She turned, pushed up her parasol. "What a talk! But better done with."

"Yes, Fanny," said I obediently. "Much better done with."

She gave me an odd glance out of the corner of her eye. "The queer thing

is," she went on, "what I wanted to say was something quite, quite

different. To give you a friendly word of warning, entirely on your own

account.... You have a rival, Midgetina."

The words glided away into silence. The doves crooned on the housetop.

The sky was empty above the distant hills. I did not stir, and am

thankful I had the cowardice to ask no questions.

"Her name is Angelique. She lives in a Castle in Spain"; sighed the

calm, silky voice, with the odd break or rasp in it I knew so well. "Oh,

I agree a circus-rider is nothing better than a mongrel, a pariah, worse

probably. Yet this one has her little advantages. As Midgets go, she

beats you by at least four inches, and rides, sings, dances, tells

fortunes. Quite a little Woman of the World. The only really troublesome

thing about it is that she makes you jiltable, my dear. They are so very

seductive, these flounced up, painted things. _No_ principle! And, oh,

my dear; all this just as dear Mrs Monnerie has set her heart on finding

her Queen Bee a nice little adequate drone for a husband!"

It was her last taunt. It was over. I had heard the worst. The arrow I

had been waiting for had sprung true to its mark. Its barb was sticking

there in my side. And yet, as I mutely looked up at her, I knew there

was a word between us which neither could utter. The empty air had

swallowed up the sound of our voices. Its enormous looking-glass

remained placid and indifferent. It was as if all that we had said, or,

for that matter, suffered, was of no account, simply because we were not

alone. For the first instant in the intimacy of my love and hatred,

Fanny seemed to be just any young woman standing there, spiteful,

meaningless. The virtue had gone out of her. She made up her mouth,

glanced uneasily over her shoulder and turned away.

We were never again to be alone together, except in remembrance.

I sat on in the garden till the last thin ray of sunlight was gone.

Then, in dread that my enemy might be looking down from the windows of

the house, I slipped and shuffled from bush to bush in the dusk, and so

at last made my way into the house, and climbed the dark polished

staircase. As, stealthily, I passed a bedroom door ajar, my look pierced

through the crevice. It was a long, stretching, shallow room, and at the

end of it, in the crystal quiet, stood Fanny, her arms laid on the

chimney-piece, her shoulder blades sticking out of her muslin gown, her

face hidden in her hands.

Why did I not venture in to speak to her? I had never seen a figure so

desolate and forsaken. Could things ever be so far gone as to say No to

that? I hesitated; turned away: she would think I had come only to beg

for mercy.

For hours I sat dully brooding. What a trap I was in. In my rummagings

in the Monnerie library I had once chanced on a few yellow

cardboard-covered novels tucked away in a cupboard, and had paddled in

one or two of them. Now I realized that my life also was nothing but "a

Shocker." So people actually suffered and endured the horrible things

written about in cheap, common books.

One by one I faced Fanny's charges in my mind. None was true, yet none

was wholly false. And none was of any consequence beside the fact that

she execrated the very self in me of which I could not be conscious. And

what would she do? What did all those covert threats and insinuations

mean? A "husband"--why had that such a dreadful power to wound me? I

heard my teeth begin to chatter again. There was no defence, no refuge

anywhere. If I could get no quiet, I should go mad. I looked up from my

stool. It was dark. It was a scene made for me. I could watch the

miserable little occupant of its stage roving to and fro like one of my

showman's cowed, mangy beasts.

The thought of the day still ahead of me, through which I must somehow

press on, keep alive, half stupefied me with dread. We can shut our eyes

and our mouths and our hearts; why cannot we stop thinking? The awful

passive order of life: its mechanicalness. All that I could see was the

blank white face of its clock--but no more of the wheels than of the

Winder. No haste, no intervention, no stretching-out beyond one's finger

tips. So the world wore away; life decayed; the dunghill smoked. Mrs

Monnerie there; stepping into her brougham, ebony cane in hand, Marvell

at her elbow; Mrs Bowater languishing on board ship, limp head in stiff

frilling; Sir Walter dumb; the showman cursing his wretched men; the

bills being posted, the implacable future mutely yawning, the past

unutterable. Everything in its orbit. Was there no help, no refuge?

The door opened and the skimpy little country girl who waited on me in

Fleming's absence, brought in my supper. She bobbed me a scared curtsey,

and withdrew. Then she, too, had been poisoned against me. I flung

myself down on the floor, crushing my hands against my ears. Yet,

through all this dazed helplessness, in one resolve I never faltered. I

would keep my word to the showman, and this night that was now in my

room should be the last I would spend alive in Monk's House. Fanny must

do her worst. Thoughts of her, of my unhappy love and of her cruelty,

could bring no good. Yet I thought of her no less. Her very presence in

the house lurked in the air, in the silence, like an apparition's.

Still stretched on the floor, I woke to find the September

constellations faintly silvering the pale blue crystal of the Northern

Lights; and the earth sighing as if for refuge from the rising moon. My

fears and troubles had fallen to rest beneath my dreams, and I prepared

myself for the morrow's flight.

Memoirs of a Midget · 第 88 / 101 题