Eighthly it swims in the sea; the dog fish.'

The qualities of the dog are also expressed in this verse: 'Latrat in

ede canis, nat in equore, fulget in astris. Et venit canis

originaliter a cano--is.' So Garland, or his commentator, abridged.

Of sal he says:

Est sal prelatus, equor, sapientia, mimus,

Sal pultes condit, sal est cibus et reprehendit.

Here again there is a full commentary; but the only interpretation

that we need notice is the first, 'Salt denotes a prelate of the

Church; for it is said in the Gospels, Ye are the salt of the earth.'

When he composed these lines, Garland must surely have had his eye on

ecclesiastical preferment.

Another line is interesting, as illustrating the confusion between c

and t in mediaeval manuscripts:

Est katonque malum, katademon nascitur inde.

The commentary runs: 'Kathon est idem quod malum. Inde dicitur

kathodemon, i.e. spiritus malignus seu dyabolus, et venit a kathon,

i.e. malum, et demon, sciens, quasi mala sciens.' You will notice also

the inconstancy of h, and the indifference to orthography which allows

the same word to appear as katademon in the text and kathodemon in the

commentary.

Garland's _Textus_ is mostly Latin; but in the last composition of his

life, the forty-two distiches entitled _Cornutus_, 'one on the horns

of a dilemma', he is mainly occupied with Greek words adopted into

Latin: using of course Latin characters. Some specimens will show the

mediaeval standards of Greek: I quote from the text and commentary

edited in 1481 by John Drolshagen, who was master of the sixth class

at Zwolle.

Kyria chere geram cuius ph[=i]lantr[)o]pos est bar, Per te doxa

theos nect[=e]n [)e]t [)v]r[=a]n[)i]c[)i]s ymas.

In the commentary we are told that Kyria means the Virgin: but we are

to be careful not to write it with two r's, for kirrios means a pig (I

suppose [Greek: choiros]), and it would never do to say Kirrieleyson.

Chere is of course [Greek: chaire], salue. Geran (geram in the text)

is interpreted sanctus, and seems from a lengthy discussion of it to

be connected with [Greek: gerôn] and [Greek: ieros].[10] Philantropos

(notice the quantities) is Christ, the Saviour. 'Bar Grece est filius

Latine.' 'Necten in Greco est venire Latine: vnde dicit Pristianus in

primo minoris, antropos necten, i.e. homo venit.' (For this remarkable

form I can only suggest [Greek: ênthein] or [Greek: hêkein]: -en is

probably the infinitive; ne might arise from en; and ct, through tt,

from th.) Ymas is explained as nobis, not vobis. The construction of

the distich is then given: 'Hail, sacred queen, whose son is the lover

of men; through thee divine and heavenly glory comes to us.'

Again:

'Clauiculis firmis theos antropos impos et ir mis

Figor ob infirmi cosmos delicta, patir mi.'

Impos = in pedibus. Ir = a hand (probably [Greek: cheir],

transliterated into hir, and h dropped) and mis is explained as = mei,

according to the form which occurs in Plautus and early Latin. The

lines are an address from Christ to God, and are interpreted: 'O my

father, I God and man am fastened with hard nails in my feet and hands

(upon the cross) for the sins of a weak world.'

Another work dictated to Erasmus at Deventer was the metrical grammar

of Eberhard of Bethune in Artois, composed in the twelfth century. Its

name, _Graecismus_, was based upon a chapter, the eighth, devoted to

the elementary study of Greek--a feature which constituted an advance

on the current grammars of the age. A few extracts will show the

character of the assistance it offered to the would-be Greek scholar.

[10] Cf. Gerasmus and Hierasmus as variations of the name

Herasmus or Erasmus.

Quod sententia sit b[)o]l[)e] comprobat amphibol[=i]a,

Quodque fides br[)o]g[)e] sit comprobat Allobroga.

The gloss explains the second line thus: 'Dicitur ab alleos quod est

alienum, et broge quod est fides, quasi alienus a fide'; and thus we

learn that the Allobroges were a Burgundian people who were always

breaking faith with the Romans.

