CHAPTER III.

The Knights Invited to Norham Castle.

On the return of Mortimer Sang to the common room, he found that a new

event had taken place in his absence. An esquire had arrived from the

Castle, bearing a courteous message from Sir Walter de Selby, its

captain, setting forth that it pained him to learn that Sir Patrick

Hepborne and Sir John Assueton had not made experiment of his poor

hospitality; that their names were already too renowned not to be well

known to him; and that he trusted they would not refuse him the

gratification of doing his best to entertain them, but would condescend

to come and partake of such cheer and accommodation as Norham Castle

could yield. An invitation so kind it was impossible to resist. Indeed,

whatever Sir John Assueton might have felt, Sir Patrick Hepborne’s

curiosity to see the fair maid of the Castle was too great to be

withstood. The distance was but short, and Sir Walter’s messenger was

to be their guide. Leaving their esquires and the rest of their

retinue, therefore, to enjoy the feast so ingeniously provided for them

by Sang, their horses were ordered out, and they departed.

The night was soft and tranquil. The moon was up, and her silvery light

poured itself on the broad walls of the keep, and the extensive

fortifications of Norham Castle, rising on the height before them, and

was partially reflected from the water of the farther side of the

Tweed, here sweeping wildly under the rocky eminence, and threw its

shadow half-way across it. They climbed up the hollow way leading to

the outer ditch, and were immediately challenged by the watch upon the

walls. The password was given by their guide, the massive gate was

unbarred, the portcullis lifted, and the clanging drawbridge lowered at

the signal, and they passed under a dark archway to the door of the

outer court of guard. There they were surrounded by pikemen and

billmen, and narrowly examined by the light of torches; but the officer

of the guard appeared, and the squire’s mission being known to him,

they were formally saluted, and permitted to pass on. Crossing a broad

area, they came to the inner gate, where they underwent a similar

scrutiny.

They had now reached that part of the fortress where stood the

barracks, the stables, and various other buildings necessarily

belonging to so important a place; while in the centre arose the keep,

huge in bulk, and adamant in strength, defended by a broad ditch, where

not naturally rendered inaccessible by the precipitous steep, and

approachable from one point only by a narrow bridge. Lights appeared

from some of its windows, and sounds of life came faintly from within;

but all was still in the buildings around them, the measured step of

the sentinel on the wall above them forming the only interruption to

the silence that prevailed.

The esquire proceeded to try the door of a stable, but it was locked.

“A pestilence take the fellow,” said he; “how shall I get the horses

bestowed?—What, ho!—Turnberry—Tom Equerry, I say.”

“Why, what art thou?” cried the gruff voice of the sentinel on the

wall; “what art thou, I say, to look for Tom Turnberry at this hour?

By’r lackins, his toes, I’ll warrant me, are warm by the embers of

Mother Rowlandson’s suttling fire. He’s at his ale, I promise thee.”

“The plague ride him, then,” muttered the squire; “how the fiend shall

I find him? I crave pardon, Sirs Knights, but I must go look for this

same varlet, or some of his grooms, for horses may not pass to the

keep; and who knoweth but I may have to rummage half the Castle over

ere I find him?” So saying, he left the two knights to their

meditations.

He was hardly gone when they heard the sound of a harp, which came from

a part of the walls a little way to the left of where they were then

standing. The performer struck the chords, as if in the act of tuning

the instrument, and the sound was interrupted from time to time. At

last, after a short prelude, a Scottish air was played with great

feeling.

“By the Rood of St. Andrew,” exclaimed Assueton, after listening for

some time, “these notes grapple my heart, like the well-remembered

voice of some friend of boyhood. May we not go nearer?”

“Let us tie our horses to these palisadoes, and approach silently, so

as not to disturb the musician,” said Hepborne.

Having fastened the reins of their steeds, they moved silently in the

direction whence the music proceeded, and soon came in sight of the

performer.

On a part of the rampart, at some twenty yards’ distance, where the

wall on the outside rose continuous with the rock overhanging the

stream of the Tweed, they beheld two figures; and, creeping silently

for two or three paces farther, they sheltered themselves from

observation under the shadow of a tower, where they took their stand in

the hope of the music being renewed. The moonlight was powerful, and

they easily recognized the garb of the harper whom they had so lately

seen at the hostel. He was seated on the horizontal ropes of one of

those destructive implements of war called an onager or balista, which

were still in use at that period, when guns were but rare in Europe.

