XLVIII

_September 14th_.

Yves has dropped his silver whistle in the sea, the whistle so

absolutely indispensable for the maneuvers; and we search the town

through all day long, followed by Chrysanthème and Mdlles. La Neige

and La Lune, her sisters, in the endeavor to procure another.

It is, however, very difficult to find such a thing in Nagasaki; above

all, very difficult to explain in Japanese what is a sailor's whistle

of the traditional shape, curved and with a little ball at the end to

modulate the trills and the various sounds of official orders. For

three hours we are sent from shop to shop; at each one they pretend to

understand perfectly what is wanted and trace on tissue-paper, with a

paint-brush, the addresses of the shops where we shall without fail

meet with what we require,--away we go, full of hope, only to

encounter some fresh mystification, till our breathless djins get

quite bewildered.

They understand admirably that we want a thing that will make a noise,

music in short; thereupon they offer us instruments of every and the

most unexpected shape,--squeakers for Punch-and-Judy voices,

dog-whistles, trumpets. Each time it is something more and more

absurd, so that at last we are overcome with uncontrollable fits of

laughter. Last of all, an aged Japanese optician, who assumes a most

knowing air, a look of sublime wisdom, goes off to forage in his back

shop, and brings to light a steam fog-horn, a relic from some wrecked

steamer.

After dinner, the chief event of the evening is a deluge of rain which

takes us by surprise as we leave the tea-houses, on our return from

our fashionable stroll. It so happened that we were a large party,

having with us several mousmé guests, and from the moment that the

rain began to fall from the skies, as if out of a watering-pot turned

upside down, the band became disorganized. The mousmés run off, with

birdlike cries, and take refuge under door-ways, in the shops, under

the hoods of the djins.

Then, before long,--when the shops shut up in haste, when the emptied

streets are flooded, and almost black, and the paper lanterns, piteous

objects, wet through and extinguished,--I find myself, I know not how

it happens, flattened against a wall, under the projecting eaves,

alone in the company of Mdlle. Fraise, my cousin, who is crying

bitterly because her fine dress is wet through. And in the noise of

the rain, which is still falling and splashing everything; with the

spouts and gutters, which in the darkness plaintively murmur like

running streams, the town appears to me suddenly an abode of the

gloomiest sadness.

The shower is soon over, and the mousmés come out of their holes like

so many mice; they look for each other, call each other, and their

little voices take the singular melancholy, dragging inflections they

assume whenever they have to call from afar.

"Hi! Mdlle. Lu-u-u-u une!!"

"Hi! Madame Jonqui-i-i-i ille!!"

They shout from one to the other their outlandish names, prolonging

them indefinitely in the now silent night, in the reverberations of

the damp air after the great summer rain.

At length they are all collected and united again, these tiny

personages with narrow eyes and no brains, and we return to

Diou-djen-dji all wet through.

For the third time, we have Yves sleeping beside us under our blue

tent.

There is a great row soon after midnight in the apartment beneath us:

our landlord's family returning from a pilgrimage to a far-distant

temple of the Goddess of Grace. (Although Madame Prune is a Shintoist,

she reveres this deity, who, scandal says, watched over her youth.) A

moment after, Mdlle. Oyouki bursts into our room like a rocket,

bringing, on a charming little tray, sweetmeats which have been

blessed and bought at the gates of the temple yonder, on purpose for

us, and which we must positively eat at once, before the virtue is

gone out of them. Scarcely rousing ourselves, we absorb these little

edibles flavored with sugar and pepper, and return a great many sleepy

thanks.

Yves sleeps quietly on this occasion, without dealing any blows to the

floor or the panels either with fists or feet. He has hung his watch

on one of the hands of our gilded idol in order to be more sure of

seeing the hour at any time of the night, by the light of the sacred

lamps. He gets up betimes in the morning, asking: "Well, did I behave

properly?" and dresses in haste, preoccupied about duty and the

roll-call.

Outside, no doubt, it is daylight already: through the tiny holes

which time has pierced in our wooden panels, threads of morning light

penetrate our chamber, and in the atmosphere of our room where night

still lingers, they trace vague white rays. Soon, when the sun shall

have risen, these rays will lengthen and become beautifully golden.

The cocks and the cicalas make themselves heard, and now Madame Prune

will begin her mystic drone.

Nevertheless, out of politeness for Yves-San, Chrysanthème lights a

lantern and escorts him to the foot of the dark staircase. I even

fancy that, on parting, I hear a kiss exchanged. In Japan this is of

no consequence, that I know; it is very usual, and quite admissible;

no matter where one goes, in houses one enters for the first time, one

is quite at liberty to kiss any mousmé who may be present, without any

notice being taken of it. But with regard to Chrysanthème, Yves is in

a delicate position, and he ought to understand it better. I begin to

feel uneasy about the hours they have so often spent together alone;

and I make up my mind, that this very day I will not play the spy

upon them, but speak frankly to Yves, and make a clear breast of it.

All at once from below, _clac! clac!_ two dry hands clapped together;

it is Madame Prune's warning to the Great Spirit. And immediately

after her prayer breaks forth, soars upwards in a shrill nasal

falsetto, like a morning alarm when the hour for waking has come, the

mechanical noise of a spring let go and running down.

_"The richest woman in the world. Cleansed from all my sins, O

Ama-Térace-Omi-Kami, in the river of Kamo."_

And this extraordinary bleating, scarcely human, scatters and changes

my ideas, which were very nearly clear at the moment I awoke.

Madame Chrysanthème(#15335) · 第 64 / 82 题