Constat apud Grecos quod tertia littera cima est,

Est quoque dulce c[)i]m[=e]n, inde c[)i]m[=e]t[)e]rium;

Est [)v]n[)i]uersal[=e] c[)a]t[)a], fitque c[)a]tholicus inde, ...

C[=a]ta breuis pariter, c[=a]talogus venit hinc.

Die decas esse decem, designans inde decanum ...

Delon obscurum, Delius inde venit.

Ductio sit gogos, hinc isagoga venit.

Estque geneth mulier, inde gen[=e]th[=e][=u]m.

Here the confusion of c with t begins the misleading; which is carried

further by the gloss, 'Genetheum: locus subterraneus vbi habitant

mulieres ad laborandum, et dicitur a geneth quod est mulier, et thesis

positio, quia ibi ponebantur mulieres ad laborandum'; or 'Genetheum:

absconsio subterranea mulierum'.

Estque decem gintos, dicas hinc esse viginti,

Vt pentecoste, coste valebit idem.

Pos quoque pes tibi sit, compos tibi comprobat illud,

Atque p[)e]dos puer est, hinc pedagogus erit.

Dic zoen animam, die ind[=e] z[=o][)e]c[)a]isychen.

This last word appears in eleven different forms in the manuscripts.

The gloss interprets it plainly as 'vita mea et anima mea'; but

without this aid it must have been unintelligible to most readers,

especially in such forms as zoychaysichen, zoycazyche, zoichasichen,

zoyasichem.

The 'breath of something better' which Hegius and Zinthius brought was

seen in the substitution of the _Doctrinale_ of Alexander of

Ville-Dieu, near Avranches (_fl._ 1200), as the school Latin grammar.

This also is a metrical composition; and it has the merit of being

both shorter and also more correct. It was first printed at Venice by

Wendelin of Spires (_c._ 1470), and after a moderate success in Italy,

twenty-three editions in fourteen years, it was taken up in the North

and quickly attained great popularity. By 1500 more than 160 editions

had been printed, of the whole or of various parts, and in the next

twenty years there were nearly another hundred, before it was

superseded by more modern compositions, such as Linacre's grammar,

which held the field throughout Europe for a great part of the

sixteenth century. The number of Deventer editions of the _Doctrinale_

is considerable, mostly containing the glosses of Hegius and Zinthius,

which overwhelm the text with commentary; a single distich often

receiving two pages of notes, so full of typographical abbreviations

and so closely packed together as to be almost illegible. This very

fullness, however, probably indicates a change in the method of

teaching, which by quickening it up must indeed have put new life into

it; for it would clearly have been impossible to dictate such lengthy

commentaries, or the boys would have made hardly any progress.

Thirty years ago in England a schoolboy of eleven found himself

supplied with abridged Latin and Greek dictionaries, out of which to

build up larger familiarity with these languages. Erasmus at Deventer

had no such endowments. A school of those days would have been thought

excellently equipped if the head master and one or two of his

assistants had possessed, in manuscript or in print, one or other of

the famous vocabularies in which was amassed the etymological

knowledge of the Middle Ages. Great books are costly, and scholars are

ever poor. The normal method of acquiring a dictionary was, no doubt,

to construct it for oneself; the schoolboy laying foundations and

building upon them as he rose from form to form, and the mature

student constantly enlarging his plan throughout his life and adding

to it the treasures gained by wider reading. A sure method, though

necessarily circumscribed, at least in the beginning. We can imagine

how men so rooted and grounded must have shaken their heads over

'learning made easy', when the press had begun to diffuse cheap

dictionaries, which spared the younger generation such labour.