His harp was between his knees, his large and expressive features were

turned upwards, and his long white locks swept backwards over his

shoulders, as he was in the act of speaking to a woman who stood by

him. The lady, for her very mien indicated that she was no common

person, stood by the old man in a listening posture. She was enveloped

in a mantle, that flowed easily over her youthful person, giving to it

roundness of outline, without obscuring its perfections.

“By St. Dennis, Assueton,” whispered Hepborne to his friend, “’tis the

Lady Eleanore de Selby. The world lies not; she is beautiful.”

“Nay, then, thine eyes must be like those of an owl, if thou canst tell

by this light,” replied Assueton.

“I tell thee I caught one glance of her face but now, as the moonbeam

fell on it,” said Hepborne; “’twas beauteous as that of an angel. But

hold, they come this way.”

The minstrel arose, and the lady and he came slowly along the wall in

the direction where the two knights were standing.

“Tush, Adam of Gordon,” said the lady, in a playful manner, as if in

reply to something the harper had urged, “thou shalt never persuade me;

I have not yet seen the knight—nay, I doubt me whether the knight has

yet been born who can touch this heart. I would not lose its freedom

for a world.”

“So, so,” whispered Assueton, “thou wert right, Master Barton; a

haughty spirit enow, I’ll warrant me.”

“Hush,” said Hepborne, somewhat peevishly; “the minstrel prepares to

give us music.”

The minstrel, who had again seated himself, ran his fingers in wild

prelude over his chords, and graduating into a soft and tender strain,

he broke suddenly forth in the following verses, adapted to its

measure:—

Oh think not, lady, to despise

The all-consuming fire of Love,

For she who most his power defies

Is sure his direst rage to prove.

Was never maid, who dared to scorn

The subtle god’s tyrannic sway,

Whose heart was not more rudely torn

By his relentless archery.

Do what thou canst, that destined hour

Will come, when thou must feel Love’s dart;

Then war not thus against his power,

His fire will melt thine icy heart.

Oh, let his glowing influence then

Within thy bosom gently steal;

For sooth, sweet maid, I say again,

That all are doom’d Love’s power to feel.

“Why, Adam,” exclaimed the lady, as the minstrel concluded, “this is

like a prophecy. What, dost thou really say that I must one day feel

this fire thou talkest of? Trust me, old man, I am in love with thy

sweet music, and thy sweet song; but for other love, I have never

thought of any such, and thou art naughty, old man, to fill mine ears

with that I would fain keep from having entrance there.”

“Nay, lady, say not so,” cried Adam of Gordon, earnestly; “thou knowest

that love and war are my themes, and I cannot ope my lips, or touch my

harp, but one or other must have way with me. How the subject came, I

know not; but the verses were the extemporaneous effusion of my

minstrel spirit.”

“Come, Hepborne,” whispered Assueton, “let us away; we may hear more of

the lady’s secrets than consists with the honour of knights wilfully to

listen to.”

“Nay, I could stay here for ever, Assueton,” replied Hepborne; “I am

spell-bound. That ethereal creature, that enchantress, hast chained me

to the spot; and wouldst thou not wish to have more of that old man’s

melody? Methought his verses might have gone home to thee as well as to

the lady.”

“Pshaw,” said Assueton, turning away, “dost think that I may be

affected by the drivelling song of an old dotard? Trust me, I laugh at

these silly matters.”

“Laugh while thou mayest, then,” replied Hepborne; “thou mayst weep

anon. Yet, as thou sayst, we do but ill to stand listening here. Let us

away then.”

When they reached the spot where their horses were tied, they found

that the esquire who guided them to the Castle had but just returned

with Master Turnberry, the equerry, whose state sufficiently betrayed

the manner in which he had been spending his evening, and showed that

the sentinel had not guessed amiss regarding him. He came staggering

and grumbling along.

“Is’t not hard, think ye, that an honest man cannot be left to enjoy

his evening’s ease undisturbed? I was but drinking a draught of ale,

Master Harbuttle.”

“A draught of ale,” replied Harbuttle; “ay, something more than one

draught, I take it, Master Thomas. But what makest thou with a torch in

such a moonshiny night as this?”

“Moonshiny,” cried Turnberry, hiccuping; “moonshiny, indeed, why, ’tis

as dark as a pit well. Fye, fye, Mr. Harbuttle, thou must have been

drinking—thou must have been drinking, I say, since thou hast so much

fire in thine eyes; for, to a sober, quiet, cool-headed man like

myself, Master Harbuttle, the moon is not yet up. Fye, fye, thou hast

been taking a cup of Master Sylvester Kyle’s tipple. ’Tis an abominable

vice that thou hast fallen into; drink will be the ruin of thee.”

