep-walker watching another. He approached the strange-looking

lever--the device of the giants, whose purpose in placing it there had

been handed down through the ages.

“It is the end,” he said sadly, as he raised the tapering arm.

It swung to the roof and then fell back and struck the floor. I knew

then that the great rolling stone that had rested on the weight of the

lever was now speeding into the deep gulf below, on the gloomy errand

it was designed to execute. The openings of this vast temple would be

closed for ever--yes, but it did not appeal to me with any force; it

was a matter of no consequence now, for who wanted to go out into that

waste place called the world? I did not, and I was certain Kahikatea

did not. Yet I noted the hollow rumblings that followed the fall of

the stone, and wondered wearily what would happen.

The daughter of the dawn · 第 26 / 28 章