Though they were scarcely 'for the use of schools', it will repay us

to examine some of the mediaeval dictionaries which lasted down to the

Renaissance in general use; for they formed the background of

educational resources, and from them we can estimate the standards of

teaching attained in the late fifteenth century. First the

_Catholicon_, compiled by John Balbi, a Dominican of Genoa, and

completed on 7 March 1286; a work of such importance to the age we are

considering that it was printed at Mainz as early as 1460, and there

were many editions later. Badius' at Paris, 1506, for instance, was

reprinted in 1510, 1511, 1514. In his preface Balbi announces that his

dictionary is to be on the alphabetical principle; and, what is even

more surprising to us, he goes on to explain at great length what the

alphabetical principle is. Thus: 'I am going to treat of amo and bibo.

I shall take amo before bibo, because a is the first letter in amo and

b is the first letter in bibo; and a is before b in the alphabet.

Again I have to treat of abeo and adeo. I shall take abeo before adeo,

because b is the second letter in abeo and d is the second letter in

adeo; and b is before d in the alphabet.' And so he goes on: amatus

will be treated before amor, imprudens before impudens, iusticia

before iustus, polisintheton before polissenus--the two last being

from the Greek. 'But note', he continues, 'that in polissenus, s is

the fifth letter and also the sixth, because s is repeated there. A

repetition is therefore equivalent to a double letter; and thus this

arrangement will show when l, m, n, r, s or indeed any other letter is

to be doubled. And in order that the reader may find quickly what he

seeks, whenever the first or second letter of a word is changed, we

shall mark it with azure blue.' His preface ends with an appeal. 'This

arrangement I have worked out with great labour; yet not I, but the

grace of God with me. I entreat you therefore, reader, do not contemn

my work as something rude and barbarous.'

The most striking feature of the dictionary is its etymology. Almost

every word is supplied with a derivation, often very far-fetched. Thus

glisco is derived from 'glykis, quod est dulcis; que enim dulcia sunt

desiderare solemus': gliscere therefore is equivalent to desiderare,

crescere, pinguescere and several other words. After this we are not

surprised at the following account of a dormouse. 'Glis a glisco:

quoddam genus murium quod multum dormit. Et dicitur sic quod sompnus

facit glires pingues et crescere.' Here is another piece of natural

history. 'Irundo ab aer dicitur: quia non residens sed in aere capiens

cibos edat, quasi in aere edens.' There is simplicity in the

following: 'Nix a nubes, quia a nube venit.' Again: 'Ouis ab offero

vel obluo: quia antiquitus in inicio non tauri sed oues in sacrificio

mactarentur. Priscianus vero dicit quod descendit a Greco ... oys.'

Besides his philology the good Dominican was also a theologian; and

when he comes to the words upon which his world was built, he cannot

dismiss them as lightly as the snow. So Antichristus has two columns,

that is to say a folio page: confiteor 1½, conscientia 2¼, ordo 2½,

virgo two columns.

Much light is thrown on Balbi's work by the dictionary of his

predecessor, Huguitio of Pisa, Bishop of Ferrara (d. 1210). The title

of this, _Liber deriuationum_, indicates its character. Instead of the

alphabetical principle the words are arranged according to their

etymology; all that are assigned to a given root being grouped

together. This made it necessary, or at any rate desirable, to find a

derivation for every word; and with ingenuity to aid this was done as

far as possible. Besides derivatives even compounds came under the

simple root; and in consequence it must have been extremely difficult

to find a word unless one already knew a good deal about it. It is no

wonder that the book was never printed; although it occurs frequently

in the catalogues of mediaeval libraries.

A few examples will suffice. Under capio are found capax, captiuus,

capillus, caput with all its derivatives, anceps, praeceps,

principium, caper, capus, caupo, cippus, scipio, <s>ceptrum; and even

cassis and catena. Similarly under nubo come nubes, nebula, nebulo,

nix, niger, nimpha, limpha, limpidus. With such a book as one's only

support it was clearly of the highest importance to be good at

etymology; with ouis, for instance, not to be troubled by Priscian's

fanciful derivation from the Greek, but to know that it came from

offero, and was therefore to be found under fero; or again to look for

hirundo under aer. Nor need we be surprised at the strange derivations

upon which arguments were sometimes founded: that Sprenger, the

inquisitor, could explain femina 'quia minorem habet et seruat fidem';

or the preacher over whom Erasmus' Folly makes merry, find authority

for burning heretics in the Apostle's command 'Haereticum deuita'.