“Thou drunken sot, thou,” exclaimed Harbuttle, laughing, “dost not see

the moon there, over the top of the keep?”

“That the moon!” cried Turnberry, holding up his torch as if to look

for it; “well, well, to see now what drink will do—what an ass it will

make of a sensible man; for, to give the devil his due, thou art no

gnoffe when thou art sober, Master Harbuttle. That the moon! Why,

that’s the lamp burning in Ancient Fenwick’s loophole window. Thou

knowest he is always at his books—always at the black art. St. Cuthbert

defend us from his incantations!”

“Amen!” said the squire usher, fervently crossing himself.

“But what a fiend’s this?” cried Turnberry; “here are two horses, one

black and t’other white. I see that well enow, though thou mayn’t, yet

thou would’st persuade me I don’t know the Wizard Ancient’s lamp from

the moon. Give me hold of the reins.”

But as he stretched forth his hand to take them, he toppled over and

fell sprawling among the horses’ feet, whence he was opportunely

relieved by two of his own grooms, who arrived at that moment.

“Where hast thou been idling, varlets?” demanded Turnberry, as he

endeavoured to steady himself, and assume the proper importance of

authority; “drinking, varlets, drinking, I’ll be sworn—John Barleycorn

will be the overthrow of Norham Castle. See, villains, that ye bestow

these steeds in good litters, and that oats are not awanting. I’ll e’en

return to my evening’s repose.”

At this moment the lady, followed by Adam of Gordon, came suddenly upon

the group from a narrow gateway, at the bottom of a flight of steps

that led from the rampart, and were close upon Hepborne and his friend

before they perceived the two knights. The lady drew back at first from

surprise, and seemed to hesitate for an instant whether she would

advance or not. She pulled her hood so far over her face as to render

it only partially visible; but the flame of Master Turnberry’s torch

had flashed on it ere she did so, and Hepborne was ravished by the

momentary glance he had of her beauty. The lady, on the other hand, had

a full view of Sir Patrick’s features, for his vizor was up. The

minstrel immediately recognized him.

“Lady,” said the old man, “these are the courteous stranger knights who

came hither as the guests of Sir Walter de Selby.”

“In the name of Sir Walter de Selby, do I welcome them then,” said the

lady, with a modest air. “Welcome, brave knights, to the Castle. But,”

added she, hesitatingly, “in especial am I bound to greet with mine own

guerdon of good thanks him who is called Sir Patrick Hepborne, to whose

gentle care I am so much beholden for the safety of my favourite hawk.”

“Proudly do I claim these precious thanks as mine own rich treasure,

most peerless lady,” exclaimed Sir Patrick, stepping forward with

ardour. “Blessed be my good stars, which have thus so felicitously

brought me, when least expecting such bliss, into the very presence of

a demoiselle whose perfections have already been so largely rung in

mine ears, short as hath yet been my time in Norham.”

“Methinks, Sir Knight,” replied the lady, in some confusion, “methinks

that thy time, albeit short, might have been better spent in Norham

than in listening to idle tales of me. Will it please thee to take this

way? Sir Walter, ere this, doth look for thee in the banquet-hall.”

“Lady, the tale of thy charms was music to me,” said Sir Patrick; “yet

hath it been but as some few notes of symphony to lure me to a richer

banquet. Would that the gentle zephyrs, which do now chase the fleecy

cloud from yonder moon, might unveil that face. Yet, alas! I have

already seen but too much of its charms for my future peace.”

“Nay, Sir Knight,” replied the lady, “this fustian is but thrown away

on me. Thy friend, perhaps, may talk more soberly—Shall I be thy guide,

chevalier?” added she, addressing Assueton.

“No, no, no,” interrupted Hepborne, springing to her side; “I’ll go

with thee, lady, though thou should’st condemn me to eternal silence.”

“Here, then, lieth thy way,” said the lady, hurrying towards the bridge

communicating with the entrance to the keep; “and here come the

lacqueys with lights.”

The squire, who had gone in before, now appeared at the door, with

attendants and torches. Hepborne anxiously hoped to be blessed with a

more satisfactory view of the lady’s face than accident had before

given him; but as she approached the lights, she shrouded up her head

more closely in her hood, yet not so entirely as to prevent her eyes

from enjoying some stolen glances at the noble figure of Sir Patrick.

She had no sooner got within the archway of the great door, however,

than she took a lamp from an attendant, and, making a graceful

obeisance to the two friends, disappeared in a moment, leaving Sir

Patrick petrified with vexation and disappointment.

The Wolfe of Badenoch: A Historical Romance of the Fourteenth Century · 第 3 / 75 章