We are now in a position to understand Balbi's performance in the

_Catholicon_. From the apologetic tone of his preface it is clear that

he felt Huguitio's work to be the really scientific thing, the only

book that a scholar would consult: but evidently experience had shown

the difficulty of using it, and therefore for the weakness of lesser

men like himself he reverted to the sequence of the alphabet. In

cumbering himself with derivations, too, he shows that he knows his

place. He may have had a glimmering that some of them were absurd; and

that Priscian with his reference to the Greek was a safer guide. But

to a scholar brought up on Huguitio derivations were of the first

importance; and to leave them out would have been only another mark of

inferiority.

Beyond Huguitio we may go back to Papias, a learned Lombard (_fl._

1051), whose Vocabulary was still in use in the fifteenth century, and

was printed at Milan in 1476. The editions of it are far fewer than

those of the _Catholicon_; a fact which presumably points to the

superiority of the later work. Papias also used the alphabetical

principle; and his lengthy explanation of it, which lacks, however,

the lucidity of Balbi's, probably implies that his predecessors had

adopted the etymological arrangement by derivations, or the divisions

of Isidore according to subjects. In a few cases he makes concession

to etymology, by giving derivatives under their root, e.g. under ago

come all the words derived from it: but he has regard to the weak, and

places them also in their right alphabetical position. Not many

derivations are given; but one of them is well known. Lucus is defined

as 'locus amenus, vbi multae arbores sunt. Lucus dictus [Greek: kata

antiphrasin] quia caret luce pro nimia arborum vmbra; vel a colocando

crebris luminibus (_aliter_ uiminibus), siue a luce, quod in eo

lucebant funalia propter nemorum tenebras.' This in the hands of Balbi

becomes 'per contrarium lucus dicitur a lucendo', or, as we say

popularly, 'lucus a non lucendo.' December, again, is derived from

decem and imbres 'quibus abundare solet'; and so too the other

numbered months.

It is noticeable that Papias has some knowledge of Greek, for

derivations in Greek letters occur, e.g. 'Acrocerauni: montes propter

altitudinem & fulminum iactus dicti. Graece enim fulmen [Greek:

keraunos] ceraunos dicitur, et acra [Greek: akra] sumitas'; and a

great many Greek and Hebrew words are given transliterated into Latin,

ballein, fagein, Ennosigaeus. Like Balbi, Papias travels outside the

limits of a mere dictionary, and his interests are not restricted to

theology. Aetas draws him into an account of the various ages of the

world, regnum into a view of its kingdoms. Carmen provokes 7 columns,

3½ folio pages, on metres; lapis 2 columns on precious stones. Italy

receives 2 columns, and ¾ of a column are given to St. Paul.

Contrariwise there is often great brevity in his interpretations:

'Samium locus est', 'heroici antiqui', 'mederi curare'. His treatment

of miraculum is interesting; 'A miracle is to raise the dead to life;

but it is a wonder (mirabile) for a fire to be kindled in the water,

or for a man to move his ears.' The next heading is mirabilia, for

which his examples are taken from the ends of the earth. He begins:

'Listen. Among the Garamantes is a spring so cold by day that you

cannot drink it, so hot at night that you cannot put your finger into

it.' A fig-tree in Egypt, apples of Sodom, the non-deciduous trees of

an island in India--these are the other travellers' tales which serve

him for wonders.

The alphabetical method did not hold its own without struggle. It

prevailed in Robert Stephanus' Latin _Thesaurus_ (1532), the most

considerable work of its kind that had been compiled since the

invention of printing; but Dolet's Commentaries on the Latin Tongue

(1536), are practically a reversion to the arrangement by roots. Henry

Stephanus' Greek _Thesaurus_ (1572) and Scapula's well-known

abridgement of it (1579) are both radical; and as late as the

seventeenth century this method was employed in the first Dictionary

of the French Academy, which was designed in 1638 but not published

till 1694. That, however, was its last appearance. The preface to the

Academy's second Dictionary (1700 and 1718), after comparing the two

methods, says: 'The arrangement by roots is the most scientific, and

the most instructive to the student; but it is not suited to the

impatience of the French people, and so the Academy has felt obliged

to abandon it.'[11] The ordinary user of dictionaries to-day would be

surprised at being called impatient for expecting the words to be put

in alphabetical order.

[11] Cf. R.C. Christie, _Étienne Dolet_, ch. xi.

In mediaeval times there was one very real obstacle to the use of the

alphabetical method, and that was the uncertainty of spelling. Both

Papias and Balbi allude to it in their prefaces; but it did not deter

them from their enterprise. Even in the days of printing language

takes a long time to crystallize down into accepted forms, correct and

incorrect. You may see Dutchess with a t at Blenheim, well within the

eighteenth century, and forgo has only recently decided to give up its

e. In the days of manuscripts men spelt pretty much as they pleased,

making very free even with their own names; and uncritical copyists,

caring only to reproduce the word, and not troubling about the exact

orthography of their original, did nothing to check the ever-growing

variety. Such licence was agreeable for the imaginative, but it made

despairing work for the compilers of dictionaries. Some of their

difficulties may be given as examples. In the early days of minuscule

writing, when writing-material was still scarce, to save space it was

common to write the letter e with a reversed cedilla beneath it to

denote the diphthongs -ae and -oe. In the Middle Ages the cedilla was

commonly dropped, leaving the e plain; and so mostly it remained until

the sixteenth century revived the diphthong, or at least the two

double letters.

At all periods down to 1600, some hands are found in which it is

impossible to distinguish between c and t; and hence in mediaeval

times, and even later, such forms as fatio, loto, pecieris, licterae

are not infrequently found for facio, loco, petieris, litterae. An

extreme example of the confusion which this variability must have

caused is in the case of the fourteenth-century annalist, Nicholas

Trivet, whose surname sometimes appears as Cerseth or Chereth.

The doubling of consonants, too, was often a matter of doubt, and the

Middle Ages, possibly again for reasons of space, used many words with

single consonants instead of two--difficilimus, Salustius, consumare,

comodum, opidum, fuise. The letter h was the source of infinite

trouble. Sometimes it was surprisingly omitted, as in actenus, irundo,

Oratius, ortus--in the latter cases perhaps under Italian influence;

sometimes it appears unexpectedly, as in Therentius, Theutonia,

Thurcae, Hysidorus, habundare, and even haspirafio; or in abhominor,

where it bolstered up the derivation from homo: or it might change its

place from one consonant to another, as in calchographus, cartha.

Papias found it a great trouble, and indeed was quite muddled with it,

placing hyppocrita, hippomanes among the h's, but hippopedes and

several others under the i's, though without depriving them of initial

h. In France, h between two short i's was considered to need support,

and so we find michi, nichil, occurring quite regularly. The

difficulty of i and y was met by the suppression of the latter; so

that though it sometimes appears unexpectedly, as in hysteria, it is

only treated as i. Between f and ph there was much uncertainty; phas,

phanum, prophanus are well-known forms, or conversely Christofer,

flenbothomari, Flegeton. B and p were often confused, as in babtizare,

plasphemus; and p made its way into such words as ampnis, dampnum,

alumpnus. A triumph of absurd variation is achieved by Alexander

Neckam, who begins a sentence 'Coquinarii quocunt'.

With the increased learning of the Renaissance these varieties

gradually disappear. The printers, too, rendered good service in

promoting uniformity, each firm having its standard orthography for

doubtful cases, as printers do to-day. The use of e for ae is abundant

in the first books printed North of the Alps; but it steadily

diminishes, and by 1500 has almost vanished. In manuscripts, where it

was easy to forget to add the cedilla, the plain e lasts much longer.

There was also confusion in the reverse direction. Well into the

sixteenth century the cedilla is often found wrongly added to words

such as puer, equus, eruditus, epistola; in 1550 the Froben firm was

still regularly printing aedo, aeditio; and in the index to an edition

of Aquinas, Venice, 1593, aenigma and Aegyptus, spelt in this way, are

only to be found under e. Other forms of error persisted long. To the

end of his life Erasmus usually wrote irito, oportunus; in 1524 he

could still use Oratius. The town of Boppard on the Rhine he styles

indifferently Bobardia or Popardia: just as, much later, editors

described the elder Camerarius of Bamberg as Bapenbergensis in 1583,

as Pabepergensis in 1595. As late as 1540 a little book was printed in

Paris to demonstrate that michi and nichil were incorrect.

In such a state of flux we need not wonder that the mediaeval writers

of dictionaries found the alphabetical arrangement not the way of

simplification they had hoped, but rather to be full of pitfalls; nor

again that the men of the Renaissance thought the work of their

predecessors so lamentably inadequate. We shall do better to admire in

both cases the brilliance and constancy which could achieve so much

with such imperfect instruments.

To complete our sketch of the books on which the scholars of the

fifteenth century had to rely we may consider two more. The first is

the great encyclopaedia of Vincent of Beauvais, a Dominican friar

(_c._ 1190-1264). It was printed in 1472-6 by Mentelin at Strasburg,

in six enormous volumes; and no one can properly appreciate the

magnitude of the work who has not tried to lift these volumes about.

Vincent was not the first to attempt this encyclopaedic enterprise,

for his work is based on that of another Frenchman, Helinand, who died

in 1229. In his preface he states that his prior had urged him to

reduce his _Speculum_ to a manual; being doubtless an old man, and

appalled at these colossal fruits of his friar's industry. But this

was too much for the proud author after all his labour. He did,

however, consent to cut it up into portions. The _Speculum naturale_

gives a description of the world in all its parts, animal and

vegetable and mineral; the _Speculum doctrinale_ taught how to

practise the arts and sciences; the _Speculum historiale_ embraced the

world's history down to 1250; and the _Speculum morale_, which is

perhaps not by Vincent, found room for the philosophies.

But few libraries can have possessed this work in full. Our other book

was much more compassable and more widely circulated. Its author was a

certain Johannes Marchesinus, of whom so little is known that his date

has been put both at 1300 and at 1466. Even the title of the book was

uncertain. Marchesinus names it Mammotrectus or Mammetractus, which he

explains as 'led by a pedagogue'; but a current form of the name was

Mammothreptus, which was interpreted as 'brought up by one's

grandmother'. The book consists of a commentary on the whole Bible,

chapter by chapter; and also upon the _Legenda Sanctorum_, upon

various sermons and homilies, responses, antiphons, and hymns, with

notes on the Hebrew months, ecclesiastical vestments, and other

subjects likely to be useful to students in the Church, especial

emphasis being laid on pronunciation and quantity. It was intended,

Marchesinus tells us in his preface, for the use of the poor clergy,

to aid them in writing sermons and in reading difficult Hebrew names;

and from the sympathy with which he enters into their troubles, it

seems clear that he knew them from personal experience.

From its scope the book might be expected to be as large as Vincent's

_Speculum_, but in fact it can be printed in a quarto volume. It was

not intended to compete with the great commentaries of Peter the

Lombard, or Nicholas Lyra, or Hugh of St. Victor, which fill many

folios. It was to be within reach of the poor parish priest, and so

must not be costly. But the surprising part of the book is its

triviality. With so little space available, one would have expected to

find nothing admitted that was not important: but the fact is that it

has nothing which is not elementary. There is nothing historical,

nothing theological, only a few simple points of grammar and quantity.

For example, in the story of Deborah, Judges iv, the commentary runs

as follows:

The Age of Erasmus Lectures Delivered in the Universities of Oxford and London · 第 15 / 37 题